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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBABE1 it is the complementary color #24541E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBABE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBABE1 shade: #E0ABDC, #F1BDEF, #FFCFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBABE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBABE1 shade: #DBABE1, #CA99CE, #B987BB, #A875A8 and #976395

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBABE1 shade: #DBACE1, #E1ACD8, #E1ACCA, #E1ACBC and #E1ACAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBABE1 shade: #DBACE1, #CDACE1, #BEACE1, #B0ACE1 and #ACACE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBABE1 shade matches the following richer shades: #DBACE1, #E2A3EA, #E99AF3 and #F091FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBABE1 shade: #DBACE1, #D4B5D8, #CDBECF, #C6C7C6 and #BFD0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBABE1 shade: #BEACE1, #CDACE1, #DBACE1, #E1ACD9 and #E1ACCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBABE1 shade: #C16FCB, #CE8ED6, #DBACE1, #E8CAEC and #F5E9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBABE1 shade: #DBABE1, #E1B0AC and #ACE1C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBABE1 shade: #DBABE1, #E1DBAC and #ACE1DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBABE1 shade: #DBABE1, #E1B0AC, #B2E1AC and #ACDCE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBABE1 shade: #DBABE1, #E1C0AC, #B2E1AC and #ACCDE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 24 / 0 / 12

HEX #DBABE1

RGB 219 171 225

HSL 293.33, 0.47%, 0.78%

LAB 75.84, 26.7, -20.45

 

Complementary color

CMYK 57 / 0 / 64 / 67

HEX #24541E

RGB 36 84 30

HSL 113.33, 0.47%, 0.22%

LAB 31.37, -28.36, 26.19

 

CMYK 0 / 24 / 2 / 12

HEX #E0ABDC

RGB 224 171 220

HSL 304.53, 0.46%, 0.77%

LAB 76.16, 27.42, -17.21

 

CMYK 0 / 22 / 1 / 5

HEX #F1BDEF

RGB 241 189 239

HSL 302.31, 0.65%, 0.84%

LAB 82.55, 26.84, -17.64

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 3 / 24 / 0 / 12

HEX #DBABE1

RGB 219 171 225

HSL 293.33, 0.47%, 0.78%

LAB 75.84, 26.7, -20.45

 

CMYK 2 / 26 / 0 / 19

HEX #CA99CE

RGB 202 153 206

HSL 295.47, 0.35%, 0.7%

LAB 69.32, 27.3, -20.08

 

CMYK 1 / 28 / 0 / 27

HEX #B987BB

RGB 185 135 187

HSL 297.69, 0.28%, 0.63%

LAB 62.7, 27.95, -19.69

 

CMYK 0 / 30 / 0 / 34

HEX #A875A8

RGB 168 117 168

HSL 300, 0.23%, 0.56%

LAB 55.96, 28.65, -19.28

 

CMYK 0 / 34 / 1 / 41

HEX #976395

RGB 151 99 149

HSL 302.31, 0.21%, 0.49%

LAB 49.1, 29.4, -18.84

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 0 / 24 / 4 / 12

HEX #E1ACD8

RGB 225 172 216

HSL 310.19, 0.47%, 0.78%

LAB 76.36, 26.49, -14.72

 

CMYK 0 / 24 / 10 / 12

HEX #E1ACCA

RGB 225 172 202

HSL 326.04, 0.47%, 0.78%

LAB 75.93, 24.06, -7.72

 

CMYK 0 / 24 / 16 / 12

HEX #E1ACBC

RGB 225 172 188

HSL 341.89, 0.47%, 0.78%

LAB 75.54, 21.78, -0.65

 

CMYK 0 / 24 / 23 / 12

HEX #E1ACAE

RGB 225 172 174

HSL 357.74, 0.47%, 0.78%

LAB 75.18, 19.66, 6.49

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 9 / 24 / 0 / 12

HEX #CDACE1

RGB 205 172 225

HSL 277.36, 0.47%, 0.78%

LAB 74.77, 21.61, -22.19

 

CMYK 16 / 24 / 0 / 12

HEX #BEACE1

RGB 190 172 225

HSL 260.38, 0.47%, 0.78%

LAB 73.47, 16.83, -24.29

 

CMYK 22 / 24 / 0 / 12

HEX #B0ACE1

RGB 176 172 225

HSL 244.53, 0.47%, 0.78%

LAB 72.34, 12.48, -26.12

 

CMYK 24 / 24 / 0 / 12

HEX #ACACE1

RGB 172 172 225

HSL 240, 0.47%, 0.78%

LAB 72.04, 11.26, -26.62

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 3 / 30 / 0 / 8

HEX #E2A3EA

RGB 226 163 234

HSL 293.24, 0.63%, 0.78%

LAB 75.02, 34.96, -26.53

 

CMYK 4 / 37 / 0 / 5

HEX #E99AF3

RGB 233 154 243

HSL 293.26, 0.79%, 0.78%

LAB 74.13, 43.59, -32.73

 

CMYK 5 / 42 / 0 / 1

HEX #F091FC

RGB 240 145 252

HSL 293.27, 0.95%, 0.78%

LAB 73.42, 51.98, -38.66

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 2 / 16 / 0 / 15

HEX #D4B5D8

RGB 212 181 216

HSL 293.14, 0.31%, 0.78%

LAB 77.28, 17.26, -13.45

 

CMYK 1 / 8 / 0 / 19

HEX #CDBECF

RGB 205 190 207

HSL 292.94, 0.15%, 0.78%

LAB 78.64, 8.34, -6.62

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 8 / 0 / 10 / 18

HEX #BFD0BC

RGB 191 208 188

HSL 111, 0.18%, 0.78%

LAB 81.74, -9.44, 7.97

 

CMYK 16 / 24 / 0 / 12

HEX #BEACE1

RGB 190 172 225

HSL 260.38, 0.47%, 0.78%

LAB 73.47, 16.83, -24.29

 

CMYK 9 / 24 / 0 / 12

HEX #CDACE1

RGB 205 172 225

HSL 277.36, 0.47%, 0.78%

LAB 74.77, 21.61, -22.19

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 0 / 24 / 4 / 12

HEX #E1ACD9

RGB 225 172 217

HSL 309.06, 0.47%, 0.78%

LAB 76.39, 26.67, -15.21

 

CMYK 0 / 24 / 10 / 12

HEX #E1ACCB

RGB 225 172 203

HSL 324.91, 0.47%, 0.78%

LAB 75.96, 24.23, -8.22

 

CMYK 5 / 45 / 0 / 20

HEX #C16FCB

RGB 193 111 203

HSL 293.48, 0.47%, 0.62%

LAB 58.99, 46.57, -34.39

 

CMYK 4 / 34 / 0 / 16

HEX #CE8ED6

RGB 206 142 214

HSL 293.33, 0.47%, 0.7%

LAB 67.52, 36.13, -27.23

 

CMYK 3 / 24 / 0 / 12

HEX #DBACE1

RGB 219 172 225

HSL 293.21, 0.47%, 0.78%

LAB 76.07, 26.16, -20.1

 

CMYK 2 / 14 / 0 / 7

HEX #E8CAEC

RGB 232 202 236

HSL 292.94, 0.47%, 0.86%

LAB 84.72, 16.42, -12.88

 

CMYK 1 / 6 / 0 / 3

HEX #F5E9F7

RGB 245 233 247

HSL 291.43, 0.47%, 0.94%

LAB 93.63, 6.5, -5.32

 

CMYK 3 / 24 / 0 / 12

HEX #DBABE1

RGB 219 171 225

HSL 293.33, 0.47%, 0.78%

LAB 75.84, 26.7, -20.45

 

CMYK 0 / 22 / 24 / 12

HEX #E1B0AC

RGB 225 176 172

HSL 4.53, 0.47%, 0.78%

LAB 76.09, 17.23, 8.88

 

CMYK 24 / 0 / 12 / 12

HEX #ACE1C6

RGB 172 225 198

HSL 149.43, 0.47%, 0.78%

LAB 85.35, -22.41, 7.69

 

CMYK 3 / 24 / 0 / 12

HEX #DBABE1

RGB 219 171 225

HSL 293.33, 0.47%, 0.78%

LAB 75.84, 26.7, -20.45

 

CMYK 0 / 3 / 24 / 12

HEX #E1DBAC

RGB 225 219 172

HSL 53.21, 0.47%, 0.78%

LAB 86.82, -5.35, 23.91

 

CMYK 24 / 0 / 3 / 12

HEX #ACE1DB

RGB 172 225 219

HSL 173.21, 0.47%, 0.78%

LAB 85.87, -18.15, -2.62

 

CMYK 3 / 24 / 0 / 12

HEX #DBABE1

RGB 219 171 225

HSL 293.33, 0.47%, 0.78%

LAB 75.84, 26.7, -20.45

 

CMYK 0 / 22 / 24 / 12

HEX #E1B0AC

RGB 225 176 172

HSL 4.53, 0.47%, 0.78%

LAB 76.09, 17.23, 8.88

 

CMYK 21 / 0 / 24 / 12

HEX #B2E1AC

RGB 178 225 172

HSL 113.21, 0.47%, 0.78%

LAB 85.15, -25.13, 21.08

 

CMYK 24 / 2 / 0 / 12

HEX #ACDCE1

RGB 172 220 225

HSL 185.66, 0.47%, 0.78%

LAB 84.69, -14.33, -7.54

 

CMYK 3 / 24 / 0 / 12

HEX #DBABE1

RGB 219 171 225

HSL 293.33, 0.47%, 0.78%

LAB 75.84, 26.7, -20.45

 

CMYK 0 / 15 / 24 / 12

HEX #E1C0AC

RGB 225 192 172

HSL 22.64, 0.47%, 0.78%

LAB 80, 8.7, 14.43

 

CMYK 21 / 0 / 24 / 12

HEX #B2E1AC

RGB 178 225 172

HSL 113.21, 0.47%, 0.78%

LAB 85.15, -25.13, 21.08

 

CMYK 24 / 9 / 0 / 12

HEX #ACCDE1

RGB 172 205 225

HSL 202.64, 0.47%, 0.78%

LAB 80.67, -6.59, -13.53

 

Description

Color code: HEX #DBABE1 | qconv.com Color code: HEX #DBABE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 171 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 171 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 24 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 24% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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