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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8195 it is the complementary color #247E6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8195 shade: #E08190, #F193A3, #FFA5B6, #FFB7C9 and #FFC9DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8195 shade: #DB8195, #CA6F82, #B95D6F, #A84B5C and #973949

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8195 shade: #DB7F94 and #DB7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8195 shade: #DB7F94, #DB7FAC, #DB7FC5, #D87FDB and #BF7FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8195 shade matches the following richer shades: #DB7F94, #E8728C and #F56585

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8195 shade: #DB7F94, #CD8C9B, #C09AA2, #B3A7AA and #A6B4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8195 shade: #DB7FC5, #DB7FAD, #DB7F95, #DB827F and #DB9B7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8195 shade: #C83F5D, #D25F78, #DB7F94, #E49FAF and #EDC0CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8195 shade: #DB8195, #DBD87F and #7FB9DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8195 shade: #DB8195, #95DB7F and #7F95DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8195 shade: #DB8195, #DBD87F, #7FDBC5 and #7F82DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8195 shade: #DB8195, #C2DB7F, #7FDBC5 and #987FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 32 / 14

HEX #DB8195

RGB 219 129 149

HSL 346.67, 0.56%, 0.68%

LAB 64.1, 37.03, 4.38

 

Complementary color

CMYK 71 / 0 / 16 / 51

HEX #247E6A

RGB 36 126 106

HSL 166.67, 0.56%, 0.32%

LAB 47.41, -31.24, 3.31

 

CMYK 0 / 42 / 36 / 12

HEX #E08190

RGB 224 129 144

HSL 350.53, 0.61%, 0.69%

LAB 64.61, 38.22, 8.04

 

CMYK 0 / 39 / 32 / 5

HEX #F193A3

RGB 241 147 163

HSL 349.79, 0.77%, 0.76%

LAB 71.02, 37.3, 6.8

 

CMYK 0 / 35 / 29 / 0

HEX #FFA5B6

RGB 255 165 182

HSL 348.67, 1%, 0.82%

LAB 77.01, 35.37, 5.16

 

CMYK 0 / 28 / 21 / 0

HEX #FFB7C9

RGB 255 183 201

HSL 345, 1%, 0.86%

LAB 81.48, 28.58, 1.33

 

CMYK 0 / 21 / 14 / 0

HEX #FFC9DC

RGB 255 201 220

HSL 338.89, 1%, 0.89%

LAB 86.11, 22.02, -2.08

 

CMYK 0 / 41 / 32 / 14

HEX #DB8195

RGB 219 129 149

HSL 346.67, 0.56%, 0.68%

LAB 64.1, 37.03, 4.38

 

CMYK 0 / 45 / 36 / 21

HEX #CA6F82

RGB 202 111 130

HSL 347.47, 0.46%, 0.61%

LAB 57.6, 37.96, 5.65

 

CMYK 0 / 50 / 40 / 27

HEX #B95D6F

RGB 185 93 111

HSL 348.26, 0.4%, 0.55%

LAB 51.03, 38.93, 7.13

 

CMYK 0 / 55 / 45 / 34

HEX #A84B5C

RGB 168 75 92

HSL 349.03, 0.38%, 0.48%

LAB 44.42, 39.9, 8.9

 

CMYK 0 / 62 / 52 / 41

HEX #973949

RGB 151 57 73

HSL 349.79, 0.45%, 0.41%

LAB 37.82, 40.77, 11.11

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F94

RGB 219 127 148

HSL 346.3, 0.56%, 0.68%

LAB 63.65, 37.95, 4.3

 

CMYK 0 / 42 / 42 / 14

HEX #DB7F7F

RGB 219 127 127

HSL 0, 0.56%, 0.68%

LAB 63.15, 35.48, 15.54

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F94

RGB 219 127 148

HSL 346.3, 0.56%, 0.68%

LAB 63.65, 37.95, 4.3

 

CMYK 0 / 42 / 21 / 14

HEX #DB7FAC

RGB 219 127 172

HSL 330.65, 0.56%, 0.68%

LAB 64.34, 41.24, -8.35

 

CMYK 0 / 42 / 10 / 14

HEX #DB7FC5

RGB 219 127 197

HSL 314.35, 0.56%, 0.68%

LAB 65.18, 45.16, -21.2

 

CMYK 1 / 42 / 0 / 14

HEX #D87FDB

RGB 216 127 219

HSL 298.04, 0.56%, 0.68%

LAB 65.66, 48.08, -32.78

 

CMYK 13 / 42 / 0 / 14

HEX #BF7FDB

RGB 191 127 219

HSL 281.74, 0.56%, 0.68%

LAB 62.82, 40.68, -37.43

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F94

RGB 219 127 148

HSL 346.3, 0.56%, 0.68%

LAB 63.65, 37.95, 4.3

 

CMYK 0 / 51 / 40 / 9

HEX #E8728C

RGB 232 114 140

HSL 346.78, 0.72%, 0.68%

LAB 62.58, 48.18, 7.56

 

CMYK 0 / 59 / 46 / 4

HEX #F56585

RGB 245 101 133

HSL 346.67, 0.88%, 0.68%

LAB 62.01, 57.86, 11.05

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F94

RGB 219 127 148

HSL 346.3, 0.56%, 0.68%

LAB 63.65, 37.95, 4.3

 

CMYK 0 / 32 / 24 / 20

HEX #CD8C9B

RGB 205 140 155

HSL 346.15, 0.39%, 0.68%

LAB 65.04, 26.84, 2.13

 

CMYK 0 / 20 / 16 / 25

HEX #C09AA2

RGB 192 154 162

HSL 347.37, 0.23%, 0.68%

LAB 67.22, 15.4, 1.19

 

CMYK 0 / 7 / 5 / 30

HEX #B3A7AA

RGB 179 167 170

HSL 345, 0.07%, 0.68%

LAB 69.56, 4.86, 0

 

CMYK 8 / 0 / 2 / 29

HEX #A6B4B1

RGB 166 180 177

HSL 167.14, 0.09%, 0.68%

LAB 72.18, -5.43, -0.15

 

CMYK 0 / 42 / 10 / 14

HEX #DB7FC5

RGB 219 127 197

HSL 314.35, 0.56%, 0.68%

LAB 65.18, 45.16, -21.2

 

CMYK 0 / 42 / 21 / 14

HEX #DB7FAD

RGB 219 127 173

HSL 330, 0.56%, 0.68%

LAB 64.37, 41.39, -8.87

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F95

RGB 219 127 149

HSL 345.65, 0.56%, 0.68%

LAB 63.68, 38.08, 3.77

 

CMYK 0 / 41 / 42 / 14

HEX #DB827F

RGB 219 130 127

HSL 1.96, 0.56%, 0.68%

LAB 63.8, 33.9, 16.44

 

CMYK 0 / 29 / 42 / 14

HEX #DB9B7F

RGB 219 155 127

HSL 18.26, 0.56%, 0.68%

LAB 69.49, 20.51, 24.21

 

CMYK 0 / 69 / 54 / 22

HEX #C83F5D

RGB 200 63 93

HSL 346.86, 0.55%, 0.52%

LAB 47.78, 56.06, 13.79

 

CMYK 0 / 55 / 43 / 18

HEX #D25F78

RGB 210 95 120

HSL 346.96, 0.56%, 0.6%

LAB 55.32, 47.73, 8.41

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F94

RGB 219 127 148

HSL 346.3, 0.56%, 0.68%

LAB 63.65, 37.95, 4.3

 

CMYK 0 / 30 / 23 / 11

HEX #E49FAF

RGB 228 159 175

HSL 346.09, 0.56%, 0.76%

LAB 72.49, 27.88, 2.08

 

CMYK 0 / 19 / 15 / 7

HEX #EDC0CA

RGB 237 192 202

HSL 346.67, 0.56%, 0.84%

LAB 81.82, 17.6, 1.07

 

CMYK 0 / 41 / 32 / 14

HEX #DB8195

RGB 219 129 149

HSL 346.67, 0.56%, 0.68%

LAB 64.1, 37.03, 4.38

 

CMYK 0 / 1 / 42 / 14

HEX #DBD87F

RGB 219 216 127

HSL 58.04, 0.56%, 0.68%

LAB 84.85, -11.56, 44.13

 

CMYK 42 / 16 / 0 / 14

HEX #7FB9DB

RGB 127 185 219

HSL 202.17, 0.56%, 0.68%

LAB 72.44, -10.04, -22.97

 

CMYK 0 / 41 / 32 / 14

HEX #DB8195

RGB 219 129 149

HSL 346.67, 0.56%, 0.68%

LAB 64.1, 37.03, 4.38

 

CMYK 32 / 0 / 42 / 14

HEX #95DB7F

RGB 149 219 127

HSL 105.65, 0.56%, 0.68%

LAB 81.06, -38.88, 38.38

 

CMYK 42 / 32 / 0 / 14

HEX #7F95DB

RGB 127 149 219

HSL 225.65, 0.56%, 0.68%

LAB 62.61, 10.03, -38.16

 

CMYK 0 / 41 / 32 / 14

HEX #DB8195

RGB 219 129 149

HSL 346.67, 0.56%, 0.68%

LAB 64.1, 37.03, 4.38

 

CMYK 0 / 1 / 42 / 14

HEX #DBD87F

RGB 219 216 127

HSL 58.04, 0.56%, 0.68%

LAB 84.85, -11.56, 44.13

 

CMYK 42 / 0 / 10 / 14

HEX #7FDBC5

RGB 127 219 197

HSL 165.65, 0.56%, 0.68%

LAB 81.4, -32.58, 2.24

 

CMYK 42 / 41 / 0 / 14

HEX #7F82DB

RGB 127 130 219

HSL 238.04, 0.56%, 0.68%

LAB 57.65, 21.17, -45.96

 

CMYK 0 / 41 / 32 / 14

HEX #DB8195

RGB 219 129 149

HSL 346.67, 0.56%, 0.68%

LAB 64.1, 37.03, 4.38

 

CMYK 11 / 0 / 42 / 14

HEX #C2DB7F

RGB 194 219 127

HSL 76.3, 0.56%, 0.68%

LAB 83.79, -22.75, 42.41

 

CMYK 42 / 0 / 10 / 14

HEX #7FDBC5

RGB 127 219 197

HSL 165.65, 0.56%, 0.68%

LAB 81.4, -32.58, 2.24

 

CMYK 31 / 42 / 0 / 14

HEX #987FDB

RGB 152 127 219

HSL 256.3, 0.56%, 0.68%

LAB 58.95, 29.53, -43.78

 

Description

Color code: HEX #DB8195 | qconv.com Color code: HEX #DB8195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 129 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 129 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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