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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC780 it is the complementary color #24387F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC780 shade: #E0C77B, #F1D98E, #FFEBA1, #FFFDB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC780 shade: #DBC780, #CAB56D, #B9A35A, #A89147 and #977F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC780 shade: #DBC77F, #DBAE7F, #DB957F and #DB7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC780 shade: #DBC77F, #D6DB7F, #BDDB7F, #A5DB7F and #8CDB7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC780 shade matches the following richer shades: #DBC77F, #E8CE72 and #F5D565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC780 shade: #DBC77F, #CDBF8C, #C0B89A, #B3B0A7 and #A6A9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC780 shade: #DB957F, #DBAD7F, #DBC57F, #D8DB7F and #BFDB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC780 shade: #C8AA3F, #D2B85F, #DBC77F, #E4D59F and #EDE3C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC780 shade: #DBC780, #82DB7F and #A17FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC780 shade: #DBC780, #7FDBC5 and #C57FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC780 shade: #DBC780, #82DB7F, #7F95DB and #D87FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC780 shade: #DBC780, #7FDB98, #7F95DB and #DB7FC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 42 / 14

HEX #DBC780

RGB 219 199 128

HSL 46.81, 0.56%, 0.68%

LAB 80.44, -2.77, 38.05

 

Complementary color

CMYK 72 / 56 / 0 / 50

HEX #24387F

RGB 36 56 127

HSL 226.81, 0.56%, 0.32%

LAB 25.97, 17.88, -42.6

 

CMYK 0 / 11 / 45 / 12

HEX #E0C77B

RGB 224 199 123

HSL 45.15, 0.62%, 0.68%

LAB 80.81, -1.28, 41.15

 

CMYK 0 / 10 / 41 / 5

HEX #F1D98E

RGB 241 217 142

HSL 45.45, 0.78%, 0.75%

LAB 87.13, -1.84, 39.93

 

CMYK 0 / 8 / 37 / 0

HEX #FFEBA1

RGB 255 235 161

HSL 47.23, 1%, 0.82%

LAB 93.12, -3.48, 38.39

 

CMYK 0 / 1 / 29 / 0

HEX #FFFDB4

RGB 255 253 180

HSL 58.4, 1%, 0.85%

LAB 97.96, -10.22, 35.27

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 9 / 42 / 14

HEX #DBC780

RGB 219 199 128

HSL 46.81, 0.56%, 0.68%

LAB 80.44, -2.77, 38.05

 

CMYK 0 / 10 / 46 / 21

HEX #CAB56D

RGB 202 181 109

HSL 46.45, 0.47%, 0.61%

LAB 74, -2.21, 39.29

 

CMYK 0 / 12 / 51 / 27

HEX #B9A35A

RGB 185 163 90

HSL 46.11, 0.4%, 0.54%

LAB 67.46, -1.54, 40.56

 

CMYK 0 / 14 / 58 / 34

HEX #A89147

RGB 168 145 71

HSL 45.77, 0.41%, 0.47%

LAB 60.81, -0.73, 41.83

 

CMYK 0 / 16 / 66 / 41

HEX #977F34

RGB 151 127 52

HSL 45.45, 0.49%, 0.4%

LAB 54.03, 0.27, 43.02

 

CMYK 0 / 9 / 42 / 14

HEX #DBC77F

RGB 219 199 127

HSL 46.96, 0.56%, 0.68%

LAB 80.43, -2.88, 38.54

 

CMYK 0 / 21 / 42 / 14

HEX #DBAE7F

RGB 219 174 127

HSL 30.65, 0.56%, 0.68%

LAB 74.1, 10.29, 30.35

 

CMYK 0 / 32 / 42 / 14

HEX #DB957F

RGB 219 149 127

HSL 14.35, 0.56%, 0.68%

LAB 68.08, 23.74, 22.31

 

CMYK 0 / 42 / 42 / 14

HEX #DB7F7F

RGB 219 127 127

HSL 0, 0.56%, 0.68%

LAB 63.15, 35.48, 15.54

 

CMYK 0 / 9 / 42 / 14

HEX #DBC77F

RGB 219 199 127

HSL 46.96, 0.56%, 0.68%

LAB 80.43, -2.88, 38.54

 

CMYK 2 / 0 / 42 / 14

HEX #D6DB7F

RGB 214 219 127

HSL 63.26, 0.56%, 0.68%

LAB 85.25, -15.02, 44.55

 

CMYK 14 / 0 / 42 / 14

HEX #BDDB7F

RGB 189 219 127

HSL 79.57, 0.56%, 0.68%

LAB 83.45, -24.64, 41.91

 

CMYK 25 / 0 / 42 / 14

HEX #A5DB7F

RGB 165 219 127

HSL 95.22, 0.56%, 0.68%

LAB 81.94, -33.4, 39.68

 

CMYK 36 / 0 / 42 / 14

HEX #8CDB7F

RGB 140 219 127

HSL 111.52, 0.56%, 0.68%

LAB 80.61, -41.8, 37.71

 

CMYK 0 / 9 / 42 / 14

HEX #DBC77F

RGB 219 199 127

HSL 46.96, 0.56%, 0.68%

LAB 80.43, -2.88, 38.54

 

CMYK 0 / 11 / 51 / 9

HEX #E8CE72

RGB 232 206 114

HSL 46.78, 0.72%, 0.68%

LAB 83.19, -2.48, 48.69

 

CMYK 0 / 13 / 59 / 4

HEX #F5D565

RGB 245 213 101

HSL 46.67, 0.88%, 0.68%

LAB 85.98, -1.77, 58.35

 

CMYK 0 / 9 / 42 / 14

HEX #DBC77F

RGB 219 199 127

HSL 46.96, 0.56%, 0.68%

LAB 80.43, -2.88, 38.54

 

CMYK 0 / 7 / 32 / 20

HEX #CDBF8C

RGB 205 191 140

HSL 47.08, 0.39%, 0.68%

LAB 77.36, -2.75, 27.56

 

CMYK 0 / 4 / 20 / 25

HEX #C0B89A

RGB 192 184 154

HSL 47.37, 0.23%, 0.68%

LAB 74.71, -2.14, 16.28

 

CMYK 0 / 2 / 7 / 30

HEX #B3B0A7

RGB 179 176 167

HSL 45, 0.07%, 0.68%

LAB 71.84, -0.56, 4.97

 

CMYK 8 / 6 / 0 / 29

HEX #A6A9B4

RGB 166 169 180

HSL 227.14, 0.09%, 0.68%

LAB 69.31, 1.11, -6.02

 

CMYK 0 / 32 / 42 / 14

HEX #DB957F

RGB 219 149 127

HSL 14.35, 0.56%, 0.68%

LAB 68.08, 23.74, 22.31

 

CMYK 0 / 21 / 42 / 14

HEX #DBAD7F

RGB 219 173 127

HSL 30, 0.56%, 0.68%

LAB 73.86, 10.83, 30.02

 

CMYK 0 / 10 / 42 / 14

HEX #DBC57F

RGB 219 197 127

HSL 45.65, 0.56%, 0.68%

LAB 79.91, -1.84, 37.89

 

CMYK 1 / 0 / 42 / 14

HEX #D8DB7F

RGB 216 219 127

HSL 61.96, 0.56%, 0.68%

LAB 85.4, -14.24, 44.77

 

CMYK 13 / 0 / 42 / 14

HEX #BFDB7F

RGB 191 219 127

HSL 78.26, 0.56%, 0.68%

LAB 83.59, -23.88, 42.11

 

CMYK 0 / 15 / 69 / 22

HEX #C8AA3F

RGB 200 170 63

HSL 46.86, 0.55%, 0.52%

LAB 70.45, -0.78, 56.95

 

CMYK 0 / 12 / 55 / 18

HEX #D2B85F

RGB 210 184 95

HSL 46.43, 0.56%, 0.6%

LAB 75.33, -1.72, 48.04

 

CMYK 0 / 9 / 42 / 14

HEX #DBC77F

RGB 219 199 127

HSL 46.96, 0.56%, 0.68%

LAB 80.43, -2.88, 38.54

 

CMYK 0 / 7 / 30 / 11

HEX #E4D59F

RGB 228 213 159

HSL 46.96, 0.56%, 0.76%

LAB 85.29, -2.87, 28.62

 

CMYK 0 / 4 / 19 / 7

HEX #EDE3C0

RGB 237 227 192

HSL 46.67, 0.56%, 0.84%

LAB 90.21, -2.18, 18.34

 

CMYK 0 / 9 / 42 / 14

HEX #DBC780

RGB 219 199 128

HSL 46.81, 0.56%, 0.68%

LAB 80.44, -2.77, 38.05

 

CMYK 41 / 0 / 42 / 14

HEX #82DB7F

RGB 130 219 127

HSL 118.04, 0.56%, 0.68%

LAB 80.15, -44.9, 37.02

 

CMYK 26 / 42 / 0 / 14

HEX #A17FDB

RGB 161 127 219

HSL 262.17, 0.56%, 0.68%

LAB 59.77, 32.03, -42.42

 

CMYK 0 / 9 / 42 / 14

HEX #DBC780

RGB 219 199 128

HSL 46.81, 0.56%, 0.68%

LAB 80.44, -2.77, 38.05

 

CMYK 42 / 0 / 10 / 14

HEX #7FDBC5

RGB 127 219 197

HSL 165.65, 0.56%, 0.68%

LAB 81.4, -32.58, 2.24

 

CMYK 10 / 42 / 0 / 14

HEX #C57FDB

RGB 197 127 219

HSL 285.65, 0.56%, 0.68%

LAB 63.48, 42.45, -36.35

 

CMYK 0 / 9 / 42 / 14

HEX #DBC780

RGB 219 199 128

HSL 46.81, 0.56%, 0.68%

LAB 80.44, -2.77, 38.05

 

CMYK 41 / 0 / 42 / 14

HEX #82DB7F

RGB 130 219 127

HSL 118.04, 0.56%, 0.68%

LAB 80.15, -44.9, 37.02

 

CMYK 42 / 32 / 0 / 14

HEX #7F95DB

RGB 127 149 219

HSL 225.65, 0.56%, 0.68%

LAB 62.61, 10.03, -38.16

 

CMYK 1 / 42 / 0 / 14

HEX #D87FDB

RGB 216 127 219

HSL 298.04, 0.56%, 0.68%

LAB 65.66, 48.08, -32.78

 

CMYK 0 / 9 / 42 / 14

HEX #DBC780

RGB 219 199 128

HSL 46.81, 0.56%, 0.68%

LAB 80.44, -2.77, 38.05

 

CMYK 42 / 0 / 31 / 14

HEX #7FDB98

RGB 127 219 152

HSL 136.3, 0.56%, 0.68%

LAB 80.43, -41.72, 24.59

 

CMYK 42 / 32 / 0 / 14

HEX #7F95DB

RGB 127 149 219

HSL 225.65, 0.56%, 0.68%

LAB 62.61, 10.03, -38.16

 

CMYK 0 / 42 / 11 / 14

HEX #DB7FC2

RGB 219 127 194

HSL 316.3, 0.56%, 0.68%

LAB 65.07, 44.66, -19.68

 

Description

Color code: HEX #DBC780 | qconv.com Color code: HEX #DBC780 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 199 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 199 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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