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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB70D8 it is the complementary color #248F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB70D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB70D8 shade: #E070D3, #F182E6, #FF94F9, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB70D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB70D8 shade: #DB70D8, #CA5EC5, #B94CB2, #A83A9F and #97288C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB70D8 shade: #DB70D8, #DB70BB, #DB709E, #DB7081 and #DB7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB70D8 shade: #DB70D8, #C170DB, #A470DB, #8770DB and #7070DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB70D8 shade matches the following richer shades: #DB70D8, #E961E5 and #F853F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB70D8 shade: #DB70D8, #CC7ECA, #BE8DBD, #AF9BAF and #A1A9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB70D8 shade: #A370DB, #C070DB, #DB70D9, #DB70BC and #DB70A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB70D8 shade: #C731C3, #D34FCF, #DB70D8, #E391E1 and #EBB2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB70D8 shade: #DB70D8, #DB8770 and #70DBB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB70D8 shade: #DB70D8, #D9DB70 and #70D9DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB70D8 shade: #DB70D8, #DB8770, #70DB71 and #70C4DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB70D8 shade: #DB70D8, #DBA770, #70DB71 and #70A3DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

Complementary color

CMYK 75 / 0 / 73 / 44

HEX #248F27

RGB 36 143 39

HSL 121.68, 0.6%, 0.35%

LAB 52.02, -50.17, 44.55

 

CMYK 0 / 50 / 6 / 12

HEX #E070D3

RGB 224 112 211

HSL 306.96, 0.64%, 0.66%

LAB 63.46, 56.49, -31.65

 

CMYK 0 / 46 / 5 / 5

HEX #F182E6

RGB 241 130 230

HSL 305.95, 0.8%, 0.73%

LAB 69.74, 55.85, -32.32

 

CMYK 0 / 42 / 2 / 0

HEX #FF94F9

RGB 255 148 249

HSL 303.36, 1%, 0.79%

LAB 75.62, 54.28, -33.47

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 53 / 2 / 21

HEX #CA5EC5

RGB 202 94 197

HSL 302.78, 0.5%, 0.58%

LAB 56.68, 56.49, -34.5

 

CMYK 0 / 59 / 4 / 27

HEX #B94CB2

RGB 185 76 178

HSL 303.85, 0.44%, 0.51%

LAB 50.33, 56.88, -33.63

 

CMYK 0 / 65 / 5 / 34

HEX #A83A9F

RGB 168 58 159

HSL 304.91, 0.49%, 0.44%

LAB 44.02, 56.96, -32.48

 

CMYK 0 / 74 / 7 / 41

HEX #97288C

RGB 151 40 140

HSL 305.95, 0.58%, 0.37%

LAB 37.83, 56.48, -30.92

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 49 / 15 / 14

HEX #DB70BB

RGB 219 112 187

HSL 317.94, 0.6%, 0.65%

LAB 61.86, 51.13, -20.61

 

CMYK 0 / 49 / 28 / 14

HEX #DB709E

RGB 219 112 158

HSL 334.21, 0.6%, 0.65%

LAB 60.88, 46.94, -5.48

 

CMYK 0 / 49 / 41 / 14

HEX #DB7081

RGB 219 112 129

HSL 350.47, 0.6%, 0.65%

LAB 60.1, 43.44, 10.12

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 12 / 49 / 0 / 14

HEX #C170DB

RGB 193 112 219

HSL 285.42, 0.6%, 0.65%

LAB 59.93, 49.21, -41.95

 

CMYK 25 / 49 / 0 / 14

HEX #A470DB

RGB 164 112 219

HSL 269.16, 0.6%, 0.65%

LAB 56.68, 41.28, -47.29

 

CMYK 38 / 49 / 0 / 14

HEX #8770DB

RGB 135 112 219

HSL 252.9, 0.6%, 0.65%

LAB 53.87, 33.77, -51.92

 

CMYK 49 / 49 / 0 / 14

HEX #7070DB

RGB 112 112 219

HSL 240, 0.6%, 0.65%

LAB 52, 28.36, -55.02

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 58 / 2 / 9

HEX #E961E5

RGB 233 97 229

HSL 301.76, 0.76%, 0.65%

LAB 62.95, 68.68, -42.42

 

CMYK 0 / 67 / 2 / 3

HEX #F853F3

RGB 248 83 243

HSL 301.82, 0.92%, 0.65%

LAB 63.85, 79.89, -48.65

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 38 / 1 / 20

HEX #CC7ECA

RGB 204 126 202

HSL 301.54, 0.43%, 0.65%

LAB 63.36, 41.83, -26.95

 

CMYK 0 / 26 / 1 / 25

HEX #BE8DBD

RGB 190 141 189

HSL 301.22, 0.27%, 0.65%

LAB 64.7, 26.68, -17.73

 

CMYK 0 / 11 / 0 / 31

HEX #AF9BAF

RGB 175 155 175

HSL 300, 0.11%, 0.65%

LAB 66.25, 11, -7.69

 

CMYK 5 / 0 / 5 / 34

HEX #A1A9A1

RGB 161 169 161

HSL 120, 0.04%, 0.65%

LAB 68.41, -4.35, 3.14

 

CMYK 26 / 49 / 0 / 14

HEX #A370DB

RGB 163 112 219

HSL 268.6, 0.6%, 0.65%

LAB 56.57, 41.01, -47.46

 

CMYK 12 / 49 / 0 / 14

HEX #C070DB

RGB 192 112 219

HSL 284.86, 0.6%, 0.65%

LAB 59.81, 48.93, -42.14

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D9

RGB 219 112 217

HSL 301.12, 0.6%, 0.65%

LAB 63.06, 56.1, -35.69

 

CMYK 0 / 49 / 14 / 14

HEX #DB70BC

RGB 219 112 188

HSL 317.38, 0.6%, 0.65%

LAB 61.89, 51.29, -21.12

 

CMYK 0 / 49 / 27 / 14

HEX #DB70A0

RGB 219 112 160

HSL 333.08, 0.6%, 0.65%

LAB 60.95, 47.21, -6.54

 

CMYK 0 / 75 / 2 / 22

HEX #C731C3

RGB 199 49 195

HSL 301.6, 0.6%, 0.49%

LAB 49.83, 72.91, -44.16

 

CMYK 0 / 63 / 2 / 17

HEX #D34FCF

RGB 211 79 207

HSL 301.82, 0.6%, 0.57%

LAB 56.03, 67.06, -41.12

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 36 / 1 / 11

HEX #E391E1

RGB 227 145 225

HSL 301.46, 0.59%, 0.73%

LAB 70.88, 43.15, -27.94

 

CMYK 0 / 24 / 0 / 8

HEX #EBB2EA

RGB 235 178 234

HSL 301.05, 0.59%, 0.81%

LAB 79.3, 29.83, -19.93

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 38 / 49 / 14

HEX #DB8770

RGB 219 135 112

HSL 12.9, 0.6%, 0.65%

LAB 64.61, 29.72, 25.95

 

CMYK 49 / 0 / 19 / 14

HEX #70DBB2

RGB 112 219 178

HSL 157.01, 0.6%, 0.65%

LAB 80.36, -40.5, 10.74

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 1 / 0 / 49 / 14

HEX #D9DB70

RGB 217 219 112

HSL 61.12, 0.6%, 0.65%

LAB 85.29, -15.28, 51.88

 

CMYK 49 / 1 / 0 / 14

HEX #70D9DB

RGB 112 217 219

HSL 181.12, 0.6%, 0.65%

LAB 80.84, -29.81, -10.38

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 38 / 49 / 14

HEX #DB8770

RGB 219 135 112

HSL 12.9, 0.6%, 0.65%

LAB 64.61, 29.72, 25.95

 

CMYK 49 / 0 / 48 / 14

HEX #70DB71

RGB 112 219 113

HSL 120.56, 0.6%, 0.65%

LAB 79.21, -52.04, 42.59

 

CMYK 49 / 11 / 0 / 14

HEX #70C4DB

RGB 112 196 219

HSL 192.9, 0.6%, 0.65%

LAB 74.85, -19.39, -19.38

 

CMYK 0 / 49 / 1 / 14

HEX #DB70D8

RGB 219 112 216

HSL 301.68, 0.6%, 0.65%

LAB 63.02, 55.93, -35.19

 

CMYK 0 / 24 / 49 / 14

HEX #DBA770

RGB 219 167 112

HSL 30.84, 0.6%, 0.65%

LAB 72.14, 12.53, 35.73

 

CMYK 49 / 0 / 48 / 14

HEX #70DB71

RGB 112 219 113

HSL 120.56, 0.6%, 0.65%

LAB 79.21, -52.04, 42.59

 

CMYK 49 / 26 / 0 / 14

HEX #70A3DB

RGB 112 163 219

HSL 211.4, 0.6%, 0.65%

LAB 65.56, -1.66, -33.64

 

Description

Color code: HEX #DB70D8 | qconv.com Color code: HEX #DB70D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 112 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 112 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 1 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 1% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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