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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBAC9B it is the complementary color #245364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBAC9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBAC9B shade: #E0AC96, #F1BEA9, #FFD0BC, #FFE2CF and #FFF4E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBAC9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBAC9B shade: #DBAC9B, #CA9A88, #B98875, #A87662 and #97644F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBAC9B shade: #DAAA99 and #DA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBAC9B shade: #DAAA99, #DABC99, #DACD99, #D5DA99 and #C4DA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBAC9B shade matches the following richer shades: #DAAA99, #E5A58E, #F0A083 and #FB9B78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBAC9B shade: #DAAA99, #CFB0A4, #C4B5B0, #B9BABB and #ADBFC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBAC9B shade: #DA99AC, #DA999A, #DAA999, #DABB99 and #DACC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBAC9B shade: #C4785D, #CF917B, #DAAA99, #E5C4B8 and #F0DDD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBAC9B shade: #DBAC9B, #BDDA99 and #99A3DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBAC9B shade: #DBAC9B, #99DAA9 and #A999DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBAC9B shade: #DBAC9B, #BDDA99, #99CADA and #B699DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBAC9B shade: #DBAC9B, #A9DA99, #99CADA and #CA99DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 14

HEX #DBAC9B

RGB 219 172 155

HSL 15.94, 0.47%, 0.73%

LAB 74.15, 14.75, 15.31

 

Complementary color

CMYK 64 / 17 / 0 / 61

HEX #245364

RGB 36 83 100

HSL 195.94, 0.47%, 0.27%

LAB 32.88, -10.27, -14.66

 

CMYK 0 / 23 / 33 / 12

HEX #E0AC96

RGB 224 172 150

HSL 17.84, 0.54%, 0.73%

LAB 74.54, 16.02, 18.66

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 0 / 18 / 26 / 0

HEX #FFD0BC

RGB 255 208 188

HSL 17.91, 1%, 0.87%

LAB 87, 13.67, 16.16

 

CMYK 0 / 11 / 19 / 0

HEX #FFE2CF

RGB 255 226 207

HSL 23.75, 1%, 0.91%

LAB 91.76, 7.03, 12.92

 

CMYK 0 / 4 / 11 / 0

HEX #FFF4E2

RGB 255 244 226

HSL 37.24, 1%, 0.94%

LAB 96.6, 0.73, 9.98

 

CMYK 0 / 21 / 29 / 14

HEX #DBAC9B

RGB 219 172 155

HSL 15.94, 0.47%, 0.73%

LAB 74.15, 14.75, 15.31

 

CMYK 0 / 24 / 33 / 21

HEX #CA9A88

RGB 202 154 136

HSL 16.36, 0.38%, 0.66%

LAB 67.61, 15.42, 16.38

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 0 / 30 / 42 / 34

HEX #A87662

RGB 168 118 98

HSL 17.14, 0.29%, 0.52%

LAB 54.2, 17.05, 18.84

 

CMYK 0 / 34 / 48 / 41

HEX #97644F

RGB 151 100 79

HSL 17.5, 0.31%, 0.45%

LAB 47.31, 18.07, 20.3

 

CMYK 0 / 22 / 30 / 15

HEX #DAAA99

RGB 218 170 153

HSL 15.69, 0.47%, 0.73%

LAB 73.52, 15.18, 15.5

 

CMYK 0 / 30 / 30 / 15

HEX #DA9999

RGB 218 153 153

HSL 0, 0.47%, 0.73%

LAB 69.46, 24.35, 9.79

 

CMYK 0 / 22 / 30 / 15

HEX #DAAA99

RGB 218 170 153

HSL 15.69, 0.47%, 0.73%

LAB 73.52, 15.18, 15.5

 

CMYK 0 / 14 / 30 / 15

HEX #DABC99

RGB 218 188 153

HSL 32.31, 0.47%, 0.73%

LAB 77.98, 5.56, 21.68

 

CMYK 0 / 6 / 30 / 15

HEX #DACD99

RGB 218 205 153

HSL 48, 0.47%, 0.73%

LAB 82.31, -3.34, 27.57

 

CMYK 2 / 0 / 30 / 15

HEX #D5DA99

RGB 213 218 153

HSL 64.62, 0.47%, 0.73%

LAB 85.3, -11.88, 31.5

 

CMYK 10 / 0 / 30 / 15

HEX #C4DA99

RGB 196 218 153

HSL 80.31, 0.47%, 0.73%

LAB 84.06, -18.23, 29.63

 

CMYK 0 / 22 / 30 / 15

HEX #DAAA99

RGB 218 170 153

HSL 15.69, 0.47%, 0.73%

LAB 73.52, 15.18, 15.5

 

CMYK 0 / 28 / 38 / 10

HEX #E5A58E

RGB 229 165 142

HSL 15.86, 0.63%, 0.73%

LAB 73.23, 20.74, 21.29

 

CMYK 0 / 33 / 45 / 6

HEX #F0A083

RGB 240 160 131

HSL 15.96, 0.78%, 0.73%

LAB 73.09, 26.49, 27.27

 

CMYK 0 / 38 / 52 / 2

HEX #FB9B78

RGB 251 155 120

HSL 16.03, 0.94%, 0.73%

LAB 73.09, 32.36, 33.44

 

CMYK 0 / 22 / 30 / 15

HEX #DAAA99

RGB 218 170 153

HSL 15.69, 0.47%, 0.73%

LAB 73.52, 15.18, 15.5

 

CMYK 0 / 15 / 21 / 19

HEX #CFB0A4

RGB 207 176 164

HSL 16.74, 0.31%, 0.73%

LAB 74.19, 9.32, 10.29

 

CMYK 0 / 8 / 10 / 23

HEX #C4B5B0

RGB 196 181 176

HSL 15, 0.14%, 0.73%

LAB 74.77, 4.47, 4.46

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 13 / 4 / 0 / 22

HEX #ADBFC6

RGB 173 191 198

HSL 196.8, 0.18%, 0.73%

LAB 76.21, -4.71, -5.62

 

CMYK 0 / 30 / 21 / 15

HEX #DA99AC

RGB 218 153 172

HSL 342.46, 0.47%, 0.73%

LAB 69.94, 27.04, -0.09

 

CMYK 0 / 30 / 29 / 15

HEX #DA999A

RGB 218 153 154

HSL 359.08, 0.47%, 0.73%

LAB 69.48, 24.49, 9.26

 

CMYK 0 / 22 / 30 / 15

HEX #DAA999

RGB 218 169 153

HSL 14.77, 0.47%, 0.73%

LAB 73.27, 15.71, 15.16

 

CMYK 0 / 14 / 30 / 15

HEX #DABB99

RGB 218 187 153

HSL 31.38, 0.47%, 0.73%

LAB 77.72, 6.09, 21.34

 

CMYK 0 / 6 / 30 / 15

HEX #DACC99

RGB 218 204 153

HSL 47.08, 0.47%, 0.73%

LAB 82.05, -2.83, 27.22

 

CMYK 0 / 39 / 53 / 23

HEX #C4785D

RGB 196 120 93

HSL 15.73, 0.47%, 0.57%

LAB 58, 26.9, 27.34

 

CMYK 0 / 30 / 41 / 19

HEX #CF917B

RGB 207 145 123

HSL 15.71, 0.47%, 0.65%

LAB 65.71, 20.73, 21.07

 

CMYK 0 / 22 / 30 / 15

HEX #DAAA99

RGB 218 170 153

HSL 15.69, 0.47%, 0.73%

LAB 73.52, 15.18, 15.5

 

CMYK 0 / 14 / 20 / 10

HEX #E5C4B8

RGB 229 196 184

HSL 16, 0.46%, 0.81%

LAB 81.62, 9.82, 10.34

 

CMYK 0 / 8 / 11 / 6

HEX #F0DDD6

RGB 240 221 214

HSL 16.15, 0.46%, 0.89%

LAB 89.44, 5.36, 5.78

 

CMYK 0 / 21 / 29 / 14

HEX #DBAC9B

RGB 219 172 155

HSL 15.94, 0.47%, 0.73%

LAB 74.15, 14.75, 15.31

 

CMYK 13 / 0 / 30 / 15

HEX #BDDA99

RGB 189 218 153

HSL 86.77, 0.47%, 0.73%

LAB 83.58, -20.79, 28.91

 

CMYK 30 / 25 / 0 / 15

HEX #99A3DA

RGB 153 163 218

HSL 230.77, 0.47%, 0.73%

LAB 68.04, 8.94, -29.04

 

CMYK 0 / 21 / 29 / 14

HEX #DBAC9B

RGB 219 172 155

HSL 15.94, 0.47%, 0.73%

LAB 74.15, 14.75, 15.31

 

CMYK 30 / 0 / 22 / 15

HEX #99DAA9

RGB 153 218 169

HSL 134.77, 0.47%, 0.73%

LAB 81.72, -30.44, 17.67

 

CMYK 22 / 30 / 0 / 15

HEX #A999DA

RGB 169 153 218

HSL 254.77, 0.47%, 0.73%

LAB 66.73, 19.36, -30.95

 

CMYK 0 / 21 / 29 / 14

HEX #DBAC9B

RGB 219 172 155

HSL 15.94, 0.47%, 0.73%

LAB 74.15, 14.75, 15.31

 

CMYK 13 / 0 / 30 / 15

HEX #BDDA99

RGB 189 218 153

HSL 86.77, 0.47%, 0.73%

LAB 83.58, -20.79, 28.91

 

CMYK 30 / 7 / 0 / 15

HEX #99CADA

RGB 153 202 218

HSL 194.77, 0.47%, 0.73%

LAB 78.51, -12.21, -13.13

 

CMYK 17 / 30 / 0 / 15

HEX #B699DA

RGB 182 153 218

HSL 266.77, 0.47%, 0.73%

LAB 67.87, 23.35, -29.11

 

CMYK 0 / 21 / 29 / 14

HEX #DBAC9B

RGB 219 172 155

HSL 15.94, 0.47%, 0.73%

LAB 74.15, 14.75, 15.31

 

CMYK 22 / 0 / 30 / 15

HEX #A9DA99

RGB 169 218 153

HSL 105.23, 0.47%, 0.73%

LAB 82.31, -27.86, 26.98

 

CMYK 30 / 7 / 0 / 15

HEX #99CADA

RGB 153 202 218

HSL 194.77, 0.47%, 0.73%

LAB 78.51, -12.21, -13.13

 

CMYK 7 / 30 / 0 / 15

HEX #CA99DA

RGB 202 153 218

HSL 285.23, 0.47%, 0.73%

LAB 69.75, 29.65, -26.05

 

Description

Color code: HEX #DBAC9B | qconv.com Color code: HEX #DBAC9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 172 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 172 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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