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Color name
HEX #DB5B2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5B2E it is the complementary color #24A4D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5B2E shade: #E05B29, #F16D3C, #FF7F4F, #FF9162 and #FFA375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5B2E shade: #DB5B2E, #CA491B, #B93708, #A82500 and #971300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5B2E shade: #DB5A2D and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5B2E shade: #DB5A2D, #DB892D, #DBB82D, #CFDB2D and #A0DB2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5B2E shade matches the following richer shades: #DB5A2D and #EF5119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5B2E shade: #DB5A2D, #C76441, #B36D55, #A07769 and #8C807C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5B2E shade: #DB2D5E, #DB2D30, #DB592D, #DB872D and #DBB52D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5B2E shade: #9C3C1A, #BF4920, #DB5A2D, #E17650 and #E79274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5B2E shade: #DB5B2E, #8DDB2D and #2D47DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5B2E shade: #DB5B2E, #2DDB59 and #592DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5B2E shade: #DB5B2E, #8DDB2D, #2DB0DB and #7B2DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5B2E shade: #DB5B2E, #59DB2D, #2DB0DB and #B02DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 79 / 14

HEX #DB5B2E

RGB 219 91 46

HSL 15.61, 0.71%, 0.52%

LAB 54.8, 47.82, 49.46

 

Complementary color

CMYK 83 / 22 / 0 / 18

HEX #24A4D1

RGB 36 164 209

HSL 195.61, 0.71%, 0.48%

LAB 62.95, -17.78, -32.33

 

CMYK 0 / 59 / 82 / 12

HEX #E05B29

RGB 224 91 41

HSL 16.39, 0.75%, 0.52%

LAB 55.57, 49.47, 52.78

 

CMYK 0 / 55 / 75 / 5

HEX #F16D3C

RGB 241 109 60

HSL 16.24, 0.87%, 0.59%

LAB 61.62, 47.94, 50.72

 

CMYK 0 / 50 / 69 / 0

HEX #FF7F4F

RGB 255 127 79

HSL 16.36, 1%, 0.65%

LAB 67.28, 45.31, 47.99

 

CMYK 0 / 43 / 62 / 0

HEX #FF9162

RGB 255 145 98

HSL 17.96, 1%, 0.69%

LAB 71.14, 37.41, 42.73

 

CMYK 0 / 36 / 54 / 0

HEX #FFA375

RGB 255 163 117

HSL 20, 1%, 0.73%

LAB 75.29, 29.51, 37.93

 

CMYK 0 / 58 / 79 / 14

HEX #DB5B2E

RGB 219 91 46

HSL 15.61, 0.71%, 0.52%

LAB 54.8, 47.82, 49.46

 

CMYK 0 / 64 / 87 / 21

HEX #CA491B

RGB 202 73 27

HSL 15.77, 0.76%, 0.45%

LAB 48.76, 49.29, 51.41

 

CMYK 0 / 70 / 96 / 27

HEX #B93708

RGB 185 55 8

HSL 15.93, 0.92%, 0.38%

LAB 42.86, 50.56, 52.27

 

CMYK 0 / 78 / 100 / 34

HEX #A82500

RGB 168 37 0

HSL 13.21, 1%, 0.33%

LAB 37.2, 51.34, 50.18

 

CMYK 0 / 87 / 100 / 41

HEX #971300

RGB 151 19 0

HSL 7.55, 1%, 0.3%

LAB 31.91, 51.08, 45.36

 

CMYK 0 / 59 / 79 / 14

HEX #DB5A2D

RGB 219 90 45

HSL 15.52, 0.71%, 0.52%

LAB 54.62, 48.25, 49.76

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 59 / 79 / 14

HEX #DB5A2D

RGB 219 90 45

HSL 15.52, 0.71%, 0.52%

LAB 54.62, 48.25, 49.76

 

CMYK 0 / 37 / 79 / 14

HEX #DB892D

RGB 219 137 45

HSL 31.72, 0.71%, 0.52%

LAB 64.27, 24.36, 58.89

 

CMYK 0 / 16 / 79 / 14

HEX #DBB82D

RGB 219 184 45

HSL 47.93, 0.71%, 0.52%

LAB 75.78, -0.7, 69.3

 

CMYK 5 / 0 / 79 / 14

HEX #CFDB2D

RGB 207 219 45

HSL 64.14, 0.71%, 0.52%

LAB 84.03, -23.43, 76.19

 

CMYK 27 / 0 / 79 / 14

HEX #A0DB2D

RGB 160 219 45

HSL 80.34, 0.71%, 0.52%

LAB 80.92, -42.12, 72.25

 

CMYK 0 / 59 / 79 / 14

HEX #DB5A2D

RGB 219 90 45

HSL 15.52, 0.71%, 0.52%

LAB 54.62, 48.25, 49.76

 

CMYK 0 / 66 / 90 / 6

HEX #EF5119

RGB 239 81 25

HSL 15.7, 0.87%, 0.52%

LAB 56.39, 58.6, 60.8

 

CMYK 0 / 59 / 79 / 14

HEX #DB5A2D

RGB 219 90 45

HSL 15.52, 0.71%, 0.52%

LAB 54.62, 48.25, 49.76

 

CMYK 0 / 50 / 67 / 22

HEX #C76441

RGB 199 100 65

HSL 15.67, 0.54%, 0.52%

LAB 53.64, 36.68, 37.56

 

CMYK 0 / 39 / 53 / 30

HEX #B36D55

RGB 179 109 85

HSL 15.32, 0.38%, 0.52%

LAB 53.14, 25.29, 25.15

 

CMYK 0 / 26 / 34 / 37

HEX #A07769

RGB 160 119 105

HSL 15.27, 0.22%, 0.52%

LAB 53.69, 14.06, 13.96

 

CMYK 0 / 9 / 11 / 45

HEX #8C807C

RGB 140 128 124

HSL 15, 0.07%, 0.52%

LAB 54.52, 3.82, 3.81

 

CMYK 0 / 79 / 57 / 14

HEX #DB2D5E

RGB 219 45 94

HSL 343.1, 0.71%, 0.52%

LAB 49.19, 67.49, 15.66

 

CMYK 0 / 79 / 78 / 14

HEX #DB2D30

RGB 219 45 48

HSL 358.97, 0.71%, 0.52%

LAB 48.45, 65.21, 42.03

 

CMYK 0 / 59 / 79 / 14

HEX #DB592D

RGB 219 89 45

HSL 15.17, 0.71%, 0.52%

LAB 54.44, 48.71, 49.59

 

CMYK 0 / 38 / 79 / 14

HEX #DB872D

RGB 219 135 45

HSL 31.03, 0.71%, 0.52%

LAB 63.82, 25.43, 58.46

 

CMYK 0 / 17 / 79 / 14

HEX #DBB52D

RGB 219 181 45

HSL 46.9, 0.71%, 0.52%

LAB 75.01, 0.87, 68.62

 

CMYK 0 / 62 / 83 / 39

HEX #9C3C1A

RGB 156 60 26

HSL 15.69, 0.71%, 0.36%

LAB 38.51, 38.31, 39.82

 

CMYK 0 / 62 / 83 / 25

HEX #BF4920

RGB 191 73 32

HSL 15.47, 0.71%, 0.44%

LAB 46.9, 45.46, 46.91

 

CMYK 0 / 59 / 79 / 14

HEX #DB5A2D

RGB 219 90 45

HSL 15.52, 0.71%, 0.52%

LAB 54.62, 48.25, 49.76

 

CMYK 0 / 48 / 64 / 12

HEX #E17650

RGB 225 118 80

HSL 15.72, 0.71%, 0.6%

LAB 61.26, 38.46, 39.39

 

CMYK 0 / 37 / 50 / 9

HEX #E79274

RGB 231 146 116

HSL 15.65, 0.71%, 0.68%

LAB 68.61, 28.95, 29.29

 

CMYK 0 / 58 / 79 / 14

HEX #DB5B2E

RGB 219 91 46

HSL 15.61, 0.71%, 0.52%

LAB 54.8, 47.82, 49.46

 

CMYK 36 / 0 / 79 / 14

HEX #8DDB2D

RGB 141 219 45

HSL 86.9, 0.71%, 0.52%

LAB 79.91, -49, 70.95

 

CMYK 79 / 68 / 0 / 14

HEX #2D47DB

RGB 45 71 219

HSL 231.03, 0.71%, 0.52%

LAB 38.16, 43.32, -77.68

 

CMYK 0 / 58 / 79 / 14

HEX #DB5B2E

RGB 219 91 46

HSL 15.61, 0.71%, 0.52%

LAB 54.8, 47.82, 49.46

 

CMYK 79 / 0 / 59 / 14

HEX #2DDB59

RGB 45 219 89

HSL 135.17, 0.71%, 0.52%

LAB 77.25, -68.37, 51.02

 

CMYK 59 / 79 / 0 / 14

HEX #592DDB

RGB 89 45 219

HSL 255.17, 0.71%, 0.52%

LAB 36.2, 61.28, -80.81

 

CMYK 0 / 58 / 79 / 14

HEX #DB5B2E

RGB 219 91 46

HSL 15.61, 0.71%, 0.52%

LAB 54.8, 47.82, 49.46

 

CMYK 36 / 0 / 79 / 14

HEX #8DDB2D

RGB 141 219 45

HSL 86.9, 0.71%, 0.52%

LAB 79.91, -49, 70.95

 

CMYK 79 / 20 / 0 / 14

HEX #2DB0DB

RGB 45 176 219

HSL 194.83, 0.71%, 0.52%

LAB 67.07, -19.93, -31.47

 

CMYK 44 / 79 / 0 / 14

HEX #7B2DDB

RGB 123 45 219

HSL 266.9, 0.71%, 0.52%

LAB 39.92, 65.47, -74.56

 

CMYK 0 / 58 / 79 / 14

HEX #DB5B2E

RGB 219 91 46

HSL 15.61, 0.71%, 0.52%

LAB 54.8, 47.82, 49.46

 

CMYK 59 / 0 / 79 / 14

HEX #59DB2D

RGB 89 219 45

HSL 104.83, 0.71%, 0.52%

LAB 77.86, -64.42, 68.31

 

CMYK 79 / 20 / 0 / 14

HEX #2DB0DB

RGB 45 176 219

HSL 194.83, 0.71%, 0.52%

LAB 67.07, -19.93, -31.47

 

CMYK 20 / 79 / 0 / 14

HEX #B02DDB

RGB 176 45 219

HSL 285.17, 0.71%, 0.52%

LAB 47.26, 73.8, -62.28

 

Description

Color code: HEX #DB5B2E | qconv.com Color code: HEX #DB5B2E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 91 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 91 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 79% 14% C M Y K

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