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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8DCD it is the complementary color #247232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8DCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8DCD shade: #E08DC8, #F19FDB, #FFB1EE, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8DCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8DCD shade: #DB8DCD, #CA7BBA, #B969A7, #A85794 and #974581

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8DCD shade: #DB8ECD, #DB8EB8, #DB8EA4, #DB8E8F and #DB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8DCD shade: #DB8ECD, #D48EDB, #BF8EDB, #AB8EDB and #968EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8DCD shade matches the following richer shades: #DB8ECD, #E782D5 and #F376DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8DCD shade: #DB8ECD, #CF9AC6, #C3A6BE, #B7B2B6 and #ABBEAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8DCD shade: #BF8EDB, #D38EDB, #DB8ECE, #DB8EBA and #DB8EA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8DCD shade: #C74FB2, #D16FBF, #DB8ECD, #E5ADDB and #EFCDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8DCD shade: #DB8DCD, #DBAA8E and #8EDBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8DCD shade: #DB8DCD, #CEDB8E and #8ECEDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8DCD shade: #DB8DCD, #DBAA8E, #8EDB9B and #8EBFDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8DCD shade: #DB8DCD, #DBC18E, #8EDB9B and #8EA8DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 6 / 14

HEX #DB8DCD

RGB 219 141 205

HSL 310.77, 0.52%, 0.71%

LAB 68.4, 39.18, -20.76

 

Complementary color

CMYK 68 / 0 / 56 / 55

HEX #247232

RGB 36 114 50

HSL 130.77, 0.52%, 0.29%

LAB 42.22, -38.19, 28.41

 

CMYK 0 / 37 / 11 / 12

HEX #E08DC8

RGB 224 141 200

HSL 317.35, 0.57%, 0.72%

LAB 68.8, 39.96, -17.32

 

CMYK 0 / 34 / 9 / 5

HEX #F19FDB

RGB 241 159 219

HSL 316.1, 0.75%, 0.78%

LAB 75.21, 39.23, -17.92

 

CMYK 0 / 31 / 7 / 0

HEX #FFB1EE

RGB 255 177 238

HSL 313.08, 1%, 0.85%

LAB 81.22, 37.56, -18.98

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 36 / 6 / 14

HEX #DB8DCD

RGB 219 141 205

HSL 310.77, 0.52%, 0.71%

LAB 68.4, 39.18, -20.76

 

CMYK 0 / 39 / 8 / 21

HEX #CA7BBA

RGB 202 123 186

HSL 312.15, 0.43%, 0.64%

LAB 61.88, 39.93, -20.19

 

CMYK 0 / 43 / 10 / 27

HEX #B969A7

RGB 185 105 167

HSL 313.5, 0.36%, 0.57%

LAB 55.29, 40.69, -19.55

 

CMYK 0 / 48 / 12 / 34

HEX #A85794

RGB 168 87 148

HSL 314.81, 0.32%, 0.5%

LAB 48.61, 41.45, -18.8

 

CMYK 0 / 54 / 15 / 41

HEX #974581

RGB 151 69 129

HSL 316.1, 0.37%, 0.43%

LAB 41.88, 42.13, -17.88

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECD

RGB 219 142 205

HSL 310.91, 0.52%, 0.71%

LAB 68.62, 38.65, -20.43

 

CMYK 0 / 35 / 16 / 14

HEX #DB8EB8

RGB 219 142 184

HSL 327.27, 0.52%, 0.71%

LAB 67.92, 35.16, -9.76

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 35 / 35 / 14

HEX #DB8E8F

RGB 219 142 143

HSL 359.22, 0.52%, 0.71%

LAB 66.82, 29.37, 11.64

 

CMYK 0 / 35 / 35 / 14

HEX #DB8E8E

RGB 219 142 142

HSL 0, 0.52%, 0.71%

LAB 66.79, 29.24, 12.17

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECD

RGB 219 142 205

HSL 310.91, 0.52%, 0.71%

LAB 68.62, 38.65, -20.43

 

CMYK 3 / 35 / 0 / 14

HEX #D48EDB

RGB 212 142 219

HSL 294.55, 0.52%, 0.71%

LAB 68.36, 38.97, -28.66

 

CMYK 13 / 35 / 0 / 14

HEX #BF8EDB

RGB 191 142 219

HSL 278.18, 0.52%, 0.71%

LAB 66.16, 32.47, -32.22

 

CMYK 22 / 35 / 0 / 14

HEX #AB8EDB

RGB 171 142 219

HSL 262.6, 0.52%, 0.71%

LAB 64.26, 26.42, -35.34

 

CMYK 32 / 35 / 0 / 14

HEX #968EDB

RGB 150 142 219

HSL 246.23, 0.52%, 0.71%

LAB 62.46, 20.32, -38.27

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECD

RGB 219 142 205

HSL 310.91, 0.52%, 0.71%

LAB 68.62, 38.65, -20.43

 

CMYK 0 / 44 / 8 / 9

HEX #E782D5

RGB 231 130 213

HSL 310.69, 0.68%, 0.71%

LAB 67.84, 50.02, -25.94

 

CMYK 0 / 51 / 9 / 5

HEX #F376DD

RGB 243 118 221

HSL 310.56, 0.84%, 0.71%

LAB 67.45, 60.69, -30.86

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECD

RGB 219 142 205

HSL 310.91, 0.52%, 0.71%

LAB 68.62, 38.65, -20.43

 

CMYK 0 / 26 / 4 / 19

HEX #CF9AC6

RGB 207 154 198

HSL 310.19, 0.36%, 0.71%

LAB 69.79, 26.94, -14.89

 

CMYK 0 / 15 / 3 / 24

HEX #C3A6BE

RGB 195 166 190

HSL 310.34, 0.19%, 0.71%

LAB 71.28, 14.76, -8.36

 

CMYK 0 / 3 / 1 / 28

HEX #B7B2B6

RGB 183 178 182

HSL 312, 0.03%, 0.71%

LAB 73.08, 2.51, -1.41

 

CMYK 10 / 0 / 8 / 25

HEX #ABBEAF

RGB 171 190 175

HSL 132.63, 0.13%, 0.71%

LAB 75.19, -9.38, 5.36

 

CMYK 13 / 35 / 0 / 14

HEX #BF8EDB

RGB 191 142 219

HSL 278.18, 0.52%, 0.71%

LAB 66.16, 32.47, -32.22

 

CMYK 4 / 35 / 0 / 14

HEX #D38EDB

RGB 211 142 219

HSL 293.77, 0.52%, 0.71%

LAB 68.25, 38.66, -28.84

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECE

RGB 219 142 206

HSL 310.13, 0.52%, 0.71%

LAB 68.65, 38.82, -20.93

 

CMYK 0 / 35 / 15 / 14

HEX #DB8EBA

RGB 219 142 186

HSL 325.71, 0.52%, 0.71%

LAB 67.98, 35.48, -10.79

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA5

RGB 219 142 165

HSL 342.08, 0.52%, 0.71%

LAB 67.37, 32.3, 0.08

 

CMYK 0 / 60 / 11 / 22

HEX #C74FB2

RGB 199 79 178

HSL 310.5, 0.52%, 0.55%

LAB 52.89, 59.32, -29.47

 

CMYK 0 / 47 / 9 / 18

HEX #D16FBF

RGB 209 111 191

HSL 311.02, 0.52%, 0.63%

LAB 60.5, 49.21, -25.07

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECD

RGB 219 142 205

HSL 310.91, 0.52%, 0.71%

LAB 68.62, 38.65, -20.43

 

CMYK 0 / 24 / 4 / 10

HEX #E5ADDB

RGB 229 173 219

HSL 310.71, 0.52%, 0.79%

LAB 77.08, 27.83, -15.22

 

CMYK 0 / 14 / 3 / 6

HEX #EFCDE9

RGB 239 205 233

HSL 310.59, 0.52%, 0.87%

LAB 85.95, 16.62, -9.37

 

CMYK 0 / 36 / 6 / 14

HEX #DB8DCD

RGB 219 141 205

HSL 310.77, 0.52%, 0.71%

LAB 68.4, 39.18, -20.76

 

CMYK 0 / 22 / 35 / 14

HEX #DBAA8E

RGB 219 170 142

HSL 21.82, 0.52%, 0.71%

LAB 73.39, 14.16, 21.33

 

CMYK 35 / 0 / 8 / 14

HEX #8EDBC9

RGB 142 219 201

HSL 165.97, 0.52%, 0.71%

LAB 82.18, -27.72, 1.32

 

CMYK 0 / 36 / 6 / 14

HEX #DB8DCD

RGB 219 141 205

HSL 310.77, 0.52%, 0.71%

LAB 68.4, 39.18, -20.76

 

CMYK 6 / 0 / 35 / 14

HEX #CEDB8E

RGB 206 219 142

HSL 70.13, 0.52%, 0.71%

LAB 84.86, -16.42, 36.45

 

CMYK 35 / 6 / 0 / 14

HEX #8ECEDB

RGB 142 206 219

HSL 190.13, 0.52%, 0.71%

LAB 79.05, -17.08, -12.92

 

CMYK 0 / 36 / 6 / 14

HEX #DB8DCD

RGB 219 141 205

HSL 310.77, 0.52%, 0.71%

LAB 68.4, 39.18, -20.76

 

CMYK 0 / 22 / 35 / 14

HEX #DBAA8E

RGB 219 170 142

HSL 21.82, 0.52%, 0.71%

LAB 73.39, 14.16, 21.33

 

CMYK 35 / 0 / 29 / 14

HEX #8EDB9B

RGB 142 219 155

HSL 130.13, 0.52%, 0.71%

LAB 81.17, -36.79, 24.15

 

CMYK 35 / 13 / 0 / 14

HEX #8EBFDB

RGB 142 191 219

HSL 201.82, 0.52%, 0.71%

LAB 74.9, -9.27, -19.16

 

CMYK 0 / 36 / 6 / 14

HEX #DB8DCD

RGB 219 141 205

HSL 310.77, 0.52%, 0.71%

LAB 68.4, 39.18, -20.76

 

CMYK 0 / 12 / 35 / 14

HEX #DBC18E

RGB 219 193 142

HSL 39.74, 0.52%, 0.71%

LAB 79.13, 1.93, 29.09

 

CMYK 35 / 0 / 29 / 14

HEX #8EDB9B

RGB 142 219 155

HSL 130.13, 0.52%, 0.71%

LAB 81.17, -36.79, 24.15

 

CMYK 35 / 23 / 0 / 14

HEX #8EA8DB

RGB 142 168 219

HSL 219.74, 0.52%, 0.71%

LAB 68.66, 3.26, -28.7

 

Description

Color code: HEX #DB8DCD | qconv.com Color code: HEX #DB8DCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 141 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 141 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 6 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 6% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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