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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8EEF it is the complementary color #247110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8EEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8EEF shade: #E08EEA, #F1A0FD, #FFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8EEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8EEF shade: #DB8EEF, #CA7CDC, #B96AC9, #A858B6 and #9746A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8EEF shade: #DB8FEF, #EF8FE8, #EF8FCF, #EF8FB5 and #EF8F9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8EEF shade: #DB8FEF, #C18FEF, #A78FEF and #8F8FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8EEF shade matches the following richer shades: #DB8FEF and #E185F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8EEF shade: #DB8FEF, #D599E4, #CFA4DA, #C9AED0 and #C3B8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8EEF shade: #A78FEF, #C08FEF, #DA8FEF, #EF8FEA and #EF8FD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8EEF shade: #C447E4, #CF6BE9, #DB8FEF, #E6B3F4 and #F2D7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8EEF shade: #DB8EEF, #EF8F91 and #8FEFB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8EEF shade: #DB8EEF, #EFDA8F and #8FEFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8EEF shade: #DB8EEF, #EF8F91, #A4EF8F and #8FEFED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8EEF shade: #DB8EEF, #EFAA8F, #A4EF8F and #8FD3EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 41 / 0 / 6

HEX #DB8EEF

RGB 219 142 239

HSL 287.63, 0.75%, 0.75%

LAB 69.92, 44.95, -37.19

 

Complementary color

CMYK 68 / 0 / 86 / 56

HEX #247110

RGB 36 113 16

HSL 107.63, 0.75%, 0.25%

LAB 41.57, -41.32, 42.45

 

CMYK 4 / 39 / 0 / 8

HEX #E08EEA

RGB 224 142 234

HSL 293.48, 0.69%, 0.74%

LAB 70.27, 45.47, -33.86

 

CMYK 5 / 37 / 0 / 1

HEX #F1A0FD

RGB 241 160 253

HSL 292.26, 0.96%, 0.81%

LAB 76.64, 44.74, -34.2

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 8 / 41 / 0 / 6

HEX #DB8EEF

RGB 219 142 239

HSL 287.63, 0.75%, 0.75%

LAB 69.92, 44.95, -37.19

 

CMYK 8 / 44 / 0 / 14

HEX #CA7CDC

RGB 202 124 220

HSL 288.75, 0.58%, 0.67%

LAB 63.46, 45.71, -36.9

 

CMYK 8 / 47 / 0 / 21

HEX #B96AC9

RGB 185 106 201

HSL 289.89, 0.47%, 0.6%

LAB 56.92, 46.47, -36.56

 

CMYK 8 / 52 / 0 / 29

HEX #A858B6

RGB 168 88 182

HSL 291.06, 0.39%, 0.53%

LAB 50.31, 47.19, -36.15

 

CMYK 7 / 57 / 0 / 36

HEX #9746A3

RGB 151 70 163

HSL 292.26, 0.4%, 0.46%

LAB 43.66, 47.8, -35.61

 

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE8

RGB 239 143 232

HSL 304.38, 0.75%, 0.75%

LAB 72.11, 49.1, -29.78

 

CMYK 0 / 40 / 13 / 6

HEX #EF8FCF

RGB 239 143 207

HSL 320, 0.75%, 0.75%

LAB 71.21, 44.93, -17.38

 

CMYK 0 / 40 / 24 / 6

HEX #EF8FB5

RGB 239 143 181

HSL 336.25, 0.75%, 0.75%

LAB 70.41, 41.05, -4.14

 

CMYK 0 / 40 / 35 / 6

HEX #EF8F9B

RGB 239 143 155

HSL 352.5, 0.75%, 0.75%

LAB 69.73, 37.68, 9.39

 

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 19 / 40 / 0 / 6

HEX #C18FEF

RGB 193 143 239

HSL 271.25, 0.75%, 0.75%

LAB 67.44, 36.85, -41.26

 

CMYK 30 / 40 / 0 / 6

HEX #A78FEF

RGB 167 143 239

HSL 255, 0.75%, 0.75%

LAB 65.04, 29.54, -45.2

 

CMYK 40 / 40 / 0 / 6

HEX #8F8FEF

RGB 143 143 239

HSL 240, 0.75%, 0.75%

LAB 63.11, 23.21, -48.37

 

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 10 / 47 / 0 / 2

HEX #E185F9

RGB 225 133 249

HSL 287.59, 0.91%, 0.75%

LAB 69.2, 53.26, -43.74

 

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 7 / 33 / 0 / 11

HEX #D599E4

RGB 213 153 228

HSL 288, 0.58%, 0.75%

LAB 71.23, 35.1, -29.18

 

CMYK 5 / 25 / 0 / 15

HEX #CFA4DA

RGB 207 164 218

HSL 287.78, 0.42%, 0.75%

LAB 72.81, 25.24, -21.34

 

CMYK 3 / 16 / 0 / 18

HEX #C9AED0

RGB 201 174 208

HSL 287.65, 0.27%, 0.75%

LAB 74.35, 15.84, -13.6

 

CMYK 1 / 7 / 0 / 23

HEX #C3B8C5

RGB 195 184 197

HSL 290.77, 0.1%, 0.75%

LAB 76.02, 6.26, -5.17

 

CMYK 30 / 40 / 0 / 6

HEX #A78FEF

RGB 167 143 239

HSL 255, 0.75%, 0.75%

LAB 65.04, 29.54, -45.2

 

CMYK 20 / 40 / 0 / 6

HEX #C08FEF

RGB 192 143 239

HSL 270.63, 0.75%, 0.75%

LAB 67.34, 36.56, -41.42

 

CMYK 9 / 40 / 0 / 6

HEX #DA8FEF

RGB 218 143 239

HSL 286.88, 0.75%, 0.75%

LAB 70.02, 44.13, -37.04

 

CMYK 0 / 40 / 2 / 6

HEX #EF8FEA

RGB 239 143 234

HSL 303.13, 0.75%, 0.75%

LAB 72.19, 49.45, -30.76

 

CMYK 0 / 40 / 13 / 6

HEX #EF8FD0

RGB 239 143 208

HSL 319.38, 0.75%, 0.75%

LAB 71.25, 45.09, -17.88

 

CMYK 14 / 69 / 0 / 11

HEX #C447E4

RGB 196 71 228

HSL 287.77, 0.74%, 0.59%

LAB 53.86, 70.49, -56.62

 

CMYK 11 / 54 / 0 / 9

HEX #CF6BE9

RGB 207 107 233

HSL 287.62, 0.74%, 0.67%

LAB 61.36, 58.24, -47.39

 

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 6 / 27 / 0 / 4

HEX #E6B3F4

RGB 230 179 244

HSL 287.08, 0.75%, 0.83%

LAB 79.38, 29.57, -25.23

 

CMYK 3 / 14 / 0 / 2

HEX #F2D7F9

RGB 242 215 249

HSL 287.65, 0.74%, 0.91%

LAB 89.07, 15.25, -13.15

 

CMYK 8 / 41 / 0 / 6

HEX #DB8EEF

RGB 219 142 239

HSL 287.63, 0.75%, 0.75%

LAB 69.92, 44.95, -37.19

 

CMYK 0 / 40 / 39 / 6

HEX #EF8F91

RGB 239 143 145

HSL 358.75, 0.75%, 0.75%

LAB 69.5, 36.52, 14.64

 

CMYK 40 / 0 / 25 / 6

HEX #8FEFB4

RGB 143 239 180

HSL 143.13, 0.75%, 0.75%

LAB 87.42, -40.99, 19.81

 

CMYK 8 / 41 / 0 / 6

HEX #DB8EEF

RGB 219 142 239

HSL 287.63, 0.75%, 0.75%

LAB 69.92, 44.95, -37.19

 

CMYK 0 / 9 / 40 / 6

HEX #EFDA8F

RGB 239 218 143

HSL 46.88, 0.75%, 0.75%

LAB 87.23, -3.03, 39.52

 

CMYK 40 / 0 / 9 / 6

HEX #8FEFDA

RGB 143 239 218

HSL 166.88, 0.75%, 0.75%

LAB 88.27, -33.18, 1.24

 

CMYK 8 / 41 / 0 / 6

HEX #DB8EEF

RGB 219 142 239

HSL 287.63, 0.75%, 0.75%

LAB 69.92, 44.95, -37.19

 

CMYK 0 / 40 / 39 / 6

HEX #EF8F91

RGB 239 143 145

HSL 358.75, 0.75%, 0.75%

LAB 69.5, 36.52, 14.64

 

CMYK 31 / 0 / 40 / 6

HEX #A4EF8F

RGB 164 239 143

HSL 106.88, 0.75%, 0.75%

LAB 87.78, -40.67, 39.22

 

CMYK 40 / 0 / 1 / 6

HEX #8FEFED

RGB 143 239 237

HSL 178.75, 0.75%, 0.75%

LAB 88.77, -28.79, -7.96

 

CMYK 8 / 41 / 0 / 6

HEX #DB8EEF

RGB 219 142 239

HSL 287.63, 0.75%, 0.75%

LAB 69.92, 44.95, -37.19

 

CMYK 0 / 29 / 40 / 6

HEX #EFAA8F

RGB 239 170 143

HSL 16.88, 0.75%, 0.75%

LAB 75.5, 22.07, 24.01

 

CMYK 31 / 0 / 40 / 6

HEX #A4EF8F

RGB 164 239 143

HSL 106.88, 0.75%, 0.75%

LAB 87.78, -40.67, 39.22

 

CMYK 40 / 12 / 0 / 6

HEX #8FD3EF

RGB 143 211 239

HSL 197.5, 0.75%, 0.75%

LAB 81.1, -14.38, -20.51

 

Description

Color code: HEX #DB8EEF | qconv.com Color code: HEX #DB8EEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 142 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 142 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 41 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 41% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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