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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB46E5 it is the complementary color #24B91A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB46E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB46E5 shade: #E046E0, #F158F3, #FF6AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB46E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB46E5 shade: #DB46E5, #CA34D2, #B922BF, #A810AC and #970099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB46E5 shade: #DB48E4, #E448C4, #E4489A, #E4486F and #E44848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB46E5 shade: #DB48E4, #B048E4, #8648E4, #5C48E4 and #4848E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB46E5 shade matches the following richer shades: #DB48E4 and #E937F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB46E5 shade: #DB48E4, #CC58D3, #BD69C3, #AE7AB2 and #9F8BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB46E5 shade: #8648E4, #B048E4, #DA48E4, #E448C5 and #E4489B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB46E5 shade: #B41BBF, #D323DF, #DB48E4, #E26CEA and #E990EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB46E5 shade: #DB46E5, #E45C48 and #48E49B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB46E5 shade: #DB46E5, #E4DA48 and #48E4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB46E5 shade: #DB46E5, #E45C48, #52E448 and #48CFE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB46E5 shade: #DB46E5, #E48B48, #52E448 and #48A0E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

Complementary color

CMYK 81 / 0 / 86 / 27

HEX #24B91A

RGB 36 185 26

HSL 116.23, 0.75%, 0.41%

LAB 65.86, -64.34, 61.8

 

CMYK 0 / 69 / 0 / 12

HEX #E046E0

RGB 224 70 224

HSL 300, 0.71%, 0.58%

LAB 57.66, 76.14, -48.05

 

CMYK 1 / 64 / 0 / 5

HEX #F158F3

RGB 241 88 243

HSL 299.23, 0.87%, 0.65%

LAB 63.47, 76.49, -49.32

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

CMYK 4 / 75 / 0 / 18

HEX #CA34D2

RGB 202 52 210

HSL 296.96, 0.64%, 0.51%

LAB 51.46, 75.03, -50.18

 

CMYK 3 / 82 / 0 / 25

HEX #B922BF

RGB 185 34 191

HSL 297.71, 0.7%, 0.44%

LAB 45.93, 73.41, -48.18

 

CMYK 2 / 91 / 0 / 33

HEX #A810AC

RGB 168 16 172

HSL 298.46, 0.83%, 0.37%

LAB 40.69, 70.69, -45.53

 

CMYK 1 / 100 / 0 / 40

HEX #970099

RGB 151 0 153

HSL 299.22, 1%, 0.3%

LAB 35.75, 66.77, -42.17

 

CMYK 4 / 68 / 0 / 11

HEX #DB48E4

RGB 219 72 228

HSL 296.54, 0.74%, 0.59%

LAB 57.36, 75.01, -50.83

 

CMYK 0 / 68 / 14 / 11

HEX #E448C4

RGB 228 72 196

HSL 312.31, 0.74%, 0.59%

LAB 57.19, 72.14, -32.84

 

CMYK 0 / 68 / 32 / 11

HEX #E4489A

RGB 228 72 154

HSL 328.46, 0.74%, 0.59%

LAB 55.54, 66.76, -10.97

 

CMYK 0 / 68 / 51 / 11

HEX #E4486F

RGB 228 72 111

HSL 345, 0.74%, 0.59%

LAB 54.32, 62.58, 12.75

 

CMYK 0 / 68 / 68 / 11

HEX #E44848

RGB 228 72 72

HSL 0, 0.74%, 0.59%

LAB 53.6, 60.04, 34.75

 

CMYK 4 / 68 / 0 / 11

HEX #DB48E4

RGB 219 72 228

HSL 296.54, 0.74%, 0.59%

LAB 57.36, 75.01, -50.83

 

CMYK 23 / 68 / 0 / 11

HEX #B048E4

RGB 176 72 228

HSL 280, 0.74%, 0.59%

LAB 51.23, 65.94, -60.99

 

CMYK 41 / 68 / 0 / 11

HEX #8648E4

RGB 134 72 228

HSL 263.85, 0.74%, 0.59%

LAB 46.05, 57.76, -69.63

 

CMYK 60 / 68 / 0 / 11

HEX #5C48E4

RGB 92 72 228

HSL 247.69, 0.74%, 0.59%

LAB 42.02, 50.92, -76.38

 

CMYK 68 / 68 / 0 / 11

HEX #4848E4

RGB 72 72 228

HSL 240, 0.74%, 0.59%

LAB 40.6, 48.37, -78.77

 

CMYK 4 / 68 / 0 / 11

HEX #DB48E4

RGB 219 72 228

HSL 296.54, 0.74%, 0.59%

LAB 57.36, 75.01, -50.83

 

CMYK 5 / 78 / 0 / 4

HEX #E937F5

RGB 233 55 245

HSL 296.21, 0.9%, 0.59%

LAB 58.65, 85.74, -58.17

 

CMYK 4 / 68 / 0 / 11

HEX #DB48E4

RGB 219 72 228

HSL 296.54, 0.74%, 0.59%

LAB 57.36, 75.01, -50.83

 

CMYK 3 / 58 / 0 / 17

HEX #CC58D3

RGB 204 88 211

HSL 296.59, 0.58%, 0.59%

LAB 56.6, 62.21, -42.57

 

CMYK 3 / 46 / 0 / 24

HEX #BD69C3

RGB 189 105 195

HSL 296, 0.43%, 0.59%

LAB 56.94, 46.99, -33.07

 

CMYK 2 / 31 / 0 / 30

HEX #AE7AB2

RGB 174 122 178

HSL 295.71, 0.27%, 0.59%

LAB 58.16, 29.8, -21.61

 

CMYK 1 / 14 / 0 / 37

HEX #9F8BA1

RGB 159 139 161

HSL 294.55, 0.1%, 0.59%

LAB 60.26, 11.6, -8.87

 

CMYK 41 / 68 / 0 / 11

HEX #8648E4

RGB 134 72 228

HSL 263.85, 0.74%, 0.59%

LAB 46.05, 57.76, -69.63

 

CMYK 23 / 68 / 0 / 11

HEX #B048E4

RGB 176 72 228

HSL 280, 0.74%, 0.59%

LAB 51.23, 65.94, -60.99

 

CMYK 4 / 68 / 0 / 11

HEX #DA48E4

RGB 218 72 228

HSL 296.15, 0.74%, 0.59%

LAB 57.21, 74.8, -51.08

 

CMYK 0 / 68 / 14 / 11

HEX #E448C5

RGB 228 72 197

HSL 311.92, 0.74%, 0.59%

LAB 57.23, 72.28, -33.35

 

CMYK 0 / 68 / 32 / 11

HEX #E4489B

RGB 228 72 155

HSL 328.08, 0.74%, 0.59%

LAB 55.58, 66.88, -11.51

 

CMYK 6 / 86 / 0 / 25

HEX #B41BBF

RGB 180 27 191

HSL 295.98, 0.75%, 0.43%

LAB 44.59, 73.97, -50.38

 

CMYK 5 / 84 / 0 / 13

HEX #D323DF

RGB 211 35 223

HSL 296.17, 0.75%, 0.51%

LAB 52.26, 82.89, -56.22

 

CMYK 4 / 68 / 0 / 11

HEX #DB48E4

RGB 219 72 228

HSL 296.54, 0.74%, 0.59%

LAB 57.36, 75.01, -50.83

 

CMYK 3 / 54 / 0 / 8

HEX #E26CEA

RGB 226 108 234

HSL 296.19, 0.75%, 0.67%

LAB 64.03, 62.89, -43.59

 

CMYK 3 / 40 / 0 / 6

HEX #E990EF

RGB 233 144 239

HSL 296.21, 0.75%, 0.75%

LAB 71.89, 48.05, -34

 

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

CMYK 0 / 60 / 68 / 11

HEX #E45C48

RGB 228 92 72

HSL 7.69, 0.74%, 0.59%

LAB 56.7, 51.7, 38.44

 

CMYK 68 / 0 / 32 / 11

HEX #48E49B

RGB 72 228 155

HSL 151.92, 0.74%, 0.59%

LAB 81.42, -57.03, 24.1

 

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

CMYK 0 / 4 / 68 / 11

HEX #E4DA48

RGB 228 218 72

HSL 56.15, 0.74%, 0.59%

LAB 85.56, -13.07, 69.53

 

CMYK 68 / 0 / 4 / 11

HEX #48E4DA

RGB 72 228 218

HSL 176.15, 0.74%, 0.59%

LAB 82.87, -42.14, -6.95

 

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

CMYK 0 / 60 / 68 / 11

HEX #E45C48

RGB 228 92 72

HSL 7.69, 0.74%, 0.59%

LAB 56.7, 51.7, 38.44

 

CMYK 64 / 0 / 68 / 11

HEX #52E448

RGB 82 228 72

HSL 116.15, 0.74%, 0.59%

LAB 80.6, -67.12, 61.96

 

CMYK 68 / 9 / 0 / 11

HEX #48CFE4

RGB 72 207 228

HSL 188.08, 0.74%, 0.59%

LAB 77.04, -29.54, -21.03

 

CMYK 4 / 69 / 0 / 10

HEX #DB46E5

RGB 219 70 229

HSL 296.23, 0.75%, 0.59%

LAB 57.17, 75.88, -51.7

 

CMYK 0 / 39 / 68 / 11

HEX #E48B48

RGB 228 139 72

HSL 25.77, 0.74%, 0.59%

LAB 66.08, 28.24, 49.12

 

CMYK 64 / 0 / 68 / 11

HEX #52E448

RGB 82 228 72

HSL 116.15, 0.74%, 0.59%

LAB 80.6, -67.12, 61.96

 

CMYK 68 / 30 / 0 / 11

HEX #48A0E4

RGB 72 160 228

HSL 206.15, 0.74%, 0.59%

LAB 63.44, -4.87, -42.03

 

Description

Color code: HEX #DB46E5 | qconv.com Color code: HEX #DB46E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 70 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 70 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 69 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 69% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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