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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB4E3D it is the complementary color #24B1C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB4E3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB4E3D shade: #E04E38, #F1604B, #FF725E, #FF8471 and #FF9684

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB4E3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB4E3D shade: #DB4E3D, #CA3C2A, #B92A17, #A81804 and #970600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB4E3D shade: #DB4E3D and #DB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB4E3D shade: #DB4E3D, #DB783D, #DBA33D, #DBCE3D and #BDDB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB4E3D shade matches the following richer shades: #DB4E3D and #ED3F2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB4E3D shade: #DB4E3D, #C85C4F, #B66B62, #A37974 and #918887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB4E3D shade: #DB3D81, #DB3D57, #DB4C3D, #DB773D and #DBA13D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB4E3D shade: #A72D1E, #CA3625, #DB4E3D, #E16D5F and #E88D82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB4E3D shade: #DB4E3D, #ABDB3D and #3D6CDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB4E3D shade: #DB4E3D, #3DDB4C and #4C3DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB4E3D shade: #DB4E3D, #ABDB3D, #3DCBDB and #6C3DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB4E3D shade: #DB4E3D, #7CDB3D, #3DCBDB and #9C3DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

Complementary color

CMYK 81 / 9 / 0 / 24

HEX #24B1C2

RGB 36 177 194

HSL 186.46, 0.69%, 0.45%

LAB 66.3, -29.39, -18.87

 

CMYK 0 / 65 / 75 / 12

HEX #E04E38

RGB 224 78 56

HSL 7.86, 0.73%, 0.55%

LAB 53.58, 55.64, 43.41

 

CMYK 0 / 60 / 69 / 5

HEX #F1604B

RGB 241 96 75

HSL 7.59, 0.86%, 0.62%

LAB 59.5, 54.57, 40.61

 

CMYK 0 / 55 / 63 / 0

HEX #FF725E

RGB 255 114 94

HSL 7.45, 1%, 0.68%

LAB 65.04, 52.35, 37.42

 

CMYK 0 / 48 / 56 / 0

HEX #FF8471

RGB 255 132 113

HSL 8.03, 1%, 0.72%

LAB 68.72, 45.01, 31.67

 

CMYK 0 / 41 / 48 / 0

HEX #FF9684

RGB 255 150 132

HSL 8.78, 1%, 0.76%

LAB 72.72, 37.53, 26.55

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 0 / 70 / 79 / 21

HEX #CA3C2A

RGB 202 60 42

HSL 6.75, 0.66%, 0.48%

LAB 46.92, 55, 42.67

 

CMYK 0 / 77 / 88 / 27

HEX #B92A17

RGB 185 42 23

HSL 7.04, 0.78%, 0.41%

LAB 41.27, 55.38, 45.73

 

CMYK 0 / 86 / 98 / 34

HEX #A81804

RGB 168 24 4

HSL 7.32, 0.95%, 0.34%

LAB 35.96, 54.95, 47.98

 

CMYK 0 / 96 / 100 / 41

HEX #970600

RGB 151 6 0

HSL 2.38, 1%, 0.3%

LAB 31.14, 53.3, 44.83

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 0 / 45 / 72 / 14

HEX #DB783D

RGB 219 120 61

HSL 22.41, 0.69%, 0.55%

LAB 60.63, 34.02, 48.21

 

CMYK 0 / 26 / 72 / 14

HEX #DBA33D

RGB 219 163 61

HSL 38.73, 0.69%, 0.55%

LAB 70.59, 11.07, 58.55

 

CMYK 0 / 6 / 72 / 14

HEX #DBCE3D

RGB 219 206 61

HSL 55.06, 0.69%, 0.55%

LAB 81.59, -11.36, 69.37

 

CMYK 14 / 0 / 72 / 14

HEX #BDDB3D

RGB 189 219 61

HSL 71.39, 0.69%, 0.55%

LAB 82.82, -30.1, 69.76

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 0 / 73 / 82 / 7

HEX #ED3F2A

RGB 237 63 42

HSL 6.46, 0.84%, 0.55%

LAB 53.74, 64.89, 51.46

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 0 / 54 / 61 / 22

HEX #C85C4F

RGB 200 92 79

HSL 6.45, 0.52%, 0.55%

LAB 52.4, 42.02, 28.23

 

CMYK 0 / 41 / 46 / 29

HEX #B66B62

RGB 182 107 98

HSL 6.43, 0.37%, 0.55%

LAB 53.32, 28.88, 17.94

 

CMYK 0 / 26 / 29 / 36

HEX #A37974

RGB 163 121 116

HSL 6.38, 0.2%, 0.55%

LAB 54.79, 15.65, 9.14

 

CMYK 0 / 6 / 7 / 43

HEX #918887

RGB 145 136 135

HSL 6, 0.04%, 0.55%

LAB 57.44, 3.18, 1.74

 

CMYK 0 / 72 / 41 / 14

HEX #DB3D81

RGB 219 61 129

HSL 334.18, 0.69%, 0.55%

LAB 51.82, 65.53, -1.82

 

CMYK 0 / 72 / 60 / 14

HEX #DB3D57

RGB 219 61 87

HSL 350.13, 0.69%, 0.55%

LAB 50.79, 62.13, 22.05

 

CMYK 0 / 65 / 72 / 14

HEX #DB4C3D

RGB 219 76 61

HSL 5.7, 0.69%, 0.55%

LAB 52.47, 55.01, 39.24

 

CMYK 0 / 46 / 72 / 14

HEX #DB773D

RGB 219 119 61

HSL 22.03, 0.69%, 0.55%

LAB 60.42, 34.55, 47.98

 

CMYK 0 / 26 / 72 / 14

HEX #DBA13D

RGB 219 161 61

HSL 37.97, 0.69%, 0.55%

LAB 70.1, 12.14, 58.05

 

CMYK 0 / 73 / 82 / 35

HEX #A72D1E

RGB 167 45 30

HSL 6.57, 0.7%, 0.39%

LAB 38.17, 48.8, 38.18

 

CMYK 0 / 73 / 82 / 21

HEX #CA3625

RGB 202 54 37

HSL 6.18, 0.69%, 0.47%

LAB 46.08, 57.03, 44.44

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 0 / 52 / 58 / 12

HEX #E16D5F

RGB 225 109 95

HSL 6.46, 0.68%, 0.63%

LAB 59.68, 44.01, 29.17

 

CMYK 0 / 39 / 44 / 9

HEX #E88D82

RGB 232 141 130

HSL 6.47, 0.69%, 0.71%

LAB 67.89, 33.34, 20.63

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 22 / 0 / 72 / 14

HEX #ABDB3D

RGB 171 219 61

HSL 78.23, 0.69%, 0.55%

LAB 81.65, -37.17, 68.23

 

CMYK 72 / 51 / 0 / 14

HEX #3D6CDB

RGB 61 108 219

HSL 222.15, 0.69%, 0.55%

LAB 48.05, 21.69, -61.53

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 72 / 0 / 65 / 14

HEX #3DDB4C

RGB 61 219 76

HSL 125.7, 0.69%, 0.55%

LAB 77.39, -67.63, 56.8

 

CMYK 65 / 72 / 0 / 14

HEX #4C3DDB

RGB 76 61 219

HSL 245.7, 0.69%, 0.55%

LAB 37.82, 52.11, -78.18

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 22 / 0 / 72 / 14

HEX #ABDB3D

RGB 171 219 61

HSL 78.23, 0.69%, 0.55%

LAB 81.65, -37.17, 68.23

 

CMYK 72 / 7 / 0 / 14

HEX #3DCBDB

RGB 61 203 219

HSL 186.08, 0.69%, 0.55%

LAB 75.34, -31.71, -18.79

 

CMYK 51 / 72 / 0 / 14

HEX #6C3DDB

RGB 108 61 219

HSL 257.85, 0.69%, 0.55%

LAB 40.64, 56.4, -73.45

 

CMYK 0 / 64 / 72 / 14

HEX #DB4E3D

RGB 219 78 61

HSL 6.46, 0.69%, 0.55%

LAB 52.78, 54.17, 39.59

 

CMYK 43 / 0 / 72 / 14

HEX #7CDB3D

RGB 124 219 61

HSL 96.08, 0.69%, 0.55%

LAB 79.21, -53.75, 64.99

 

CMYK 72 / 7 / 0 / 14

HEX #3DCBDB

RGB 61 203 219

HSL 186.08, 0.69%, 0.55%

LAB 75.34, -31.71, -18.79

 

CMYK 29 / 72 / 0 / 14

HEX #9C3DDB

RGB 156 61 219

HSL 276.08, 0.69%, 0.55%

LAB 46.34, 64.65, -63.92

 

Description

Color code: HEX #DB4E3D | qconv.com Color code: HEX #DB4E3D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 78 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 78 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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