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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBBFB6 it is the complementary color #244049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBBFB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBBFB6 shade: #E0BFB1, #F1D1C4, #FFE3D7, #FFF5EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBBFB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBBFB6 shade: #DBBFB6, #CAADA3, #B99B90, #A8897D and #97776A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBBFB6 shade: #DBC0B7 and #DBB7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBBFB6 shade: #DBC0B7, #DBC9B7, #DBD3B7, #D9DBB7 and #CFDBB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBBFB6 shade matches the following richer shades: #DBC0B7, #E4BBAE, #ECB7A5, #F5B29D and #FEAE94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBBFB6 shade: #DBC0B7, #D2C4BF, #CAC8C8, #C1CDD1 and #B8D1D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBBFB6 shade: #DBB7C2, #DBB7B8, #DBBFB7, #DBC9B7 and #DBD3B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBBFB6 shade: #C08F7F, #CEA79B, #DBC0B7, #E9D8D2 and #F6F0EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBBFB6 shade: #DBBFB6, #CBDBB7 and #B7BDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBBFB6 shade: #DBBFB6, #B7DBBF and #BFB7DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBBFB6 shade: #DBBFB6, #CBDBB7, #B7D3DB and #C7B7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBBFB6 shade: #DBBFB6, #C0DBB7, #B7D3DB and #D1B7DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 17 / 14

HEX #DBBFB6

RGB 219 191 182

HSL 14.59, 0.34%, 0.79%

LAB 79.44, 8.49, 8.18

 

Complementary color

CMYK 51 / 12 / 0 / 71

HEX #244049

RGB 36 64 73

HSL 194.59, 0.34%, 0.21%

LAB 25.33, -7.72, -8.78

 

CMYK 0 / 15 / 21 / 12

HEX #E0BFB1

RGB 224 191 177

HSL 17.87, 0.43%, 0.79%

LAB 79.77, 9.58, 11.41

 

CMYK 0 / 13 / 19 / 5

HEX #F1D1C4

RGB 241 209 196

HSL 17.33, 0.62%, 0.86%

LAB 86.15, 9.16, 10.56

 

CMYK 0 / 11 / 16 / 0

HEX #FFE3D7

RGB 255 227 215

HSL 18, 1%, 0.92%

LAB 92.18, 7.71, 9.35

 

CMYK 0 / 4 / 8 / 0

HEX #FFF5EA

RGB 255 245 234

HSL 31.43, 1%, 0.96%

LAB 97.03, 1.51, 6.47

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 13 / 17 / 14

HEX #DBBFB6

RGB 219 191 182

HSL 14.59, 0.34%, 0.79%

LAB 79.44, 8.49, 8.18

 

CMYK 0 / 14 / 19 / 21

HEX #CAADA3

RGB 202 173 163

HSL 15.38, 0.27%, 0.72%

LAB 72.95, 8.91, 9.02

 

CMYK 0 / 16 / 22 / 27

HEX #B99B90

RGB 185 155 144

HSL 16.1, 0.23%, 0.65%

LAB 66.34, 9.37, 9.9

 

CMYK 0 / 18 / 26 / 34

HEX #A8897D

RGB 168 137 125

HSL 16.74, 0.2%, 0.57%

LAB 59.61, 9.89, 10.86

 

CMYK 0 / 21 / 30 / 41

HEX #97776A

RGB 151 119 106

HSL 17.33, 0.18%, 0.5%

LAB 52.74, 10.5, 11.91

 

CMYK 0 / 12 / 16 / 14

HEX #DBC0B7

RGB 219 192 183

HSL 15, 0.33%, 0.79%

LAB 79.72, 8.12, 8.04

 

CMYK 0 / 16 / 16 / 14

HEX #DBB7B7

RGB 219 183 183

HSL 0, 0.33%, 0.79%

LAB 77.49, 12.92, 4.83

 

CMYK 0 / 12 / 16 / 14

HEX #DBC0B7

RGB 219 192 183

HSL 15, 0.33%, 0.79%

LAB 79.72, 8.12, 8.04

 

CMYK 0 / 8 / 16 / 14

HEX #DBC9B7

RGB 219 201 183

HSL 30, 0.33%, 0.79%

LAB 81.98, 3.36, 11.26

 

CMYK 0 / 4 / 16 / 14

HEX #DBD3B7

RGB 219 211 183

HSL 46.67, 0.33%, 0.79%

LAB 84.52, -1.85, 14.86

 

CMYK 1 / 0 / 16 / 14

HEX #D9DBB7

RGB 217 219 183

HSL 63.33, 0.33%, 0.79%

LAB 86.42, -6.69, 17.51

 

CMYK 5 / 0 / 16 / 14

HEX #CFDBB7

RGB 207 219 183

HSL 80, 0.33%, 0.79%

LAB 85.68, -10.28, 16.36

 

CMYK 0 / 12 / 16 / 14

HEX #DBC0B7

RGB 219 192 183

HSL 15, 0.33%, 0.79%

LAB 79.72, 8.12, 8.04

 

CMYK 0 / 18 / 24 / 11

HEX #E4BBAE

RGB 228 187 174

HSL 14.44, 0.5%, 0.79%

LAB 79.09, 12.76, 12.11

 

CMYK 0 / 22 / 30 / 7

HEX #ECB7A5

RGB 236 183 165

HSL 15.21, 0.65%, 0.79%

LAB 78.7, 16.66, 16.52

 

CMYK 0 / 27 / 36 / 4

HEX #F5B29D

RGB 245 178 157

HSL 14.32, 0.81%, 0.79%

LAB 78.28, 21.74, 20.37

 

CMYK 0 / 31 / 42 / 0

HEX #FEAE94

RGB 254 174 148

HSL 14.72, 0.98%, 0.79%

LAB 78.16, 26.27, 25.2

 

CMYK 0 / 12 / 16 / 14

HEX #DBC0B7

RGB 219 192 183

HSL 15, 0.33%, 0.79%

LAB 79.72, 8.12, 8.04

 

CMYK 0 / 7 / 9 / 18

HEX #D2C4BF

RGB 210 196 191

HSL 15.79, 0.17%, 0.79%

LAB 80.15, 4.04, 4.26

 

CMYK 0 / 1 / 1 / 21

HEX #CAC8C8

RGB 202 200 200

HSL 0, 0.02%, 0.79%

LAB 80.76, 0.69, 0.24

 

CMYK 8 / 2 / 0 / 18

HEX #C1CDD1

RGB 193 205 209

HSL 195, 0.15%, 0.79%

LAB 81.62, -3.29, -3.4

 

CMYK 15 / 4 / 0 / 15

HEX #B8D1D9

RGB 184 209 217

HSL 194.55, 0.3%, 0.79%

LAB 82.27, -6.7, -6.78

 

CMYK 0 / 16 / 11 / 14

HEX #DBB7C2

RGB 219 183 194

HSL 341.67, 0.33%, 0.79%

LAB 77.77, 14.7, -0.72

 

CMYK 0 / 16 / 16 / 14

HEX #DBB7B8

RGB 219 183 184

HSL 358.33, 0.33%, 0.79%

LAB 77.51, 13.08, 4.33

 

CMYK 0 / 13 / 16 / 14

HEX #DBBFB7

RGB 219 191 183

HSL 13.33, 0.33%, 0.79%

LAB 79.47, 8.65, 7.68

 

CMYK 0 / 8 / 16 / 14

HEX #DBC9B7

RGB 219 201 183

HSL 30, 0.33%, 0.79%

LAB 81.98, 3.36, 11.26

 

CMYK 0 / 4 / 16 / 14

HEX #DBD3B7

RGB 219 211 183

HSL 46.67, 0.33%, 0.79%

LAB 84.52, -1.85, 14.86

 

CMYK 0 / 26 / 34 / 25

HEX #C08F7F

RGB 192 143 127

HSL 14.77, 0.34%, 0.63%

LAB 63.66, 16.36, 15.76

 

CMYK 0 / 19 / 25 / 19

HEX #CEA79B

RGB 206 167 155

HSL 14.12, 0.34%, 0.71%

LAB 71.64, 12.48, 11.6

 

CMYK 0 / 12 / 16 / 14

HEX #DBC0B7

RGB 219 192 183

HSL 15, 0.33%, 0.79%

LAB 79.72, 8.12, 8.04

 

CMYK 0 / 7 / 10 / 9

HEX #E9D8D2

RGB 233 216 210

HSL 15.65, 0.34%, 0.87%

LAB 87.53, 4.85, 5.05

 

CMYK 0 / 2 / 3 / 4

HEX #F6F0EE

RGB 246 240 238

HSL 15, 0.31%, 0.95%

LAB 95.2, 1.67, 1.67

HEX #F6F0EE

CMYK 0 / 13 / 17 / 14

HEX #DBBFB6

RGB 219 191 182

HSL 14.59, 0.34%, 0.79%

LAB 79.44, 8.49, 8.18

 

CMYK 7 / 0 / 16 / 14

HEX #CBDBB7

RGB 203 219 183

HSL 86.67, 0.33%, 0.79%

LAB 85.39, -11.7, 15.91

 

CMYK 16 / 14 / 0 / 14

HEX #B7BDDB

RGB 183 189 219

HSL 230, 0.33%, 0.79%

LAB 77.03, 4.02, -15.7

 

CMYK 0 / 13 / 17 / 14

HEX #DBBFB6

RGB 219 191 182

HSL 14.59, 0.34%, 0.79%

LAB 79.44, 8.49, 8.18

 

CMYK 16 / 0 / 13 / 14

HEX #B7DBBF

RGB 183 219 191

HSL 133.33, 0.33%, 0.79%

LAB 84.22, -17.2, 9.85

 

CMYK 13 / 16 / 0 / 14

HEX #BFB7DB

RGB 191 183 219

HSL 253.33, 0.33%, 0.79%

LAB 76.1, 9.84, -17.02

 

CMYK 0 / 13 / 17 / 14

HEX #DBBFB6

RGB 219 191 182

HSL 14.59, 0.34%, 0.79%

LAB 79.44, 8.49, 8.18

 

CMYK 7 / 0 / 16 / 14

HEX #CBDBB7

RGB 203 219 183

HSL 86.67, 0.33%, 0.79%

LAB 85.39, -11.7, 15.91

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 9 / 16 / 0 / 14

HEX #C7B7DB

RGB 199 183 219

HSL 266.67, 0.33%, 0.79%

LAB 76.75, 12.45, -15.98

 

CMYK 0 / 13 / 17 / 14

HEX #DBBFB6

RGB 219 191 182

HSL 14.59, 0.34%, 0.79%

LAB 79.44, 8.49, 8.18

 

CMYK 12 / 0 / 16 / 14

HEX #C0DBB7

RGB 192 219 183

HSL 105, 0.33%, 0.79%

LAB 84.63, -15.55, 14.74

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 5 / 16 / 0 / 14

HEX #D1B7DB

RGB 209 183 219

HSL 283.33, 0.33%, 0.79%

LAB 77.6, 15.75, -14.62

 

Description

Color code: HEX #DBBFB6 | qconv.com Color code: HEX #DBBFB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 191 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 191 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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