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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8DFB it is the complementary color #247204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8DFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8DFB shade: #E08DF6, #F19FFF, #FFB1FF, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8DFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8DFB shade: #DB8DFB, #CA7BE8, #B969D5, #A857C2 and #9745AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8DFB shade: #DB8DFA, #F88DFA, #FA8DDF, #FA8DC2 and #FA8DA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8DFB shade: #DB8DFA, #BD8DFA, #A08DFA and #8D8DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8DFB shade matches the following richer shades: #DB8DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8DFB shade: #DB8DFA, #D797F1, #D3A0E7, #CFAADE and #CBB3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8DFB shade: #9F8DFA, #BD8DFA, #DA8DFA, #F78DFA and #FA8DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8DFB shade: #C13EF8, #CE65F9, #DB8DFA, #E7B5FC and #F4DDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8DFB shade: #DB8DFB, #FA8D98 and #8DFAAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8DFB shade: #DB8DFB, #FADA8D and #8DFADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8DFB shade: #DB8DFB, #FA8D98, #AEFA8D and #8DFAEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8DFB shade: #DB8DFB, #FAA38D, #AEFA8D and #8DE5FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 44 / 0 / 2

HEX #DB8DFB

RGB 219 141 251

HSL 282.55, 0.93%, 0.77%

LAB 70.23, 47.87, -43.27

 

Complementary color

CMYK 68 / 0 / 96 / 55

HEX #247204

RGB 36 114 4

HSL 102.55, 0.93%, 0.23%

LAB 41.87, -42.23, 45.68

 

CMYK 9 / 43 / 0 / 4

HEX #E08DF6

RGB 224 141 246

HSL 287.43, 0.85%, 0.76%

LAB 70.56, 48.3, -39.98

 

CMYK 5 / 38 / 0 / 0

HEX #F19FFF

RGB 241 159 255

HSL 291.25, 1%, 0.81%

LAB 76.51, 45.64, -35.48

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 13 / 44 / 0 / 2

HEX #DB8DFB

RGB 219 141 251

HSL 282.55, 0.93%, 0.77%

LAB 70.23, 47.87, -43.27

 

CMYK 13 / 47 / 0 / 9

HEX #CA7BE8

RGB 202 123 232

HSL 283.49, 0.7%, 0.7%

LAB 63.79, 48.64, -43.05

 

CMYK 13 / 51 / 0 / 16

HEX #B969D5

RGB 185 105 213

HSL 284.44, 0.56%, 0.62%

LAB 57.29, 49.4, -42.78

 

CMYK 13 / 55 / 0 / 24

HEX #A857C2

RGB 168 87 194

HSL 285.42, 0.47%, 0.55%

LAB 50.73, 50.11, -42.44

 

CMYK 14 / 61 / 0 / 31

HEX #9745AF

RGB 151 69 175

HSL 286.42, 0.43%, 0.48%

LAB 44.13, 50.7, -41.97

 

CMYK 12 / 44 / 0 / 2

HEX #DB8DFA

RGB 219 141 250

HSL 282.94, 0.92%, 0.77%

LAB 70.18, 47.67, -42.79

 

CMYK 1 / 44 / 0 / 2

HEX #F88DFA

RGB 248 141 250

HSL 298.9, 0.92%, 0.77%

LAB 73.49, 55.91, -37.39

 

CMYK 0 / 44 / 11 / 2

HEX #FA8DDF

RGB 250 141 223

HSL 314.86, 0.92%, 0.77%

LAB 72.69, 51.95, -23.83

 

CMYK 0 / 44 / 22 / 2

HEX #FA8DC2

RGB 250 141 194

HSL 330.83, 0.92%, 0.77%

LAB 71.74, 47.59, -9.25

 

CMYK 0 / 44 / 34 / 2

HEX #FA8DA4

RGB 250 141 164

HSL 347.34, 0.92%, 0.77%

LAB 70.91, 43.69, 6.24

 

CMYK 12 / 44 / 0 / 2

HEX #DB8DFA

RGB 219 141 250

HSL 282.94, 0.92%, 0.77%

LAB 70.18, 47.67, -42.79

 

CMYK 24 / 44 / 0 / 2

HEX #BD8DFA

RGB 189 141 250

HSL 266.42, 0.92%, 0.77%

LAB 67.1, 39.32, -47.84

 

CMYK 36 / 44 / 0 / 2

HEX #A08DFA

RGB 160 141 250

HSL 250.46, 0.92%, 0.77%

LAB 64.5, 31.64, -52.12

 

CMYK 44 / 44 / 0 / 2

HEX #8D8DFA

RGB 141 141 250

HSL 240, 0.92%, 0.77%

LAB 63.02, 26.96, -54.56

 

CMYK 12 / 44 / 0 / 2

HEX #DB8DFA

RGB 219 141 250

HSL 282.94, 0.92%, 0.77%

LAB 70.18, 47.67, -42.79

 

CMYK 12 / 44 / 0 / 2

HEX #DB8DFA

RGB 219 141 250

HSL 282.94, 0.92%, 0.77%

LAB 70.18, 47.67, -42.79

 

CMYK 11 / 37 / 0 / 5

HEX #D797F1

RGB 215 151 241

HSL 282.67, 0.76%, 0.77%

LAB 71.51, 39.39, -35.85

 

CMYK 9 / 31 / 0 / 9

HEX #D3A0E7

RGB 211 160 231

HSL 283.1, 0.6%, 0.77%

LAB 72.73, 31.28, -28.53

 

CMYK 7 / 23 / 0 / 13

HEX #CFAADE

RGB 207 170 222

HSL 282.69, 0.44%, 0.77%

LAB 74.37, 22.75, -21.15

 

CMYK 4 / 16 / 0 / 17

HEX #CBB3D4

RGB 203 179 212

HSL 283.64, 0.28%, 0.77%

LAB 75.88, 14.56, -13.46

 

CMYK 36 / 44 / 0 / 2

HEX #9F8DFA

RGB 159 141 250

HSL 249.91, 0.92%, 0.77%

LAB 64.42, 31.39, -52.26

 

CMYK 24 / 44 / 0 / 2

HEX #BD8DFA

RGB 189 141 250

HSL 266.42, 0.92%, 0.77%

LAB 67.1, 39.32, -47.84

 

CMYK 13 / 44 / 0 / 2

HEX #DA8DFA

RGB 218 141 250

HSL 282.39, 0.92%, 0.77%

LAB 70.08, 47.38, -42.97

 

CMYK 1 / 44 / 0 / 2

HEX #F78DFA

RGB 247 141 250

HSL 298.35, 0.92%, 0.77%

LAB 73.37, 55.62, -37.59

 

CMYK 0 / 44 / 10 / 2

HEX #FA8DE1

RGB 250 141 225

HSL 313.76, 0.92%, 0.77%

LAB 72.77, 52.27, -24.82

 

CMYK 22 / 75 / 0 / 3

HEX #C13EF8

RGB 193 62 248

HSL 282.26, 0.93%, 0.61%

LAB 53.56, 76.92, -68.34

 

CMYK 17 / 59 / 0 / 2

HEX #CE65F9

RGB 206 101 249

HSL 282.57, 0.93%, 0.69%

LAB 61.02, 63.99, -56.82

 

CMYK 12 / 44 / 0 / 2

HEX #DB8DFA

RGB 219 141 250

HSL 282.94, 0.92%, 0.77%

LAB 70.18, 47.67, -42.79

 

CMYK 8 / 28 / 0 / 1

HEX #E7B5FC

RGB 231 181 252

HSL 282.25, 0.92%, 0.85%

LAB 80.22, 30.37, -28.24

 

CMYK 4 / 13 / 0 / 1

HEX #F4DDFD

RGB 244 221 253

HSL 283.13, 0.89%, 0.93%

LAB 90.8, 13.51, -12.66

 

CMYK 13 / 44 / 0 / 2

HEX #DB8DFB

RGB 219 141 251

HSL 282.55, 0.93%, 0.77%

LAB 70.23, 47.87, -43.27

 

CMYK 0 / 44 / 39 / 2

HEX #FA8D98

RGB 250 141 152

HSL 353.94, 0.92%, 0.77%

LAB 70.62, 42.31, 12.52

 

CMYK 44 / 0 / 30 / 2

HEX #8DFAAE

RGB 141 250 174

HSL 138.17, 0.92%, 0.77%

LAB 90.36, -47.41, 26.91

 

CMYK 13 / 44 / 0 / 2

HEX #DB8DFB

RGB 219 141 251

HSL 282.55, 0.93%, 0.77%

LAB 70.23, 47.87, -43.27

 

CMYK 0 / 13 / 44 / 2

HEX #FADA8D

RGB 250 218 141

HSL 42.39, 0.92%, 0.77%

LAB 88.16, 1.08, 41.9

 

CMYK 44 / 0 / 13 / 2

HEX #8DFADA

RGB 141 250 218

HSL 162.39, 0.92%, 0.77%

LAB 91.28, -38.73, 5.59

 

CMYK 13 / 44 / 0 / 2

HEX #DB8DFB

RGB 219 141 251

HSL 282.55, 0.93%, 0.77%

LAB 70.23, 47.87, -43.27

 

CMYK 0 / 44 / 39 / 2

HEX #FA8D98

RGB 250 141 152

HSL 353.94, 0.92%, 0.77%

LAB 70.62, 42.31, 12.52

 

CMYK 30 / 0 / 44 / 2

HEX #AEFA8D

RGB 174 250 141

HSL 101.83, 0.92%, 0.77%

LAB 91.37, -42.5, 44.89

 

CMYK 44 / 0 / 4 / 2

HEX #8DFAEF

RGB 141 250 239

HSL 173.94, 0.92%, 0.77%

LAB 91.8, -33.97, -4.54

 

CMYK 13 / 44 / 0 / 2

HEX #DB8DFB

RGB 219 141 251

HSL 282.55, 0.93%, 0.77%

LAB 70.23, 47.87, -43.27

 

CMYK 0 / 35 / 44 / 2

HEX #FAA38D

RGB 250 163 141

HSL 12.11, 0.92%, 0.77%

LAB 75.1, 29.77, 24.76

 

CMYK 30 / 0 / 44 / 2

HEX #AEFA8D

RGB 174 250 141

HSL 101.83, 0.92%, 0.77%

LAB 91.37, -42.5, 44.89

 

CMYK 44 / 8 / 0 / 2

HEX #8DE5FA

RGB 141 229 250

HSL 191.56, 0.92%, 0.77%

LAB 86.31, -21.17, -18.48

 

Description

Color code: HEX #DB8DFB | qconv.com Color code: HEX #DB8DFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 141 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 141 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 44 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 44% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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