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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB60EB it is the complementary color #249F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB60EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB60EB shade: #E060E6, #F172F9, #FF84FF, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB60EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB60EB shade: #DB60EB, #CA4ED8, #B93CC5, #A82AB2 and #97189F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB60EB shade: #DB60EB, #EB60D5, #EB60B0, #EB608A and #EB6065

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB60EB shade: #DB60EB, #B560EB, #9060EB, #6A60EB and #6060EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB60EB shade matches the following richer shades: #DB60EB and #E651F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB60EB shade: #DB60EB, #D06EDC, #C57DCE, #B98BC0 and #AE99B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB60EB shade: #9060EB, #B560EB, #DB60EB, #EB60D6 and #EB60B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB60EB shade: #C71BDD, #D33BE6, #DB60EB, #E384EF and #EBA9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB60EB shade: #DB60EB, #EB6B60 and #60EBA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB60EB shade: #DB60EB, #EBDB60 and #60EBDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB60EB shade: #DB60EB, #EB6B60, #70EB60 and #60DFEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB60EB shade: #DB60EB, #EB9560, #70EB60 and #60B5EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

Complementary color

CMYK 77 / 0 / 87 / 38

HEX #249F14

RGB 36 159 20

HSL 113.09, 0.78%, 0.35%

LAB 57.29, -56.64, 55.56

 

CMYK 3 / 58 / 0 / 10

HEX #E060E6

RGB 224 96 230

HSL 297.31, 0.73%, 0.64%

LAB 61.59, 67.04, -45.21

 

CMYK 3 / 54 / 0 / 2

HEX #F172F9

RGB 241 114 249

HSL 296.44, 0.92%, 0.71%

LAB 67.71, 66.66, -45.94

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 6 / 64 / 0 / 15

HEX #CA4ED8

RGB 202 78 216

HSL 293.91, 0.64%, 0.58%

LAB 55.03, 66.87, -47.91

 

CMYK 6 / 70 / 0 / 23

HEX #B93CC5

RGB 185 60 197

HSL 294.74, 0.54%, 0.5%

LAB 48.98, 66.67, -46.81

 

CMYK 6 / 76 / 0 / 30

HEX #A82AB2

RGB 168 42 178

HSL 295.59, 0.62%, 0.43%

LAB 43.06, 65.86, -45.31

 

CMYK 5 / 85 / 0 / 38

HEX #97189F

RGB 151 24 159

HSL 296.44, 0.74%, 0.36%

LAB 37.36, 64.11, -43.23

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 0 / 59 / 9 / 8

HEX #EB60D5

RGB 235 96 213

HSL 309.5, 0.78%, 0.65%

LAB 62.37, 67.06, -34.36

 

CMYK 0 / 59 / 25 / 8

HEX #EB60B0

RGB 235 96 176

HSL 325.47, 0.78%, 0.65%

LAB 60.92, 61.79, -15.53

 

CMYK 0 / 59 / 41 / 8

HEX #EB608A

RGB 235 96 138

HSL 341.87, 0.78%, 0.65%

LAB 59.76, 57.36, 4.74

 

CMYK 0 / 59 / 57 / 8

HEX #EB6065

RGB 235 96 101

HSL 357.84, 0.78%, 0.65%

LAB 58.94, 54.12, 25.08

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 23 / 59 / 0 / 8

HEX #B560EB

RGB 181 96 235

HSL 276.69, 0.78%, 0.65%

LAB 56.28, 57.57, -56.79

 

CMYK 39 / 59 / 0 / 8

HEX #9060EB

RGB 144 96 235

HSL 260.72, 0.78%, 0.65%

LAB 52.17, 49.16, -63.61

 

CMYK 55 / 59 / 0 / 8

HEX #6A60EB

RGB 106 96 235

HSL 244.32, 0.78%, 0.65%

LAB 48.79, 41.59, -69.23

 

CMYK 59 / 59 / 0 / 8

HEX #6060EB

RGB 96 96 235

HSL 240, 0.78%, 0.65%

LAB 48.07, 39.87, -70.44

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 8 / 67 / 0 / 2

HEX #E651F9

RGB 230 81 249

HSL 293.21, 0.93%, 0.65%

LAB 61.26, 77.67, -56.24

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 5 / 50 / 0 / 14

HEX #D06EDC

RGB 208 110 220

HSL 293.45, 0.61%, 0.65%

LAB 61.42, 54.56, -40.03

 

CMYK 4 / 39 / 0 / 19

HEX #C57DCE

RGB 197 125 206

HSL 293.33, 0.45%, 0.65%

LAB 62.5, 40.95, -30.59

 

CMYK 4 / 28 / 0 / 25

HEX #B98BC0

RGB 185 139 192

HSL 292.08, 0.3%, 0.65%

LAB 63.82, 26.7, -20.8

 

CMYK 2 / 14 / 0 / 31

HEX #AE99B1

RGB 174 153 177

HSL 292.5, 0.13%, 0.65%

LAB 65.71, 12.15, -9.62

 

CMYK 39 / 59 / 0 / 8

HEX #9060EB

RGB 144 96 235

HSL 260.72, 0.78%, 0.65%

LAB 52.17, 49.16, -63.61

 

CMYK 23 / 59 / 0 / 8

HEX #B560EB

RGB 181 96 235

HSL 276.69, 0.78%, 0.65%

LAB 56.28, 57.57, -56.79

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 0 / 59 / 9 / 8

HEX #EB60D6

RGB 235 96 214

HSL 309.06, 0.78%, 0.65%

LAB 62.41, 67.22, -34.85

 

CMYK 0 / 59 / 25 / 8

HEX #EB60B1

RGB 235 96 177

HSL 325.04, 0.78%, 0.65%

LAB 60.96, 61.92, -16.05

 

CMYK 10 / 88 / 0 / 13

HEX #C71BDD

RGB 199 27 221

HSL 293.2, 0.78%, 0.49%

LAB 49.67, 82, -59.35

 

CMYK 8 / 74 / 0 / 10

HEX #D33BE6

RGB 211 59 230

HSL 293.33, 0.77%, 0.57%

LAB 54.75, 78.01, -56.19

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 5 / 45 / 0 / 6

HEX #E384EF

RGB 227 132 239

HSL 293.27, 0.77%, 0.73%

LAB 68.8, 52.43, -38.87

 

CMYK 4 / 31 / 0 / 4

HEX #EBA9F4

RGB 235 169 244

HSL 292.8, 0.77%, 0.81%

LAB 77.62, 36.48, -27.88

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 0 / 54 / 59 / 8

HEX #EB6B60

RGB 235 107 96

HSL 4.75, 0.78%, 0.65%

LAB 60.8, 48.68, 30.34

 

CMYK 59 / 0 / 31 / 8

HEX #60EBA3

RGB 96 235 163

HSL 148.92, 0.78%, 0.65%

LAB 84.25, -53.88, 23.94

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 0 / 7 / 59 / 8

HEX #EBDB60

RGB 235 219 96

HSL 53.09, 0.78%, 0.65%

LAB 86.59, -9.25, 61.02

 

CMYK 59 / 0 / 7 / 8

HEX #60EBDB

RGB 96 235 219

HSL 173.09, 0.78%, 0.65%

LAB 85.51, -41.28, -3.52

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 0 / 54 / 59 / 8

HEX #EB6B60

RGB 235 107 96

HSL 4.75, 0.78%, 0.65%

LAB 60.8, 48.68, 30.34

 

CMYK 52 / 0 / 59 / 8

HEX #70EB60

RGB 112 235 96

HSL 113.09, 0.78%, 0.65%

LAB 83.81, -60.27, 55.93

 

CMYK 59 / 5 / 0 / 8

HEX #60DFEB

RGB 96 223 235

HSL 185.18, 0.78%, 0.65%

LAB 82.52, -31.5, -16.43

 

CMYK 7 / 59 / 0 / 8

HEX #DB60EB

RGB 219 96 235

HSL 293.09, 0.78%, 0.65%

LAB 61.15, 66.69, -48.74

 

CMYK 0 / 37 / 59 / 8

HEX #EB9560

RGB 235 149 96

HSL 22.88, 0.78%, 0.65%

LAB 69.47, 27.32, 41.16

 

CMYK 52 / 0 / 59 / 8

HEX #70EB60

RGB 112 235 96

HSL 113.09, 0.78%, 0.65%

LAB 83.81, -60.27, 55.93

 

CMYK 59 / 23 / 0 / 8

HEX #60B5EB

RGB 96 181 235

HSL 203.31, 0.78%, 0.65%

LAB 70.55, -10.14, -34.72

 

Description

Color code: HEX #DB60EB | qconv.com Color code: HEX #DB60EB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 96 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 96 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 59 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 59% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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