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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6342 it is the complementary color #249CBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6342 shade: #E0633D, #F17550, #FF8763, #FF9976 and #FFAB89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6342 shade: #DB6342, #CA512F, #B93F1C, #A82D09 and #971B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6342 shade: #DB6342 and #DB4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6342 shade: #DB6342, #DB8C42, #DBB542, #D7DB42 and #AEDB42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6342 shade matches the following richer shades: #DB6342 and #ED5930

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6342 shade: #DB6342, #C86D54, #B67866, #A48278 and #928C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6342 shade: #DB4275, #DB424C, #DB6142, #DB8942 and #DBB242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6342 shade: #AA3E20, #CD4A27, #DB6342, #E18065 and #E89C87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6342 shade: #DB6342, #9EDB42 and #4261DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6342 shade: #DB6342, #42DB61 and #6142DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6342 shade: #DB6342, #9EDB42, #42BCDB and #7F42DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6342 shade: #DB6342, #70DB42, #42BCDB and #AD42DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

Complementary color

CMYK 81 / 17 / 0 / 26

HEX #249CBD

RGB 36 156 189

HSL 192.94, 0.68%, 0.44%

LAB 59.73, -20.36, -26.13

 

CMYK 0 / 56 / 73 / 12

HEX #E0633D

RGB 224 99 61

HSL 13.99, 0.72%, 0.56%

LAB 57.18, 46.48, 44.7

 

CMYK 0 / 51 / 67 / 5

HEX #F17550

RGB 241 117 80

HSL 13.79, 0.85%, 0.63%

LAB 63.34, 45.03, 42.42

 

CMYK 0 / 47 / 61 / 0

HEX #FF8763

RGB 255 135 99

HSL 13.85, 1%, 0.69%

LAB 69.1, 42.52, 39.72

 

CMYK 0 / 40 / 54 / 0

HEX #FF9976

RGB 255 153 118

HSL 15.33, 1%, 0.73%

LAB 73.12, 34.77, 34.64

 

CMYK 0 / 33 / 46 / 0

HEX #FFAB89

RGB 255 171 137

HSL 17.29, 1%, 0.77%

LAB 77.4, 27.11, 30.08

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 0 / 60 / 77 / 21

HEX #CA512F

RGB 202 81 47

HSL 13.16, 0.62%, 0.49%

LAB 50.27, 46.3, 43.5

 

CMYK 0 / 66 / 85 / 27

HEX #B93F1C

RGB 185 63 28

HSL 13.38, 0.74%, 0.42%

LAB 44.17, 47.64, 45.9

 

CMYK 0 / 73 / 95 / 34

HEX #A82D09

RGB 168 45 9

HSL 13.58, 0.9%, 0.35%

LAB 38.24, 48.68, 47.47

 

CMYK 0 / 82 / 100 / 41

HEX #971B00

RGB 151 27 0

HSL 10.73, 1%, 0.3%

LAB 32.62, 49.06, 45.83

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 0 / 70 / 70 / 14

HEX #DB4242

RGB 219 66 66

HSL 0, 0.68%, 0.56%

LAB 51.09, 59.16, 34.82

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 0 / 36 / 70 / 14

HEX #DB8C42

RGB 219 140 66

HSL 29.02, 0.68%, 0.56%

LAB 65.13, 23.67, 50.64

 

CMYK 0 / 17 / 70 / 14

HEX #DBB542

RGB 219 181 66

HSL 45.1, 0.68%, 0.56%

LAB 75.14, 1.76, 61.11

 

CMYK 2 / 0 / 70 / 14

HEX #D7DB42

RGB 215 219 66

HSL 61.57, 0.68%, 0.56%

LAB 84.74, -19.25, 70.55

 

CMYK 21 / 0 / 70 / 14

HEX #AEDB42

RGB 174 219 66

HSL 77.65, 0.68%, 0.56%

LAB 81.87, -35.73, 66.75

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 0 / 62 / 80 / 7

HEX #ED5930

RGB 237 89 48

HSL 13.02, 0.84%, 0.56%

LAB 57.43, 55.15, 52.07

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 0 / 46 / 58 / 22

HEX #C86D54

RGB 200 109 84

HSL 12.93, 0.51%, 0.56%

LAB 55.94, 33.66, 29.88

 

CMYK 0 / 34 / 44 / 29

HEX #B67866

RGB 182 120 102

HSL 13.5, 0.35%, 0.56%

LAB 56.42, 22.12, 19.84

 

CMYK 0 / 21 / 27 / 36

HEX #A48278

RGB 164 130 120

HSL 13.64, 0.19%, 0.56%

LAB 57.28, 11.52, 10.38

 

CMYK 0 / 4 / 5 / 43

HEX #928C8B

RGB 146 140 139

HSL 8.57, 0.03%, 0.56%

LAB 58.72, 2.04, 1.32

 

CMYK 0 / 70 / 47 / 14

HEX #DB4275

RGB 219 66 117

HSL 340, 0.68%, 0.56%

LAB 52.11, 62.66, 5.81

 

CMYK 0 / 70 / 65 / 14

HEX #DB424C

RGB 219 66 76

HSL 356.08, 0.68%, 0.56%

LAB 51.24, 59.68, 29.18

 

CMYK 0 / 56 / 70 / 14

HEX #DB6142

RGB 219 97 66

HSL 12.16, 0.68%, 0.56%

LAB 56.09, 45.83, 40.63

 

CMYK 0 / 37 / 70 / 14

HEX #DB8942

RGB 219 137 66

HSL 27.84, 0.68%, 0.56%

LAB 64.44, 25.28, 49.9

 

CMYK 0 / 19 / 70 / 14

HEX #DBB242

RGB 219 178 66

HSL 43.92, 0.68%, 0.56%

LAB 74.38, 3.34, 60.33

 

CMYK 0 / 64 / 81 / 33

HEX #AA3E20

RGB 170 62 32

HSL 13.04, 0.68%, 0.4%

LAB 41.37, 42.81, 40.42

 

CMYK 0 / 64 / 81 / 20

HEX #CD4A27

RGB 205 74 39

HSL 12.65, 0.68%, 0.48%

LAB 49.52, 50.23, 46.92

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 0 / 43 / 55 / 12

HEX #E18065

RGB 225 128 101

HSL 13.06, 0.67%, 0.64%

LAB 63.66, 34.79, 30.94

 

CMYK 0 / 33 / 42 / 9

HEX #E89C87

RGB 232 156 135

HSL 12.99, 0.68%, 0.72%

LAB 71.34, 25.93, 22.57

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 28 / 0 / 70 / 14

HEX #9EDB42

RGB 158 219 66

HSL 83.92, 0.68%, 0.56%

LAB 80.92, -41.77, 65.48

 

CMYK 70 / 56 / 0 / 14

HEX #4261DB

RGB 66 97 219

HSL 227.84, 0.68%, 0.56%

LAB 45.39, 29.31, -65.83

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 70 / 0 / 56 / 14

HEX #42DB61

RGB 66 219 97

HSL 132.16, 0.68%, 0.56%

LAB 77.69, -64.4, 48.01

 

CMYK 56 / 70 / 0 / 14

HEX #6142DB

RGB 97 66 219

HSL 252.16, 0.68%, 0.56%

LAB 40.5, 52.21, -73.72

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 28 / 0 / 70 / 14

HEX #9EDB42

RGB 158 219 66

HSL 83.92, 0.68%, 0.56%

LAB 80.92, -41.77, 65.48

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 42 / 70 / 0 / 14

HEX #7F42DB

RGB 127 66 219

HSL 263.92, 0.68%, 0.56%

LAB 43.54, 57.12, -68.62

 

CMYK 0 / 55 / 70 / 14

HEX #DB6342

RGB 219 99 66

HSL 12.94, 0.68%, 0.56%

LAB 56.46, 44.87, 41.06

 

CMYK 49 / 0 / 70 / 14

HEX #70DB42

RGB 112 219 66

HSL 101.96, 0.68%, 0.56%

LAB 78.75, -57.01, 62.58

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 21 / 70 / 0 / 14

HEX #AD42DB

RGB 173 66 219

HSL 281.96, 0.68%, 0.56%

LAB 49.37, 65.96, -58.91

 

Description

Color code: HEX #DB6342 | qconv.com Color code: HEX #DB6342 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 99 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 99 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 70 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 70% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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