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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3378 it is the complementary color #24CC87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3378 shade: #E03373, #F14586, #FF5799, #FF69AC and #FF7BBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3378 shade: #DB3378, #CA2165, #B90F52, #A8003F and #97002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3378 shade: #DB3378, #DB334A and #DB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3378 shade: #DB3378, #DB33A5, #DB33D2, #B633DB and #8833DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3378 shade matches the following richer shades: #DB3378 and #EE1F74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3378 shade: #DB3378, #C7467B, #B45A7F, #A06D82 and #8D8086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3378 shade: #DB33D2, #DB33A5, #DB3379, #DB334C and #DB4633

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3378 shade: #9F1C52, #C22264, #DB3378, #E1568F and #E779A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3378 shade: #DB3378, #DBB633 and #33BCDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3378 shade: #DB3378, #79DB33 and #3379DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3378 shade: #DB3378, #DBB633, #33DB95 and #3357DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3378 shade: #DB3378, #CDDB33, #33DB95 and #4133DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

Complementary color

CMYK 82 / 0 / 34 / 20

HEX #24CC87

RGB 36 204 135

HSL 155.36, 0.7%, 0.47%

LAB 73.1, -56.6, 23.1

 

CMYK 0 / 77 / 49 / 12

HEX #E03373

RGB 224 51 115

HSL 337.8, 0.74%, 0.54%

LAB 51.21, 68.74, 5.86

 

CMYK 0 / 71 / 44 / 5

HEX #F14586

RGB 241 69 134

HSL 337.33, 0.86%, 0.61%

LAB 56.76, 69.34, 2.87

 

CMYK 0 / 66 / 40 / 0

HEX #FF5799

RGB 255 87 153

HSL 336.43, 1%, 0.67%

LAB 61.98, 68.59, -0.36

 

CMYK 0 / 59 / 33 / 0

HEX #FF69AC

RGB 255 105 172

HSL 333.2, 1%, 0.71%

LAB 65.23, 63.3, -6.48

 

CMYK 0 / 52 / 25 / 0

HEX #FF7BBF

RGB 255 123 191

HSL 329.09, 1%, 0.74%

LAB 68.89, 57.54, -11.77

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 84 / 50 / 21

HEX #CA2165

RGB 202 33 101

HSL 335.86, 0.72%, 0.46%

LAB 45.06, 66.51, 5.08

 

CMYK 0 / 92 / 56 / 27

HEX #B90F52

RGB 185 15 82

HSL 336.35, 0.85%, 0.39%

LAB 40.02, 64.12, 9.43

 

CMYK 0 / 100 / 63 / 34

HEX #A8003F

RGB 168 0 63

HSL 337.5, 1%, 0.33%

LAB 35.37, 60.55, 14.72

 

CMYK 0 / 100 / 71 / 41

HEX #97002C

RGB 151 0 44

HSL 342.52, 1%, 0.3%

LAB 31.26, 55.35, 21.13

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 77 / 66 / 14

HEX #DB334A

RGB 219 51 74

HSL 351.79, 0.7%, 0.53%

LAB 49.4, 64.6, 28.06

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 77 / 25 / 14

HEX #DB33A5

RGB 219 51 165

HSL 319.29, 0.7%, 0.53%

LAB 52, 72.6, -22.98

 

CMYK 0 / 77 / 4 / 14

HEX #DB33D2

RGB 219 51 210

HSL 303.21, 0.7%, 0.53%

LAB 54.11, 78.72, -45.79

 

CMYK 17 / 77 / 0 / 14

HEX #B633DB

RGB 182 51 219

HSL 286.79, 0.7%, 0.53%

LAB 48.79, 73.06, -59.77

 

CMYK 38 / 77 / 0 / 14

HEX #8833DB

RGB 136 51 219

HSL 270.36, 0.7%, 0.53%

LAB 42.33, 65.14, -70.55

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 87 / 51 / 7

HEX #EE1F74

RGB 238 31 116

HSL 335.36, 0.86%, 0.53%

LAB 52.31, 76.81, 7.17

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 65 / 38 / 22

HEX #C7467B

RGB 199 70 123

HSL 335.35, 0.54%, 0.53%

LAB 49.44, 55.77, -2.1

 

CMYK 0 / 50 / 29 / 29

HEX #B45A7F

RGB 180 90 127

HSL 335.33, 0.38%, 0.53%

LAB 50.15, 40.71, -3.78

 

CMYK 0 / 32 / 19 / 37

HEX #A06D82

RGB 160 109 130

HSL 335.29, 0.21%, 0.53%

LAB 51.86, 23.5, -3.34

 

CMYK 0 / 9 / 5 / 45

HEX #8D8086

RGB 141 128 134

HSL 332.31, 0.05%, 0.53%

LAB 54.89, 6.05, -1.45

 

CMYK 0 / 77 / 4 / 14

HEX #DB33D2

RGB 219 51 210

HSL 303.21, 0.7%, 0.53%

LAB 54.11, 78.72, -45.79

 

CMYK 0 / 77 / 25 / 14

HEX #DB33A5

RGB 219 51 165

HSL 319.29, 0.7%, 0.53%

LAB 52, 72.6, -22.98

 

CMYK 0 / 77 / 45 / 14

HEX #DB3379

RGB 219 51 121

HSL 335, 0.7%, 0.53%

LAB 50.46, 67.93, 1.02

 

CMYK 0 / 77 / 65 / 14

HEX #DB334C

RGB 219 51 76

HSL 351.07, 0.7%, 0.53%

LAB 49.43, 64.7, 26.9

 

CMYK 0 / 68 / 77 / 14

HEX #DB4633

RGB 219 70 51

HSL 6.79, 0.7%, 0.53%

LAB 51.47, 57.01, 43.57

 

CMYK 0 / 82 / 48 / 38

HEX #9F1C52

RGB 159 28 82

HSL 335.27, 0.7%, 0.37%

LAB 35.62, 54.94, 2.43

 

CMYK 0 / 82 / 48 / 24

HEX #C22264

RGB 194 34 100

HSL 335.25, 0.7%, 0.45%

LAB 43.56, 64.16, 3.34

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 62 / 36 / 12

HEX #E1568F

RGB 225 86 143

HSL 335.4, 0.7%, 0.61%

LAB 56.73, 59.13, -2.8

 

CMYK 0 / 48 / 28 / 9

HEX #E779A6

RGB 231 121 166

HSL 335.45, 0.7%, 0.69%

LAB 64.5, 47.51, -4.53

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 17 / 77 / 14

HEX #DBB633

RGB 219 182 51

HSL 46.79, 0.7%, 0.53%

LAB 75.3, 0.56, 66.91

 

CMYK 77 / 14 / 0 / 14

HEX #33BCDB

RGB 51 188 219

HSL 191.07, 0.7%, 0.53%

LAB 70.72, -25.48, -25.84

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 45 / 0 / 77 / 14

HEX #79DB33

RGB 121 219 51

HSL 95, 0.7%, 0.53%

LAB 79.02, -55.29, 68.05

 

CMYK 77 / 45 / 0 / 14

HEX #3379DB

RGB 51 121 219

HSL 215, 0.7%, 0.53%

LAB 51.26, 12.31, -56.38

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 0 / 17 / 77 / 14

HEX #DBB633

RGB 219 182 51

HSL 46.79, 0.7%, 0.53%

LAB 75.3, 0.56, 66.91

 

CMYK 77 / 0 / 32 / 14

HEX #33DB95

RGB 51 219 149

HSL 155, 0.7%, 0.53%

LAB 78.19, -57.72, 22.74

 

CMYK 77 / 60 / 0 / 14

HEX #3357DB

RGB 51 87 219

HSL 227.14, 0.7%, 0.53%

LAB 42.21, 33.88, -71.04

 

CMYK 0 / 77 / 45 / 14

HEX #DB3378

RGB 219 51 120

HSL 335.36, 0.7%, 0.53%

LAB 50.43, 67.84, 1.59

 

CMYK 6 / 0 / 77 / 14

HEX #CDDB33

RGB 205 219 51

HSL 65, 0.7%, 0.53%

LAB 83.9, -24.04, 74.35

 

CMYK 77 / 0 / 32 / 14

HEX #33DB95

RGB 51 219 149

HSL 155, 0.7%, 0.53%

LAB 78.19, -57.72, 22.74

 

CMYK 70 / 77 / 0 / 14

HEX #4133DB

RGB 65 51 219

HSL 245, 0.7%, 0.53%

LAB 35.21, 56.19, -82.51

 

Description

Color code: HEX #DB3378 | qconv.com Color code: HEX #DB3378 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 51 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 51 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 45 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 45% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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