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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7F90 it is the complementary color #24806F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7F90 shade: #E07F8B, #F1919E, #FFA3B1, #FFB5C4 and #FFC7D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7F90 shade: #DB7F90, #CA6D7D, #B95B6A, #A84957 and #973744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7F90 shade: #DB7F90 and #DB7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7F90 shade: #DB7F90, #DB7FA9, #DB7FC1, #DB7FDA and #C37FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7F90 shade matches the following richer shades: #DB7F90, #E87288 and #F5657F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7F90 shade: #DB7F90, #CD8C98, #C09AA1, #B3A7A9 and #A6B4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7F90 shade: #DB7FC2, #DB7FAA, #DB7F91, #DB857F and #DB9E7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7F90 shade: #C83F58, #D25F74, #DB7F90, #E49FAC and #EDC0C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7F90 shade: #DB7F90, #DBDB7F and #7FB6DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7F90 shade: #DB7F90, #91DB7F and #7F91DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7F90 shade: #DB7F90, #DBDB7F, #7FDBC8 and #7F7FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7F90 shade: #DB7F90, #BFDB7F, #7FDBC8 and #9B7FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

Complementary color

CMYK 72 / 0 / 13 / 50

HEX #24806F

RGB 36 128 111

HSL 168.91, 0.56%, 0.32%

LAB 48.21, -30.8, 1.52

 

CMYK 0 / 43 / 38 / 12

HEX #E07F8B

RGB 224 127 139

HSL 352.58, 0.61%, 0.69%

LAB 64.07, 38.67, 10.11

 

CMYK 0 / 40 / 34 / 5

HEX #F1919E

RGB 241 145 158

HSL 351.88, 0.77%, 0.76%

LAB 70.47, 37.72, 8.8

 

CMYK 0 / 36 / 31 / 0

HEX #FFA3B1

RGB 255 163 177

HSL 350.87, 1%, 0.82%

LAB 76.45, 35.76, 7.1

 

CMYK 0 / 29 / 23 / 0

HEX #FFB5C4

RGB 255 181 196

HSL 347.84, 1%, 0.85%

LAB 80.9, 28.91, 3.19

 

CMYK 0 / 22 / 16 / 0

HEX #FFC7D7

RGB 255 199 215

HSL 342.86, 1%, 0.89%

LAB 85.51, 22.28, -0.29

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 46 / 38 / 21

HEX #CA6D7D

RGB 202 109 125

HSL 349.68, 0.47%, 0.61%

LAB 57.05, 38.41, 7.79

 

CMYK 0 / 51 / 43 / 27

HEX #B95B6A

RGB 185 91 106

HSL 350.43, 0.4%, 0.54%

LAB 50.5, 39.4, 9.37

 

CMYK 0 / 57 / 48 / 34

HEX #A84957

RGB 168 73 87

HSL 351.16, 0.39%, 0.47%

LAB 43.91, 40.39, 11.27

 

CMYK 0 / 64 / 55 / 41

HEX #973744

RGB 151 55 68

HSL 351.88, 0.47%, 0.4%

LAB 37.35, 41.27, 13.63

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 42 / 42 / 14

HEX #DB7F7F

RGB 219 127 127

HSL 0, 0.56%, 0.68%

LAB 63.15, 35.48, 15.54

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 42 / 23 / 14

HEX #DB7FA9

RGB 219 127 169

HSL 332.61, 0.56%, 0.68%

LAB 64.24, 40.8, -6.78

 

CMYK 0 / 42 / 12 / 14

HEX #DB7FC1

RGB 219 127 193

HSL 316.96, 0.56%, 0.68%

LAB 65.03, 44.5, -19.17

 

CMYK 0 / 42 / 0 / 14

HEX #DB7FDA

RGB 219 127 218

HSL 300.65, 0.56%, 0.68%

LAB 65.98, 48.79, -31.71

 

CMYK 11 / 42 / 0 / 14

HEX #C37FDB

RGB 195 127 219

HSL 284.35, 0.56%, 0.68%

LAB 63.26, 41.86, -36.71

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 51 / 41 / 9

HEX #E87288

RGB 232 114 136

HSL 348.81, 0.72%, 0.68%

LAB 62.48, 47.75, 9.72

 

CMYK 0 / 59 / 48 / 4

HEX #F5657F

RGB 245 101 127

HSL 349.17, 0.88%, 0.68%

LAB 61.87, 57.31, 14.32

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 32 / 26 / 20

HEX #CD8C98

RGB 205 140 152

HSL 348.92, 0.39%, 0.68%

LAB 64.96, 26.4, 3.71

 

CMYK 0 / 20 / 16 / 25

HEX #C09AA1

RGB 192 154 161

HSL 348.95, 0.23%, 0.68%

LAB 67.2, 15.24, 1.71

 

CMYK 0 / 7 / 6 / 30

HEX #B3A7A9

RGB 179 167 169

HSL 350, 0.07%, 0.68%

LAB 69.53, 4.68, 0.52

 

CMYK 8 / 0 / 2 / 29

HEX #A6B4B1

RGB 166 180 177

HSL 167.14, 0.09%, 0.68%

LAB 72.18, -5.43, -0.15

 

CMYK 0 / 42 / 11 / 14

HEX #DB7FC2

RGB 219 127 194

HSL 316.3, 0.56%, 0.68%

LAB 65.07, 44.66, -19.68

 

CMYK 0 / 42 / 22 / 14

HEX #DB7FAA

RGB 219 127 170

HSL 331.96, 0.56%, 0.68%

LAB 64.27, 40.95, -7.3

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F91

RGB 219 127 145

HSL 348.26, 0.56%, 0.68%

LAB 63.58, 37.58, 5.9

 

CMYK 0 / 39 / 42 / 14

HEX #DB857F

RGB 219 133 127

HSL 3.91, 0.56%, 0.68%

LAB 64.46, 32.31, 17.35

 

CMYK 0 / 28 / 42 / 14

HEX #DB9E7F

RGB 219 158 127

HSL 20.22, 0.56%, 0.68%

LAB 70.21, 18.89, 25.17

 

CMYK 0 / 69 / 56 / 22

HEX #C83F58

RGB 200 63 88

HSL 349.05, 0.55%, 0.52%

LAB 47.67, 55.68, 16.68

 

CMYK 0 / 55 / 45 / 18

HEX #D25F74

RGB 210 95 116

HSL 349.04, 0.56%, 0.6%

LAB 55.22, 47.32, 10.63

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 30 / 25 / 11

HEX #E49FAC

RGB 228 159 172

HSL 348.7, 0.56%, 0.76%

LAB 72.41, 27.45, 3.63

 

CMYK 0 / 19 / 16 / 7

HEX #EDC0C8

RGB 237 192 200

HSL 349.33, 0.56%, 0.84%

LAB 81.77, 17.28, 2.07

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 0 / 42 / 14

HEX #DBDB7F

RGB 219 219 127

HSL 60, 0.56%, 0.68%

LAB 85.63, -13.06, 45.11

 

CMYK 42 / 17 / 0 / 14

HEX #7FB6DB

RGB 127 182 219

HSL 204.13, 0.56%, 0.68%

LAB 71.61, -8.43, -24.25

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 34 / 0 / 42 / 14

HEX #91DB7F

RGB 145 219 127

HSL 108.26, 0.56%, 0.68%

LAB 80.86, -40.2, 38.08

 

CMYK 42 / 34 / 0 / 14

HEX #7F91DB

RGB 127 145 219

HSL 228.26, 0.56%, 0.68%

LAB 61.55, 12.35, -39.82

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 0 / 0 / 42 / 14

HEX #DBDB7F

RGB 219 219 127

HSL 60, 0.56%, 0.68%

LAB 85.63, -13.06, 45.11

 

CMYK 42 / 0 / 9 / 14

HEX #7FDBC8

RGB 127 219 200

HSL 167.61, 0.56%, 0.68%

LAB 81.48, -31.9, 0.75

 

CMYK 42 / 42 / 0 / 14

HEX #7F7FDB

RGB 127 127 219

HSL 240, 0.56%, 0.68%

LAB 56.89, 22.94, -47.17

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F90

RGB 219 127 144

HSL 348.91, 0.56%, 0.68%

LAB 63.55, 37.45, 6.43

 

CMYK 13 / 0 / 42 / 14

HEX #BFDB7F

RGB 191 219 127

HSL 78.26, 0.56%, 0.68%

LAB 83.59, -23.88, 42.11

 

CMYK 42 / 0 / 9 / 14

HEX #7FDBC8

RGB 127 219 200

HSL 167.61, 0.56%, 0.68%

LAB 81.48, -31.9, 0.75

 

CMYK 29 / 42 / 0 / 14

HEX #9B7FDB

RGB 155 127 219

HSL 258.26, 0.56%, 0.68%

LAB 59.22, 30.36, -43.34

 

Description

Color code: HEX #DB7F90 | qconv.com Color code: HEX #DB7F90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 127 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 127 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 34% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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