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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB33BF it is the complementary color #24CC40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB33BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB33BF shade: #E033BA, #F145CD, #FF57E0, #FF69F3 and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB33BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB33BF shade: #DB33BF, #CA21AC, #B90F99, #A80086 and #970073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB33BF shade: #DB33BF, #DB3391, #DB3364, #DB3337 and #DB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB33BF shade: #DB33BF, #C933DB, #9C33DB, #6F33DB and #4233DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB33BF shade matches the following richer shades: #DB33BF and #EE1FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB33BF shade: #DB33BF, #C746B2, #B45AA5, #A06D98 and #8D808B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB33BF shade: #9D33DB, #CA33DB, #DB33BF, #DB3392 and #DB3365

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB33BF shade: #9F1C89, #C222A7, #DB33BF, #E156CA and #E779D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB33BF shade: #DB33BF, #DB7033 and #33DBB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB33BF shade: #DB33BF, #BFDB33 and #33BFDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB33BF shade: #DB33BF, #DB7033, #33DB4F and #339DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB33BF shade: #DB33BF, #DBA333, #33DB4F and #336BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

Complementary color

CMYK 82 / 0 / 69 / 20

HEX #24CC40

RGB 36 204 64

HSL 130, 0.7%, 0.47%

LAB 72.18, -67.41, 55.87

 

CMYK 0 / 77 / 17 / 12

HEX #E033BA

RGB 224 51 186

HSL 313.18, 0.74%, 0.54%

LAB 53.77, 76.4, -32.45

 

CMYK 0 / 71 / 15 / 5

HEX #F145CD

RGB 241 69 205

HSL 312.56, 0.86%, 0.61%

LAB 59.31, 77.46, -34.52

 

CMYK 0 / 66 / 12 / 0

HEX #FF57E0

RGB 255 87 224

HSL 311.07, 1%, 0.67%

LAB 64.53, 77.24, -36.93

 

CMYK 0 / 59 / 5 / 0

HEX #FF69F3

RGB 255 105 243

HSL 304.8, 1%, 0.71%

LAB 67.9, 73.09, -42.21

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 84 / 15 / 21

HEX #CA21AC

RGB 202 33 172

HSL 310.65, 0.72%, 0.46%

LAB 47.78, 74.17, -33.91

 

CMYK 0 / 92 / 17 / 27

HEX #B90F99

RGB 185 15 153

HSL 311.29, 0.85%, 0.39%

LAB 42.7, 71.27, -30.75

 

CMYK 0 / 100 / 20 / 34

HEX #A80086

RGB 168 0 134

HSL 312.14, 1%, 0.33%

LAB 37.92, 67.18, -26.85

 

CMYK 0 / 100 / 24 / 41

HEX #970073

RGB 151 0 115

HSL 314.3, 1%, 0.3%

LAB 33.6, 61.46, -21.95

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 77 / 34 / 14

HEX #DB3391

RGB 219 51 145

HSL 326.43, 0.7%, 0.53%

LAB 51.23, 70.3, -12.27

 

CMYK 0 / 77 / 54 / 14

HEX #DB3364

RGB 219 51 100

HSL 342.5, 0.7%, 0.53%

LAB 49.92, 66.23, 13

 

CMYK 0 / 77 / 75 / 14

HEX #DB3337

RGB 219 51 55

HSL 358.57, 0.7%, 0.53%

LAB 49.13, 63.74, 38.85

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 8 / 77 / 0 / 14

HEX #C933DB

RGB 201 51 219

HSL 293.57, 0.7%, 0.53%

LAB 51.72, 76.62, -54.9

 

CMYK 29 / 77 / 0 / 14

HEX #9C33DB

RGB 156 51 219

HSL 277.5, 0.7%, 0.53%

LAB 45.01, 68.44, -66.07

 

CMYK 49 / 77 / 0 / 14

HEX #6F33DB

RGB 111 51 219

HSL 261.43, 0.7%, 0.53%

LAB 39.35, 61.42, -75.56

 

CMYK 70 / 77 / 0 / 14

HEX #4233DB

RGB 66 51 219

HSL 245.36, 0.7%, 0.53%

LAB 35.28, 56.27, -82.39

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 87 / 14 / 7

HEX #EE1FCC

RGB 238 31 204

HSL 309.86, 0.86%, 0.53%

LAB 55.6, 85.78, -39.79

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 65 / 11 / 22

HEX #C746B2

RGB 199 70 178

HSL 309.77, 0.54%, 0.53%

LAB 51.54, 63.05, -31.58

 

CMYK 0 / 50 / 8 / 29

HEX #B45AA5

RGB 180 90 165

HSL 310, 0.38%, 0.53%

LAB 51.53, 46.56, -24.21

 

CMYK 0 / 32 / 5 / 37

HEX #A06D98

RGB 160 109 152

HSL 309.41, 0.21%, 0.53%

LAB 52.6, 27.37, -15.18

 

CMYK 0 / 9 / 1 / 45

HEX #8D808B

RGB 141 128 139

HSL 309.23, 0.05%, 0.53%

LAB 55.04, 7.02, -4.14

 

CMYK 28 / 77 / 0 / 14

HEX #9D33DB

RGB 157 51 219

HSL 277.86, 0.7%, 0.53%

LAB 45.15, 68.61, -65.84

 

CMYK 8 / 77 / 0 / 14

HEX #CA33DB

RGB 202 51 219

HSL 293.93, 0.7%, 0.53%

LAB 51.88, 76.81, -54.64

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 77 / 33 / 14

HEX #DB3392

RGB 219 51 146

HSL 326.07, 0.7%, 0.53%

LAB 51.27, 70.41, -12.82

 

CMYK 0 / 77 / 54 / 14

HEX #DB3365

RGB 219 51 101

HSL 342.14, 0.7%, 0.53%

LAB 49.94, 66.3, 12.43

 

CMYK 0 / 82 / 14 / 38

HEX #9F1C89

RGB 159 28 137

HSL 310.08, 0.7%, 0.37%

LAB 37.86, 61.38, -28.93

 

CMYK 0 / 82 / 14 / 24

HEX #C222A7

RGB 194 34 167

HSL 310.13, 0.7%, 0.45%

LAB 46.18, 71.63, -33.55

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 62 / 10 / 12

HEX #E156CA

RGB 225 86 202

HSL 309.93, 0.7%, 0.61%

LAB 58.91, 66.94, -33.63

 

CMYK 0 / 48 / 8 / 9

HEX #E779D5

RGB 231 121 213

HSL 309.82, 0.7%, 0.69%

LAB 66.11, 54.49, -28.6

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 49 / 77 / 14

HEX #DB7033

RGB 219 112 51

HSL 21.79, 0.7%, 0.53%

LAB 58.87, 37.72, 51.14

 

CMYK 77 / 0 / 18 / 14

HEX #33DBB3

RGB 51 219 179

HSL 165.71, 0.7%, 0.53%

LAB 78.82, -50.91, 7.81

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 13 / 0 / 77 / 14

HEX #BFDB33

RGB 191 219 51

HSL 70, 0.7%, 0.53%

LAB 82.9, -29.75, 73.07

 

CMYK 77 / 13 / 0 / 14

HEX #33BFDB

RGB 51 191 219

HSL 190, 0.7%, 0.53%

LAB 71.61, -26.98, -24.48

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 49 / 77 / 14

HEX #DB7033

RGB 219 112 51

HSL 21.79, 0.7%, 0.53%

LAB 58.87, 37.72, 51.14

 

CMYK 77 / 0 / 64 / 14

HEX #33DB4F

RGB 51 219 79

HSL 130, 0.7%, 0.53%

LAB 77.24, -68.78, 55.35

 

CMYK 77 / 28 / 0 / 14

HEX #339DDB

RGB 51 157 219

HSL 202.14, 0.7%, 0.53%

LAB 61.6, -9.02, -39.98

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

CMYK 0 / 26 / 77 / 14

HEX #DBA333

RGB 219 163 51

HSL 40, 0.7%, 0.53%

LAB 70.52, 10.63, 62.44

 

CMYK 77 / 0 / 64 / 14

HEX #33DB4F

RGB 51 219 79

HSL 130, 0.7%, 0.53%

LAB 77.24, -68.78, 55.35

 

CMYK 77 / 51 / 0 / 14

HEX #336BDB

RGB 51 107 219

HSL 220, 0.7%, 0.53%

LAB 47.41, 21.12, -62.58

 

Description

Color code: HEX #DB33BF | qconv.com Color code: HEX #DB33BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 51 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 51 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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