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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB0B5 it is the complementary color #244F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB0B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB0B5 shade: #E0B0B0, #F1C2C3, #FFD4D6, #FFE6E9 and #FFF8FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB0B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB0B5 shade: #DBB0B5, #CA9EA2, #B98C8F, #A87A7C and #976869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB0B5 shade: #DAAEB3 and #DAAEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB0B5 shade: #DAAEB3, #DAAEBF, #DAAECB, #DAAED6 and #D1AEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB0B5 shade matches the following richer shades: #DAAEB3, #E3A5AC, #ED9BA5 and #F6929D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB0B5 shade: #DAAEB3, #D0B8BA, #C7C1C2, #BDCBC9 and #B4D4D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB0B5 shade: #DAAECA, #DAAEBF, #DAAEB3, #DAB5AE and #DAC0AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB0B5 shade: #C0767E, #CD9299, #DAAEB3, #E7CACE and #F4E7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB0B5 shade: #DBB0B5, #D6DAAE and #AEC5DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB0B5 shade: #DBB0B5, #B3DAAE and #AEB3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB0B5 shade: #DBB0B5, #D6DAAE, #AEDAD4 and #B2AEDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB0B5 shade: #DBB0B5, #C9DAAE, #AEDAD4 and #BFAEDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 17 / 14

HEX #DBB0B5

RGB 219 176 181

HSL 353.02, 0.37%, 0.77%

LAB 75.73, 16.37, 3.38

 

Complementary color

CMYK 54 / 0 / 6 / 69

HEX #244F4A

RGB 36 79 74

HSL 173.02, 0.37%, 0.23%

LAB 30.55, -16.34, -1.64

 

CMYK 0 / 21 / 21 / 12

HEX #E0B0B0

RGB 224 176 176

HSL 0, 0.44%, 0.78%

LAB 76.09, 17.44, 6.69

 

CMYK 0 / 20 / 19 / 5

HEX #F1C2C3

RGB 241 194 195

HSL 358.72, 0.63%, 0.85%

LAB 82.5, 16.89, 5.86

 

CMYK 0 / 17 / 16 / 0

HEX #FFD4D6

RGB 255 212 214

HSL 357.21, 1%, 0.92%

LAB 88.54, 15.33, 4.65

 

CMYK 0 / 10 / 9 / 0

HEX #FFE6E9

RGB 255 230 233

HSL 352.8, 1%, 0.95%

LAB 93.34, 9.02, 1.64

 

CMYK 0 / 3 / 1 / 0

HEX #FFF8FC

RGB 255 248 252

HSL 325.71, 1%, 0.99%

LAB 98.2, 3.02, -1.1

 

CMYK 0 / 20 / 17 / 14

HEX #DBB0B5

RGB 219 176 181

HSL 353.02, 0.37%, 0.77%

LAB 75.73, 16.37, 3.38

 

CMYK 0 / 22 / 20 / 21

HEX #CA9EA2

RGB 202 158 162

HSL 354.55, 0.29%, 0.71%

LAB 69.2, 16.92, 4.18

 

CMYK 0 / 24 / 23 / 27

HEX #B98C8F

RGB 185 140 143

HSL 356, 0.24%, 0.64%

LAB 62.55, 17.54, 5.05

 

CMYK 0 / 27 / 26 / 34

HEX #A87A7C

RGB 168 122 124

HSL 357.39, 0.21%, 0.57%

LAB 55.79, 18.23, 5.99

 

CMYK 0 / 31 / 30 / 41

HEX #976869

RGB 151 104 105

HSL 358.72, 0.18%, 0.5%

LAB 48.88, 19.02, 7.05

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB3

RGB 218 174 179

HSL 353.18, 0.37%, 0.77%

LAB 75.1, 16.77, 3.54

 

CMYK 0 / 20 / 20 / 15

HEX #DAAEAE

RGB 218 174 174

HSL 0, 0.37%, 0.77%

LAB 74.97, 16, 6.1

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB3

RGB 218 174 179

HSL 353.18, 0.37%, 0.77%

LAB 75.1, 16.77, 3.54

 

CMYK 0 / 20 / 12 / 15

HEX #DAAEBF

RGB 218 174 191

HSL 336.82, 0.37%, 0.77%

LAB 75.41, 18.69, -2.55

 

CMYK 0 / 20 / 7 / 15

HEX #DAAECB

RGB 218 174 203

HSL 320.45, 0.37%, 0.77%

LAB 75.75, 20.73, -8.6

 

CMYK 0 / 20 / 2 / 15

HEX #DAAED6

RGB 218 174 214

HSL 305.45, 0.37%, 0.77%

LAB 76.09, 22.7, -14.1

 

CMYK 4 / 20 / 0 / 15

HEX #D1AEDA

RGB 209 174 218

HSL 287.73, 0.37%, 0.77%

LAB 75.38, 20.44, -17.42

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB3

RGB 218 174 179

HSL 353.18, 0.37%, 0.77%

LAB 75.1, 16.77, 3.54

 

CMYK 0 / 27 / 24 / 11

HEX #E3A5AC

RGB 227 165 172

HSL 353.23, 0.53%, 0.77%

LAB 73.69, 23.87, 5.46

 

CMYK 0 / 35 / 30 / 7

HEX #ED9BA5

RGB 237 155 165

HSL 352.68, 0.69%, 0.77%

LAB 72.34, 31.91, 7.53

 

CMYK 0 / 41 / 36 / 4

HEX #F6929D

RGB 246 146 157

HSL 353.4, 0.85%, 0.77%

LAB 71.27, 38.89, 10.59

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB3

RGB 218 174 179

HSL 353.18, 0.37%, 0.77%

LAB 75.1, 16.77, 3.54

 

CMYK 0 / 12 / 11 / 18

HEX #D0B8BA

RGB 208 184 186

HSL 355, 0.2%, 0.77%

LAB 76.82, 8.89, 2.12

 

CMYK 0 / 3 / 3 / 22

HEX #C7C1C2

RGB 199 193 194

HSL 350, 0.05%, 0.77%

LAB 78.56, 2.28, 0.23

 

CMYK 7 / 0 / 1 / 20

HEX #BDCBC9

RGB 189 203 201

HSL 171.43, 0.12%, 0.77%

LAB 80.6, -5.13, -0.65

 

CMYK 15 / 0 / 2 / 17

HEX #B4D4D0

RGB 180 212 208

HSL 172.5, 0.27%, 0.77%

LAB 82.56, -11.36, -1.59

 

CMYK 0 / 20 / 7 / 15

HEX #DAAECA

RGB 218 174 202

HSL 321.82, 0.37%, 0.77%

LAB 75.73, 20.56, -8.1

 

CMYK 0 / 20 / 12 / 15

HEX #DAAEBF

RGB 218 174 191

HSL 336.82, 0.37%, 0.77%

LAB 75.41, 18.69, -2.55

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB3

RGB 218 174 179

HSL 353.18, 0.37%, 0.77%

LAB 75.1, 16.77, 3.54

 

CMYK 0 / 17 / 20 / 15

HEX #DAB5AE

RGB 218 181 174

HSL 9.55, 0.37%, 0.77%

LAB 76.68, 12.24, 8.55

 

CMYK 0 / 12 / 20 / 15

HEX #DAC0AE

RGB 218 192 174

HSL 24.55, 0.37%, 0.77%

LAB 79.42, 6.38, 12.44

 

CMYK 0 / 39 / 34 / 25

HEX #C0767E

RGB 192 118 126

HSL 353.51, 0.37%, 0.61%

LAB 57.72, 30, 7.98

 

CMYK 0 / 29 / 25 / 20

HEX #CD9299

RGB 205 146 153

HSL 352.88, 0.37%, 0.69%

LAB 66.4, 23.27, 5.21

 

CMYK 0 / 20 / 18 / 15

HEX #DAAEB3

RGB 218 174 179

HSL 353.18, 0.37%, 0.77%

LAB 75.1, 16.77, 3.54

 

CMYK 0 / 13 / 11 / 9

HEX #E7CACE

RGB 231 202 206

HSL 351.72, 0.38%, 0.85%

LAB 83.8, 10.82, 1.75

 

CMYK 0 / 5 / 5 / 4

HEX #F4E7E8

RGB 244 231 232

HSL 355.38, 0.37%, 0.93%

LAB 92.67, 4.57, 1.08

 

CMYK 0 / 20 / 17 / 14

HEX #DBB0B5

RGB 219 176 181

HSL 353.02, 0.37%, 0.77%

LAB 75.73, 16.37, 3.38

 

CMYK 2 / 0 / 20 / 15

HEX #D6DAAE

RGB 214 218 174

HSL 65.45, 0.37%, 0.77%

LAB 85.75, -8.62, 21.25

 

CMYK 20 / 10 / 0 / 15

HEX #AEC5DA

RGB 174 197 218

HSL 208.64, 0.37%, 0.77%

LAB 78.46, -3.31, -13.07

 

CMYK 0 / 20 / 17 / 14

HEX #DBB0B5

RGB 219 176 181

HSL 353.02, 0.37%, 0.77%

LAB 75.73, 16.37, 3.38

 

CMYK 18 / 0 / 20 / 15

HEX #B3DAAE

RGB 179 218 174

HSL 113.18, 0.37%, 0.77%

LAB 83.33, -21.04, 17.51

 

CMYK 20 / 18 / 0 / 15

HEX #AEB3DA

RGB 174 179 218

HSL 233.18, 0.37%, 0.77%

LAB 73.74, 6.41, -20.18

 

CMYK 0 / 20 / 17 / 14

HEX #DBB0B5

RGB 219 176 181

HSL 353.02, 0.37%, 0.77%

LAB 75.73, 16.37, 3.38

 

CMYK 2 / 0 / 20 / 15

HEX #D6DAAE

RGB 214 218 174

HSL 65.45, 0.37%, 0.77%

LAB 85.75, -8.62, 21.25

 

CMYK 20 / 0 / 3 / 15

HEX #AEDAD4

RGB 174 218 212

HSL 171.82, 0.37%, 0.77%

LAB 83.91, -15.49, -1.78

 

CMYK 18 / 20 / 0 / 15

HEX #B2AEDA

RGB 178 174 218

HSL 245.45, 0.37%, 0.77%

LAB 72.76, 10.41, -21.65

 

CMYK 0 / 20 / 17 / 14

HEX #DBB0B5

RGB 219 176 181

HSL 353.02, 0.37%, 0.77%

LAB 75.73, 16.37, 3.38

 

CMYK 8 / 0 / 20 / 15

HEX #C9DAAE

RGB 201 218 174

HSL 83.18, 0.37%, 0.77%

LAB 84.8, -13.33, 19.79

 

CMYK 20 / 0 / 3 / 15

HEX #AEDAD4

RGB 174 218 212

HSL 171.82, 0.37%, 0.77%

LAB 83.91, -15.49, -1.78

 

CMYK 12 / 20 / 0 / 15

HEX #BFAEDA

RGB 191 174 218

HSL 263.18, 0.37%, 0.77%

LAB 73.81, 14.56, -19.95

 

Description

Color code: HEX #DBB0B5 | qconv.com Color code: HEX #DBB0B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 176 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 176 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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