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Color name
HEX #DBAD7A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBAD7A it is the complementary color #245285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBAD7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBAD7A shade: #E0AD75, #F1BF88, #FFD19B, #FFE3AE and #FFF5C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBAD7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBAD7A shade: #DBAD7A, #CA9B67, #B98954, #A87741 and #97652E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBAD7A shade: #DAAD7A, #DA937A and #DA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBAD7A shade: #DAAD7A, #DAC77A, #D4DA7A, #BADA7A and #A0DA7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBAD7A shade matches the following richer shades: #DAAD7A, #E8AE6D and #F6AE5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBAD7A shade: #DAAD7A, #CDAC88, #BFAB96, #B1ABA3 and #A4AAB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBAD7A shade: #DA7A7C, #DA927A, #DAAC7A, #DAC67A and #D6DA7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBAD7A shade: #C9853A, #D1995A, #DAAD7A, #E3C19B and #ECD5BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBAD7A shade: #DBAD7A, #96DA7A and #867ADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBAD7A shade: #DBAD7A, #7ADAAC and #AC7ADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBAD7A shade: #DBAD7A, #96DA7A, #7AA9DA and #BF7ADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBAD7A shade: #DBAD7A, #7ADA7C, #7AA9DA and #DA7AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 44 / 14

HEX #DBAD7A

RGB 219 173 122

HSL 31.55, 0.57%, 0.67%

LAB 73.77, 10.3, 32.56

 

Complementary color

CMYK 73 / 38 / 0 / 48

HEX #245285

RGB 36 82 133

HSL 211.55, 0.57%, 0.33%

LAB 34.2, 2.56, -33.14

 

CMYK 0 / 23 / 48 / 12

HEX #E0AD75

RGB 224 173 117

HSL 31.4, 0.63%, 0.67%

LAB 74.2, 11.83, 35.85

 

CMYK 0 / 21 / 44 / 5

HEX #F1BF88

RGB 241 191 136

HSL 31.43, 0.79%, 0.74%

LAB 80.59, 11.01, 34.53

 

CMYK 0 / 18 / 39 / 0

HEX #FFD19B

RGB 255 209 155

HSL 32.4, 1%, 0.8%

LAB 86.62, 9.13, 32.87

 

CMYK 0 / 11 / 32 / 0

HEX #FFE3AE

RGB 255 227 174

HSL 39.26, 1%, 0.84%

LAB 91.35, 2.08, 29.44

 

CMYK 0 / 4 / 24 / 0

HEX #FFF5C1

RGB 255 245 193

HSL 50.32, 1%, 0.88%

LAB 96.17, -4.58, 26.3

 

CMYK 0 / 21 / 44 / 14

HEX #DBAD7A

RGB 219 173 122

HSL 31.55, 0.57%, 0.67%

LAB 73.77, 10.3, 32.56

 

CMYK 0 / 23 / 49 / 21

HEX #CA9B67

RGB 202 155 103

HSL 31.52, 0.48%, 0.6%

LAB 67.26, 11.15, 33.91

 

CMYK 0 / 26 / 55 / 27

HEX #B98954

RGB 185 137 84

HSL 31.49, 0.42%, 0.53%

LAB 60.65, 12.15, 35.35

 

CMYK 0 / 29 / 61 / 34

HEX #A87741

RGB 168 119 65

HSL 31.46, 0.44%, 0.46%

LAB 53.92, 13.32, 36.86

 

CMYK 0 / 33 / 70 / 41

HEX #97652E

RGB 151 101 46

HSL 31.43, 0.53%, 0.39%

LAB 47.08, 14.73, 38.38

 

CMYK 0 / 21 / 44 / 15

HEX #DAAD7A

RGB 218 173 122

HSL 31.88, 0.56%, 0.67%

LAB 73.67, 9.9, 32.42

 

CMYK 0 / 33 / 44 / 15

HEX #DA937A

RGB 218 147 122

HSL 15.63, 0.56%, 0.67%

LAB 67.41, 23.89, 24.13

 

CMYK 0 / 44 / 44 / 15

HEX #DA7A7A

RGB 218 122 122

HSL 0, 0.56%, 0.67%

LAB 61.85, 37.2, 16.56

 

CMYK 0 / 21 / 44 / 15

HEX #DAAD7A

RGB 218 173 122

HSL 31.88, 0.56%, 0.67%

LAB 73.67, 9.9, 32.42

 

CMYK 0 / 9 / 44 / 15

HEX #DAC77A

RGB 218 199 122

HSL 48.13, 0.56%, 0.67%

LAB 80.27, -3.79, 40.86

 

CMYK 3 / 0 / 44 / 15

HEX #D4DA7A

RGB 212 218 122

HSL 63.75, 0.56%, 0.67%

LAB 84.76, -15.82, 46.36

 

CMYK 15 / 0 / 44 / 15

HEX #BADA7A

RGB 186 218 122

HSL 80, 0.56%, 0.67%

LAB 82.91, -25.86, 43.64

 

CMYK 27 / 0 / 44 / 15

HEX #A0DA7A

RGB 160 218 122

HSL 96.25, 0.56%, 0.67%

LAB 81.3, -35.33, 41.29

 

CMYK 0 / 21 / 44 / 15

HEX #DAAD7A

RGB 218 173 122

HSL 31.88, 0.56%, 0.67%

LAB 73.67, 9.9, 32.42

 

CMYK 0 / 25 / 53 / 9

HEX #E8AE6D

RGB 232 174 109

HSL 31.71, 0.73%, 0.67%

LAB 75.16, 13.84, 41.36

 

CMYK 0 / 29 / 61 / 4

HEX #F6AE5F

RGB 246 174 95

HSL 31.39, 0.89%, 0.67%

LAB 76.49, 18.51, 50.31

 

CMYK 0 / 21 / 44 / 15

HEX #DAAD7A

RGB 218 173 122

HSL 31.88, 0.56%, 0.67%

LAB 73.67, 9.9, 32.42

 

CMYK 0 / 16 / 34 / 20

HEX #CDAC88

RGB 205 172 136

HSL 31.3, 0.41%, 0.67%

LAB 72.4, 6.83, 23.01

 

CMYK 0 / 10 / 21 / 25

HEX #BFAB96

RGB 191 171 150

HSL 30.73, 0.24%, 0.67%

LAB 71.15, 3.84, 13.45

 

CMYK 0 / 3 / 8 / 31

HEX #B1ABA3

RGB 177 171 163

HSL 34.29, 0.08%, 0.67%

LAB 70.26, 0.71, 4.87

 

CMYK 7 / 4 / 0 / 31

HEX #A4AAB1

RGB 164 170 177

HSL 212.31, 0.08%, 0.67%

LAB 69.34, -0.73, -4.33

 

CMYK 0 / 44 / 43 / 15

HEX #DA7A7C

RGB 218 122 124

HSL 358.75, 0.56%, 0.67%

LAB 61.89, 37.41, 15.48

 

CMYK 0 / 33 / 44 / 15

HEX #DA927A

RGB 218 146 122

HSL 15, 0.56%, 0.67%

LAB 67.18, 24.43, 23.82

 

CMYK 0 / 21 / 44 / 15

HEX #DAAC7A

RGB 218 172 122

HSL 31.25, 0.56%, 0.67%

LAB 73.43, 10.43, 32.09

 

CMYK 0 / 9 / 44 / 15

HEX #DAC67A

RGB 218 198 122

HSL 47.5, 0.56%, 0.67%

LAB 80.01, -3.28, 40.53

 

CMYK 2 / 0 / 44 / 15

HEX #D6DA7A

RGB 214 218 122

HSL 62.5, 0.56%, 0.67%

LAB 84.92, -15.03, 46.58

 

CMYK 0 / 34 / 71 / 21

HEX #C9853A

RGB 201 133 58

HSL 31.47, 0.57%, 0.51%

LAB 61.22, 19.43, 49.56

 

CMYK 0 / 27 / 57 / 18

HEX #D1995A

RGB 209 153 90

HSL 31.76, 0.56%, 0.59%

LAB 67.33, 14.03, 40.97

 

CMYK 0 / 21 / 44 / 15

HEX #DAAD7A

RGB 218 173 122

HSL 31.88, 0.56%, 0.67%

LAB 73.67, 9.9, 32.42

 

CMYK 0 / 15 / 32 / 11

HEX #E3C19B

RGB 227 193 155

HSL 31.67, 0.56%, 0.75%

LAB 80.09, 6.65, 23.64

 

CMYK 0 / 10 / 21 / 7

HEX #ECD5BB

RGB 236 213 187

HSL 31.84, 0.56%, 0.83%

LAB 86.51, 3.93, 15.75

 

CMYK 0 / 21 / 44 / 14

HEX #DBAD7A

RGB 219 173 122

HSL 31.55, 0.57%, 0.67%

LAB 73.77, 10.3, 32.56

 

CMYK 31 / 0 / 44 / 15

HEX #96DA7A

RGB 150 218 122

HSL 102.5, 0.56%, 0.67%

LAB 80.76, -38.77, 40.49

 

CMYK 39 / 44 / 0 / 15

HEX #867ADA

RGB 134 122 218

HSL 247.5, 0.56%, 0.67%

LAB 56.14, 27.39, -47.76

 

CMYK 0 / 21 / 44 / 14

HEX #DBAD7A

RGB 219 173 122

HSL 31.55, 0.57%, 0.67%

LAB 73.77, 10.3, 32.56

 

CMYK 44 / 0 / 21 / 15

HEX #7ADAAC

RGB 122 218 172

HSL 151.25, 0.56%, 0.67%

LAB 80.33, -38.81, 13.92

 

CMYK 21 / 44 / 0 / 15

HEX #AC7ADA

RGB 172 122 218

HSL 271.25, 0.56%, 0.67%

LAB 59.66, 37.72, -41.96

 

CMYK 0 / 21 / 44 / 14

HEX #DBAD7A

RGB 219 173 122

HSL 31.55, 0.57%, 0.67%

LAB 73.77, 10.3, 32.56

 

CMYK 31 / 0 / 44 / 15

HEX #96DA7A

RGB 150 218 122

HSL 102.5, 0.56%, 0.67%

LAB 80.76, -38.77, 40.49

 

CMYK 44 / 22 / 0 / 15

HEX #7AA9DA

RGB 122 169 218

HSL 210.63, 0.56%, 0.67%

LAB 67.71, -2.87, -29.71

 

CMYK 12 / 44 / 0 / 15

HEX #BF7ADA

RGB 191 122 218

HSL 283.13, 0.56%, 0.67%

LAB 61.7, 43.17, -38.61

 

CMYK 0 / 21 / 44 / 14

HEX #DBAD7A

RGB 219 173 122

HSL 31.55, 0.57%, 0.67%

LAB 73.77, 10.3, 32.56

 

CMYK 44 / 0 / 43 / 15

HEX #7ADA7C

RGB 122 218 124

HSL 121.25, 0.56%, 0.67%

LAB 79.46, -47.27, 37.57

 

CMYK 44 / 22 / 0 / 15

HEX #7AA9DA

RGB 122 169 218

HSL 210.63, 0.56%, 0.67%

LAB 67.71, -2.87, -29.71

 

CMYK 0 / 44 / 0 / 15

HEX #DA7AD9

RGB 218 122 217

HSL 300.63, 0.56%, 0.67%

LAB 64.83, 50.86, -32.94

 

Description

Color code: HEX #DBAD7A | qconv.com Color code: HEX #DBAD7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 173 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 173 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 44 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 44% 14% C M Y K

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Provide designers and agencies with accurate color values.

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