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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB94C0 it is the complementary color #246B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB94C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB94C0 shade: #E094BB, #F1A6CE, #FFB8E1, #FFCAF4 and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB94C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB94C0 shade: #DB94C0, #CA82AD, #B9709A, #A85E87 and #974C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB94C0 shade: #DB93C0, #DB93AC, #DB9399 and #DB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB94C0 shade: #DB93C0, #DB93D3, #CF93DB, #BC93DB and #A993DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB94C0 shade matches the following richer shades: #DB93C0, #E688C2, #F27CC5 and #FD71C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB94C0 shade: #DB93C0, #CF9FBD, #C4ABBA, #B8B6B7 and #ADC2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB94C0 shade: #CF93DB, #DB93D4, #DB93C1, #DB93AE and #DB939B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB94C0 shade: #C6569B, #D074AD, #DB93C0, #E5B2D2 and #EFD1E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB94C0 shade: #DB94C0, #DBBC93 and #93DBD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB94C0 shade: #DB94C0, #C1DB93 and #93C1DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB94C0 shade: #DB94C0, #DBBC93, #93DBAE and #93B2DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB94C0 shade: #DB94C0, #DBD193, #93DBAE and #939DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 12 / 14

HEX #DB94C0

RGB 219 148 192

HSL 322.82, 0.5%, 0.72%

LAB 69.5, 33.24, -11.86

 

Complementary color

CMYK 66 / 0 / 41 / 58

HEX #246B3F

RGB 36 107 63

HSL 142.82, 0.5%, 0.28%

LAB 40, -32.96, 18.34

 

CMYK 0 / 34 / 17 / 12

HEX #E094BB

RGB 224 148 187

HSL 329.21, 0.55%, 0.73%

LAB 69.91, 34.15, -8.42

 

CMYK 0 / 31 / 15 / 5

HEX #F1A6CE

RGB 241 166 206

HSL 328, 0.73%, 0.8%

LAB 76.33, 33.43, -9.13

 

CMYK 0 / 28 / 12 / 0

HEX #FFB8E1

RGB 255 184 225

HSL 325.35, 1%, 0.86%

LAB 82.37, 31.74, -10.28

 

CMYK 0 / 21 / 4 / 0

HEX #FFCAF4

RGB 255 202 244

HSL 312.45, 1%, 0.9%

LAB 87.01, 25.47, -13.47

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 32 / 12 / 14

HEX #DB94C0

RGB 219 148 192

HSL 322.82, 0.5%, 0.72%

LAB 69.5, 33.24, -11.86

 

CMYK 0 / 36 / 14 / 21

HEX #CA82AD

RGB 202 130 173

HSL 324.17, 0.4%, 0.65%

LAB 62.96, 33.98, -11.19

 

CMYK 0 / 39 / 17 / 27

HEX #B9709A

RGB 185 112 154

HSL 325.48, 0.34%, 0.58%

LAB 56.32, 34.77, -10.43

 

CMYK 0 / 44 / 20 / 34

HEX #A85E87

RGB 168 94 135

HSL 326.76, 0.3%, 0.51%

LAB 49.59, 35.59, -9.57

 

CMYK 0 / 50 / 23 / 41

HEX #974C74

RGB 151 76 116

HSL 328, 0.33%, 0.45%

LAB 42.78, 36.41, -8.55

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AC

RGB 219 147 172

HSL 339.17, 0.5%, 0.72%

LAB 68.68, 30.64, -1.92

 

CMYK 0 / 33 / 30 / 14

HEX #DB9399

RGB 219 147 153

HSL 355, 0.5%, 0.72%

LAB 68.19, 27.96, 7.99

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 33 / 4 / 14

HEX #DB93D3

RGB 219 147 211

HSL 306.67, 0.5%, 0.72%

LAB 69.92, 37.04, -21.78

 

CMYK 5 / 33 / 0 / 14

HEX #CF93DB

RGB 207 147 219

HSL 290, 0.5%, 0.72%

LAB 68.93, 34.71, -27.82

 

CMYK 14 / 33 / 0 / 14

HEX #BC93DB

RGB 188 147 219

HSL 274.17, 0.5%, 0.72%

LAB 67.03, 28.78, -30.91

 

CMYK 23 / 33 / 0 / 14

HEX #A993DB

RGB 169 147 219

HSL 258.33, 0.5%, 0.72%

LAB 65.29, 22.99, -33.74

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 41 / 16 / 10

HEX #E688C2

RGB 230 136 194

HSL 322.98, 0.65%, 0.72%

LAB 68.26, 43.57, -14.72

 

CMYK 0 / 49 / 19 / 5

HEX #F27CC5

RGB 242 124 197

HSL 322.88, 0.82%, 0.72%

LAB 67.52, 53.87, -17.37

 

CMYK 0 / 55 / 21 / 1

HEX #FD71C8

RGB 253 113 200

HSL 322.71, 0.97%, 0.72%

LAB 67.17, 62.74, -19.43

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 23 / 9 / 19

HEX #CF9FBD

RGB 207 159 189

HSL 322.5, 0.33%, 0.72%

LAB 70.69, 22.61, -8.56

 

CMYK 0 / 13 / 5 / 23

HEX #C4ABBA

RGB 196 171 186

HSL 324, 0.17%, 0.72%

LAB 72.5, 11.64, -4.34

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B7

RGB 184 182 183

HSL 330, 0.01%, 0.72%

LAB 74.23, 0.89, -0.27

 

CMYK 11 / 0 / 7 / 24

HEX #ADC2B5

RGB 173 194 181

HSL 142.86, 0.15%, 0.72%

LAB 76.56, -9.66, 4.1

 

CMYK 5 / 33 / 0 / 14

HEX #CF93DB

RGB 207 147 219

HSL 290, 0.5%, 0.72%

LAB 68.93, 34.71, -27.82

 

CMYK 0 / 33 / 3 / 14

HEX #DB93D4

RGB 219 147 212

HSL 305.83, 0.5%, 0.72%

LAB 69.95, 37.22, -22.28

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C1

RGB 219 147 193

HSL 321.67, 0.5%, 0.72%

LAB 69.31, 33.94, -12.71

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AE

RGB 219 147 174

HSL 337.5, 0.5%, 0.72%

LAB 68.74, 30.94, -2.96

 

CMYK 0 / 33 / 29 / 14

HEX #DB939B

RGB 219 147 155

HSL 353.33, 0.5%, 0.72%

LAB 68.24, 28.23, 6.94

 

CMYK 0 / 57 / 22 / 22

HEX #C6569B

RGB 198 86 155

HSL 323.04, 0.5%, 0.56%

LAB 52.98, 52.43, -15.89

 

CMYK 0 / 44 / 17 / 18

HEX #D074AD

RGB 208 116 173

HSL 322.83, 0.49%, 0.64%

LAB 60.71, 43.43, -14.5

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 22 / 8 / 10

HEX #E5B2D2

RGB 229 178 210

HSL 322.35, 0.5%, 0.8%

LAB 77.96, 23.58, -9.01

 

CMYK 0 / 13 / 5 / 6

HEX #EFD1E4

RGB 239 209 228

HSL 322, 0.48%, 0.88%

LAB 86.78, 13.63, -5.5

 

CMYK 0 / 32 / 12 / 14

HEX #DB94C0

RGB 219 148 192

HSL 322.82, 0.5%, 0.72%

LAB 69.5, 33.24, -11.86

 

CMYK 0 / 14 / 33 / 14

HEX #DBBC93

RGB 219 188 147

HSL 34.17, 0.5%, 0.72%

LAB 77.95, 5.18, 24.86

 

CMYK 33 / 0 / 1 / 14

HEX #93DBD8

RGB 147 219 216

HSL 177.5, 0.5%, 0.72%

LAB 82.82, -22.97, -5.68

 

CMYK 0 / 32 / 12 / 14

HEX #DB94C0

RGB 219 148 192

HSL 322.82, 0.5%, 0.72%

LAB 69.5, 33.24, -11.86

 

CMYK 12 / 0 / 33 / 14

HEX #C1DB93

RGB 193 219 147

HSL 81.67, 0.5%, 0.72%

LAB 84.02, -20.65, 32.63

 

CMYK 33 / 12 / 0 / 14

HEX #93C1DB

RGB 147 193 219

HSL 201.67, 0.5%, 0.72%

LAB 75.74, -8.95, -17.88

 

CMYK 0 / 32 / 12 / 14

HEX #DB94C0

RGB 219 148 192

HSL 322.82, 0.5%, 0.72%

LAB 69.5, 33.24, -11.86

 

CMYK 0 / 14 / 33 / 14

HEX #DBBC93

RGB 219 188 147

HSL 34.17, 0.5%, 0.72%

LAB 77.95, 5.18, 24.86

 

CMYK 33 / 0 / 21 / 14

HEX #93DBAE

RGB 147 219 174

HSL 142.5, 0.5%, 0.72%

LAB 81.8, -31.82, 15.1

 

CMYK 33 / 19 / 0 / 14

HEX #93B2DB

RGB 147 178 219

HSL 214.17, 0.5%, 0.72%

LAB 71.66, -0.87, -24.06

 

CMYK 0 / 32 / 12 / 14

HEX #DB94C0

RGB 219 148 192

HSL 322.82, 0.5%, 0.72%

LAB 69.5, 33.24, -11.86

 

CMYK 0 / 5 / 33 / 14

HEX #DBD193

RGB 219 209 147

HSL 51.67, 0.5%, 0.72%

LAB 83.32, -5.77, 32.05

 

CMYK 33 / 0 / 21 / 14

HEX #93DBAE

RGB 147 219 174

HSL 142.5, 0.5%, 0.72%

LAB 81.8, -31.82, 15.1

 

CMYK 33 / 28 / 0 / 14

HEX #939DDB

RGB 147 157 219

HSL 231.67, 0.5%, 0.72%

LAB 66.08, 10.87, -32.65

 

Description

Color code: HEX #DB94C0 | qconv.com Color code: HEX #DB94C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 148 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 148 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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