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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9A5A it is the complementary color #2465A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9A5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9A5A shade: #E09A55, #F1AC68, #FFBE7B, #FFD08E and #FFE2A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9A5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9A5A shade: #DB9A5A, #CA8847, #B97634, #A86421 and #97520E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9A5A shade: #DB9B5B, #DB785B and #DB5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9A5A shade: #DB9B5B, #DBBD5B, #D6DB5B, #B4DB5B and #92DB5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9A5A shade matches the following richer shades: #DB9B5B, #EB9A4B and #FB9A3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9A5A shade: #DB9B5B, #CB9B6B, #BB9B7C, #AA9B8C and #9A9B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9A5A shade: #DB5B62, #DB775B, #DB995B, #DBBB5B and #D9DB5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9A5A shade: #BB7129, #D3863A, #DB9B5B, #E2AF7D and #EAC49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9A5A shade: #DB9A5A, #84DB5B and #665BDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9A5A shade: #DB9A5A, #5BDB99 and #995BDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9A5A shade: #DB9A5A, #84DB5B, #5B9DDB and #B25BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9A5A shade: #DB9A5A, #5EDB5B, #5B9DDB and #D95BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 59 / 14

HEX #DB9A5A

RGB 219 154 90

HSL 29.77, 0.64%, 0.61%

LAB 68.69, 17.66, 42.86

 

Complementary color

CMYK 78 / 39 / 0 / 35

HEX #2465A5

RGB 36 101 165

HSL 209.77, 0.64%, 0.39%

LAB 41.84, 2.71, -40.27

 

CMYK 0 / 31 / 62 / 12

HEX #E09A55

RGB 224 154 85

HSL 29.78, 0.69%, 0.61%

LAB 69.19, 19.39, 46.12

 

CMYK 0 / 29 / 57 / 5

HEX #F1AC68

RGB 241 172 104

HSL 29.78, 0.83%, 0.68%

LAB 75.58, 18.17, 44.64

 

CMYK 0 / 25 / 52 / 0

HEX #FFBE7B

RGB 255 190 123

HSL 30.45, 1%, 0.74%

LAB 81.57, 15.9, 42.75

 

CMYK 0 / 18 / 44 / 0

HEX #FFD08E

RGB 255 208 142

HSL 35.04, 1%, 0.78%

LAB 86.17, 8.29, 38.94

 

CMYK 0 / 11 / 37 / 0

HEX #FFE2A1

RGB 255 226 161

HSL 41.49, 1%, 0.82%

LAB 90.88, 1.07, 35.45

 

CMYK 0 / 30 / 59 / 14

HEX #DB9A5A

RGB 219 154 90

HSL 29.77, 0.64%, 0.61%

LAB 68.69, 17.66, 42.86

 

CMYK 0 / 33 / 65 / 21

HEX #CA8847

RGB 202 136 71

HSL 29.77, 0.55%, 0.54%

LAB 62.19, 18.97, 44.38

 

CMYK 0 / 36 / 72 / 27

HEX #B97634

RGB 185 118 52

HSL 29.77, 0.56%, 0.46%

LAB 55.6, 20.48, 45.85

 

CMYK 0 / 40 / 80 / 34

HEX #A86421

RGB 168 100 33

HSL 29.78, 0.67%, 0.39%

LAB 48.94, 22.24, 47.07

 

CMYK 0 / 46 / 91 / 41

HEX #97520E

RGB 151 82 14

HSL 29.78, 0.83%, 0.32%

LAB 42.22, 24.3, 47.44

 

CMYK 0 / 29 / 58 / 14

HEX #DB9B5B

RGB 219 155 91

HSL 30, 0.64%, 0.61%

LAB 68.94, 17.2, 42.65

 

CMYK 0 / 45 / 58 / 14

HEX #DB785B

RGB 219 120 91

HSL 13.59, 0.64%, 0.61%

LAB 61, 35.86, 32.91

 

CMYK 0 / 58 / 58 / 14

HEX #DB5B5B

RGB 219 91 91

HSL 0, 0.64%, 0.61%

LAB 55.38, 50.18, 25.71

 

CMYK 0 / 29 / 58 / 14

HEX #DB9B5B

RGB 219 155 91

HSL 30, 0.64%, 0.61%

LAB 68.94, 17.2, 42.65

 

CMYK 0 / 14 / 58 / 14

HEX #DBBD5B

RGB 219 189 91

HSL 45.94, 0.64%, 0.61%

LAB 77.41, -0.88, 52.56

 

CMYK 2 / 0 / 58 / 14

HEX #D6DB5B

RGB 214 219 91

HSL 62.34, 0.64%, 0.61%

LAB 84.85, -18.17, 60.79

 

CMYK 18 / 0 / 58 / 14

HEX #B4DB5B

RGB 180 219 91

HSL 78.28, 0.64%, 0.61%

LAB 82.44, -31.64, 57.45

 

CMYK 33 / 0 / 58 / 14

HEX #92DB5B

RGB 146 219 91

HSL 94.22, 0.64%, 0.61%

LAB 80.48, -44.07, 54.69

 

CMYK 0 / 29 / 58 / 14

HEX #DB9B5B

RGB 219 155 91

HSL 30, 0.64%, 0.61%

LAB 68.94, 17.2, 42.65

 

CMYK 0 / 34 / 68 / 8

HEX #EB9A4B

RGB 235 154 75

HSL 29.63, 0.8%, 0.61%

LAB 70.37, 23.33, 52.65

 

CMYK 0 / 39 / 76 / 2

HEX #FB9A3B

RGB 251 154 59

HSL 29.69, 0.96%, 0.61%

LAB 72.19, 29.16, 62.2

 

CMYK 0 / 29 / 58 / 14

HEX #DB9B5B

RGB 219 155 91

HSL 30, 0.64%, 0.61%

LAB 68.94, 17.2, 42.65

 

CMYK 0 / 24 / 47 / 20

HEX #CB9B6B

RGB 203 155 107

HSL 30, 0.48%, 0.61%

LAB 67.43, 11.96, 32.01

 

CMYK 0 / 17 / 34 / 27

HEX #BB9B7C

RGB 187 155 124

HSL 29.52, 0.32%, 0.61%

LAB 66.11, 7.36, 20.71

 

CMYK 0 / 9 / 18 / 33

HEX #AA9B8C

RGB 170 155 140

HSL 30, 0.15%, 0.61%

LAB 64.87, 2.96, 9.85

 

CMYK 1 / 1 / 0 / 39

HEX #9A9B9C

RGB 154 155 156

HSL 210, 0.01%, 0.61%

LAB 63.93, -0.16, -0.66

 

CMYK 0 / 58 / 55 / 14

HEX #DB5B62

RGB 219 91 98

HSL 356.72, 0.64%, 0.61%

LAB 55.51, 50.71, 21.81

 

CMYK 0 / 46 / 58 / 14

HEX #DB775B

RGB 219 119 91

HSL 13.13, 0.64%, 0.61%

LAB 60.79, 36.38, 32.64

 

CMYK 0 / 30 / 58 / 14

HEX #DB995B

RGB 219 153 91

HSL 29.06, 0.64%, 0.61%

LAB 68.46, 18.28, 42.08

 

CMYK 0 / 15 / 58 / 14

HEX #DBBB5B

RGB 219 187 91

HSL 45, 0.64%, 0.61%

LAB 76.89, 0.16, 51.98

 

CMYK 1 / 0 / 58 / 14

HEX #D9DB5B

RGB 217 219 91

HSL 60.94, 0.64%, 0.61%

LAB 85.08, -16.95, 61.11

 

CMYK 0 / 40 / 78 / 27

HEX #BB7129

RGB 187 113 41

HSL 29.59, 0.64%, 0.45%

LAB 54.59, 23.6, 49.92

 

CMYK 0 / 36 / 73 / 17

HEX #D3863A

RGB 211 134 58

HSL 29.8, 0.63%, 0.53%

LAB 62.68, 23.14, 51.47

 

CMYK 0 / 29 / 58 / 14

HEX #DB9B5B

RGB 219 155 91

HSL 30, 0.64%, 0.61%

LAB 68.94, 17.2, 42.65

 

CMYK 0 / 23 / 45 / 11

HEX #E2AF7D

RGB 226 175 125

HSL 29.7, 0.64%, 0.69%

LAB 75.02, 12.36, 32.74

 

CMYK 0 / 16 / 32 / 8

HEX #EAC49F

RGB 234 196 159

HSL 29.6, 0.64%, 0.77%

LAB 81.55, 8.27, 23.63

 

CMYK 0 / 30 / 59 / 14

HEX #DB9A5A

RGB 219 154 90

HSL 29.77, 0.64%, 0.61%

LAB 68.69, 17.66, 42.86

 

CMYK 40 / 0 / 58 / 14

HEX #84DB5B

RGB 132 219 91

HSL 100.78, 0.64%, 0.61%

LAB 79.8, -48.71, 53.74

 

CMYK 53 / 58 / 0 / 14

HEX #665BDB

RGB 102 91 219

HSL 245.16, 0.64%, 0.61%

LAB 46.21, 38.9, -64.4

 

CMYK 0 / 30 / 59 / 14

HEX #DB9A5A

RGB 219 154 90

HSL 29.77, 0.64%, 0.61%

LAB 68.69, 17.66, 42.86

 

CMYK 58 / 0 / 30 / 14

HEX #5BDB99

RGB 91 219 153

HSL 149.06, 0.64%, 0.61%

LAB 79.15, -50.4, 22.11

 

CMYK 30 / 58 / 0 / 14

HEX #995BDB

RGB 153 91 219

HSL 269.06, 0.64%, 0.61%

LAB 51.12, 49.86, -56.23

 

CMYK 0 / 30 / 59 / 14

HEX #DB9A5A

RGB 219 154 90

HSL 29.77, 0.64%, 0.61%

LAB 68.69, 17.66, 42.86

 

CMYK 40 / 0 / 58 / 14

HEX #84DB5B

RGB 132 219 91

HSL 100.78, 0.64%, 0.61%

LAB 79.8, -48.71, 53.74

 

CMYK 58 / 28 / 0 / 14

HEX #5B9DDB

RGB 91 157 219

HSL 209.06, 0.64%, 0.61%

LAB 62.89, -2.82, -37.87

 

CMYK 19 / 58 / 0 / 14

HEX #B25BDB

RGB 178 91 219

HSL 280.78, 0.64%, 0.61%

LAB 54.09, 55.88, -51.3

 

CMYK 0 / 30 / 59 / 14

HEX #DB9A5A

RGB 219 154 90

HSL 29.77, 0.64%, 0.61%

LAB 68.69, 17.66, 42.86

 

CMYK 57 / 0 / 58 / 14

HEX #5EDB5B

RGB 94 219 91

HSL 118.59, 0.64%, 0.61%

LAB 78.34, -59.41, 51.68

 

CMYK 58 / 28 / 0 / 14

HEX #5B9DDB

RGB 91 157 219

HSL 209.06, 0.64%, 0.61%

LAB 62.89, -2.82, -37.87

 

CMYK 1 / 58 / 0 / 14

HEX #D95BDB

RGB 217 91 219

HSL 299.06, 0.64%, 0.61%

LAB 59.3, 65.56, -42.73

 

Description

Color code: HEX #DB9A5A | qconv.com Color code: HEX #DB9A5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 154 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 154 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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