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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB37E1 it is the complementary color #24C81E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB37E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB37E1 shade: #E037DC, #F149EF, #FF5BFF, #FF6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB37E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB37E1 shade: #DB37E1, #CA25CE, #B913BB, #A801A8 and #970095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB37E1 shade: #DB37E1, #E137B9, #E1378B, #E1375D and #E13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB37E1 shade: #DB37E1, #AD37E1, #7F37E1, #5137E1 and #3737E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB37E1 shade matches the following richer shades: #DB37E1 and #EC24F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB37E1 shade: #DB37E1, #C949CE, #B85CBC, #A76FA9 and #968196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB37E1 shade: #7E37E1, #AB37E1, #D837E1, #E137BC and #E1378F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB37E1 shade: #A719AC, #C91FD0, #DB37E1, #E15BE6 and #E87FEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB37E1 shade: #DB37E1, #E15037 and #37E194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB37E1 shade: #DB37E1, #E1D837 and #37E1D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB37E1 shade: #DB37E1, #E15037, #3FE137 and #37C7E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB37E1 shade: #DB37E1, #E18337, #3FE137 and #3794E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

Complementary color

CMYK 82 / 0 / 85 / 22

HEX #24C81E

RGB 36 200 30

HSL 117.88, 0.74%, 0.45%

LAB 70.72, -68.58, 65.22

 

CMYK 0 / 75 / 2 / 12

HEX #E037DC

RGB 224 55 220

HSL 301.42, 0.73%, 0.55%

LAB 55.83, 80.14, -48.7

 

CMYK 0 / 70 / 1 / 5

HEX #F149EF

RGB 241 73 239

HSL 300.71, 0.86%, 0.62%

LAB 61.39, 81.13, -50.38

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 2 / 82 / 0 / 19

HEX #CA25CE

RGB 202 37 206

HSL 298.58, 0.7%, 0.48%

LAB 49.9, 78.24, -50.37

 

CMYK 1 / 90 / 0 / 27

HEX #B913BB

RGB 185 19 187

HSL 299.29, 0.82%, 0.4%

LAB 44.76, 75.54, -47.72

 

CMYK 0 / 99 / 0 / 34

HEX #A801A8

RGB 168 1 168

HSL 300, 0.99%, 0.33%

LAB 39.87, 71.77, -44.45

 

CMYK 0 / 100 / 1 / 41

HEX #970095

RGB 151 0 149

HSL 300.79, 1%, 0.3%

LAB 35.5, 66.15, -40.13

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 0 / 76 / 18 / 12

HEX #E137B9

RGB 225 55 185

HSL 314.12, 0.74%, 0.55%

LAB 54.28, 75.38, -31.06

 

CMYK 0 / 76 / 38 / 12

HEX #E1378B

RGB 225 55 139

HSL 330.35, 0.74%, 0.55%

LAB 52.51, 70.02, -6.66

 

CMYK 0 / 76 / 59 / 12

HEX #E1375D

RGB 225 55 93

HSL 346.59, 0.74%, 0.55%

LAB 51.3, 66.21, 19.32

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 23 / 76 / 0 / 12

HEX #AD37E1

RGB 173 55 225

HSL 281.65, 0.74%, 0.55%

LAB 48.33, 71.25, -64

 

CMYK 44 / 76 / 0 / 12

HEX #7F37E1

RGB 127 55 225

HSL 265.41, 0.74%, 0.55%

LAB 42.28, 63.55, -74.11

 

CMYK 64 / 76 / 0 / 12

HEX #5137E1

RGB 81 55 225

HSL 249.18, 0.74%, 0.55%

LAB 37.69, 57.54, -81.81

 

CMYK 76 / 76 / 0 / 12

HEX #3737E1

RGB 55 55 225

HSL 240, 0.74%, 0.55%

LAB 35.95, 55.19, -84.76

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 3 / 85 / 0 / 5

HEX #EC24F3

RGB 236 36 243

HSL 297.97, 0.9%, 0.55%

LAB 57.62, 90.02, -58.67

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 2 / 65 / 0 / 19

HEX #C949CE

RGB 201 73 206

HSL 297.74, 0.58%, 0.55%

LAB 53.64, 66.9, -44.43

 

CMYK 2 / 51 / 0 / 26

HEX #B85CBC

RGB 184 92 188

HSL 297.5, 0.42%, 0.55%

LAB 53.47, 50.83, -34.53

 

CMYK 1 / 34 / 0 / 34

HEX #A76FA9

RGB 167 111 169

HSL 297.93, 0.25%, 0.55%

LAB 54.5, 31.88, -22.11

 

CMYK 0 / 14 / 0 / 41

HEX #968196

RGB 150 129 150

HSL 300, 0.09%, 0.55%

LAB 56.47, 11.91, -8.29

 

CMYK 44 / 76 / 0 / 12

HEX #7E37E1

RGB 126 55 225

HSL 265.06, 0.74%, 0.55%

LAB 42.16, 63.4, -74.31

 

CMYK 24 / 76 / 0 / 12

HEX #AB37E1

RGB 171 55 225

HSL 280.94, 0.74%, 0.55%

LAB 48.04, 70.89, -64.48

 

CMYK 4 / 76 / 0 / 12

HEX #D837E1

RGB 216 55 225

HSL 296.82, 0.74%, 0.55%

LAB 54.83, 79.34, -53.2

 

CMYK 0 / 76 / 16 / 12

HEX #E137BC

RGB 225 55 188

HSL 313.06, 0.74%, 0.55%

LAB 54.42, 75.78, -32.59

 

CMYK 0 / 76 / 36 / 12

HEX #E1378F

RGB 225 55 143

HSL 328.94, 0.74%, 0.55%

LAB 52.65, 70.43, -8.85

 

CMYK 3 / 85 / 0 / 33

HEX #A719AC

RGB 167 25 172

HSL 297.96, 0.75%, 0.39%

LAB 41.04, 68.98, -44.98

 

CMYK 3 / 85 / 0 / 18

HEX #C91FD0

RGB 201 31 208

HSL 297.63, 0.74%, 0.47%

LAB 49.44, 79.58, -52.27

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 2 / 60 / 0 / 10

HEX #E15BE6

RGB 225 91 230

HSL 297.84, 0.74%, 0.63%

LAB 60.96, 69.4, -46.2

 

CMYK 1 / 46 / 0 / 8

HEX #E87FEB

RGB 232 127 235

HSL 298.33, 0.73%, 0.71%

LAB 68.27, 55.61, -37.45

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 0 / 64 / 76 / 12

HEX #E15037

RGB 225 80 55

HSL 8.82, 0.74%, 0.55%

LAB 54.05, 55.11, 44.49

 

CMYK 76 / 0 / 34 / 12

HEX #37E194

RGB 55 225 148

HSL 152.82, 0.74%, 0.55%

LAB 80.07, -59.68, 25.82

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 0 / 4 / 76 / 12

HEX #E1D837

RGB 225 216 55

HSL 56.82, 0.74%, 0.55%

LAB 84.69, -14.09, 74.44

 

CMYK 76 / 0 / 4 / 12

HEX #37E1D8

RGB 55 225 216

HSL 176.82, 0.74%, 0.55%

LAB 81.63, -43.36, -7.76

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 0 / 64 / 76 / 12

HEX #E15037

RGB 225 80 55

HSL 8.82, 0.74%, 0.55%

LAB 54.05, 55.11, 44.49

 

CMYK 72 / 0 / 76 / 12

HEX #3FE137

RGB 63 225 55

HSL 117.18, 0.74%, 0.55%

LAB 79.15, -70.96, 66.32

 

CMYK 76 / 12 / 0 / 12

HEX #37C7E1

RGB 55 199 225

HSL 189.18, 0.74%, 0.55%

LAB 74.25, -28.63, -23.69

 

CMYK 3 / 76 / 0 / 12

HEX #DB37E1

RGB 219 55 225

HSL 297.88, 0.74%, 0.55%

LAB 55.31, 79.93, -52.41

 

CMYK 0 / 42 / 76 / 12

HEX #E18337

RGB 225 131 55

HSL 26.82, 0.74%, 0.55%

LAB 63.77, 30.42, 54.5

 

CMYK 72 / 0 / 76 / 12

HEX #3FE137

RGB 63 225 55

HSL 117.18, 0.74%, 0.55%

LAB 79.15, -70.96, 66.32

 

CMYK 76 / 34 / 0 / 12

HEX #3794E1

RGB 55 148 225

HSL 207.18, 0.74%, 0.55%

LAB 59.37, -1.31, -46.82

 

Description

Color code: HEX #DB37E1 | qconv.com Color code: HEX #DB37E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 55 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 55 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 76 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 76% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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