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Color name
HEX #DBA185

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA185 it is the complementary color #245E7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA185 shade: #E0A180, #F1B393, #FFC5A6, #FFD7B9 and #FFE9CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA185 shade: #DBA185, #CA8F72, #B97D5F, #A86B4C and #975939

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA185 shade: #DAA185, #DA8A85 and #DA8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA185 shade: #DAA185, #DAB885, #DACF85, #CFDA85 and #B8DA85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA185 shade matches the following richer shades: #DAA185, #E79C78 and #F4986B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA185 shade: #DAA185, #CDA592, #C1A99E, #B4AEAB and #A7B2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA185 shade: #DA8597, #DA8985, #DAA085, #DAB785 and #DACD85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA185 shade: #C77045, #D18865, #DAA185, #E4B9A5 and #EDD2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA185 shade: #DBA185, #AEDA85 and #858CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA185 shade: #DBA185, #85DAA0 and #A085DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA185 shade: #DBA185, #AEDA85, #85BFDA and #B185DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA185 shade: #DBA185, #94DA85, #85BFDA and #CA85DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 39 / 14

HEX #DBA185

RGB 219 161 133

HSL 19.53, 0.54%, 0.69%

LAB 71.04, 17.94, 23.02

 

Complementary color

CMYK 70 / 23 / 0 / 52

HEX #245E7A

RGB 36 94 122

HSL 199.53, 0.54%, 0.31%

LAB 37.45, -9.09, -21.27

 

CMYK 0 / 28 / 43 / 12

HEX #E0A180

RGB 224 161 128

HSL 20.63, 0.61%, 0.69%

LAB 71.48, 19.37, 26.43

 

CMYK 0 / 26 / 39 / 5

HEX #F1B393

RGB 241 179 147

HSL 20.43, 0.77%, 0.76%

LAB 77.9, 18.52, 25.15

 

CMYK 0 / 23 / 35 / 0

HEX #FFC5A6

RGB 255 197 166

HSL 20.9, 1%, 0.83%

LAB 83.94, 16.62, 23.52

 

CMYK 0 / 16 / 27 / 0

HEX #FFD7B9

RGB 255 215 185

HSL 25.71, 1%, 0.86%

LAB 88.62, 9.64, 20

 

CMYK 0 / 9 / 20 / 0

HEX #FFE9CC

RGB 255 233 204

HSL 34.12, 1%, 0.9%

LAB 93.41, 3.01, 16.81

 

CMYK 0 / 26 / 39 / 14

HEX #DBA185

RGB 219 161 133

HSL 19.53, 0.54%, 0.69%

LAB 71.04, 17.94, 23.02

 

CMYK 0 / 29 / 44 / 21

HEX #CA8F72

RGB 202 143 114

HSL 19.77, 0.45%, 0.62%

LAB 64.5, 18.83, 24.33

 

CMYK 0 / 32 / 49 / 27

HEX #B97D5F

RGB 185 125 95

HSL 20, 0.39%, 0.55%

LAB 57.85, 19.84, 25.77

 

CMYK 0 / 36 / 55 / 34

HEX #A86B4C

RGB 168 107 76

HSL 20.22, 0.38%, 0.48%

LAB 51.11, 21.01, 27.38

 

CMYK 0 / 41 / 62 / 41

HEX #975939

RGB 151 89 57

HSL 20.43, 0.45%, 0.41%

LAB 44.26, 22.37, 29.18

 

CMYK 0 / 26 / 39 / 15

HEX #DAA185

RGB 218 161 133

HSL 19.76, 0.53%, 0.69%

LAB 70.93, 17.55, 22.86

 

CMYK 0 / 37 / 39 / 15

HEX #DA8A85

RGB 218 138 133

HSL 3.53, 0.53%, 0.69%

LAB 65.57, 29.94, 15.5

 

CMYK 0 / 39 / 39 / 15

HEX #DA8585

RGB 218 133 133

HSL 0, 0.53%, 0.69%

LAB 64.46, 32.6, 13.95

 

CMYK 0 / 26 / 39 / 15

HEX #DAA185

RGB 218 161 133

HSL 19.76, 0.53%, 0.69%

LAB 70.93, 17.55, 22.86

 

CMYK 0 / 16 / 39 / 15

HEX #DAB885

RGB 218 184 133

HSL 36, 0.53%, 0.69%

LAB 76.61, 5.24, 30.46

 

CMYK 0 / 5 / 39 / 15

HEX #DACF85

RGB 218 207 133

HSL 52.24, 0.53%, 0.69%

LAB 82.5, -6.75, 38.13

 

CMYK 5 / 0 / 39 / 15

HEX #CFDA85

RGB 207 218 133

HSL 67.76, 0.53%, 0.69%

LAB 84.54, -16.59, 40.57

 

CMYK 16 / 0 / 39 / 15

HEX #B8DA85

RGB 184 218 133

HSL 84, 0.53%, 0.69%

LAB 82.93, -25.3, 38.18

 

CMYK 0 / 26 / 39 / 15

HEX #DAA185

RGB 218 161 133

HSL 19.76, 0.53%, 0.69%

LAB 70.93, 17.55, 22.86

 

CMYK 0 / 32 / 48 / 9

HEX #E79C78

RGB 231 156 120

HSL 19.46, 0.7%, 0.69%

LAB 70.95, 24.01, 30.2

 

CMYK 0 / 38 / 56 / 4

HEX #F4986B

RGB 244 152 107

HSL 19.71, 0.86%, 0.69%

LAB 71.39, 30.14, 38

 

CMYK 0 / 26 / 39 / 15

HEX #DAA185

RGB 218 161 133

HSL 19.76, 0.53%, 0.69%

LAB 70.93, 17.55, 22.86

 

CMYK 0 / 20 / 29 / 20

HEX #CDA592

RGB 205 165 146

HSL 19.32, 0.37%, 0.69%

LAB 70.85, 11.92, 15.41

 

CMYK 0 / 12 / 18 / 24

HEX #C1A99E

RGB 193 169 158

HSL 18.86, 0.22%, 0.69%

LAB 71, 6.91, 8.86

 

CMYK 0 / 3 / 5 / 29

HEX #B4AEAB

RGB 180 174 171

HSL 20, 0.06%, 0.69%

LAB 71.5, 1.59, 2.29

 

CMYK 9 / 3 / 0 / 28

HEX #A7B2B8

RGB 167 178 184

HSL 201.18, 0.11%, 0.69%

LAB 71.9, -2.62, -4.38

 

CMYK 0 / 39 / 31 / 15

HEX #DA8597

RGB 218 133 151

HSL 347.29, 0.53%, 0.69%

LAB 64.89, 34.81, 4.37

 

CMYK 0 / 37 / 39 / 15

HEX #DA8985

RGB 218 137 133

HSL 2.82, 0.53%, 0.69%

LAB 65.35, 30.47, 15.19

 

CMYK 0 / 27 / 39 / 15

HEX #DAA085

RGB 218 160 133

HSL 19.06, 0.53%, 0.69%

LAB 70.69, 18.09, 22.53

 

CMYK 0 / 16 / 39 / 15

HEX #DAB785

RGB 218 183 133

HSL 35.29, 0.53%, 0.69%

LAB 76.35, 5.77, 30.12

 

CMYK 0 / 6 / 39 / 15

HEX #DACD85

RGB 218 205 133

HSL 50.82, 0.53%, 0.69%

LAB 81.98, -5.73, 37.47

 

CMYK 0 / 44 / 65 / 22

HEX #C77045

RGB 199 112 69

HSL 19.85, 0.54%, 0.53%

LAB 56.25, 30.61, 38.46

 

CMYK 0 / 35 / 52 / 18

HEX #D18865

RGB 209 136 101

HSL 19.44, 0.54%, 0.61%

LAB 63.43, 24.19, 30.24

 

CMYK 0 / 26 / 39 / 15

HEX #DAA185

RGB 218 161 133

HSL 19.76, 0.53%, 0.69%

LAB 70.93, 17.55, 22.86

 

CMYK 0 / 19 / 28 / 11

HEX #E4B9A5

RGB 228 185 165

HSL 19.05, 0.54%, 0.77%

LAB 78.41, 12.57, 15.99

 

CMYK 0 / 11 / 17 / 7

HEX #EDD2C4

RGB 237 210 196

HSL 20.49, 0.53%, 0.85%

LAB 86.05, 7.19, 10.37

 

CMYK 0 / 26 / 39 / 14

HEX #DBA185

RGB 219 161 133

HSL 19.53, 0.54%, 0.69%

LAB 71.04, 17.94, 23.02

 

CMYK 20 / 0 / 39 / 15

HEX #AEDA85

RGB 174 218 133

HSL 91.06, 0.53%, 0.69%

LAB 82.29, -28.95, 37.23

 

CMYK 39 / 36 / 0 / 15

HEX #858CDA

RGB 133 140 218

HSL 235.06, 0.53%, 0.69%

LAB 60.61, 16.56, -40.71

 

CMYK 0 / 26 / 39 / 14

HEX #DBA185

RGB 219 161 133

HSL 19.53, 0.54%, 0.69%

LAB 71.04, 17.94, 23.02

 

CMYK 39 / 0 / 27 / 15

HEX #85DAA0

RGB 133 218 160

HSL 139.06, 0.53%, 0.69%

LAB 80.55, -38.11, 20.63

 

CMYK 27 / 39 / 0 / 15

HEX #A085DA

RGB 160 133 218

HSL 259.06, 0.53%, 0.69%

LAB 61.05, 28.08, -39.85

 

CMYK 0 / 26 / 39 / 14

HEX #DBA185

RGB 219 161 133

HSL 19.53, 0.54%, 0.69%

LAB 71.04, 17.94, 23.02

 

CMYK 20 / 0 / 39 / 15

HEX #AEDA85

RGB 174 218 133

HSL 91.06, 0.53%, 0.69%

LAB 82.29, -28.95, 37.23

 

CMYK 39 / 12 / 0 / 15

HEX #85BFDA

RGB 133 191 218

HSL 199.06, 0.53%, 0.69%

LAB 74.39, -11.94, -19.45

 

CMYK 19 / 39 / 0 / 15

HEX #B185DA

RGB 177 133 218

HSL 271.06, 0.53%, 0.69%

LAB 62.66, 33.03, -37.22

 

CMYK 0 / 26 / 39 / 14

HEX #DBA185

RGB 219 161 133

HSL 19.53, 0.54%, 0.69%

LAB 71.04, 17.94, 23.02

 

CMYK 32 / 0 / 39 / 15

HEX #94DA85

RGB 148 218 133

HSL 109.41, 0.53%, 0.69%

LAB 80.81, -37.92, 35.03

 

CMYK 39 / 12 / 0 / 15

HEX #85BFDA

RGB 133 191 218

HSL 199.06, 0.53%, 0.69%

LAB 74.39, -11.94, -19.45

 

CMYK 7 / 39 / 0 / 15

HEX #CA85DA

RGB 202 133 218

HSL 288.71, 0.53%, 0.69%

LAB 65.27, 40.53, -32.96

 

Description

Color code: HEX #DBA185 | qconv.com Color code: HEX #DBA185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 161 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 161 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 39% 14% C M Y K

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Provide designers and agencies with accurate color values.

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