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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC989 it is the complementary color #243676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC989 shade: #E0C984, #F1DB97, #FFEDAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC989 shade: #DBC989, #CAB776, #B9A563, #A89350 and #97813D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC989 shade: #DBC989, #DBB389, #DB9D89 and #DB8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC989 shade: #DBC989, #D6DB89, #C1DB89, #ABDB89 and #95DB89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC989 shade matches the following richer shades: #DBC989, #E7D07D and #F3D771

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC989 shade: #DBC989, #CEC296, #C2BBA2, #B5B4AF and #A9ADBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC989 shade: #DB9C89, #DBB289, #DBC889, #D8DB89 and #C2DB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC989 shade: #C7AC4A, #D1BA6A, #DBC989, #E4D7A9 and #EEE6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC989 shade: #DBC989, #8CDB89 and #A789DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC989 shade: #DBC989, #89DBC8 and #C889DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC989 shade: #DBC989, #8CDB89, #899CDB and #D889DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC989 shade: #DBC989, #89DB9F, #899CDB and #DB89C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

Complementary color

CMYK 69 / 54 / 0 / 54

HEX #243676

RGB 36 54 118

HSL 226.83, 0.53%, 0.3%

LAB 24.71, 15.76, -38.96

 

CMYK 0 / 10 / 41 / 12

HEX #E0C984

RGB 224 201 132

HSL 45, 0.6%, 0.7%

LAB 81.45, -1.39, 37.39

 

CMYK 0 / 9 / 37 / 5

HEX #F1DB97

RGB 241 219 151

HSL 45.33, 0.76%, 0.77%

LAB 87.77, -1.89, 36.21

 

CMYK 0 / 7 / 33 / 0

HEX #FFEDAA

RGB 255 237 170

HSL 47.29, 1%, 0.83%

LAB 93.77, -3.46, 34.71

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 0 / 9 / 42 / 21

HEX #CAB776

RGB 202 183 118

HSL 46.43, 0.44%, 0.63%

LAB 74.66, -2.33, 35.48

 

CMYK 0 / 11 / 46 / 27

HEX #B9A563

RGB 185 165 99

HSL 46.05, 0.38%, 0.56%

LAB 68.11, -1.75, 36.74

 

CMYK 0 / 13 / 52 / 34

HEX #A89350

RGB 168 147 80

HSL 45.68, 0.35%, 0.49%

LAB 61.46, -1.05, 38.03

 

CMYK 0 / 15 / 60 / 41

HEX #97813D

RGB 151 129 61

HSL 45.33, 0.42%, 0.42%

LAB 54.68, -0.2, 39.33

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 0 / 18 / 37 / 14

HEX #DBB389

RGB 219 179 137

HSL 30.73, 0.53%, 0.7%

LAB 75.52, 8.75, 26.9

 

CMYK 0 / 28 / 37 / 14

HEX #DB9D89

RGB 219 157 137

HSL 14.63, 0.53%, 0.7%

LAB 70.16, 20.56, 19.63

 

CMYK 0 / 37 / 37 / 14

HEX #DB8989

RGB 219 137 137

HSL 0, 0.53%, 0.7%

LAB 65.56, 31.32, 13.25

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 2 / 0 / 37 / 14

HEX #D6DB89

RGB 214 219 137

HSL 63.66, 0.53%, 0.7%

LAB 85.39, -13.94, 39.76

 

CMYK 12 / 0 / 37 / 14

HEX #C1DB89

RGB 193 219 137

HSL 79.02, 0.53%, 0.7%

LAB 83.86, -21.94, 37.5

 

CMYK 22 / 0 / 37 / 14

HEX #ABDB89

RGB 171 219 137

HSL 95.12, 0.53%, 0.7%

LAB 82.45, -29.96, 35.38

 

CMYK 32 / 0 / 37 / 14

HEX #95DB89

RGB 149 219 137

HSL 111.22, 0.53%, 0.7%

LAB 81.21, -37.46, 33.54

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 0 / 10 / 46 / 9

HEX #E7D07D

RGB 231 208 125

HSL 46.98, 0.69%, 0.7%

LAB 83.75, -2.91, 43.96

 

CMYK 0 / 12 / 53 / 5

HEX #F3D771

RGB 243 215 113

HSL 47.08, 0.84%, 0.7%

LAB 86.43, -2.7, 53.28

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 0 / 6 / 27 / 19

HEX #CEC296

RGB 206 194 150

HSL 47.14, 0.36%, 0.7%

LAB 78.41, -2.63, 23.7

 

CMYK 0 / 4 / 16 / 24

HEX #C2BBA2

RGB 194 187 162

HSL 46.88, 0.21%, 0.7%

LAB 75.83, -1.74, 13.55

 

CMYK 0 / 1 / 3 / 29

HEX #B5B4AF

RGB 181 180 175

HSL 50, 0.04%, 0.7%

LAB 73.26, -0.56, 2.66

 

CMYK 10 / 7 / 0 / 27

HEX #A9ADBB

RGB 169 173 187

HSL 226.67, 0.12%, 0.7%

LAB 70.81, 1.38, -7.64

 

CMYK 0 / 29 / 37 / 14

HEX #DB9C89

RGB 219 156 137

HSL 13.9, 0.53%, 0.7%

LAB 69.93, 21.1, 19.31

 

CMYK 0 / 19 / 37 / 14

HEX #DBB289

RGB 219 178 137

HSL 30, 0.53%, 0.7%

LAB 75.27, 9.28, 26.57

 

CMYK 0 / 9 / 37 / 14

HEX #DBC889

RGB 219 200 137

HSL 46.1, 0.53%, 0.7%

LAB 80.84, -2.3, 33.95

 

CMYK 1 / 0 / 37 / 14

HEX #D8DB89

RGB 216 219 137

HSL 62.2, 0.53%, 0.7%

LAB 85.54, -13.16, 39.99

 

CMYK 11 / 0 / 37 / 14

HEX #C2DB89

RGB 194 219 137

HSL 78.29, 0.53%, 0.7%

LAB 83.93, -21.56, 37.6

 

CMYK 0 / 14 / 63 / 22

HEX #C7AC4A

RGB 199 172 74

HSL 47.04, 0.53%, 0.54%

LAB 70.97, -1.61, 52.67

 

CMYK 0 / 11 / 49 / 18

HEX #D1BA6A

RGB 209 186 106

HSL 46.6, 0.53%, 0.62%

LAB 75.89, -2.24, 43.28

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 0 / 6 / 26 / 11

HEX #E4D7A9

RGB 228 215 169

HSL 46.78, 0.52%, 0.78%

LAB 85.99, -2.59, 24.36

 

CMYK 0 / 3 / 16 / 7

HEX #EEE6C9

RGB 238 230 201

HSL 47.03, 0.52%, 0.86%

LAB 91.23, -2.01, 15.11

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 36 / 0 / 37 / 14

HEX #8CDB89

RGB 140 219 137

HSL 117.8, 0.53%, 0.7%

LAB 80.76, -40.33, 32.86

 

CMYK 24 / 37 / 0 / 14

HEX #A789DB

RGB 167 137 219

HSL 261.95, 0.53%, 0.7%

LAB 62.69, 28.07, -37.8

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 37 / 0 / 9 / 14

HEX #89DBC8

RGB 137 219 200

HSL 166.1, 0.53%, 0.7%

LAB 81.92, -29.3, 1.45

 

CMYK 9 / 37 / 0 / 14

HEX #C889DB

RGB 200 137 219

HSL 286.1, 0.53%, 0.7%

LAB 65.97, 37.96, -32.45

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 36 / 0 / 37 / 14

HEX #8CDB89

RGB 140 219 137

HSL 117.8, 0.53%, 0.7%

LAB 80.76, -40.33, 32.86

 

CMYK 37 / 29 / 0 / 14

HEX #899CDB

RGB 137 156 219

HSL 226.1, 0.53%, 0.7%

LAB 65.13, 8.66, -34.19

 

CMYK 1 / 37 / 0 / 14

HEX #D889DB

RGB 216 137 219

HSL 297.8, 0.53%, 0.7%

LAB 67.73, 42.87, -29.59

 

CMYK 0 / 8 / 37 / 14

HEX #DBC989

RGB 219 201 137

HSL 46.83, 0.53%, 0.7%

LAB 81.09, -2.82, 34.28

 

CMYK 37 / 0 / 27 / 14

HEX #89DB9F

RGB 137 219 159

HSL 136.1, 0.53%, 0.7%

LAB 81.01, -37.58, 21.8

 

CMYK 37 / 29 / 0 / 14

HEX #899CDB

RGB 137 156 219

HSL 226.1, 0.53%, 0.7%

LAB 65.13, 8.66, -34.19

 

CMYK 0 / 37 / 10 / 14

HEX #DB89C5

RGB 219 137 197

HSL 316.1, 0.53%, 0.7%

LAB 67.26, 39.93, -18.02

 

Description

Color code: HEX #DBC989 | qconv.com Color code: HEX #DBC989 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 201 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 201 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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