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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3AB8 it is the complementary color #24C547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3AB8 shade: #E03AB3, #F14CC6, #FF5ED9, #FF70EC and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3AB8 shade: #DB3AB8, #CA28A5, #B91692, #A8047F and #97006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3AB8 shade: #DA38B7, #DA388B, #DA3860 and #DA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3AB8 shade: #DA38B7, #D238DA, #A638DA, #7A38DA and #4F38DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3AB8 shade matches the following richer shades: #DA38B7 and #ED25C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3AB8 shade: #DA38B7, #C74BAC, #B45EA1, #A17197 and #8E848C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3AB8 shade: #A738DA, #D238DA, #DA38B7, #DA388C and #DA3861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3AB8 shade: #A21D86, #C524A2, #DA38B7, #E15BC4 and #E77ED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3AB8 shade: #DB3AB8, #DA7C38 and #38DABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3AB8 shade: #DB3AB8, #B7DA38 and #38B7DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3AB8 shade: #DB3AB8, #DA7C38, #38DA5B and #3897DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3AB8 shade: #DB3AB8, #DAAC38, #38DA5B and #3866DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 16 / 14

HEX #DB3AB8

RGB 219 58 184

HSL 313.04, 0.69%, 0.54%

LAB 53.54, 72.99, -31.71

 

Complementary color

CMYK 82 / 0 / 64 / 23

HEX #24C547

RGB 36 197 71

HSL 133.04, 0.69%, 0.46%

LAB 70.01, -64.52, 50.63

 

CMYK 0 / 74 / 20 / 12

HEX #E03AB3

RGB 224 58 179

HSL 316.27, 0.73%, 0.55%

LAB 54.16, 73.48, -27.77

 

CMYK 0 / 68 / 18 / 5

HEX #F14CC6

RGB 241 76 198

HSL 315.64, 0.85%, 0.62%

LAB 59.84, 74.16, -29.7

 

CMYK 0 / 63 / 15 / 0

HEX #FF5ED9

RGB 255 94 217

HSL 314.16, 1%, 0.68%

LAB 65.18, 73.61, -32

 

CMYK 0 / 56 / 7 / 0

HEX #FF70EC

RGB 255 112 236

HSL 307.97, 1%, 0.72%

LAB 68.68, 69.03, -37.13

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 74 / 16 / 14

HEX #DB3AB8

RGB 219 58 184

HSL 313.04, 0.69%, 0.54%

LAB 53.54, 72.99, -31.71

 

CMYK 0 / 80 / 18 / 21

HEX #CA28A5

RGB 202 40 165

HSL 313.7, 0.67%, 0.47%

LAB 48, 71.66, -29.43

 

CMYK 0 / 88 / 21 / 27

HEX #B91692

RGB 185 22 146

HSL 314.36, 0.79%, 0.41%

LAB 42.71, 69.36, -26.49

 

CMYK 0 / 98 / 24 / 34

HEX #A8047F

RGB 168 4 127

HSL 315, 0.95%, 0.34%

LAB 37.74, 65.86, -22.79

 

CMYK 0 / 100 / 28 / 41

HEX #97006C

RGB 151 0 108

HSL 317.09, 1%, 0.3%

LAB 33.27, 60.62, -18

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 0 / 74 / 36 / 15

HEX #DA388B

RGB 218 56 139

HSL 329.26, 0.69%, 0.54%

LAB 51.38, 67.91, -8.49

 

CMYK 0 / 74 / 56 / 15

HEX #DA3860

RGB 218 56 96

HSL 345.19, 0.69%, 0.54%

LAB 50.19, 64.12, 15.78

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 4 / 74 / 0 / 15

HEX #D238DA

RGB 210 56 218

HSL 297.04, 0.69%, 0.54%

LAB 53.59, 76.74, -51.27

 

CMYK 24 / 74 / 0 / 15

HEX #A638DA

RGB 166 56 218

HSL 280.74, 0.69%, 0.54%

LAB 46.97, 68.23, -62.26

 

CMYK 44 / 74 / 0 / 15

HEX #7A38DA

RGB 122 56 218

HSL 264.44, 0.69%, 0.54%

LAB 41.26, 60.62, -71.8

 

CMYK 64 / 74 / 0 / 15

HEX #4F38DA

RGB 79 56 218

HSL 248.52, 0.69%, 0.54%

LAB 37.03, 54.76, -78.91

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 0 / 84 / 18 / 7

HEX #ED25C2

RGB 237 37 194

HSL 312.9, 0.85%, 0.54%

LAB 55.3, 83.3, -34.52

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 0 / 62 / 14 / 22

HEX #C74BAC

RGB 199 75 172

HSL 313.06, 0.53%, 0.54%

LAB 52.01, 60.1, -27.35

 

CMYK 0 / 48 / 11 / 29

HEX #B45EA1

RGB 180 94 161

HSL 313.26, 0.36%, 0.54%

LAB 52.15, 43.83, -20.91

 

CMYK 0 / 30 / 6 / 37

HEX #A17197

RGB 161 113 151

HSL 312.5, 0.2%, 0.54%

LAB 53.62, 25.26, -13.03

 

CMYK 0 / 7 / 1 / 44

HEX #8E848C

RGB 142 132 140

HSL 312, 0.04%, 0.54%

LAB 56.23, 5.29, -2.94

 

CMYK 23 / 74 / 0 / 15

HEX #A738DA

RGB 167 56 218

HSL 281.11, 0.69%, 0.54%

LAB 47.11, 68.41, -62.02

 

CMYK 4 / 74 / 0 / 15

HEX #D238DA

RGB 210 56 218

HSL 297.04, 0.69%, 0.54%

LAB 53.59, 76.74, -51.27

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 0 / 74 / 36 / 15

HEX #DA388C

RGB 218 56 140

HSL 328.89, 0.69%, 0.54%

LAB 51.41, 68.02, -9.03

 

CMYK 0 / 74 / 56 / 15

HEX #DA3861

RGB 218 56 97

HSL 344.81, 0.69%, 0.54%

LAB 50.21, 64.19, 15.21

 

CMYK 0 / 82 / 17 / 36

HEX #A21D86

RGB 162 29 134

HSL 312.63, 0.7%, 0.37%

LAB 38.34, 61.38, -26.28

 

CMYK 0 / 82 / 18 / 23

HEX #C524A2

RGB 197 36 162

HSL 313.04, 0.69%, 0.46%

LAB 46.63, 71.14, -29.83

 

CMYK 0 / 74 / 16 / 15

HEX #DA38B7

RGB 218 56 183

HSL 312.96, 0.69%, 0.54%

LAB 53.12, 73.23, -31.81

 

CMYK 0 / 60 / 13 / 12

HEX #E15BC4

RGB 225 91 196

HSL 312.99, 0.69%, 0.62%

LAB 59.41, 63.94, -29.42

 

CMYK 0 / 45 / 10 / 9

HEX #E77ED0

RGB 231 126 208

HSL 313.14, 0.69%, 0.7%

LAB 66.87, 51.2, -24.63

 

CMYK 0 / 74 / 16 / 14

HEX #DB3AB8

RGB 219 58 184

HSL 313.04, 0.69%, 0.54%

LAB 53.54, 72.99, -31.71

 

CMYK 0 / 43 / 74 / 15

HEX #DA7C38

RGB 218 124 56

HSL 25.19, 0.69%, 0.54%

LAB 61.31, 31.29, 51.26

 

CMYK 74 / 0 / 14 / 15

HEX #38DABC

RGB 56 218 188

HSL 168.89, 0.69%, 0.54%

LAB 78.82, -47.68, 3.02

 

CMYK 0 / 74 / 16 / 14

HEX #DB3AB8

RGB 219 58 184

HSL 313.04, 0.69%, 0.54%

LAB 53.54, 72.99, -31.71

 

CMYK 16 / 0 / 74 / 15

HEX #B7DA38

RGB 183 218 56

HSL 72.96, 0.69%, 0.54%

LAB 82.11, -32.27, 70.59

 

CMYK 74 / 16 / 0 / 15

HEX #38B7DA

RGB 56 183 218

HSL 192.96, 0.69%, 0.54%

LAB 69.31, -22.71, -27.46

 

CMYK 0 / 74 / 16 / 14

HEX #DB3AB8

RGB 219 58 184

HSL 313.04, 0.69%, 0.54%

LAB 53.54, 72.99, -31.71

 

CMYK 0 / 43 / 74 / 15

HEX #DA7C38

RGB 218 124 56

HSL 25.19, 0.69%, 0.54%

LAB 61.31, 31.29, 51.26

 

CMYK 74 / 0 / 58 / 15

HEX #38DA5B

RGB 56 218 91

HSL 132.96, 0.69%, 0.54%

LAB 77.12, -66.38, 50.03

 

CMYK 74 / 31 / 0 / 15

HEX #3897DA

RGB 56 151 218

HSL 204.81, 0.69%, 0.54%

LAB 59.92, -5.39, -42.05

 

CMYK 0 / 74 / 16 / 14

HEX #DB3AB8

RGB 219 58 184

HSL 313.04, 0.69%, 0.54%

LAB 53.54, 72.99, -31.71

 

CMYK 0 / 21 / 74 / 15

HEX #DAAC38

RGB 218 172 56

HSL 42.96, 0.69%, 0.54%

LAB 72.69, 5.61, 62.59

 

CMYK 74 / 0 / 58 / 15

HEX #38DA5B

RGB 56 218 91

HSL 132.96, 0.69%, 0.54%

LAB 77.12, -66.38, 50.03

 

CMYK 74 / 53 / 0 / 15

HEX #3866DA

RGB 56 102 218

HSL 222.96, 0.69%, 0.54%

LAB 46.18, 24.51, -63.99

 

Description

Color code: HEX #DB3AB8 | qconv.com Color code: HEX #DB3AB8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 58 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 58 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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