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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3FF7 it is the complementary color #24C008. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3FF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3FF7 shade: #E03FF2, #F151FF, #FF63FF, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3FF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3FF7 shade: #DB3FF7, #CA2DE4, #B91BD1, #A809BE and #9700AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3FF7 shade: #DB40F7, #F740E1, #F740B0, #F7407E and #F7404D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3FF7 shade: #DB40F7, #A940F7, #7840F7, #4740F7 and #4040F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3FF7 shade matches the following richer shades: #DB40F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3FF7 shade: #DB40F7, #D050E6, #C460D6, #B970C6 and #AE80B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3FF7 shade: #7640F7, #A740F7, #D840F7, #F740E4 and #F740B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3FF7 shade: #BB09DB, #D318F5, #DB40F7, #E267F8 and #EA8FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3FF7 shade: #DB3FF7, #F74640 and #40F78F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3FF7 shade: #DB3FF7, #F7D840 and #40F7D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3FF7 shade: #DB3FF7, #F74640, #5EF740 and #40F0F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3FF7 shade: #DB3FF7, #F77D40, #5EF740 and #40BAF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 74 / 0 / 3

HEX #DB3FF7

RGB 219 63 247

HSL 290.87, 0.92%, 0.61%

LAB 57.4, 81.2, -61.41

 

Complementary color

CMYK 81 / 0 / 96 / 25

HEX #24C008

RGB 36 192 8

HSL 110.87, 0.92%, 0.39%

LAB 68.09, -66.94, 66.62

 

CMYK 7 / 74 / 0 / 5

HEX #E03FF2

RGB 224 63 242

HSL 293.97, 0.87%, 0.6%

LAB 57.86, 81.31, -57.84

 

CMYK 5 / 68 / 0 / 0

HEX #F151FF

RGB 241 81 255

HSL 295.17, 1%, 0.66%

LAB 63.18, 81.01, -56.4

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 11 / 74 / 0 / 3

HEX #DB3FF7

RGB 219 63 247

HSL 290.87, 0.92%, 0.61%

LAB 57.4, 81.2, -61.41

 

CMYK 11 / 80 / 0 / 11

HEX #CA2DE4

RGB 202 45 228

HSL 291.48, 0.77%, 0.54%

LAB 51.88, 79.92, -59.75

 

CMYK 11 / 87 / 0 / 18

HEX #B91BD1

RGB 185 27 209

HSL 292.09, 0.77%, 0.46%

LAB 46.58, 77.76, -57.58

 

CMYK 12 / 95 / 0 / 25

HEX #A809BE

RGB 168 9 190

HSL 292.71, 0.91%, 0.39%

LAB 41.59, 74.41, -54.73

 

CMYK 12 / 100 / 0 / 33

HEX #9700AB

RGB 151 0 171

HSL 292.98, 1%, 0.34%

LAB 36.97, 69.65, -51.09

 

CMYK 11 / 74 / 0 / 3

HEX #DB40F7

RGB 219 64 247

HSL 290.82, 0.92%, 0.61%

LAB 57.5, 80.89, -61.23

 

CMYK 0 / 74 / 9 / 3

HEX #F740E1

RGB 247 64 225

HSL 307.21, 0.92%, 0.61%

LAB 60.67, 83.07, -43.63

 

CMYK 0 / 74 / 29 / 3

HEX #F740B0

RGB 247 64 176

HSL 323.28, 0.92%, 0.61%

LAB 58.58, 76.79, -18.91

 

CMYK 0 / 74 / 49 / 3

HEX #F7407E

RGB 247 64 126

HSL 339.67, 0.92%, 0.61%

LAB 57.02, 71.9, 8.12

 

CMYK 0 / 74 / 69 / 3

HEX #F7404D

RGB 247 64 77

HSL 355.74, 0.92%, 0.61%

LAB 56.06, 68.79, 35.67

 

CMYK 11 / 74 / 0 / 3

HEX #DB40F7

RGB 219 64 247

HSL 290.82, 0.92%, 0.61%

LAB 57.5, 80.89, -61.23

 

CMYK 32 / 74 / 0 / 3

HEX #A940F7

RGB 169 64 247

HSL 274.43, 0.92%, 0.61%

LAB 50.47, 71.81, -72.94

 

CMYK 51 / 74 / 0 / 3

HEX #7840F7

RGB 120 64 247

HSL 258.36, 0.92%, 0.61%

LAB 44.77, 64.17, -82.5

 

CMYK 71 / 74 / 0 / 3

HEX #4740F7

RGB 71 64 247

HSL 242.3, 0.92%, 0.61%

LAB 40.77, 58.62, -89.22

 

CMYK 74 / 74 / 0 / 3

HEX #4040F7

RGB 64 64 247

HSL 240, 0.92%, 0.61%

LAB 40.36, 58.05, -89.9

 

CMYK 11 / 74 / 0 / 3

HEX #DB40F7

RGB 219 64 247

HSL 290.82, 0.92%, 0.61%

LAB 57.5, 80.89, -61.23

 

CMYK 11 / 74 / 0 / 3

HEX #DB40F7

RGB 219 64 247

HSL 290.82, 0.92%, 0.61%

LAB 57.5, 80.89, -61.23

 

CMYK 10 / 65 / 0 / 10

HEX #D050E6

RGB 208 80 230

HSL 291.2, 0.75%, 0.61%

LAB 56.94, 69.93, -52.73

 

CMYK 8 / 55 / 0 / 16

HEX #C460D6

RGB 196 96 214

HSL 290.85, 0.59%, 0.61%

LAB 57.03, 57.02, -43.66

 

CMYK 7 / 43 / 0 / 22

HEX #B970C6

RGB 185 112 198

HSL 290.93, 0.43%, 0.61%

LAB 58.02, 42.7, -33.14

 

CMYK 4 / 30 / 0 / 29

HEX #AE80B6

RGB 174 128 182

HSL 291.11, 0.27%, 0.61%

LAB 59.72, 27.22, -21.51

 

CMYK 52 / 74 / 0 / 3

HEX #7640F7

RGB 118 64 247

HSL 257.7, 0.92%, 0.61%

LAB 44.57, 63.9, -82.83

 

CMYK 32 / 74 / 0 / 3

HEX #A740F7

RGB 167 64 247

HSL 273.77, 0.92%, 0.61%

LAB 50.21, 71.47, -73.37

 

CMYK 13 / 74 / 0 / 3

HEX #D840F7

RGB 216 64 247

HSL 289.84, 0.92%, 0.61%

LAB 57.06, 80.32, -61.98

 

CMYK 0 / 74 / 8 / 3

HEX #F740E4

RGB 247 64 228

HSL 306.23, 0.92%, 0.61%

LAB 60.82, 83.5, -45.08

 

CMYK 0 / 74 / 28 / 3

HEX #F740B3

RGB 247 64 179

HSL 322.3, 0.92%, 0.61%

LAB 58.69, 77.13, -20.48

 

CMYK 15 / 96 / 0 / 14

HEX #BB09DB

RGB 187 9 219

HSL 290.86, 0.92%, 0.45%

LAB 46.81, 82.03, -62.93

 

CMYK 14 / 90 / 0 / 4

HEX #D318F5

RGB 211 24 245

HSL 290.77, 0.92%, 0.53%

LAB 53.05, 88.18, -67.35

 

CMYK 11 / 74 / 0 / 3

HEX #DB40F7

RGB 219 64 247

HSL 290.82, 0.92%, 0.61%

LAB 57.5, 80.89, -61.23

 

CMYK 9 / 58 / 0 / 3

HEX #E267F8

RGB 226 103 248

HSL 290.9, 0.91%, 0.69%

LAB 63.87, 67.67, -51.57

 

CMYK 6 / 43 / 0 / 2

HEX #EA8FFA

RGB 234 143 250

HSL 291.03, 0.91%, 0.77%

LAB 72.25, 50.9, -39.43

 

CMYK 11 / 74 / 0 / 3

HEX #DB3FF7

RGB 219 63 247

HSL 290.87, 0.92%, 0.61%

LAB 57.4, 81.2, -61.41

 

CMYK 0 / 72 / 74 / 3

HEX #F74640

RGB 247 70 64

HSL 1.97, 0.92%, 0.61%

LAB 56.61, 66.27, 43.58

 

CMYK 74 / 0 / 42 / 3

HEX #40F78F

RGB 64 247 143

HSL 145.9, 0.92%, 0.61%

LAB 86.8, -67.36, 37.3

 

CMYK 11 / 74 / 0 / 3

HEX #DB3FF7

RGB 219 63 247

HSL 290.87, 0.92%, 0.61%

LAB 57.4, 81.2, -61.41

 

CMYK 0 / 13 / 74 / 3

HEX #F7D840

RGB 247 216 64

HSL 49.84, 0.92%, 0.61%

LAB 86.63, -4.5, 73.99

 

CMYK 74 / 0 / 13 / 3

HEX #40F7D8

RGB 64 247 216

HSL 169.84, 0.92%, 0.61%

LAB 88.24, -51.78, 1.96

 

CMYK 11 / 74 / 0 / 3

HEX #DB3FF7

RGB 219 63 247

HSL 290.87, 0.92%, 0.61%

LAB 57.4, 81.2, -61.41

 

CMYK 0 / 72 / 74 / 3

HEX #F74640

RGB 247 70 64

HSL 1.97, 0.92%, 0.61%

LAB 56.61, 66.27, 43.58

 

CMYK 62 / 0 / 74 / 3

HEX #5EF740

RGB 94 247 64

HSL 110.16, 0.92%, 0.61%

LAB 86.64, -71.49, 71.04

 

CMYK 74 / 3 / 0 / 3

HEX #40F0F7

RGB 64 240 247

HSL 182.3, 0.92%, 0.61%

LAB 87.06, -40.42, -16

 

CMYK 11 / 74 / 0 / 3

HEX #DB3FF7

RGB 219 63 247

HSL 290.87, 0.92%, 0.61%

LAB 57.4, 81.2, -61.41

 

CMYK 0 / 49 / 74 / 3

HEX #F77D40

RGB 247 125 64

HSL 20, 0.92%, 0.61%

LAB 65.6, 42.58, 53.21

 

CMYK 62 / 0 / 74 / 3

HEX #5EF740

RGB 94 247 64

HSL 110.16, 0.92%, 0.61%

LAB 86.64, -71.49, 71.04

 

CMYK 74 / 25 / 0 / 3

HEX #40BAF7

RGB 64 186 247

HSL 200, 0.92%, 0.61%

LAB 71.5, -13.86, -39.81

 

Description

Color code: HEX #DB3FF7 | qconv.com Color code: HEX #DB3FF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 63 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 63 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 74 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 74% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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