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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB54D1 it is the complementary color #24AB2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB54D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB54D1 shade: #E054CC, #F166DF, #FF78F2, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB54D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB54D1 shade: #DB54D1, #CA42BE, #B930AB, #A81E98 and #970C85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB54D1 shade: #DA52D0, #DA52AB, #DA5287, #DA5262 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB54D1 shade: #DA52D0, #BF52DA, #9B52DA, #7652DA and #5252DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB54D1 shade matches the following richer shades: #DA52D0, #EB41DE and #FC30ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB54D1 shade: #DA52D0, #C963C1, #B874B3, #A785A5 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB54D1 shade: #9A52DA, #BF52DA, #DA52D1, #DA52AD and #DA5288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB54D1 shade: #B426A9, #D330C7, #DA52D0, #E174D9 and #E896E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB54D1 shade: #DB54D1, #DA7652 and #52DAAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB54D1 shade: #DB54D1, #D1DA52 and #52D1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB54D1 shade: #DB54D1, #DA7652, #52DA5B and #52B6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB54D1 shade: #DB54D1, #DA9F52, #52DA5B and #528DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 5 / 14

HEX #DB54D1

RGB 219 84 209

HSL 304.44, 0.65%, 0.59%

LAB 58.04, 67.33, -39.02

 

Complementary color

CMYK 79 / 0 / 73 / 33

HEX #24AB2E

RGB 36 171 46

HSL 124.44, 0.65%, 0.41%

LAB 61.39, -58.76, 51.51

 

CMYK 0 / 63 / 9 / 12

HEX #E054CC

RGB 224 84 204

HSL 308.57, 0.69%, 0.6%

LAB 58.55, 67.8, -35.33

 

CMYK 0 / 58 / 7 / 5

HEX #F166DF

RGB 241 102 223

HSL 307.77, 0.83%, 0.67%

LAB 64.59, 67.63, -36.43

 

CMYK 0 / 53 / 5 / 0

HEX #FF78F2

RGB 255 120 242

HSL 305.78, 1%, 0.74%

LAB 70.25, 66.45, -37.99

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 62 / 5 / 14

HEX #DB54D1

RGB 219 84 209

HSL 304.44, 0.65%, 0.59%

LAB 58.04, 67.33, -39.02

 

CMYK 0 / 67 / 6 / 21

HEX #CA42BE

RGB 202 66 190

HSL 305.29, 0.56%, 0.53%

LAB 52.03, 67.19, -37.76

 

CMYK 0 / 74 / 8 / 27

HEX #B930AB

RGB 185 48 171

HSL 306.13, 0.59%, 0.46%

LAB 46.13, 66.51, -36.11

 

CMYK 0 / 82 / 10 / 34

HEX #A81E98

RGB 168 30 152

HSL 306.96, 0.7%, 0.39%

LAB 40.44, 65, -33.91

 

CMYK 0 / 92 / 12 / 41

HEX #970C85

RGB 151 12 133

HSL 307.77, 0.85%, 0.32%

LAB 35.07, 62.27, -30.94

 

CMYK 0 / 62 / 5 / 15

HEX #DA52D0

RGB 218 82 208

HSL 304.41, 0.65%, 0.59%

LAB 57.55, 67.73, -39.23

 

CMYK 0 / 62 / 22 / 15

HEX #DA52AB

RGB 218 82 171

HSL 320.74, 0.65%, 0.59%

LAB 55.97, 62.23, -20.42

 

CMYK 0 / 62 / 38 / 15

HEX #DA5287

RGB 218 82 135

HSL 336.62, 0.65%, 0.59%

LAB 54.75, 57.82, -1.11

 

CMYK 0 / 62 / 55 / 15

HEX #DA5262

RGB 218 82 98

HSL 352.94, 0.65%, 0.59%

LAB 53.84, 54.38, 19.54

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 62 / 5 / 15

HEX #DA52D0

RGB 218 82 208

HSL 304.41, 0.65%, 0.59%

LAB 57.55, 67.73, -39.23

 

CMYK 12 / 62 / 0 / 15

HEX #BF52DA

RGB 191 82 218

HSL 288.09, 0.65%, 0.59%

LAB 54.21, 62.97, -50.45

 

CMYK 29 / 62 / 0 / 15

HEX #9B52DA

RGB 155 82 218

HSL 272.21, 0.65%, 0.59%

LAB 49.57, 54.69, -58.13

 

CMYK 46 / 62 / 0 / 15

HEX #7652DA

RGB 118 82 218

HSL 255.88, 0.65%, 0.59%

LAB 45.56, 46.87, -64.81

 

CMYK 62 / 62 / 0 / 15

HEX #5252DA

RGB 82 82 218

HSL 240, 0.65%, 0.59%

LAB 42.6, 40.55, -69.76

 

CMYK 0 / 62 / 5 / 15

HEX #DA52D0

RGB 218 82 208

HSL 304.41, 0.65%, 0.59%

LAB 57.55, 67.73, -39.23

 

CMYK 0 / 72 / 6 / 8

HEX #EB41DE

RGB 235 65 222

HSL 304.59, 0.81%, 0.59%

LAB 58.71, 79.8, -45.16

 

CMYK 0 / 81 / 6 / 1

HEX #FC30ED

RGB 252 48 237

HSL 304.41, 0.97%, 0.59%

LAB 60.71, 89.72, -50.23

 

CMYK 0 / 62 / 5 / 15

HEX #DA52D0

RGB 218 82 208

HSL 304.41, 0.65%, 0.59%

LAB 57.55, 67.73, -39.23

 

CMYK 0 / 51 / 4 / 21

HEX #C963C1

RGB 201 99 193

HSL 304.71, 0.49%, 0.59%

LAB 57.26, 53.12, -31.31

 

CMYK 0 / 37 / 3 / 28

HEX #B874B3

RGB 184 116 179

HSL 304.41, 0.32%, 0.59%

LAB 57.98, 36.59, -22.37

 

CMYK 0 / 20 / 1 / 35

HEX #A785A5

RGB 167 133 165

HSL 303.53, 0.16%, 0.59%

LAB 59.62, 18.64, -12.02

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 29 / 62 / 0 / 15

HEX #9A52DA

RGB 154 82 218

HSL 271.76, 0.65%, 0.59%

LAB 49.46, 54.47, -58.33

 

CMYK 12 / 62 / 0 / 15

HEX #BF52DA

RGB 191 82 218

HSL 288.09, 0.65%, 0.59%

LAB 54.21, 62.97, -50.45

 

CMYK 0 / 62 / 4 / 15

HEX #DA52D1

RGB 218 82 209

HSL 303.97, 0.65%, 0.59%

LAB 57.6, 67.89, -39.73

 

CMYK 0 / 62 / 21 / 15

HEX #DA52AD

RGB 218 82 173

HSL 319.85, 0.65%, 0.59%

LAB 56.04, 62.51, -21.46

 

CMYK 0 / 62 / 38 / 15

HEX #DA5288

RGB 218 82 136

HSL 336.18, 0.65%, 0.59%

LAB 54.78, 57.93, -1.66

 

CMYK 0 / 79 / 6 / 29

HEX #B426A9

RGB 180 38 169

HSL 304.65, 0.65%, 0.43%

LAB 44.17, 68.03, -38.09

 

CMYK 0 / 77 / 6 / 17

HEX #D330C7

RGB 211 48 199

HSL 304.42, 0.65%, 0.51%

LAB 51.93, 76.26, -43.01

 

CMYK 0 / 62 / 5 / 15

HEX #DA52D0

RGB 218 82 208

HSL 304.41, 0.65%, 0.59%

LAB 57.55, 67.73, -39.23

 

CMYK 0 / 48 / 4 / 12

HEX #E174D9

RGB 225 116 217

HSL 304.4, 0.64%, 0.67%

LAB 64.57, 55.86, -33.28

 

CMYK 0 / 35 / 3 / 9

HEX #E896E2

RGB 232 150 226

HSL 304.39, 0.64%, 0.75%

LAB 72.53, 42.27, -25.91

 

CMYK 0 / 62 / 5 / 14

HEX #DB54D1

RGB 219 84 209

HSL 304.44, 0.65%, 0.59%

LAB 58.04, 67.33, -39.02

 

CMYK 0 / 46 / 62 / 15

HEX #DA7652

RGB 218 118 82

HSL 15.88, 0.65%, 0.59%

LAB 60.31, 35.87, 36.95

 

CMYK 62 / 0 / 21 / 15

HEX #52DAAD

RGB 82 218 173

HSL 160.15, 0.65%, 0.59%

LAB 79.01, -47.47, 11.35

 

CMYK 0 / 62 / 5 / 14

HEX #DB54D1

RGB 219 84 209

HSL 304.44, 0.65%, 0.59%

LAB 58.04, 67.33, -39.02

 

CMYK 4 / 0 / 62 / 15

HEX #D1DA52

RGB 209 218 82

HSL 63.97, 0.65%, 0.59%

LAB 84.13, -20.32, 63.67

 

CMYK 62 / 4 / 0 / 15

HEX #52D1DA

RGB 82 209 218

HSL 183.97, 0.65%, 0.59%

LAB 77.55, -31.91, -14.86

 

CMYK 0 / 62 / 5 / 14

HEX #DB54D1

RGB 219 84 209

HSL 304.44, 0.65%, 0.59%

LAB 58.04, 67.33, -39.02

 

CMYK 0 / 46 / 62 / 15

HEX #DA7652

RGB 218 118 82

HSL 15.88, 0.65%, 0.59%

LAB 60.31, 35.87, 36.95

 

CMYK 62 / 0 / 58 / 15

HEX #52DA5B

RGB 82 218 91

HSL 123.97, 0.65%, 0.59%

LAB 77.69, -61.76, 50.84

 

CMYK 62 / 17 / 0 / 15

HEX #52B6DA

RGB 82 182 218

HSL 195.88, 0.65%, 0.59%

LAB 69.69, -18.42, -26.8

 

CMYK 0 / 62 / 5 / 14

HEX #DB54D1

RGB 219 84 209

HSL 304.44, 0.65%, 0.59%

LAB 58.04, 67.33, -39.02

 

CMYK 0 / 27 / 62 / 15

HEX #DA9F52

RGB 218 159 82

HSL 33.97, 0.65%, 0.59%

LAB 69.69, 13.99, 48

 

CMYK 62 / 0 / 58 / 15

HEX #52DA5B

RGB 82 218 91

HSL 123.97, 0.65%, 0.59%

LAB 77.69, -61.76, 50.84

 

CMYK 62 / 35 / 0 / 15

HEX #528DDA

RGB 82 141 218

HSL 213.97, 0.65%, 0.59%

LAB 57.95, 4.41, -45.1

 

Description

Color code: HEX #DB54D1 | qconv.com Color code: HEX #DB54D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 84 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 84 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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