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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC451 it is the complementary color #243BAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC451 shade: #E0C44C, #F1D65F, #FFE872, #FFFA85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC451 shade: #DBC451, #CAB23E, #B9A02B, #A88E18 and #977C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC451 shade: #DBC451, #DB9F51, #DB7A51, #DB5451 and #DB5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC451 shade: #DBC451, #CDDB51, #A8DB51, #82DB51 and #5DDB51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC451 shade matches the following richer shades: #DBC451, #ECCF40 and #FDDB2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC451 shade: #DBC451, #CAB962, #B9AD73, #A8A284 and #979795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC451 shade: #DB7A51, #DB9F51, #DBC451, #CDDB51 and #A8DB51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC451 shade: #B59D25, #D4B82F, #DBC451, #E2D073 and #E9DB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC451 shade: #DBC451, #51DB56 and #8D51DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC451 shade: #DBC451, #51DBC4 and #C451DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC451 shade: #DBC451, #51DB56, #5168DB and #DB51D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC451 shade: #DBC451, #51DB7F, #5168DB and #DB51AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

Complementary color

CMYK 79 / 66 / 0 / 32

HEX #243BAE

RGB 36 59 174

HSL 230, 0.66%, 0.41%

LAB 30.78, 33.86, -63.52

 

CMYK 0 / 13 / 66 / 12

HEX #E0C44C

RGB 224 196 76

HSL 48.65, 0.7%, 0.59%

LAB 79.53, -3.38, 61.67

 

CMYK 0 / 11 / 61 / 5

HEX #F1D65F

RGB 241 214 95

HSL 48.9, 0.84%, 0.66%

LAB 85.82, -4.33, 60.75

 

CMYK 0 / 9 / 55 / 0

HEX #FFE872

RGB 255 232 114

HSL 50.21, 1%, 0.72%

LAB 91.77, -6.35, 59.32

 

CMYK 0 / 2 / 48 / 0

HEX #FFFA85

RGB 255 250 133

HSL 57.54, 1%, 0.76%

LAB 96.54, -13.69, 56.23

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 0 / 12 / 69 / 21

HEX #CAB23E

RGB 202 178 62

HSL 49.71, 0.57%, 0.52%

LAB 72.72, -4.19, 59.75

 

CMYK 0 / 14 / 77 / 27

HEX #B9A02B

RGB 185 160 43

HSL 49.44, 0.62%, 0.45%

LAB 66.24, -2.99, 60.09

 

CMYK 0 / 15 / 86 / 34

HEX #A88E18

RGB 168 142 24

HSL 49.17, 0.75%, 0.38%

LAB 59.65, -1.56, 59.54

 

CMYK 0 / 18 / 97 / 41

HEX #977C05

RGB 151 124 5

HSL 48.9, 0.94%, 0.31%

LAB 52.96, 0.16, 57.53

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 0 / 27 / 63 / 14

HEX #DB9F51

RGB 219 159 81

HSL 33.91, 0.66%, 0.59%

LAB 69.79, 14.34, 48.63

 

CMYK 0 / 44 / 63 / 14

HEX #DB7A51

RGB 219 122 81

HSL 17.83, 0.66%, 0.59%

LAB 61.28, 34.11, 38.69

 

CMYK 0 / 62 / 63 / 14

HEX #DB5451

RGB 219 84 81

HSL 1.3, 0.66%, 0.59%

LAB 54.02, 52.66, 29.76

 

CMYK 0 / 63 / 63 / 14

HEX #DB5151

RGB 219 81 81

HSL 0, 0.66%, 0.59%

LAB 53.53, 53.97, 29.15

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 6 / 0 / 63 / 14

HEX #CDDB51

RGB 205 219 81

HSL 66.09, 0.66%, 0.59%

LAB 84.09, -22.49, 63.94

 

CMYK 23 / 0 / 63 / 14

HEX #A8DB51

RGB 168 219 81

HSL 82.17, 0.66%, 0.59%

LAB 81.61, -37, 60.56

 

CMYK 41 / 0 / 63 / 14

HEX #82DB51

RGB 130 219 81

HSL 98.7, 0.66%, 0.59%

LAB 79.62, -50.3, 57.81

 

CMYK 58 / 0 / 63 / 14

HEX #5DDB51

RGB 93 219 81

HSL 114.78, 0.66%, 0.59%

LAB 78.22, -60.72, 55.87

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 0 / 12 / 73 / 7

HEX #ECCF40

RGB 236 207 64

HSL 49.88, 0.82%, 0.59%

LAB 83.35, -4.56, 70.52

 

CMYK 0 / 13 / 81 / 1

HEX #FDDB2F

RGB 253 219 47

HSL 50.1, 0.98%, 0.59%

LAB 87.85, -4.07, 80.46

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 0 / 8 / 51 / 21

HEX #CAB962

RGB 202 185 98

HSL 50.19, 0.5%, 0.59%

LAB 74.91, -5.33, 45.91

 

CMYK 0 / 6 / 38 / 27

HEX #B9AD73

RGB 185 173 115

HSL 49.71, 0.33%, 0.59%

LAB 70.48, -4.28, 31.37

 

CMYK 0 / 4 / 21 / 34

HEX #A8A284

RGB 168 162 132

HSL 50, 0.17%, 0.59%

LAB 66.39, -2.88, 16.41

 

CMYK 0 / 0 / 1 / 41

HEX #979795

RGB 151 151 149

HSL 60, 0.01%, 0.59%

LAB 62.41, -0.38, 1.04

 

CMYK 0 / 44 / 63 / 14

HEX #DB7A51

RGB 219 122 81

HSL 17.83, 0.66%, 0.59%

LAB 61.28, 34.11, 38.69

 

CMYK 0 / 27 / 63 / 14

HEX #DB9F51

RGB 219 159 81

HSL 33.91, 0.66%, 0.59%

LAB 69.79, 14.34, 48.63

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 6 / 0 / 63 / 14

HEX #CDDB51

RGB 205 219 81

HSL 66.09, 0.66%, 0.59%

LAB 84.09, -22.49, 63.94

 

CMYK 23 / 0 / 63 / 14

HEX #A8DB51

RGB 168 219 81

HSL 82.17, 0.66%, 0.59%

LAB 81.61, -37, 60.56

 

CMYK 0 / 13 / 80 / 29

HEX #B59D25

RGB 181 157 37

HSL 50, 0.66%, 0.43%

LAB 65.02, -3.4, 60.85

 

CMYK 0 / 13 / 78 / 17

HEX #D4B82F

RGB 212 184 47

HSL 49.82, 0.66%, 0.51%

LAB 75.13, -3.66, 67.84

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 0 / 8 / 49 / 11

HEX #E2D073

RGB 226 208 115

HSL 50.27, 0.66%, 0.67%

LAB 83.19, -5.85, 48.09

 

CMYK 0 / 6 / 36 / 9

HEX #E9DB95

RGB 233 219 149

HSL 50, 0.66%, 0.75%

LAB 87.07, -5.22, 36.19

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 63 / 0 / 61 / 14

HEX #51DB56

RGB 81 219 86

HSL 122.17, 0.66%, 0.59%

LAB 77.92, -62.89, 53.31

 

CMYK 36 / 63 / 0 / 14

HEX #8D51DB

RGB 141 81 219

HSL 266.09, 0.66%, 0.59%

LAB 47.83, 52.38, -61.59

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 63 / 0 / 11 / 14

HEX #51DBC4

RGB 81 219 196

HSL 170, 0.66%, 0.59%

LAB 79.84, -42.55, 0.3

 

CMYK 11 / 63 / 0 / 14

HEX #C451DB

RGB 196 81 219

HSL 290, 0.66%, 0.59%

LAB 54.8, 64.76, -50.03

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 63 / 0 / 61 / 14

HEX #51DB56

RGB 81 219 86

HSL 122.17, 0.66%, 0.59%

LAB 77.92, -62.89, 53.31

 

CMYK 63 / 53 / 0 / 14

HEX #5168DB

RGB 81 104 219

HSL 230, 0.66%, 0.59%

LAB 47.96, 27.2, -61.63

 

CMYK 0 / 63 / 2 / 14

HEX #DB51D6

RGB 219 81 214

HSL 302.17, 0.66%, 0.59%

LAB 57.85, 69.34, -42.16

 

CMYK 0 / 11 / 63 / 14

HEX #DBC451

RGB 219 196 81

HSL 50, 0.66%, 0.59%

LAB 79.12, -5.19, 58.97

 

CMYK 63 / 0 / 42 / 14

HEX #51DB7F

RGB 81 219 127

HSL 140, 0.66%, 0.59%

LAB 78.43, -57.19, 34.46

 

CMYK 63 / 53 / 0 / 14

HEX #5168DB

RGB 81 104 219

HSL 230, 0.66%, 0.59%

LAB 47.96, 27.2, -61.63

 

CMYK 0 / 63 / 21 / 14

HEX #DB51AD

RGB 219 81 173

HSL 320, 0.66%, 0.59%

LAB 56.05, 63.19, -21.44

 

Description

Color code: HEX #DBC451 | qconv.com Color code: HEX #DBC451 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 196 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 196 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 63% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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