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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6F92 it is the complementary color #24906D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6F92 shade: #E06F8D, #F181A0, #FF93B3, #FFA5C6 and #FFB7D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6F92 shade: #DB6F92, #CA5D7F, #B94B6C, #A83959 and #972746

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6F92 shade: #DB7092, #DB7076 and #DB7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6F92 shade: #DB7092, #DB70AF, #DB70CC, #CD70DB and #B070DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6F92 shade matches the following richer shades: #DB7092, #E9618D and #F85388

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6F92 shade: #DB7092, #CC7E97, #BE8D9D, #AF9BA2 and #A1A9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6F92 shade: #DB70CD, #DB70B0, #DB7093, #DB7077 and #DB8570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6F92 shade: #C73162, #D34F79, #DB7092, #E391AB and #EBB2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6F92 shade: #DB6F92, #DBCD70 and #70BEDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6F92 shade: #DB6F92, #93DB70 and #7093DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6F92 shade: #DB6F92, #DBCD70, #70DBB7 and #707EDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6F92 shade: #DB6F92, #C9DB70, #70DBB7 and #8270DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 33 / 14

HEX #DB6F92

RGB 219 111 146

HSL 340.56, 0.6%, 0.65%

LAB 60.34, 45.9, 0.64

 

Complementary color

CMYK 75 / 0 / 24 / 44

HEX #24906D

RGB 36 144 109

HSL 160.56, 0.6%, 0.35%

LAB 53.41, -38.56, 10.13

 

CMYK 0 / 50 / 37 / 12

HEX #E06F8D

RGB 224 111 141

HSL 344.07, 0.65%, 0.66%

LAB 60.9, 47.02, 4.43

 

CMYK 0 / 46 / 34 / 5

HEX #F181A0

RGB 241 129 160

HSL 343.39, 0.8%, 0.73%

LAB 67.23, 46.13, 3.03

 

CMYK 0 / 42 / 30 / 0

HEX #FF93B3

RGB 255 147 179

HSL 342.22, 1%, 0.79%

LAB 73.14, 44.23, 1.21

 

CMYK 0 / 35 / 22 / 0

HEX #FFA5C6

RGB 255 165 198

HSL 338, 1%, 0.82%

LAB 77.43, 37.55, -2.97

 

CMYK 0 / 28 / 15 / 0

HEX #FFB7D9

RGB 255 183 217

HSL 331.67, 1%, 0.86%

LAB 81.91, 30.99, -6.65

 

CMYK 0 / 49 / 33 / 14

HEX #DB6F92

RGB 219 111 146

HSL 340.56, 0.6%, 0.65%

LAB 60.34, 45.9, 0.64

 

CMYK 0 / 54 / 37 / 21

HEX #CA5D7F

RGB 202 93 127

HSL 341.28, 0.51%, 0.58%

LAB 53.94, 46.74, 2.14

 

CMYK 0 / 59 / 42 / 27

HEX #B94B6C

RGB 185 75 108

HSL 342, 0.44%, 0.51%

LAB 47.53, 47.49, 3.94

 

CMYK 0 / 66 / 47 / 34

HEX #A83959

RGB 168 57 89

HSL 342.7, 0.49%, 0.44%

LAB 41.17, 48.03, 6.17

 

CMYK 0 / 74 / 54 / 41

HEX #972746

RGB 151 39 70

HSL 343.39, 0.59%, 0.37%

LAB 34.95, 48.13, 9.04

 

CMYK 0 / 49 / 33 / 14

HEX #DB7092

RGB 219 112 146

HSL 340.93, 0.6%, 0.65%

LAB 60.54, 45.4, 0.93

 

CMYK 0 / 49 / 46 / 14

HEX #DB7076

RGB 219 112 118

HSL 356.64, 0.6%, 0.65%

LAB 59.85, 42.3, 16.11

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 0 / 49 / 33 / 14

HEX #DB7092

RGB 219 112 146

HSL 340.93, 0.6%, 0.65%

LAB 60.54, 45.4, 0.93

 

CMYK 0 / 49 / 20 / 14

HEX #DB70AF

RGB 219 112 175

HSL 324.67, 0.6%, 0.65%

LAB 61.43, 49.32, -14.41

 

CMYK 0 / 49 / 7 / 14

HEX #DB70CC

RGB 219 112 204

HSL 308.41, 0.6%, 0.65%

LAB 62.51, 53.87, -29.23

 

CMYK 6 / 49 / 0 / 14

HEX #CD70DB

RGB 205 112 219

HSL 292.15, 0.6%, 0.65%

LAB 61.38, 52.55, -39.56

 

CMYK 20 / 49 / 0 / 14

HEX #B070DB

RGB 176 112 219

HSL 275.89, 0.6%, 0.65%

LAB 57.97, 44.53, -45.16

 

CMYK 0 / 49 / 33 / 14

HEX #DB7092

RGB 219 112 146

HSL 340.93, 0.6%, 0.65%

LAB 60.54, 45.4, 0.93

 

CMYK 0 / 58 / 39 / 9

HEX #E9618D

RGB 233 97 141

HSL 340.59, 0.76%, 0.65%

LAB 59.7, 56.59, 2.87

 

CMYK 0 / 67 / 45 / 3

HEX #F85388

RGB 248 83 136

HSL 340.73, 0.92%, 0.65%

LAB 59.82, 66.47, 6.25

 

CMYK 0 / 49 / 33 / 14

HEX #DB7092

RGB 219 112 146

HSL 340.93, 0.6%, 0.65%

LAB 60.54, 45.4, 0.93

 

CMYK 0 / 38 / 26 / 20

HEX #CC7E97

RGB 204 126 151

HSL 340.77, 0.43%, 0.65%

LAB 61.65, 33.48, -0.56

 

CMYK 0 / 26 / 17 / 25

HEX #BE8D9D

RGB 190 141 157

HSL 340.41, 0.27%, 0.65%

LAB 63.7, 21.05, -1.16

 

CMYK 0 / 11 / 7 / 31

HEX #AF9BA2

RGB 175 155 162

HSL 339, 0.11%, 0.65%

LAB 65.88, 8.58, -0.96

 

CMYK 5 / 0 / 1 / 34

HEX #A1A9A7

RGB 161 169 167

HSL 165, 0.04%, 0.65%

LAB 68.56, -3.21, 0.04

 

CMYK 0 / 49 / 6 / 14

HEX #DB70CD

RGB 219 112 205

HSL 307.85, 0.6%, 0.65%

LAB 62.56, 54.04, -29.73

 

CMYK 0 / 49 / 20 / 14

HEX #DB70B0

RGB 219 112 176

HSL 324.11, 0.6%, 0.65%

LAB 61.47, 49.46, -14.93

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 0 / 49 / 46 / 14

HEX #DB7077

RGB 219 112 119

HSL 356.07, 0.6%, 0.65%

LAB 59.87, 42.4, 15.57

 

CMYK 0 / 39 / 49 / 14

HEX #DB8570

RGB 219 133 112

HSL 11.78, 0.6%, 0.65%

LAB 64.16, 30.79, 25.36

 

CMYK 0 / 75 / 51 / 22

HEX #C73162

RGB 199 49 98

HSL 340.4, 0.6%, 0.49%

LAB 45.93, 61.14, 8.11

 

CMYK 0 / 63 / 43 / 17

HEX #D34F79

RGB 211 79 121

HSL 340.91, 0.6%, 0.57%

LAB 52.75, 55.46, 4.17

 

CMYK 0 / 49 / 33 / 14

HEX #DB7092

RGB 219 112 146

HSL 340.93, 0.6%, 0.65%

LAB 60.54, 45.4, 0.93

 

CMYK 0 / 36 / 25 / 11

HEX #E391AB

RGB 227 145 171

HSL 340.98, 0.59%, 0.73%

LAB 69.13, 34.41, -0.6

 

CMYK 0 / 24 / 17 / 8

HEX #EBB2C4

RGB 235 178 196

HSL 341.05, 0.59%, 0.81%

LAB 78.16, 23.39, -1.05

 

CMYK 0 / 49 / 33 / 14

HEX #DB6F92

RGB 219 111 146

HSL 340.56, 0.6%, 0.65%

LAB 60.34, 45.9, 0.64

 

CMYK 0 / 6 / 49 / 14

HEX #DBCD70

RGB 219 205 112

HSL 52.15, 0.6%, 0.65%

LAB 81.78, -7.43, 47.7

 

CMYK 49 / 13 / 0 / 14

HEX #70BEDB

RGB 112 190 219

HSL 196.26, 0.6%, 0.65%

LAB 73.15, -16.29, -21.97

 

CMYK 0 / 49 / 33 / 14

HEX #DB6F92

RGB 219 111 146

HSL 340.56, 0.6%, 0.65%

LAB 60.34, 45.9, 0.64

 

CMYK 33 / 0 / 49 / 14

HEX #93DB70

RGB 147 219 112

HSL 100.37, 0.6%, 0.65%

LAB 80.76, -41.47, 45.33

 

CMYK 49 / 33 / 0 / 14

HEX #7093DB

RGB 112 147 219

HSL 220.37, 0.6%, 0.65%

LAB 61.16, 7.49, -40.5

 

CMYK 0 / 49 / 33 / 14

HEX #DB6F92

RGB 219 111 146

HSL 340.56, 0.6%, 0.65%

LAB 60.34, 45.9, 0.64

 

CMYK 0 / 6 / 49 / 14

HEX #DBCD70

RGB 219 205 112

HSL 52.15, 0.6%, 0.65%

LAB 81.78, -7.43, 47.7

 

CMYK 49 / 0 / 16 / 14

HEX #70DBB7

RGB 112 219 183

HSL 159.81, 0.6%, 0.65%

LAB 80.47, -39.4, 8.26

 

CMYK 49 / 42 / 0 / 14

HEX #707EDB

RGB 112 126 219

HSL 232.15, 0.6%, 0.65%

LAB 55.56, 19.93, -49.33

 

CMYK 0 / 49 / 33 / 14

HEX #DB6F92

RGB 219 111 146

HSL 340.56, 0.6%, 0.65%

LAB 60.34, 45.9, 0.64

 

CMYK 8 / 0 / 49 / 14

HEX #C9DB70

RGB 201 219 112

HSL 70.09, 0.6%, 0.65%

LAB 84.1, -21.61, 50.16

 

CMYK 49 / 0 / 16 / 14

HEX #70DBB7

RGB 112 219 183

HSL 159.81, 0.6%, 0.65%

LAB 80.47, -39.4, 8.26

 

CMYK 41 / 49 / 0 / 14

HEX #8270DB

RGB 130 112 219

HSL 250.09, 0.6%, 0.65%

LAB 53.44, 32.55, -52.64

 

Description

Color code: HEX #DB6F92 | qconv.com Color code: HEX #DB6F92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 111 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 111 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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