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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB948 it is the complementary color #2446B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB948 shade: #E0B943, #F1CB56, #FFDD69, #FFEF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB948 shade: #DBB948, #CAA735, #B99522, #A8830F and #977100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB948 shade: #DAB847, #DA9147, #DA6947 and #DA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB948 shade: #DAB847, #D5DA47, #ADDA47, #85DA47 and #5EDA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB948 shade matches the following richer shades: #DAB847, #ECC236 and #FECB24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB948 shade: #DAB847, #C9AF59, #B7A56B, #A59C7D and #93928E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB948 shade: #DA6A47, #DA9147, #DAB847, #D5DA47 and #AEDA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB948 shade: #AD8D22, #D0A929, #DAB847, #E1C66A and #E8D38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB948 shade: #DBB948, #4CDA47 and #7D47DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB948 shade: #DBB948, #47DAB8 and #B847DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB948 shade: #DBB948, #4CDA47, #476ADA and #D547DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB948 shade: #DBB948, #47DA6F, #476ADA and #DA47B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 67 / 14

HEX #DBB948

RGB 219 185 72

HSL 46.12, 0.67%, 0.57%

LAB 76.21, -0.02, 59.72

 

Complementary color

CMYK 80 / 62 / 0 / 28

HEX #2446B7

RGB 36 70 183

HSL 226.12, 0.67%, 0.43%

LAB 34.34, 30.05, -63.03

 

CMYK 0 / 17 / 70 / 12

HEX #E0B943

RGB 224 185 67

HSL 45.1, 0.72%, 0.57%

LAB 76.65, 1.85, 62.39

 

CMYK 0 / 16 / 64 / 5

HEX #F1CB56

RGB 241 203 86

HSL 45.29, 0.85%, 0.64%

LAB 82.96, 0.73, 61.54

 

CMYK 0 / 13 / 59 / 0

HEX #FFDD69

RGB 255 221 105

HSL 46.4, 1%, 0.71%

LAB 88.92, -1.47, 60.12

 

CMYK 0 / 6 / 51 / 0

HEX #FFEF7C

RGB 255 239 124

HSL 52.67, 1%, 0.74%

LAB 93.64, -9.05, 56.94

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 16 / 67 / 14

HEX #DBB948

RGB 219 185 72

HSL 46.12, 0.67%, 0.57%

LAB 76.21, -0.02, 59.72

 

CMYK 0 / 17 / 74 / 21

HEX #CAA735

RGB 202 167 53

HSL 45.91, 0.58%, 0.5%

LAB 69.79, 1.19, 60.37

 

CMYK 0 / 19 / 82 / 27

HEX #B99522

RGB 185 149 34

HSL 45.7, 0.69%, 0.43%

LAB 63.28, 2.61, 60.42

 

CMYK 0 / 22 / 91 / 34

HEX #A8830F

RGB 168 131 15

HSL 45.49, 0.84%, 0.36%

LAB 56.68, 4.31, 59.29

 

CMYK 0 / 25 / 100 / 41

HEX #977100

RGB 151 113 0

HSL 44.9, 1%, 0.3%

LAB 49.97, 6.31, 56.4

 

CMYK 0 / 16 / 67 / 15

HEX #DAB847

RGB 218 184 71

HSL 46.12, 0.67%, 0.57%

LAB 75.85, 0.02, 59.74

 

CMYK 0 / 33 / 67 / 15

HEX #DA9147

RGB 218 145 71

HSL 30.2, 0.67%, 0.57%

LAB 66.22, 20.84, 49.42

 

CMYK 0 / 52 / 67 / 15

HEX #DA6947

RGB 218 105 71

HSL 13.88, 0.67%, 0.57%

LAB 57.52, 41.82, 39.56

 

CMYK 0 / 67 / 67 / 15

HEX #DA4747

RGB 218 71 71

HSL 0, 0.67%, 0.57%

LAB 51.69, 57.18, 32.61

 

CMYK 0 / 16 / 67 / 15

HEX #DAB847

RGB 218 184 71

HSL 46.12, 0.67%, 0.57%

LAB 75.85, 0.02, 59.74

 

CMYK 2 / 0 / 67 / 15

HEX #D5DA47

RGB 213 218 71

HSL 62.04, 0.67%, 0.57%

LAB 84.35, -19.33, 68.3

 

CMYK 21 / 0 / 67 / 15

HEX #ADDA47

RGB 173 218 71

HSL 78.37, 0.67%, 0.57%

LAB 81.56, -35.35, 64.56

 

CMYK 39 / 0 / 67 / 15

HEX #85DA47

RGB 133 218 71

HSL 94.69, 0.67%, 0.57%

LAB 79.38, -49.74, 61.61

 

CMYK 57 / 0 / 67 / 15

HEX #5EDA47

RGB 94 218 71

HSL 110.61, 0.67%, 0.57%

LAB 77.86, -61.05, 59.55

 

CMYK 0 / 16 / 67 / 15

HEX #DAB847

RGB 218 184 71

HSL 46.12, 0.67%, 0.57%

LAB 75.85, 0.02, 59.74

 

CMYK 0 / 18 / 77 / 7

HEX #ECC236

RGB 236 194 54

HSL 46.15, 0.83%, 0.57%

LAB 80, 1.72, 70.83

 

CMYK 0 / 20 / 86 / 0

HEX #FECB24

RGB 254 203 36

HSL 45.96, 0.99%, 0.57%

LAB 83.92, 4.22, 79.96

 

CMYK 0 / 16 / 67 / 15

HEX #DAB847

RGB 218 184 71

HSL 46.12, 0.67%, 0.57%

LAB 75.85, 0.02, 59.74

 

CMYK 0 / 13 / 56 / 21

HEX #C9AF59

RGB 201 175 89

HSL 46.07, 0.51%, 0.57%

LAB 72.09, -1.25, 46.94

 

CMYK 0 / 10 / 42 / 28

HEX #B7A56B

RGB 183 165 107

HSL 45.79, 0.35%, 0.57%

LAB 68.05, -1.74, 32.42

 

CMYK 0 / 5 / 24 / 35

HEX #A59C7D

RGB 165 156 125

HSL 46.5, 0.18%, 0.57%

LAB 64.37, -1.85, 17.45

 

CMYK 0 / 1 / 3 / 42

HEX #93928E

RGB 147 146 142

HSL 48, 0.02%, 0.57%

LAB 60.53, -0.39, 2.24

 

CMYK 0 / 51 / 67 / 15

HEX #DA6A47

RGB 218 106 71

HSL 14.29, 0.67%, 0.57%

LAB 57.72, 41.32, 39.79

 

CMYK 0 / 33 / 67 / 15

HEX #DA9147

RGB 218 145 71

HSL 30.2, 0.67%, 0.57%

LAB 66.22, 20.84, 49.42

 

CMYK 0 / 16 / 67 / 15

HEX #DAB847

RGB 218 184 71

HSL 46.12, 0.67%, 0.57%

LAB 75.85, 0.02, 59.74

 

CMYK 2 / 0 / 67 / 15

HEX #D5DA47

RGB 213 218 71

HSL 62.04, 0.67%, 0.57%

LAB 84.35, -19.33, 68.3

 

CMYK 20 / 0 / 67 / 15

HEX #AEDA47

RGB 174 218 71

HSL 77.96, 0.67%, 0.57%

LAB 81.62, -34.97, 64.64

 

CMYK 0 / 18 / 80 / 32

HEX #AD8D22

RGB 173 141 34

HSL 46.19, 0.67%, 0.41%

LAB 59.93, 1.58, 56.98

 

CMYK 0 / 19 / 80 / 18

HEX #D0A929

RGB 208 169 41

HSL 45.99, 0.67%, 0.49%

LAB 70.83, 2.28, 65.76

 

CMYK 0 / 16 / 67 / 15

HEX #DAB847

RGB 218 184 71

HSL 46.12, 0.67%, 0.57%

LAB 75.85, 0.02, 59.74

 

CMYK 0 / 12 / 53 / 12

HEX #E1C66A

RGB 225 198 106

HSL 46.39, 0.66%, 0.65%

LAB 80.42, -1.9, 49.1

 

CMYK 0 / 9 / 40 / 9

HEX #E8D38C

RGB 232 211 140

HSL 46.3, 0.67%, 0.73%

LAB 84.81, -2.52, 37.8

 

CMYK 0 / 16 / 67 / 14

HEX #DBB948

RGB 219 185 72

HSL 46.12, 0.67%, 0.57%

LAB 76.21, -0.02, 59.72

 

CMYK 65 / 0 / 67 / 15

HEX #4CDA47

RGB 76 218 71

HSL 117.96, 0.67%, 0.57%

LAB 77.36, -65.08, 58.87

 

CMYK 43 / 67 / 0 / 15

HEX #7D47DA

RGB 125 71 218

HSL 262.04, 0.67%, 0.57%

LAB 44.13, 54.04, -67.1

 

CMYK 0 / 16 / 67 / 14

HEX #DBB948

RGB 219 185 72

HSL 46.12, 0.67%, 0.57%

LAB 76.21, -0.02, 59.72

 

CMYK 67 / 0 / 16 / 15

HEX #47DAB8

RGB 71 218 184

HSL 166.12, 0.67%, 0.57%

LAB 79.01, -46.68, 5.46

 

CMYK 16 / 67 / 0 / 15

HEX #B847DA

RGB 184 71 218

HSL 286.12, 0.67%, 0.57%

LAB 51.56, 66.05, -54.73

 

CMYK 0 / 16 / 67 / 14

HEX #DBB948

RGB 219 185 72

HSL 46.12, 0.67%, 0.57%

LAB 76.21, -0.02, 59.72

 

CMYK 65 / 0 / 67 / 15

HEX #4CDA47

RGB 76 218 71

HSL 117.96, 0.67%, 0.57%

LAB 77.36, -65.08, 58.87

 

CMYK 67 / 51 / 0 / 15

HEX #476ADA

RGB 71 106 218

HSL 225.71, 0.67%, 0.57%

LAB 47.89, 24, -61.2

 

CMYK 2 / 67 / 0 / 15

HEX #D547DA

RGB 213 71 218

HSL 297.96, 0.67%, 0.57%

LAB 55.8, 72.4, -47.72

 

CMYK 0 / 16 / 67 / 14

HEX #DBB948

RGB 219 185 72

HSL 46.12, 0.67%, 0.57%

LAB 76.21, -0.02, 59.72

 

CMYK 67 / 0 / 49 / 15

HEX #47DA6F

RGB 71 218 111

HSL 136.33, 0.67%, 0.57%

LAB 77.66, -61.23, 41.36

 

CMYK 67 / 51 / 0 / 15

HEX #476ADA

RGB 71 106 218

HSL 225.71, 0.67%, 0.57%

LAB 47.89, 24, -61.2

 

CMYK 0 / 67 / 18 / 15

HEX #DA47B3

RGB 218 71 179

HSL 315.92, 0.67%, 0.57%

LAB 54.73, 67.65, -26.98

 

Description

Color code: HEX #DBB948 | qconv.com Color code: HEX #DBB948 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 67 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 67% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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