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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB58B5 it is the complementary color #24A74A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB58B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB58B5 shade: #E058B0, #F16AC3, #FF7CD6, #FF8EE9 and #FFA0FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB58B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB58B5 shade: #DB58B5, #CA46A2, #B9348F, #A8227C and #971069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB58B5 shade: #DB56B4, #DB5691, #DB566D and #DB5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB58B5 shade: #DB56B4, #DB56D8, #BA56DB, #9656DB and #7256DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB58B5 shade matches the following richer shades: #DB56B4, #EB46BB and #FC35C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB58B5 shade: #DB56B4, #CA67AD, #BA77A6, #A988A0 and #999899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB58B5 shade: #BA56DB, #DB56D9, #DB56B5, #DB5692 and #DB566F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB58B5 shade: #B8278E, #D434A5, #DB56B4, #E278C3 and #E99AD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB58B5 shade: #DB58B5, #DB9656 and #56DBCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB58B5 shade: #DB58B5, #B5DB56 and #56B5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB58B5 shade: #DB58B5, #DB9656, #56DB7C and #569BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB58B5 shade: #DB58B5, #DBBE56, #56DB7C and #5673DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 17 / 14

HEX #DB58B5

RGB 219 88 181

HSL 317.4, 0.65%, 0.6%

LAB 57.44, 61.37, -23.94

 

Complementary color

CMYK 78 / 0 / 56 / 35

HEX #24A74A

RGB 36 167 74

HSL 137.4, 0.65%, 0.4%

LAB 60.34, -54.25, 38.06

 

CMYK 0 / 61 / 21 / 12

HEX #E058B0

RGB 224 88 176

HSL 321.18, 0.69%, 0.61%

LAB 58, 62.07, -20.13

 

CMYK 0 / 56 / 19 / 5

HEX #F16AC3

RGB 241 106 195

HSL 320.44, 0.83%, 0.68%

LAB 64.12, 61.7, -21.42

 

CMYK 0 / 51 / 16 / 0

HEX #FF7CD6

RGB 255 124 214

HSL 318.78, 1%, 0.74%

LAB 69.85, 60.28, -23.15

 

CMYK 0 / 44 / 9 / 0

HEX #FF8EE9

RGB 255 142 233

HSL 311.68, 1%, 0.78%

LAB 73.86, 54.58, -27.47

 

CMYK 0 / 37 / 1 / 0

HEX #FFA0FC

RGB 255 160 252

HSL 301.89, 1%, 0.81%

LAB 78.13, 48.76, -31.24

 

CMYK 0 / 60 / 17 / 14

HEX #DB58B5

RGB 219 88 181

HSL 317.4, 0.65%, 0.6%

LAB 57.44, 61.37, -23.94

 

CMYK 0 / 65 / 20 / 21

HEX #CA46A2

RGB 202 70 162

HSL 318.18, 0.55%, 0.53%

LAB 51.32, 61.5, -22.5

 

CMYK 0 / 72 / 23 / 27

HEX #B9348F

RGB 185 52 143

HSL 318.95, 0.56%, 0.46%

LAB 45.29, 61.18, -20.67

 

CMYK 0 / 80 / 26 / 34

HEX #A8227C

RGB 168 34 124

HSL 319.7, 0.66%, 0.4%

LAB 39.45, 60.14, -18.28

 

CMYK 0 / 89 / 30 / 41

HEX #971069

RGB 151 16 105

HSL 320.44, 0.81%, 0.33%

LAB 33.92, 57.98, -15.08

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B4

RGB 219 86 180

HSL 317.59, 0.65%, 0.6%

LAB 57.09, 62.09, -23.91

 

CMYK 0 / 61 / 34 / 14

HEX #DB5691

RGB 219 86 145

HSL 333.38, 0.65%, 0.6%

LAB 55.85, 57.53, -5.38

 

CMYK 0 / 61 / 50 / 14

HEX #DB566D

RGB 219 86 109

HSL 349.62, 0.65%, 0.6%

LAB 54.89, 53.86, 14.5

 

CMYK 0 / 61 / 61 / 14

HEX #DB5656

RGB 219 86 86

HSL 0, 0.65%, 0.6%

LAB 54.44, 52.1, 27.39

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B4

RGB 219 86 180

HSL 317.59, 0.65%, 0.6%

LAB 57.09, 62.09, -23.91

 

CMYK 0 / 61 / 1 / 14

HEX #DB56D8

RGB 219 86 216

HSL 301.35, 0.65%, 0.6%

LAB 58.67, 67.66, -42

 

CMYK 15 / 61 / 0 / 14

HEX #BA56DB

RGB 186 86 219

HSL 285.11, 0.65%, 0.6%

LAB 54.25, 60.18, -50.99

 

CMYK 32 / 61 / 0 / 14

HEX #9656DB

RGB 150 86 219

HSL 268.87, 0.65%, 0.6%

LAB 49.8, 51.78, -58.36

 

CMYK 48 / 61 / 0 / 14

HEX #7256DB

RGB 114 86 219

HSL 252.63, 0.65%, 0.6%

LAB 46.11, 44.12, -64.51

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B4

RGB 219 86 180

HSL 317.59, 0.65%, 0.6%

LAB 57.09, 62.09, -23.91

 

CMYK 0 / 70 / 20 / 8

HEX #EB46BB

RGB 235 70 187

HSL 317.45, 0.8%, 0.6%

LAB 57.68, 73.3, -26.81

 

CMYK 0 / 79 / 23 / 1

HEX #FC35C2

RGB 252 53 194

HSL 317.49, 0.97%, 0.6%

LAB 59.1, 83, -28.42

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B4

RGB 219 86 180

HSL 317.59, 0.65%, 0.6%

LAB 57.09, 62.09, -23.91

 

CMYK 0 / 49 / 14 / 21

HEX #CA67AD

RGB 202 103 173

HSL 317.58, 0.48%, 0.6%

LAB 57.34, 48.13, -19.69

 

CMYK 0 / 36 / 11 / 27

HEX #BA77A6

RGB 186 119 166

HSL 317.91, 0.33%, 0.6%

LAB 58.4, 33.3, -14.23

 

CMYK 0 / 20 / 5 / 34

HEX #A988A0

RGB 169 136 160

HSL 316.36, 0.16%, 0.6%

LAB 60.41, 16.7, -7.97

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 15 / 61 / 0 / 14

HEX #BA56DB

RGB 186 86 219

HSL 285.11, 0.65%, 0.6%

LAB 54.25, 60.18, -50.99

 

CMYK 0 / 61 / 1 / 14

HEX #DB56D9

RGB 219 86 217

HSL 300.9, 0.65%, 0.6%

LAB 58.72, 67.82, -42.49

 

CMYK 0 / 61 / 17 / 14

HEX #DB56B5

RGB 219 86 181

HSL 317.14, 0.65%, 0.6%

LAB 57.13, 62.23, -24.42

 

CMYK 0 / 61 / 33 / 14

HEX #DB5692

RGB 219 86 146

HSL 332.93, 0.65%, 0.6%

LAB 55.88, 57.65, -5.92

 

CMYK 0 / 61 / 49 / 14

HEX #DB566F

RGB 219 86 111

HSL 348.72, 0.65%, 0.6%

LAB 54.93, 54.04, 13.38

 

CMYK 0 / 79 / 23 / 28

HEX #B8278E

RGB 184 39 142

HSL 317.38, 0.65%, 0.44%

LAB 43.65, 64.86, -22.62

 

CMYK 0 / 75 / 22 / 17

HEX #D434A5

RGB 212 52 165

HSL 317.63, 0.65%, 0.52%

LAB 50.89, 70.67, -24.8

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B4

RGB 219 86 180

HSL 317.59, 0.65%, 0.6%

LAB 57.09, 62.09, -23.91

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 34 / 10 / 9

HEX #E99AD2

RGB 233 154 210

HSL 317.47, 0.64%, 0.76%

LAB 72.95, 37.73, -16.48

 

CMYK 0 / 60 / 17 / 14

HEX #DB58B5

RGB 219 88 181

HSL 317.4, 0.65%, 0.6%

LAB 57.44, 61.37, -23.94

 

CMYK 0 / 32 / 61 / 14

HEX #DB9656

RGB 219 150 86

HSL 28.87, 0.65%, 0.6%

LAB 67.68, 19.53, 43.7

 

CMYK 61 / 0 / 7 / 14

HEX #56DBCB

RGB 86 219 203

HSL 172.78, 0.65%, 0.6%

LAB 80.15, -39.92, -2.95

 

CMYK 0 / 60 / 17 / 14

HEX #DB58B5

RGB 219 88 181

HSL 317.4, 0.65%, 0.6%

LAB 57.44, 61.37, -23.94

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 61 / 17 / 0 / 14

HEX #56B5DB

RGB 86 181 219

HSL 197.14, 0.65%, 0.6%

LAB 69.57, -16.89, -27.53

 

CMYK 0 / 60 / 17 / 14

HEX #DB58B5

RGB 219 88 181

HSL 317.4, 0.65%, 0.6%

LAB 57.44, 61.37, -23.94

 

CMYK 0 / 32 / 61 / 14

HEX #DB9656

RGB 219 150 86

HSL 28.87, 0.65%, 0.6%

LAB 67.68, 19.53, 43.7

 

CMYK 61 / 0 / 43 / 14

HEX #56DB7C

RGB 86 219 124

HSL 137.14, 0.65%, 0.6%

LAB 78.52, -56.67, 36.11

 

CMYK 61 / 29 / 0 / 14

HEX #569BDB

RGB 86 155 219

HSL 208.87, 0.65%, 0.6%

LAB 62.11, -2.64, -39.09

 

CMYK 0 / 60 / 17 / 14

HEX #DB58B5

RGB 219 88 181

HSL 317.4, 0.65%, 0.6%

LAB 57.44, 61.37, -23.94

 

CMYK 0 / 13 / 61 / 14

HEX #DBBE56

RGB 219 190 86

HSL 46.92, 0.65%, 0.6%

LAB 77.61, -1.76, 55.1

 

CMYK 61 / 0 / 43 / 14

HEX #56DB7C

RGB 86 219 124

HSL 137.14, 0.65%, 0.6%

LAB 78.52, -56.67, 36.11

 

CMYK 61 / 47 / 0 / 14

HEX #5673DB

RGB 86 115 219

HSL 226.92, 0.65%, 0.6%

LAB 51.1, 21.25, -56.56

 

Description

Color code: HEX #DB58B5 | qconv.com Color code: HEX #DB58B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 88 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 88 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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