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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB93C8 it is the complementary color #246C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB93C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB93C8 shade: #E093C3, #F1A5D6, #FFB7E9, #FFC9FC and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB93C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB93C8 shade: #DB93C8, #CA81B5, #B96FA2, #A85D8F and #974B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB93C8 shade: #DB93C8, #DB93B5, #DB93A1 and #DB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB93C8 shade: #DB93C8, #DA93DB, #C793DB, #B493DB and #A193DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB93C8 shade matches the following richer shades: #DB93C8, #E688CD, #F27CD3 and #FD71D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB93C8 shade: #DB93C8, #CF9FC3, #C4ABBD, #B8B6B8 and #ADC2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB93C8 shade: #C793DB, #DA93DB, #DB93C9, #DB93B6 and #DB93A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB93C8 shade: #C656A8, #D074B8, #DB93C8, #E5B2D8 and #EFD1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB93C8 shade: #DB93C8, #DBB493 and #93DBD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB93C8 shade: #DB93C8, #C9DB93 and #93C9DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB93C8 shade: #DB93C8, #DBB493, #93DBA5 and #93BBDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB93C8 shade: #DB93C8, #DBC993, #93DBA5 and #93A5DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

Complementary color

CMYK 67 / 0 / 49 / 58

HEX #246C37

RGB 36 108 55

HSL 135.83, 0.5%, 0.28%

LAB 40.21, -34.91, 23.19

 

CMYK 0 / 34 / 13 / 12

HEX #E093C3

RGB 224 147 195

HSL 322.6, 0.55%, 0.73%

LAB 69.93, 35.96, -12.83

 

CMYK 0 / 32 / 11 / 5

HEX #F1A5D6

RGB 241 165 214

HSL 321.32, 0.73%, 0.8%

LAB 76.35, 35.25, -13.46

 

CMYK 0 / 28 / 9 / 0

HEX #FFB7E9

RGB 255 183 233

HSL 318.33, 1%, 0.86%

LAB 82.38, 33.58, -14.55

 

CMYK 0 / 21 / 1 / 0

HEX #FFC9FC

RGB 255 201 252

HSL 303.33, 1%, 0.89%

LAB 87.03, 27.41, -17.69

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 36 / 10 / 21

HEX #CA81B5

RGB 202 129 181

HSL 317.26, 0.41%, 0.65%

LAB 63.01, 35.86, -15.66

 

CMYK 0 / 40 / 12 / 27

HEX #B96FA2

RGB 185 111 162

HSL 318.65, 0.35%, 0.58%

LAB 56.38, 36.63, -14.99

 

CMYK 0 / 45 / 15 / 34

HEX #A85D8F

RGB 168 93 143

HSL 320, 0.3%, 0.51%

LAB 49.66, 37.42, -14.23

 

CMYK 0 / 50 / 18 / 41

HEX #974B7C

RGB 151 75 124

HSL 321.32, 0.34%, 0.44%

LAB 42.86, 38.2, -13.31

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 33 / 17 / 14

HEX #DB93B5

RGB 219 147 181

HSL 331.67, 0.5%, 0.72%

LAB 68.94, 32.01, -6.57

 

CMYK 0 / 33 / 26 / 14

HEX #DB93A1

RGB 219 147 161

HSL 348.33, 0.5%, 0.72%

LAB 68.39, 29.05, 3.8

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 33 / 0 / 14

HEX #DA93DB

RGB 218 147 219

HSL 299.17, 0.5%, 0.72%

LAB 70.1, 38.18, -25.93

 

CMYK 9 / 33 / 0 / 14

HEX #C793DB

RGB 199 147 219

HSL 283.33, 0.5%, 0.72%

LAB 68.11, 32.2, -29.15

 

CMYK 18 / 33 / 0 / 14

HEX #B493DB

RGB 180 147 219

HSL 267.5, 0.5%, 0.72%

LAB 66.28, 26.32, -32.13

 

CMYK 26 / 33 / 0 / 14

HEX #A193DB

RGB 161 147 219

HSL 251.67, 0.5%, 0.72%

LAB 64.61, 20.62, -34.85

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 41 / 11 / 10

HEX #E688CD

RGB 230 136 205

HSL 315.96, 0.65%, 0.72%

LAB 68.63, 45.33, -20.28

 

CMYK 0 / 49 / 13 / 5

HEX #F27CD3

RGB 242 124 211

HSL 315.76, 0.82%, 0.72%

LAB 68.02, 55.98, -24.43

 

CMYK 0 / 55 / 15 / 1

HEX #FD71D8

RGB 253 113 216

HSL 315.86, 0.97%, 0.72%

LAB 67.76, 65.01, -27.48

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 23 / 6 / 19

HEX #CF9FC3

RGB 207 159 195

HSL 315, 0.33%, 0.72%

LAB 70.87, 23.67, -11.61

 

CMYK 0 / 13 / 4 / 23

HEX #C4ABBD

RGB 196 171 189

HSL 316.8, 0.17%, 0.72%

LAB 72.59, 12.19, -5.86

 

CMYK 0 / 1 / 0 / 28

HEX #B8B6B8

RGB 184 182 184

HSL 300, 0.01%, 0.72%

LAB 74.26, 1.08, -0.77

 

CMYK 11 / 0 / 8 / 24

HEX #ADC2B2

RGB 173 194 178

HSL 134.29, 0.15%, 0.72%

LAB 76.49, -10.22, 5.62

 

CMYK 9 / 33 / 0 / 14

HEX #C793DB

RGB 199 147 219

HSL 283.33, 0.5%, 0.72%

LAB 68.11, 32.2, -29.15

 

CMYK 0 / 33 / 0 / 14

HEX #DA93DB

RGB 218 147 219

HSL 299.17, 0.5%, 0.72%

LAB 70.1, 38.18, -25.93

 

CMYK 0 / 33 / 8 / 14

HEX #DB93C9

RGB 219 147 201

HSL 315, 0.5%, 0.72%

LAB 69.57, 35.29, -16.76

 

CMYK 0 / 33 / 17 / 14

HEX #DB93B6

RGB 219 147 182

HSL 330.83, 0.5%, 0.72%

LAB 68.97, 32.17, -7.08

 

CMYK 0 / 33 / 26 / 14

HEX #DB93A3

RGB 219 147 163

HSL 346.67, 0.5%, 0.72%

LAB 68.44, 29.33, 2.76

 

CMYK 0 / 57 / 15 / 22

HEX #C656A8

RGB 198 86 168

HSL 316.07, 0.5%, 0.56%

LAB 53.48, 54.35, -22.75

 

CMYK 0 / 44 / 12 / 18

HEX #D074B8

RGB 208 116 184

HSL 315.65, 0.49%, 0.64%

LAB 61.1, 45.19, -20.19

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 22 / 6 / 10

HEX #E5B2D8

RGB 229 178 216

HSL 315.29, 0.5%, 0.8%

LAB 78.14, 24.62, -12

 

CMYK 0 / 13 / 3 / 6

HEX #EFD1E7

RGB 239 209 231

HSL 316, 0.48%, 0.88%

LAB 86.86, 14.16, -6.97

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 18 / 33 / 14

HEX #DBB493

RGB 219 180 147

HSL 27.5, 0.5%, 0.72%

LAB 75.95, 9.43, 22.14

 

CMYK 33 / 0 / 5 / 14

HEX #93DBD0

RGB 147 219 208

HSL 170.83, 0.5%, 0.72%

LAB 82.6, -24.78, -1.75

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 8 / 0 / 33 / 14

HEX #C9DB93

RGB 201 219 147

HSL 75, 0.5%, 0.72%

LAB 84.58, -17.67, 33.47

 

CMYK 33 / 8 / 0 / 14

HEX #93C9DB

RGB 147 201 219

HSL 195, 0.5%, 0.72%

LAB 77.93, -13.14, -14.57

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 18 / 33 / 14

HEX #DBB493

RGB 219 180 147

HSL 27.5, 0.5%, 0.72%

LAB 75.95, 9.43, 22.14

 

CMYK 33 / 0 / 25 / 14

HEX #93DBA5

RGB 147 219 165

HSL 135, 0.5%, 0.72%

LAB 81.61, -33.49, 19.57

 

CMYK 33 / 15 / 0 / 14

HEX #93BBDB

RGB 147 187 219

HSL 206.67, 0.5%, 0.72%

LAB 74.1, -5.75, -20.35

 

CMYK 0 / 33 / 9 / 14

HEX #DB93C8

RGB 219 147 200

HSL 315.83, 0.5%, 0.72%

LAB 69.54, 35.12, -16.25

 

CMYK 0 / 8 / 33 / 14

HEX #DBC993

RGB 219 201 147

HSL 45, 0.5%, 0.72%

LAB 81.26, -1.64, 29.31

 

CMYK 33 / 0 / 25 / 14

HEX #93DBA5

RGB 147 219 165

HSL 135, 0.5%, 0.72%

LAB 81.61, -33.49, 19.57

 

CMYK 33 / 25 / 0 / 14

HEX #93A5DB

RGB 147 165 219

HSL 225, 0.5%, 0.72%

LAB 68.19, 6.35, -29.4

 

Description

Color code: HEX #DB93C8 | qconv.com Color code: HEX #DB93C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 147 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 147 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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