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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBADA9 it is the complementary color #245256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBADA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBADA9 shade: #E0ADA4, #F1BFB7, #FFD1CA, #FFE3DD and #FFF5F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBADA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBADA9 shade: #DBADA9, #CA9B96, #B98983, #A87770 and #97655D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBADA9 shade: #DAACA8 and #DAA8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBADA9 shade: #DAACA8, #DABAA8, #DAC7A8, #DAD5A8 and #D2DAA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBADA9 shade matches the following richer shades: #DAACA8, #E4A49E, #EE9C94 and #F8938B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBADA9 shade: #DAACA8, #D0B5B2, #C7BDBC, #BDC5C6 and #B3CDD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBADA9 shade: #DAA8C0, #DAA8B2, #DAACA8, #DAB9A8 and #DAC6A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBADA9 shade: #C2756E, #CE908B, #DAACA8, #E7C8C5 and #F3E4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBADA9 shade: #DBADA9, #CDDAA8 and #A8B9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBADA9 shade: #DBADA9, #A8DAAC and #ACA8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBADA9 shade: #DBADA9, #CDDAA8, #A8D7DA and #B6A8DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBADA9 shade: #DBADA9, #BEDAA8, #A8D7DA and #C5A8DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 14

HEX #DBADA9

RGB 219 173 169

HSL 4.8, 0.41%, 0.76%

LAB 74.71, 16.17, 8.46

 

Complementary color

CMYK 58 / 5 / 0 / 66

HEX #245256

RGB 36 82 86

HSL 184.8, 0.41%, 0.24%

LAB 31.99, -14.35, -7.14

 

CMYK 0 / 23 / 27 / 12

HEX #E0ADA4

RGB 224 173 164

HSL 9, 0.49%, 0.76%

LAB 75.09, 17.33, 11.8

 

CMYK 0 / 21 / 24 / 5

HEX #F1BFB7

RGB 241 191 183

HSL 8.28, 0.67%, 0.83%

LAB 81.5, 16.73, 10.86

 

CMYK 0 / 18 / 21 / 0

HEX #FFD1CA

RGB 255 209 202

HSL 7.92, 1%, 0.9%

LAB 87.55, 15.11, 9.55

 

CMYK 0 / 11 / 13 / 0

HEX #FFE3DD

RGB 255 227 221

HSL 10.59, 1%, 0.93%

LAB 92.32, 8.64, 6.42

 

CMYK 0 / 4 / 6 / 0

HEX #FFF5F0

RGB 255 245 240

HSL 20, 1%, 0.97%

LAB 97.17, 2.5, 3.58

 

CMYK 0 / 21 / 23 / 14

HEX #DBADA9

RGB 219 173 169

HSL 4.8, 0.41%, 0.76%

LAB 74.71, 16.17, 8.46

 

CMYK 0 / 23 / 26 / 21

HEX #CA9B96

RGB 202 155 150

HSL 5.77, 0.33%, 0.69%

LAB 68.17, 16.78, 9.38

 

CMYK 0 / 26 / 29 / 27

HEX #B98983

RGB 185 137 131

HSL 6.67, 0.28%, 0.62%

LAB 61.52, 17.46, 10.39

 

CMYK 0 / 29 / 33 / 34

HEX #A87770

RGB 168 119 112

HSL 7.5, 0.24%, 0.55%

LAB 54.75, 18.24, 11.5

 

CMYK 0 / 33 / 38 / 41

HEX #97655D

RGB 151 101 93

HSL 8.28, 0.24%, 0.48%

LAB 47.85, 19.13, 12.75

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 0 / 23 / 23 / 15

HEX #DAA8A8

RGB 218 168 168

HSL 0, 0.4%, 0.76%

LAB 73.38, 18.35, 7.09

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 0 / 15 / 23 / 15

HEX #DABAA8

RGB 218 186 168

HSL 21.6, 0.4%, 0.76%

LAB 77.79, 8.68, 13.36

 

CMYK 0 / 9 / 23 / 15

HEX #DAC7A8

RGB 218 199 168

HSL 37.2, 0.4%, 0.76%

LAB 81.06, 1.81, 17.95

 

CMYK 0 / 2 / 23 / 15

HEX #DAD5A8

RGB 218 213 168

HSL 54, 0.4%, 0.76%

LAB 84.65, -5.45, 22.92

 

CMYK 4 / 0 / 23 / 15

HEX #D2DAA8

RGB 210 218 168

HSL 69.6, 0.4%, 0.76%

LAB 85.34, -10.96, 23.76

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 0 / 28 / 31 / 11

HEX #E4A49E

RGB 228 164 158

HSL 5.14, 0.56%, 0.76%

LAB 73.23, 22.86, 12.51

 

CMYK 0 / 34 / 38 / 7

HEX #EE9C94

RGB 238 156 148

HSL 5.33, 0.73%, 0.76%

LAB 72.29, 29.67, 16.86

 

CMYK 0 / 41 / 44 / 3

HEX #F8938B

RGB 248 147 139

HSL 4.4, 0.89%, 0.76%

LAB 71.34, 37.14, 20.7

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 0 / 13 / 14 / 18

HEX #D0B5B2

RGB 208 181 178

HSL 6, 0.24%, 0.76%

LAB 75.87, 9.18, 5.08

 

CMYK 0 / 5 / 6 / 22

HEX #C7BDBC

RGB 199 189 188

HSL 5.45, 0.09%, 0.76%

LAB 77.38, 3.34, 1.75

 

CMYK 5 / 1 / 0 / 22

HEX #BDC5C6

RGB 189 197 198

HSL 186.67, 0.07%, 0.76%

LAB 78.94, -2.55, -1.46

 

CMYK 14 / 1 / 0 / 18

HEX #B3CDD0

RGB 179 205 208

HSL 186.21, 0.24%, 0.76%

LAB 80.63, -8.07, -4.44

 

CMYK 0 / 23 / 12 / 15

HEX #DAA8C0

RGB 218 168 192

HSL 331.2, 0.4%, 0.76%

LAB 74.01, 22.1, -5.17

 

CMYK 0 / 23 / 18 / 15

HEX #DAA8B2

RGB 218 168 178

HSL 348, 0.4%, 0.76%

LAB 73.63, 19.85, 1.96

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 0 / 15 / 23 / 15

HEX #DAB9A8

RGB 218 185 168

HSL 20.4, 0.4%, 0.76%

LAB 77.54, 9.22, 13.01

 

CMYK 0 / 9 / 23 / 15

HEX #DAC6A8

RGB 218 198 168

HSL 36, 0.4%, 0.76%

LAB 80.81, 2.34, 17.6

 

CMYK 0 / 40 / 43 / 24

HEX #C2756E

RGB 194 117 110

HSL 5, 0.41%, 0.6%

LAB 57.38, 29.43, 16.79

 

CMYK 0 / 30 / 33 / 19

HEX #CE908B

RGB 206 144 139

HSL 4.48, 0.41%, 0.68%

LAB 65.7, 22.83, 12.09

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 0 / 13 / 15 / 9

HEX #E7C8C5

RGB 231 200 197

HSL 5.29, 0.41%, 0.84%

LAB 83.09, 10.43, 5.52

 

CMYK 0 / 6 / 7 / 5

HEX #F3E4E2

RGB 243 228 226

HSL 7.06, 0.41%, 0.92%

LAB 91.7, 4.76, 2.8

 

CMYK 0 / 21 / 23 / 14

HEX #DBADA9

RGB 219 173 169

HSL 4.8, 0.41%, 0.76%

LAB 74.71, 16.17, 8.46

 

CMYK 6 / 0 / 23 / 15

HEX #CDDAA8

RGB 205 218 168

HSL 75.6, 0.4%, 0.76%

LAB 84.97, -12.79, 23.2

 

CMYK 23 / 15 / 0 / 15

HEX #A8B9DA

RGB 168 185 218

HSL 219.6, 0.4%, 0.76%

LAB 74.88, 1.28, -18.5

 

CMYK 0 / 21 / 23 / 14

HEX #DBADA9

RGB 219 173 169

HSL 4.8, 0.41%, 0.76%

LAB 74.71, 16.17, 8.46

 

CMYK 23 / 0 / 21 / 15

HEX #A8DAAC

RGB 168 218 172

HSL 124.8, 0.4%, 0.76%

LAB 82.62, -25.07, 17.47

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 0 / 21 / 23 / 14

HEX #DBADA9

RGB 219 173 169

HSL 4.8, 0.41%, 0.76%

LAB 74.71, 16.17, 8.46

 

CMYK 6 / 0 / 23 / 15

HEX #CDDAA8

RGB 205 218 168

HSL 75.6, 0.4%, 0.76%

LAB 84.97, -12.79, 23.2

 

CMYK 23 / 1 / 0 / 15

HEX #A8D7DA

RGB 168 215 218

HSL 183.6, 0.4%, 0.76%

LAB 82.91, -14.51, -6.49

 

CMYK 17 / 23 / 0 / 15

HEX #B6A8DA

RGB 182 168 218

HSL 256.8, 0.4%, 0.76%

LAB 71.56, 14.99, -23.44

 

CMYK 0 / 21 / 23 / 14

HEX #DBADA9

RGB 219 173 169

HSL 4.8, 0.41%, 0.76%

LAB 74.71, 16.17, 8.46

 

CMYK 13 / 0 / 23 / 15

HEX #BEDAA8

RGB 190 218 168

HSL 93.6, 0.4%, 0.76%

LAB 83.92, -18.19, 21.59

 

CMYK 23 / 1 / 0 / 15

HEX #A8D7DA

RGB 168 215 218

HSL 183.6, 0.4%, 0.76%

LAB 82.91, -14.51, -6.49

 

CMYK 10 / 23 / 0 / 15

HEX #C5A8DA

RGB 197 168 218

HSL 274.8, 0.4%, 0.76%

LAB 72.85, 19.8, -21.36

 

Description

Color code: HEX #DBADA9 | qconv.com Color code: HEX #DBADA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 173 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 173 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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