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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6451 it is the complementary color #249BAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6451 shade: #E0644C, #F1765F, #FF8872, #FF9A85 and #FFAC98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6451 shade: #DB6451, #CA523E, #B9402B, #A82E18 and #971C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6451 shade: #DB6451 and #DB5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6451 shade: #DB6451, #DB8951, #DBAE51, #DBD451 and #BDDB51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6451 shade matches the following richer shades: #DB6451, #EC5840 and #FD4B2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6451 shade: #DB6451, #CA7062, #B97C73, #A88984 and #979595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6451 shade: #DB5188, #DB5163, #DB6351, #DB8851 and #DBAD51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6451 shade: #B53825, #D4452F, #DB6451, #E28273 and #E9A195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6451 shade: #DB6451, #ADDB51 and #5176DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6451 shade: #DB6451, #51DB63 and #6351DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6451 shade: #DB6451, #ADDB51, #51C9DB and #7F51DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6451 shade: #DB6451, #84DB51, #51C9DB and #A851DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

Complementary color

CMYK 79 / 11 / 0 / 32

HEX #249BAE

RGB 36 155 174

HSL 188.26, 0.66%, 0.41%

LAB 58.86, -24.83, -18.99

 

CMYK 0 / 55 / 66 / 12

HEX #E0644C

RGB 224 100 76

HSL 9.73, 0.7%, 0.59%

LAB 57.54, 46.77, 37.09

 

CMYK 0 / 51 / 61 / 5

HEX #F1765F

RGB 241 118 95

HSL 9.45, 0.84%, 0.66%

LAB 63.74, 45.47, 34.8

 

CMYK 0 / 47 / 55 / 0

HEX #FF8872

RGB 255 136 114

HSL 9.36, 1%, 0.72%

LAB 69.53, 43.1, 32.17

 

CMYK 0 / 40 / 48 / 0

HEX #FF9A85

RGB 255 154 133

HSL 10.33, 1%, 0.76%

LAB 73.59, 35.57, 27.16

 

CMYK 0 / 33 / 40 / 0

HEX #FFAC98

RGB 255 172 152

HSL 11.65, 1%, 0.8%

LAB 77.89, 28.12, 22.71

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 0 / 59 / 69 / 21

HEX #CA523E

RGB 202 82 62

HSL 8.57, 0.57%, 0.52%

LAB 50.62, 46.52, 35.8

 

CMYK 0 / 65 / 77 / 27

HEX #B9402B

RGB 185 64 43

HSL 8.87, 0.62%, 0.45%

LAB 44.46, 47.7, 38.62

 

CMYK 0 / 73 / 86 / 34

HEX #A82E18

RGB 168 46 24

HSL 9.17, 0.75%, 0.38%

LAB 38.45, 48.59, 41.56

 

CMYK 0 / 81 / 97 / 41

HEX #971C05

RGB 151 28 5

HSL 9.45, 0.94%, 0.31%

LAB 32.75, 48.85, 43.87

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 0 / 63 / 63 / 14

HEX #DB5151

RGB 219 81 81

HSL 0, 0.66%, 0.59%

LAB 53.53, 53.97, 29.15

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 0 / 37 / 63 / 14

HEX #DB8951

RGB 219 137 81

HSL 24.35, 0.66%, 0.59%

LAB 64.6, 26.17, 42.63

 

CMYK 0 / 21 / 63 / 14

HEX #DBAE51

RGB 219 174 81

HSL 40.43, 0.66%, 0.59%

LAB 73.5, 6.33, 52.8

 

CMYK 0 / 3 / 63 / 14

HEX #DBD451

RGB 219 212 81

HSL 56.96, 0.66%, 0.59%

LAB 83.31, -13.31, 63.45

 

CMYK 14 / 0 / 63 / 14

HEX #BDDB51

RGB 189 219 81

HSL 73.04, 0.66%, 0.59%

LAB 82.95, -28.9, 62.4

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 0 / 63 / 73 / 7

HEX #EC5840

RGB 236 88 64

HSL 8.37, 0.82%, 0.59%

LAB 57.25, 55.82, 43.75

 

CMYK 0 / 70 / 81 / 1

HEX #FD4B2F

RGB 253 75 47

HSL 8.16, 0.98%, 0.59%

LAB 58.15, 65.81, 54.2

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 0 / 45 / 51 / 21

HEX #CA7062

RGB 202 112 98

HSL 8.08, 0.5%, 0.59%

LAB 57.1, 34.03, 23.48

 

CMYK 0 / 33 / 38 / 27

HEX #B97C73

RGB 185 124 115

HSL 7.71, 0.33%, 0.59%

LAB 58.01, 22.61, 14.6

 

CMYK 0 / 18 / 21 / 34

HEX #A88984

RGB 168 137 132

HSL 8.33, 0.17%, 0.59%

LAB 59.78, 10.96, 7.11

 

CMYK 0 / 1 / 1 / 41

HEX #979595

RGB 151 149 149

HSL 0, 0.01%, 0.59%

LAB 61.86, 0.73, 0.25

 

CMYK 0 / 63 / 38 / 14

HEX #DB5188

RGB 219 81 136

HSL 336.09, 0.66%, 0.59%

LAB 54.79, 58.65, -1.64

 

CMYK 0 / 63 / 55 / 14

HEX #DB5163

RGB 219 81 99

HSL 352.17, 0.66%, 0.59%

LAB 53.86, 55.22, 19.01

 

CMYK 0 / 55 / 63 / 14

HEX #DB6351

RGB 219 99 81

HSL 7.83, 0.66%, 0.59%

LAB 56.66, 45.73, 33.06

 

CMYK 0 / 38 / 63 / 14

HEX #DB8851

RGB 219 136 81

HSL 23.91, 0.66%, 0.59%

LAB 64.37, 26.7, 42.36

 

CMYK 0 / 21 / 63 / 14

HEX #DBAD51

RGB 219 173 81

HSL 40, 0.66%, 0.59%

LAB 73.25, 6.86, 52.52

 

CMYK 0 / 69 / 80 / 29

HEX #B53825

RGB 181 56 37

HSL 7.92, 0.66%, 0.43%

LAB 42.44, 49.44, 39.54

 

CMYK 0 / 67 / 78 / 17

HEX #D4452F

RGB 212 69 47

HSL 8, 0.66%, 0.51%

LAB 50.05, 54.96, 43.81

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 0 / 42 / 49 / 11

HEX #E28273

RGB 226 130 115

HSL 8.11, 0.66%, 0.67%

LAB 64.46, 35.35, 24.24

 

CMYK 0 / 31 / 36 / 9

HEX #E9A195

RGB 233 161 149

HSL 8.57, 0.66%, 0.75%

LAB 72.88, 25.24, 17.04

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 21 / 0 / 63 / 14

HEX #ADDB51

RGB 173 219 81

HSL 80, 0.66%, 0.59%

LAB 81.91, -35.11, 60.97

 

CMYK 63 / 46 / 0 / 14

HEX #5176DB

RGB 81 118 219

HSL 223.91, 0.66%, 0.59%

LAB 51.63, 18.5, -55.72

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 63 / 0 / 55 / 14

HEX #51DB63

RGB 81 219 99

HSL 127.83, 0.66%, 0.59%

LAB 78.06, -61.34, 47.61

 

CMYK 55 / 63 / 0 / 14

HEX #6351DB

RGB 99 81 219

HSL 247.83, 0.66%, 0.59%

LAB 43.73, 44.21, -68.43

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 21 / 0 / 63 / 14

HEX #ADDB51

RGB 173 219 81

HSL 80, 0.66%, 0.59%

LAB 81.91, -35.11, 60.97

 

CMYK 63 / 8 / 0 / 14

HEX #51C9DB

RGB 81 201 219

HSL 187.83, 0.66%, 0.59%

LAB 75.22, -27.91, -18.91

 

CMYK 42 / 63 / 0 / 14

HEX #7F51DB

RGB 127 81 219

HSL 260, 0.66%, 0.59%

LAB 46.33, 49.48, -64.1

 

CMYK 0 / 54 / 63 / 14

HEX #DB6451

RGB 219 100 81

HSL 8.26, 0.66%, 0.59%

LAB 56.85, 45.25, 33.29

 

CMYK 40 / 0 / 63 / 14

HEX #84DB51

RGB 132 219 81

HSL 97.83, 0.66%, 0.59%

LAB 79.71, -49.65, 57.93

 

CMYK 63 / 8 / 0 / 14

HEX #51C9DB

RGB 81 201 219

HSL 187.83, 0.66%, 0.59%

LAB 75.22, -27.91, -18.91

 

CMYK 23 / 63 / 0 / 14

HEX #A851DB

RGB 168 81 219

HSL 277.83, 0.66%, 0.59%

LAB 51.06, 58.32, -56.22

 

Description

Color code: HEX #DB6451 | qconv.com Color code: HEX #DB6451 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 100 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 100 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 63% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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