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Color name
HEX #DBC414

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC414 it is the complementary color #243BEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC414. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC414 shade: #E0C40F, #F1D622, #FFE835, #FFFA48 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC414. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC414 shade: #DBC414, #CAB201, #B9A000, #A88E00 and #977C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC414 shade: #DBC414, #DB8E14, #DB5914, #DB2314 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC414 shade: #DBC414, #BCDB14, #87DB14, #51DB14 and #1BDB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC414 shade matches the following richer shades: #DBC414 and #EED300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC414 shade: #DBC414, #C7B527, #B4A63B, #A1974E and #8D8861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC414 shade: #DB5A14, #DB8F14, #DBC414, #BDDB14 and #88DB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC414 shade: #8F800D, #B5A210, #DBC414, #EBD52D and #EFDD53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC414 shade: #DBC414, #14DB24 and #7414DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC414 shade: #DBC414, #14DBC4 and #C414DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC414 shade: #DBC414, #14DB24, #142BDB and #DB14CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC414 shade: #DBC414, #14DB60, #142BDB and #DB148F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

Complementary color

CMYK 85 / 75 / 0 / 8

HEX #243BEB

RGB 36 59 235

HSL 233.07, 0.83%, 0.53%

LAB 36.93, 55.13, -88.85

 

CMYK 0 / 13 / 93 / 12

HEX #E0C40F

RGB 224 196 15

HSL 51.96, 0.87%, 0.47%

LAB 79.25, -5.41, 78.84

 

CMYK 0 / 11 / 86 / 5

HEX #F1D622

RGB 241 214 34

HSL 52.17, 0.88%, 0.54%

LAB 85.46, -6.95, 81.12

 

CMYK 0 / 9 / 79 / 0

HEX #FFE835

RGB 255 232 53

HSL 53.17, 1%, 0.6%

LAB 91.34, -9.55, 81.93

 

CMYK 0 / 2 / 72 / 0

HEX #FFFA48

RGB 255 250 72

HSL 58.36, 1%, 0.64%

LAB 96.04, -17.63, 80.46

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 0 / 12 / 100 / 21

HEX #CAB201

RGB 202 178 1

HSL 52.84, 0.99%, 0.4%

LAB 72.49, -5.87, 74.51

 

CMYK 0 / 14 / 100 / 27

HEX #B9A000

RGB 185 160 0

HSL 51.89, 1%, 0.36%

LAB 66.1, -3.97, 69.34

 

CMYK 0 / 15 / 100 / 34

HEX #A88E00

RGB 168 142 0

HSL 50.71, 1%, 0.33%

LAB 59.59, -1.99, 63.95

 

CMYK 0 / 18 / 100 / 41

HEX #977C00

RGB 151 124 0

HSL 49.27, 1%, 0.3%

LAB 52.94, 0.08, 58.46

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 0 / 35 / 91 / 14

HEX #DB8E14

RGB 219 142 20

HSL 36.78, 0.83%, 0.47%

LAB 65.32, 21.05, 67.39

 

CMYK 0 / 59 / 91 / 14

HEX #DB5914

RGB 219 89 20

HSL 20.8, 0.83%, 0.47%

LAB 54.3, 48.11, 59.33

 

CMYK 0 / 84 / 91 / 14

HEX #DB2314

RGB 219 35 20

HSL 4.52, 0.83%, 0.47%

LAB 47.38, 67.01, 54.54

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 14 / 0 / 91 / 14

HEX #BCDB14

RGB 188 219 20

HSL 69.35, 0.83%, 0.47%

LAB 82.6, -31.86, 79.52

 

CMYK 38 / 0 / 91 / 14

HEX #87DB14

RGB 135 219 20

HSL 85.33, 0.83%, 0.47%

LAB 79.54, -51.89, 75.78

 

CMYK 63 / 0 / 91 / 14

HEX #51DB14

RGB 81 219 20

HSL 101.61, 0.83%, 0.47%

LAB 77.56, -67.23, 73.33

 

CMYK 88 / 0 / 91 / 14

HEX #1BDB14

RGB 27 219 20

HSL 117.89, 0.83%, 0.47%

LAB 76.65, -75.14, 72.2

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 0 / 11 / 100 / 7

HEX #EED300

RGB 238 211 0

HSL 53.19, 1%, 0.47%

LAB 84.36, -7.15, 84.6

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 0 / 9 / 80 / 22

HEX #C7B527

RGB 199 181 39

HSL 53.25, 0.67%, 0.47%

LAB 73.11, -8.03, 68.04

 

CMYK 0 / 8 / 67 / 29

HEX #B4A63B

RGB 180 166 59

HSL 53.06, 0.51%, 0.47%

LAB 67.5, -7.59, 54.99

 

CMYK 0 / 6 / 52 / 37

HEX #A1974E

RGB 161 151 78

HSL 52.77, 0.35%, 0.47%

LAB 61.88, -6.43, 39.41

 

CMYK 0 / 4 / 31 / 45

HEX #8D8861

RGB 141 136 97

HSL 53.18, 0.18%, 0.47%

LAB 56.22, -4.56, 21.66

 

CMYK 0 / 59 / 91 / 14

HEX #DB5A14

RGB 219 90 20

HSL 21.11, 0.83%, 0.47%

LAB 54.47, 47.64, 59.46

 

CMYK 0 / 35 / 91 / 14

HEX #DB8F14

RGB 219 143 20

HSL 37.09, 0.83%, 0.47%

LAB 65.56, 20.52, 67.56

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 14 / 0 / 91 / 14

HEX #BDDB14

RGB 189 219 20

HSL 69.05, 0.83%, 0.47%

LAB 82.66, -31.45, 79.6

 

CMYK 38 / 0 / 91 / 14

HEX #88DB14

RGB 136 219 20

HSL 85.03, 0.83%, 0.47%

LAB 79.58, -51.54, 75.83

 

CMYK 0 / 10 / 91 / 44

HEX #8F800D

RGB 143 128 13

HSL 53.08, 0.83%, 0.31%

LAB 53.28, -5.67, 55.95

 

CMYK 0 / 10 / 91 / 29

HEX #B5A210

RGB 181 162 16

HSL 53.09, 0.84%, 0.39%

LAB 66.29, -6.62, 67.1

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 0 / 9 / 81 / 8

HEX #EBD52D

RGB 235 213 45

HSL 53.05, 0.83%, 0.55%

LAB 84.71, -8.71, 77.67

 

CMYK 0 / 8 / 65 / 6

HEX #EFDD53

RGB 239 221 83

HSL 53.08, 0.83%, 0.63%

LAB 87.33, -9.42, 67.37

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 91 / 0 / 84 / 14

HEX #14DB24

RGB 20 219 36

HSL 124.82, 0.83%, 0.47%

LAB 76.64, -75, 69.09

 

CMYK 47 / 91 / 0 / 14

HEX #7414DB

RGB 116 20 219

HSL 268.94, 0.83%, 0.47%

LAB 36.61, 71.82, -80.04

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 91 / 0 / 11 / 14

HEX #14DBC4

RGB 20 219 196

HSL 173.07, 0.83%, 0.47%

LAB 78.92, -48.79, -1.15

 

CMYK 11 / 91 / 0 / 14

HEX #C414DB

RGB 196 20 219

HSL 293.07, 0.83%, 0.47%

LAB 48.7, 82.22, -59.81

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 91 / 0 / 84 / 14

HEX #14DB24

RGB 20 219 36

HSL 124.82, 0.83%, 0.47%

LAB 76.64, -75, 69.09

 

CMYK 91 / 80 / 0 / 14

HEX #142BDB

RGB 20 43 219

HSL 233.07, 0.83%, 0.47%

LAB 31.79, 57.7, -88.26

 

CMYK 0 / 91 / 8 / 14

HEX #DB14CA

RGB 219 20 202

HSL 305.13, 0.83%, 0.47%

LAB 51.64, 83.54, -45.12

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 91 / 0 / 56 / 14

HEX #14DB60

RGB 20 219 96

HSL 142.91, 0.83%, 0.47%

LAB 77.07, -69.56, 47.59

 

CMYK 91 / 80 / 0 / 14

HEX #142BDB

RGB 20 43 219

HSL 233.07, 0.83%, 0.47%

LAB 31.79, 57.7, -88.26

 

CMYK 0 / 91 / 35 / 14

HEX #DB148F

RGB 219 20 143

HSL 322.91, 0.83%, 0.47%

LAB 48.94, 76.49, -14.55

 

Description

Color code: HEX #DBC414 | qconv.com Color code: HEX #DBC414 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 196 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 196 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 91 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 91% 14% C M Y K

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