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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9227 it is the complementary color #246DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9227 shade: #E09222, #F1A435, #FFB648, #FFC85B and #FFDA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9227 shade: #DB9227, #CA8014, #B96E01, #A85C00 and #974A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9227 shade: #DA9229, #DA6229, #DA3329 and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9227 shade: #DA9229, #DAC229, #C3DA29, #93DA29 and #63DA29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9227 shade matches the following richer shades: #DA9229 and #EE9615

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9227 shade: #DA9229, #C68E3D, #B28B51, #9E8765 and #89837A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9227 shade: #DA3229, #DA6129, #DA9029, #DAC029 and #C6DA29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9227 shade: #976419, #BB7C1F, #DA9229, #E0A44C and #E6B66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9227 shade: #DB9227, #4FDA29 and #4929DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9227 shade: #DB9227, #29DA90 and #9029DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9227 shade: #DB9227, #4FDA29, #2973DA and #B429DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9227 shade: #DB9227, #29DA38, #2973DA and #DA29CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

Complementary color

CMYK 83 / 50 / 0 / 15

HEX #246DD8

RGB 36 109 216

HSL 215.67, 0.71%, 0.49%

LAB 47.33, 17.28, -61.03

 

CMYK 0 / 35 / 85 / 12

HEX #E09222

RGB 224 146 34

HSL 35.37, 0.75%, 0.51%

LAB 66.92, 21.34, 65.26

 

CMYK 0 / 32 / 78 / 5

HEX #F1A435

RGB 241 164 53

HSL 35.43, 0.87%, 0.58%

LAB 73.23, 19.55, 65.11

 

CMYK 0 / 29 / 72 / 0

HEX #FFB648

RGB 255 182 72

HSL 36.07, 1%, 0.64%

LAB 79.15, 16.74, 63.91

 

CMYK 0 / 22 / 64 / 0

HEX #FFC85B

RGB 255 200 91

HSL 39.88, 1%, 0.68%

LAB 83.61, 8.38, 60.46

 

CMYK 0 / 15 / 57 / 0

HEX #FFDA6E

RGB 255 218 110

HSL 44.69, 1%, 0.72%

LAB 88.22, 0.41, 57.05

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 0 / 37 / 90 / 21

HEX #CA8014

RGB 202 128 20

HSL 35.6, 0.82%, 0.44%

LAB 59.93, 21.28, 62.4

 

CMYK 0 / 41 / 99 / 27

HEX #B96E01

RGB 185 110 1

HSL 35.54, 0.99%, 0.36%

LAB 53.46, 23.47, 60.56

 

CMYK 0 / 45 / 100 / 34

HEX #A85C00

RGB 168 92 0

HSL 32.86, 1%, 0.33%

LAB 46.95, 25.95, 55.48

 

CMYK 0 / 51 / 100 / 41

HEX #974A00

RGB 151 74 0

HSL 29.4, 1%, 0.3%

LAB 40.37, 28.48, 50.19

 

CMYK 0 / 33 / 81 / 15

HEX #DA9229

RGB 218 146 41

HSL 35.59, 0.71%, 0.51%

LAB 66.23, 18.97, 62.09

 

CMYK 0 / 55 / 81 / 15

HEX #DA6229

RGB 218 98 41

HSL 19.32, 0.71%, 0.51%

LAB 55.89, 43.96, 52.73

 

CMYK 0 / 77 / 81 / 15

HEX #DA3329

RGB 218 51 41

HSL 3.39, 0.71%, 0.51%

LAB 48.8, 62.99, 46.05

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 33 / 81 / 15

HEX #DA9229

RGB 218 146 41

HSL 35.59, 0.71%, 0.51%

LAB 66.23, 18.97, 62.09

 

CMYK 0 / 11 / 81 / 15

HEX #DAC229

RGB 218 194 41

HSL 51.86, 0.71%, 0.51%

LAB 78.26, -6.44, 72.6

 

CMYK 11 / 0 / 81 / 15

HEX #C3DA29

RGB 195 218 41

HSL 67.8, 0.71%, 0.51%

LAB 82.86, -28.02, 75.87

 

CMYK 33 / 0 / 81 / 15

HEX #93DA29

RGB 147 218 41

HSL 84.07, 0.71%, 0.51%

LAB 79.9, -46.63, 72.12

 

CMYK 55 / 0 / 81 / 15

HEX #63DA29

RGB 99 218 41

HSL 100.34, 0.71%, 0.51%

LAB 77.85, -61.77, 69.5

 

CMYK 0 / 33 / 81 / 15

HEX #DA9229

RGB 218 146 41

HSL 35.59, 0.71%, 0.51%

LAB 66.23, 18.97, 62.09

 

CMYK 0 / 37 / 91 / 7

HEX #EE9615

RGB 238 150 21

HSL 35.67, 0.86%, 0.51%

LAB 69.5, 24.88, 71.31

 

CMYK 0 / 33 / 81 / 15

HEX #DA9229

RGB 218 146 41

HSL 35.59, 0.71%, 0.51%

LAB 66.23, 18.97, 62.09

 

CMYK 0 / 28 / 69 / 22

HEX #C68E3D

RGB 198 142 61

HSL 35.47, 0.55%, 0.51%

LAB 63.08, 13.37, 50.05

 

CMYK 0 / 22 / 54 / 30

HEX #B28B51

RGB 178 139 81

HSL 35.88, 0.39%, 0.51%

LAB 60.36, 7.77, 36.41

 

CMYK 0 / 15 / 36 / 38

HEX #9E8765

RGB 158 135 101

HSL 35.79, 0.23%, 0.51%

LAB 57.59, 3.63, 21.53

 

CMYK 0 / 4 / 11 / 46

HEX #89837A

RGB 137 131 122

HSL 36, 0.06%, 0.51%

LAB 55.03, 0.59, 5.66

 

CMYK 0 / 77 / 81 / 15

HEX #DA3229

RGB 218 50 41

HSL 3.05, 0.71%, 0.51%

LAB 48.69, 63.29, 45.95

 

CMYK 0 / 56 / 81 / 15

HEX #DA6129

RGB 218 97 41

HSL 18.98, 0.71%, 0.51%

LAB 55.7, 44.45, 52.55

 

CMYK 0 / 34 / 81 / 15

HEX #DA9029

RGB 218 144 41

HSL 34.92, 0.71%, 0.51%

LAB 65.76, 20.05, 61.67

 

CMYK 0 / 12 / 81 / 15

HEX #DAC029

RGB 218 192 41

HSL 51.19, 0.71%, 0.51%

LAB 77.74, -5.41, 72.16

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 0 / 34 / 83 / 41

HEX #976419

RGB 151 100 25

HSL 35.71, 0.72%, 0.35%

LAB 46.66, 14.32, 47.36

 

CMYK 0 / 34 / 83 / 27

HEX #BB7C1F

RGB 187 124 31

HSL 35.77, 0.72%, 0.43%

LAB 57.15, 17.18, 56.15

 

CMYK 0 / 33 / 81 / 15

HEX #DA9229

RGB 218 146 41

HSL 35.59, 0.71%, 0.51%

LAB 66.23, 18.97, 62.09

 

CMYK 0 / 27 / 66 / 12

HEX #E0A44C

RGB 224 164 76

HSL 35.68, 0.7%, 0.59%

LAB 71.5, 13.46, 53.06

 

CMYK 0 / 21 / 52 / 10

HEX #E6B66F

RGB 230 182 111

HSL 35.8, 0.7%, 0.67%

LAB 76.94, 8.95, 42.5

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 64 / 0 / 81 / 15

HEX #4FDA29

RGB 79 218 41

HSL 107.12, 0.71%, 0.51%

LAB 77.26, -66.56, 68.74

 

CMYK 67 / 81 / 0 / 15

HEX #4929DA

RGB 73 41 218

HSL 250.85, 0.71%, 0.51%

LAB 34.12, 61.18, -83.73

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 81 / 0 / 34 / 15

HEX #29DA90

RGB 41 218 144

HSL 154.92, 0.71%, 0.51%

LAB 77.65, -59.44, 24.59

 

CMYK 34 / 81 / 0 / 15

HEX #9029DA

RGB 144 41 218

HSL 274.92, 0.71%, 0.51%

LAB 42.12, 69.63, -70.28

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 64 / 0 / 81 / 15

HEX #4FDA29

RGB 79 218 41

HSL 107.12, 0.71%, 0.51%

LAB 77.26, -66.56, 68.74

 

CMYK 81 / 47 / 0 / 15

HEX #2973DA

RGB 41 115 218

HSL 214.92, 0.71%, 0.51%

LAB 49.25, 14.67, -59.07

 

CMYK 17 / 81 / 0 / 15

HEX #B429DA

RGB 180 41 218

HSL 287.12, 0.71%, 0.51%

LAB 47.43, 75.4, -61.41

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 81 / 0 / 74 / 15

HEX #29DA38

RGB 41 218 56

HSL 125.08, 0.71%, 0.51%

LAB 76.62, -71.76, 63.38

 

CMYK 81 / 47 / 0 / 15

HEX #2973DA

RGB 41 115 218

HSL 214.92, 0.71%, 0.51%

LAB 49.25, 14.67, -59.07

 

CMYK 0 / 81 / 7 / 15

HEX #DA29CB

RGB 218 41 203

HSL 305.08, 0.71%, 0.51%

LAB 52.73, 79.94, -43.97

 

Description

Color code: HEX #DB9227 | qconv.com Color code: HEX #DB9227 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 146 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 146 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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