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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB62DF it is the complementary color #249D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB62DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB62DF shade: #E062DA, #F174ED, #FF86FF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB62DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB62DF shade: #DB62DF, #CA50CC, #B93EB9, #A82CA6 and #971A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB62DF shade: #DA62DE, #DE62C1, #DE629F, #DE627E and #DE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB62DF shade: #DA62DE, #B962DE, #9762DE, #7662DE and #6262DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB62DF shade matches the following richer shades: #DA62DE, #E953EE and #F743FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB62DF shade: #DA62DE, #CC71CF, #BE80C0, #B090B1 and #A19FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB62DF shade: #9862DE, #B962DE, #DA62DE, #DE62C1 and #DE62A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB62DF shade: #C128C6, #D340D7, #DA62DE, #E284E5 and #EAA6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB62DF shade: #DB62DF, #DE7762 and #62DEA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB62DF shade: #DB62DF, #DEDA62 and #62DEDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB62DF shade: #DB62DF, #DE7762, #66DE62 and #62CADE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB62DF shade: #DB62DF, #DE9C62, #66DE62 and #62A4DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

Complementary color

CMYK 77 / 0 / 80 / 38

HEX #249D20

RGB 36 157 32

HSL 118.08, 0.66%, 0.37%

LAB 56.68, -55.35, 51.71

 

CMYK 0 / 56 / 3 / 12

HEX #E062DA

RGB 224 98 218

HSL 302.86, 0.67%, 0.63%

LAB 61.35, 64.13, -38.87

 

CMYK 0 / 52 / 2 / 5

HEX #F174ED

RGB 241 116 237

HSL 301.92, 0.82%, 0.7%

LAB 67.51, 63.69, -39.65

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

CMYK 1 / 61 / 0 / 20

HEX #CA50CC

RGB 202 80 204

HSL 299.03, 0.55%, 0.56%

LAB 54.71, 63.95, -41.58

 

CMYK 0 / 66 / 0 / 27

HEX #B93EB9

RGB 185 62 185

HSL 300, 0.5%, 0.48%

LAB 48.59, 63.86, -40.46

 

CMYK 0 / 74 / 1 / 34

HEX #A82CA6

RGB 168 44 166

HSL 300.97, 0.58%, 0.42%

LAB 42.58, 63.23, -38.94

 

CMYK 0 / 83 / 3 / 41

HEX #971A93

RGB 151 26 147

HSL 301.92, 0.71%, 0.35%

LAB 36.79, 61.69, -36.85

 

CMYK 2 / 56 / 0 / 13

HEX #DA62DE

RGB 218 98 222

HSL 298.06, 0.65%, 0.63%

LAB 60.71, 63.25, -42.18

 

CMYK 0 / 56 / 13 / 13

HEX #DE62C1

RGB 222 98 193

HSL 314.03, 0.65%, 0.63%

LAB 59.99, 59.58, -26.85

 

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

CMYK 0 / 56 / 43 / 13

HEX #DE627E

RGB 222 98 126

HSL 346.45, 0.65%, 0.63%

LAB 57.82, 50.99, 8.69

 

CMYK 0 / 56 / 56 / 13

HEX #DE6262

RGB 222 98 98

HSL 0, 0.65%, 0.63%

LAB 57.22, 48.49, 24.16

 

CMYK 2 / 56 / 0 / 13

HEX #DA62DE

RGB 218 98 222

HSL 298.06, 0.65%, 0.63%

LAB 60.71, 63.25, -42.18

 

CMYK 17 / 56 / 0 / 13

HEX #B962DE

RGB 185 98 222

HSL 282.1, 0.65%, 0.63%

LAB 56.41, 54.8, -49.25

 

CMYK 32 / 56 / 0 / 13

HEX #9762DE

RGB 151 98 222

HSL 265.65, 0.65%, 0.63%

LAB 52.5, 46.38, -55.73

 

CMYK 47 / 56 / 0 / 13

HEX #7662DE

RGB 118 98 222

HSL 249.68, 0.65%, 0.63%

LAB 49.33, 38.88, -60.99

 

CMYK 56 / 56 / 0 / 13

HEX #6262DE

RGB 98 98 222

HSL 240, 0.65%, 0.63%

LAB 47.76, 34.89, -63.6

 

CMYK 2 / 56 / 0 / 13

HEX #DA62DE

RGB 218 98 222

HSL 298.06, 0.65%, 0.63%

LAB 60.71, 63.25, -42.18

 

CMYK 2 / 65 / 0 / 7

HEX #E953EE

RGB 233 83 238

HSL 298.06, 0.82%, 0.63%

LAB 61.38, 75.75, -49.92

 

CMYK 2 / 74 / 0 / 1

HEX #F743FD

RGB 247 67 253

HSL 298.06, 0.98%, 0.63%

LAB 62.41, 86.37, -56.48

 

CMYK 2 / 56 / 0 / 13

HEX #DA62DE

RGB 218 98 222

HSL 298.06, 0.65%, 0.63%

LAB 60.71, 63.25, -42.18

 

CMYK 1 / 45 / 0 / 19

HEX #CC71CF

RGB 204 113 207

HSL 298.09, 0.49%, 0.63%

LAB 60.92, 49.51, -33.55

 

CMYK 1 / 33 / 0 / 25

HEX #BE80C0

RGB 190 128 192

HSL 298.13, 0.34%, 0.63%

LAB 61.82, 34.42, -23.82

 

CMYK 1 / 19 / 0 / 31

HEX #B090B1

RGB 176 144 177

HSL 298.18, 0.17%, 0.63%

LAB 63.63, 17.9, -12.72

 

CMYK 0 / 1 / 0 / 37

HEX #A19FA1

RGB 161 159 161

HSL 300, 0.01%, 0.63%

LAB 65.71, 1.1, -0.79

 

CMYK 32 / 56 / 0 / 13

HEX #9862DE

RGB 152 98 222

HSL 266.13, 0.65%, 0.63%

LAB 52.6, 46.62, -55.55

 

CMYK 17 / 56 / 0 / 13

HEX #B962DE

RGB 185 98 222

HSL 282.1, 0.65%, 0.63%

LAB 56.41, 54.8, -49.25

 

CMYK 2 / 56 / 0 / 13

HEX #DA62DE

RGB 218 98 222

HSL 298.06, 0.65%, 0.63%

LAB 60.71, 63.25, -42.18

 

CMYK 0 / 56 / 13 / 13

HEX #DE62C1

RGB 222 98 193

HSL 314.03, 0.65%, 0.63%

LAB 59.99, 59.58, -26.85

 

CMYK 0 / 56 / 28 / 13

HEX #DE62A0

RGB 222 98 160

HSL 330, 0.65%, 0.63%

LAB 58.79, 54.91, -9.7

 

CMYK 3 / 80 / 0 / 22

HEX #C128C6

RGB 193 40 198

HSL 298.1, 0.66%, 0.47%

LAB 48.17, 74.61, -48.59

 

CMYK 2 / 70 / 0 / 16

HEX #D340D7

RGB 211 64 215

HSL 298.41, 0.65%, 0.55%

LAB 54.47, 73.92, -48.15

 

CMYK 2 / 56 / 0 / 13

HEX #DA62DE

RGB 218 98 222

HSL 298.06, 0.65%, 0.63%

LAB 60.71, 63.25, -42.18

 

CMYK 1 / 42 / 0 / 10

HEX #E284E5

RGB 226 132 229

HSL 298.14, 0.65%, 0.71%

LAB 68.26, 50.3, -34.2

 

CMYK 1 / 30 / 0 / 7

HEX #EAA6EC

RGB 234 166 236

HSL 298.29, 0.65%, 0.79%

LAB 76.57, 36.27, -25.17

 

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

CMYK 0 / 46 / 56 / 13

HEX #DE7762

RGB 222 119 98

HSL 10.16, 0.65%, 0.63%

LAB 61.31, 38.07, 29.5

 

CMYK 56 / 0 / 24 / 13

HEX #62DEA8

RGB 98 222 168

HSL 153.87, 0.65%, 0.63%

LAB 80.55, -47.1, 16.22

 

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

CMYK 0 / 2 / 56 / 13

HEX #DEDA62

RGB 222 218 98

HSL 58.06, 0.65%, 0.63%

LAB 85.28, -13.91, 58.38

 

CMYK 56 / 0 / 2 / 13

HEX #62DEDA

RGB 98 222 218

HSL 178.06, 0.65%, 0.63%

LAB 81.78, -35.24, -8.49

 

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

CMYK 0 / 46 / 56 / 13

HEX #DE7762

RGB 222 119 98

HSL 10.16, 0.65%, 0.63%

LAB 61.31, 38.07, 29.5

 

CMYK 54 / 0 / 56 / 13

HEX #66DE62

RGB 102 222 98

HSL 118.06, 0.65%, 0.63%

LAB 79.58, -57.75, 50.04

 

CMYK 56 / 9 / 0 / 13

HEX #62CADE

RGB 98 202 222

HSL 189.68, 0.65%, 0.63%

LAB 76.14, -24.52, -19.1

 

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

CMYK 0 / 30 / 56 / 13

HEX #DE9C62

RGB 222 156 98

HSL 28.06, 0.65%, 0.63%

LAB 69.6, 18.44, 39.94

 

CMYK 54 / 0 / 56 / 13

HEX #66DE62

RGB 102 222 98

HSL 118.06, 0.65%, 0.63%

LAB 79.58, -57.75, 50.04

 

CMYK 56 / 26 / 0 / 13

HEX #62A4DE

RGB 98 164 222

HSL 208.06, 0.65%, 0.63%

LAB 65.3, -4.41, -35.75

 

Description

Color code: HEX #DB62DF | qconv.com Color code: HEX #DB62DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 98 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 98 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 56 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 56% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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