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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB33CD it is the complementary color #24CC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB33CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB33CD shade: #E033C8, #F145DB, #FF57EE, #FF69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB33CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB33CD shade: #DB33CD, #CA21BA, #B90FA7, #A80094 and #970081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB33CD shade: #DB33CD, #DB339F, #DB3372, #DB3345 and #DB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB33CD shade: #DB33CD, #BB33DB, #8E33DB, #6133DB and #3433DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB33CD shade matches the following richer shades: #DB33CD and #EE1FDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB33CD shade: #DB33CD, #C746BC, #B45AAC, #A06D9C and #8D808C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB33CD shade: #8F33DB, #BC33DB, #DB33CD, #DB33A0 and #DB3373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB33CD shade: #9F1C94, #C222B5, #DB33CD, #E156D5 and #E779DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB33CD shade: #DB33CD, #DB6233 and #33DBA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB33CD shade: #DB33CD, #CDDB33 and #33CDDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB33CD shade: #DB33CD, #DB6233, #33DB41 and #33ABDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB33CD shade: #DB33CD, #DB9533, #33DB41 and #3379DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

Complementary color

CMYK 82 / 0 / 75 / 20

HEX #24CC32

RGB 36 204 50

HSL 125, 0.7%, 0.47%

LAB 72.09, -68.58, 60.86

 

CMYK 0 / 77 / 11 / 12

HEX #E033C8

RGB 224 51 200

HSL 308.32, 0.74%, 0.54%

LAB 54.43, 78.3, -39.5

 

CMYK 0 / 71 / 9 / 5

HEX #F145DB

RGB 241 69 219

HSL 307.67, 0.86%, 0.61%

LAB 59.95, 79.42, -41.44

 

CMYK 0 / 66 / 7 / 0

HEX #FF57EE

RGB 255 87 238

HSL 306.07, 1%, 0.67%

LAB 65.16, 79.28, -43.74

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 84 / 8 / 21

HEX #CA21BA

RGB 202 33 186

HSL 305.68, 0.72%, 0.46%

LAB 48.5, 76.1, -41

 

CMYK 0 / 92 / 10 / 27

HEX #B90FA7

RGB 185 15 167

HSL 306.35, 0.85%, 0.39%

LAB 43.43, 73.15, -38.01

 

CMYK 0 / 100 / 12 / 34

HEX #A80094

RGB 168 0 148

HSL 307.14, 1%, 0.33%

LAB 38.66, 69.02, -34.29

 

CMYK 0 / 100 / 15 / 41

HEX #970081

RGB 151 0 129

HSL 308.74, 1%, 0.3%

LAB 34.32, 63.28, -29.63

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 77 / 27 / 14

HEX #DB339F

RGB 219 51 159

HSL 321.43, 0.7%, 0.53%

LAB 51.76, 71.88, -19.81

 

CMYK 0 / 77 / 48 / 14

HEX #DB3372

RGB 219 51 114

HSL 337.5, 0.7%, 0.53%

LAB 50.27, 67.33, 4.99

 

CMYK 0 / 77 / 68 / 14

HEX #DB3345

RGB 219 51 69

HSL 353.57, 0.7%, 0.53%

LAB 49.32, 64.35, 30.94

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 15 / 77 / 0 / 14

HEX #BB33DB

RGB 187 51 219

HSL 288.57, 0.7%, 0.53%

LAB 49.55, 73.99, -58.5

 

CMYK 35 / 77 / 0 / 14

HEX #8E33DB

RGB 142 51 219

HSL 272.5, 0.7%, 0.53%

LAB 43.11, 66.1, -69.24

 

CMYK 56 / 77 / 0 / 14

HEX #6133DB

RGB 97 51 219

HSL 256.43, 0.7%, 0.53%

LAB 37.88, 59.58, -78.01

 

CMYK 76 / 77 / 0 / 14

HEX #3433DB

RGB 52 51 219

HSL 240.36, 0.7%, 0.53%

LAB 34.42, 55.17, -83.85

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 87 / 7 / 7

HEX #EE1FDD

RGB 238 31 221

HSL 304.93, 0.86%, 0.53%

LAB 56.46, 88.03, -48.12

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 65 / 6 / 22

HEX #C746BC

RGB 199 70 188

HSL 305.12, 0.54%, 0.53%

LAB 52.01, 64.62, -36.66

 

CMYK 0 / 50 / 4 / 29

HEX #B45AAC

RGB 180 90 172

HSL 305.33, 0.38%, 0.53%

LAB 51.83, 47.77, -27.84

 

CMYK 0 / 32 / 2 / 37

HEX #A06D9C

RGB 160 109 156

HSL 304.71, 0.21%, 0.53%

LAB 52.74, 28.13, -17.3

 

CMYK 0 / 9 / 1 / 45

HEX #8D808C

RGB 141 128 140

HSL 304.62, 0.05%, 0.53%

LAB 55.07, 7.22, -4.68

 

CMYK 35 / 77 / 0 / 14

HEX #8F33DB

RGB 143 51 219

HSL 272.86, 0.7%, 0.53%

LAB 43.24, 66.26, -69.02

 

CMYK 14 / 77 / 0 / 14

HEX #BC33DB

RGB 188 51 219

HSL 288.93, 0.7%, 0.53%

LAB 49.71, 74.17, -58.25

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 77 / 27 / 14

HEX #DB33A0

RGB 219 51 160

HSL 321.07, 0.7%, 0.53%

LAB 51.8, 72, -20.34

 

CMYK 0 / 77 / 47 / 14

HEX #DB3373

RGB 219 51 115

HSL 337.14, 0.7%, 0.53%

LAB 50.29, 67.41, 4.42

 

CMYK 0 / 82 / 7 / 38

HEX #9F1C94

RGB 159 28 148

HSL 305.04, 0.7%, 0.37%

LAB 38.45, 63.01, -34.74

 

CMYK 0 / 82 / 7 / 24

HEX #C222B5

RGB 194 34 181

HSL 304.88, 0.7%, 0.45%

LAB 46.91, 73.61, -40.68

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 62 / 5 / 12

HEX #E156D5

RGB 225 86 213

HSL 305.18, 0.7%, 0.61%

LAB 59.4, 68.65, -39.09

 

CMYK 0 / 48 / 4 / 9

HEX #E779DE

RGB 231 121 222

HSL 304.91, 0.7%, 0.69%

LAB 66.47, 56, -33.05

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 55 / 77 / 14

HEX #DB6233

RGB 219 98 51

HSL 16.79, 0.7%, 0.53%

LAB 56.12, 44.68, 48.37

 

CMYK 77 / 0 / 25 / 14

HEX #33DBA5

RGB 51 219 165

HSL 160.71, 0.7%, 0.53%

LAB 78.51, -54.23, 14.78

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 6 / 0 / 77 / 14

HEX #CDDB33

RGB 205 219 51

HSL 65, 0.7%, 0.53%

LAB 83.9, -24.04, 74.35

 

CMYK 77 / 6 / 0 / 14

HEX #33CDDB

RGB 51 205 219

HSL 185, 0.7%, 0.53%

LAB 75.75, -33.77, -18.18

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 55 / 77 / 14

HEX #DB6233

RGB 219 98 51

HSL 16.79, 0.7%, 0.53%

LAB 56.12, 44.68, 48.37

 

CMYK 77 / 0 / 70 / 14

HEX #33DB41

RGB 51 219 65

HSL 125, 0.7%, 0.53%

LAB 77.13, -70.12, 60.76

 

CMYK 77 / 22 / 0 / 14

HEX #33ABDB

RGB 51 171 219

HSL 197.14, 0.7%, 0.53%

LAB 65.71, -16.68, -33.57

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 32 / 77 / 14

HEX #DB9533

RGB 219 149 51

HSL 35, 0.7%, 0.53%

LAB 67.12, 18.14, 59.21

 

CMYK 77 / 0 / 70 / 14

HEX #33DB41

RGB 51 219 65

HSL 125, 0.7%, 0.53%

LAB 77.13, -70.12, 60.76

 

CMYK 77 / 45 / 0 / 14

HEX #3379DB

RGB 51 121 219

HSL 215, 0.7%, 0.53%

LAB 51.26, 12.31, -56.38

 

Description

Color code: HEX #DB33CD | qconv.com Color code: HEX #DB33CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 51 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 51 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 6 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 6% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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