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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB66F9 it is the complementary color #249906. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB66F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB66F9 shade: #E066F4, #F178FF, #FF8AFF, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB66F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB66F9 shade: #DB66F9, #CA54E6, #B942D3, #A830C0 and #971EAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB66F9 shade: #DB67F8, #F867EF, #F867C7, #F867A0 and #F86779

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB66F9 shade: #DB67F8, #B367F8, #8C67F8 and #6767F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB66F9 shade matches the following richer shades: #DB67F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB66F9 shade: #DB67F8, #D374EB, #CB80DF, #C48DD2 and #BC9AC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB66F9 shade: #8B67F8, #B267F8, #D967F8, #F867F1 and #F867CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB66F9 shade: #C818F5, #D13FF7, #DB67F8, #E48EFA and #EDB6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB66F9 shade: #DB66F9, #F86769 and #67F89E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB66F9 shade: #DB66F9, #F8D967 and #67F8D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB66F9 shade: #DB66F9, #F86769, #86F867 and #67F8F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB66F9 shade: #DB66F9, #F89067, #86F867 and #67CFF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 59 / 0 / 2

HEX #DB66F9

RGB 219 102 249

HSL 287.76, 0.92%, 0.69%

LAB 62.85, 66.62, -53.81

 

Complementary color

CMYK 76 / 0 / 96 / 40

HEX #249906

RGB 36 153 6

HSL 107.76, 0.92%, 0.31%

LAB 55.25, -55.22, 56.33

 

CMYK 8 / 58 / 0 / 4

HEX #E066F4

RGB 224 102 244

HSL 291.55, 0.87%, 0.68%

LAB 63.24, 66.9, -50.38

 

CMYK 5 / 53 / 0 / 0

HEX #F178FF

RGB 241 120 255

HSL 293.78, 1%, 0.74%

LAB 69.01, 64.98, -47.18

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 12 / 59 / 0 / 2

HEX #DB66F9

RGB 219 102 249

HSL 287.76, 0.92%, 0.69%

LAB 62.85, 66.62, -53.81

 

CMYK 12 / 63 / 0 / 10

HEX #CA54E6

RGB 202 84 230

HSL 288.49, 0.74%, 0.62%

LAB 56.69, 66.93, -53.17

 

CMYK 12 / 69 / 0 / 17

HEX #B942D3

RGB 185 66 211

HSL 289.24, 0.62%, 0.54%

LAB 50.59, 66.93, -52.29

 

CMYK 13 / 75 / 0 / 25

HEX #A830C0

RGB 168 48 192

HSL 290, 0.6%, 0.47%

LAB 44.58, 66.42, -51.08

 

CMYK 13 / 83 / 0 / 32

HEX #971EAD

RGB 151 30 173

HSL 290.77, 0.7%, 0.4%

LAB 38.77, 65.09, -49.37

 

CMYK 12 / 58 / 0 / 3

HEX #DB67F8

RGB 219 103 248

HSL 288, 0.91%, 0.69%

LAB 62.96, 65.98, -53.08

 

CMYK 0 / 58 / 4 / 3

HEX #F867EF

RGB 248 103 239

HSL 303.72, 0.91%, 0.69%

LAB 66.43, 71.54, -42.37

 

CMYK 0 / 58 / 20 / 3

HEX #F867C7

RGB 248 103 199

HSL 320.28, 0.91%, 0.69%

LAB 64.79, 65.56, -22.57

 

CMYK 0 / 58 / 35 / 3

HEX #F867A0

RGB 248 103 160

HSL 336.41, 0.91%, 0.69%

LAB 63.5, 60.69, -2.29

 

CMYK 0 / 58 / 51 / 3

HEX #F86779

RGB 248 103 121

HSL 352.55, 0.91%, 0.69%

LAB 62.54, 56.89, 18.76

 

CMYK 12 / 58 / 0 / 3

HEX #DB67F8

RGB 219 103 248

HSL 288, 0.91%, 0.69%

LAB 62.96, 65.98, -53.08

 

CMYK 28 / 58 / 0 / 3

HEX #B367F8

RGB 179 103 248

HSL 271.45, 0.91%, 0.69%

LAB 58.1, 56.51, -61.13

 

CMYK 44 / 58 / 0 / 3

HEX #8C67F8

RGB 140 103 248

HSL 255.31, 0.91%, 0.69%

LAB 54.08, 47.94, -67.79

 

CMYK 58 / 58 / 0 / 3

HEX #6767F8

RGB 103 103 248

HSL 240, 0.91%, 0.69%

LAB 51.11, 40.99, -72.76

 

CMYK 12 / 58 / 0 / 3

HEX #DB67F8

RGB 219 103 248

HSL 288, 0.91%, 0.69%

LAB 62.96, 65.98, -53.08

 

CMYK 12 / 58 / 0 / 3

HEX #DB67F8

RGB 219 103 248

HSL 288, 0.91%, 0.69%

LAB 62.96, 65.98, -53.08

 

CMYK 10 / 51 / 0 / 8

HEX #D374EB

RGB 211 116 235

HSL 287.9, 0.75%, 0.69%

LAB 63.62, 55.27, -44.91

 

CMYK 9 / 43 / 0 / 13

HEX #CB80DF

RGB 203 128 223

HSL 287.37, 0.6%, 0.69%

LAB 64.53, 44.49, -36.88

 

CMYK 7 / 33 / 0 / 18

HEX #C48DD2

RGB 196 141 210

HSL 287.83, 0.43%, 0.69%

LAB 66.09, 32.73, -27.3

 

CMYK 5 / 22 / 0 / 23

HEX #BC9AC5

RGB 188 154 197

HSL 287.44, 0.27%, 0.69%

LAB 67.9, 20.33, -17.37

 

CMYK 44 / 58 / 0 / 3

HEX #8B67F8

RGB 139 103 248

HSL 254.9, 0.91%, 0.69%

LAB 53.99, 47.74, -67.95

 

CMYK 28 / 58 / 0 / 3

HEX #B267F8

RGB 178 103 248

HSL 271.03, 0.91%, 0.69%

LAB 57.98, 56.28, -61.31

 

CMYK 13 / 58 / 0 / 3

HEX #D967F8

RGB 217 103 248

HSL 287.17, 0.91%, 0.69%

LAB 62.7, 65.5, -53.51

 

CMYK 0 / 58 / 3 / 3

HEX #F867F1

RGB 248 103 241

HSL 302.9, 0.91%, 0.69%

LAB 66.53, 71.86, -43.33

 

CMYK 0 / 58 / 19 / 3

HEX #F867CA

RGB 248 103 202

HSL 319.03, 0.91%, 0.69%

LAB 64.9, 65.98, -24.09

 

CMYK 18 / 90 / 0 / 4

HEX #C818F5

RGB 200 24 245

HSL 287.78, 0.92%, 0.53%

LAB 51.3, 86.57, -70.28

 

CMYK 15 / 74 / 0 / 3

HEX #D13FF7

RGB 209 63 247

HSL 287.61, 0.92%, 0.61%

LAB 55.91, 79.33, -63.87

 

CMYK 12 / 58 / 0 / 3

HEX #DB67F8

RGB 219 103 248

HSL 288, 0.91%, 0.69%

LAB 62.96, 65.98, -53.08

 

CMYK 9 / 43 / 0 / 2

HEX #E48EFA

RGB 228 142 250

HSL 287.78, 0.92%, 0.77%

LAB 71.38, 49.7, -40.85

 

CMYK 6 / 27 / 0 / 2

HEX #EDB6FB

RGB 237 182 251

HSL 287.83, 0.9%, 0.85%

LAB 80.97, 31.52, -26.5

 

CMYK 12 / 59 / 0 / 2

HEX #DB66F9

RGB 219 102 249

HSL 287.76, 0.92%, 0.69%

LAB 62.85, 66.62, -53.81

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 58 / 0 / 36 / 3

HEX #67F89E

RGB 103 248 158

HSL 142.76, 0.91%, 0.69%

LAB 88.2, -58.49, 31.85

 

CMYK 12 / 59 / 0 / 2

HEX #DB66F9

RGB 219 102 249

HSL 287.76, 0.92%, 0.69%

LAB 62.85, 66.62, -53.81

 

CMYK 0 / 13 / 58 / 3

HEX #F8D967

RGB 248 217 103

HSL 47.17, 0.91%, 0.69%

LAB 87.27, -2.43, 58.99

 

CMYK 58 / 0 / 13 / 3

HEX #67F8D9

RGB 103 248 217

HSL 167.17, 0.91%, 0.69%

LAB 89.41, -46.22, 3.24

 

CMYK 12 / 59 / 0 / 2

HEX #DB66F9

RGB 219 102 249

HSL 287.76, 0.92%, 0.69%

LAB 62.85, 66.62, -53.81

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 46 / 0 / 58 / 3

HEX #86F867

RGB 134 248 103

HSL 107.17, 0.91%, 0.69%

LAB 88.53, -58.45, 58.52

 

CMYK 58 / 0 / 1 / 3

HEX #67F8F6

RGB 103 248 246

HSL 179.17, 0.91%, 0.69%

LAB 90.17, -38.98, -10.73

 

CMYK 12 / 59 / 0 / 2

HEX #DB66F9

RGB 219 102 249

HSL 287.76, 0.92%, 0.69%

LAB 62.85, 66.62, -53.81

 

CMYK 0 / 42 / 58 / 3

HEX #F89067

RGB 248 144 103

HSL 16.97, 0.91%, 0.69%

LAB 70.09, 35.56, 38.61

 

CMYK 46 / 0 / 58 / 3

HEX #86F867

RGB 134 248 103

HSL 107.17, 0.91%, 0.69%

LAB 88.53, -58.45, 58.52

 

CMYK 58 / 17 / 0 / 3

HEX #67CFF8

RGB 103 207 248

HSL 196.97, 0.91%, 0.69%

LAB 78.63, -18.62, -29.24

 

Description

Color code: HEX #DB66F9 | qconv.com Color code: HEX #DB66F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 102 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 102 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 59 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 59% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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