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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC366 it is the complementary color #243C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC366 shade: #E0C361, #F1D574, #FFE787, #FFF99A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC366 shade: #DBC366, #CAB153, #B99F40, #A88D2D and #977B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC366 shade: #DBC366, #DBA366, #DB8466 and #DB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC366 shade: #DBC366, #D3DB66, #B4DB66, #94DB66 and #74DB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC366 shade matches the following richer shades: #DBC366, #EACC56 and #F9D547

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC366 shade: #DBC366, #CBBA75, #BCB184, #ADA893 and #9E9FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC366 shade: #DB8366, #DBA266, #DBC166, #D5DB66 and #B6DB66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC366 shade: #C1A32D, #D3B644, #DBC366, #E2D087 and #EADDA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC366 shade: #DBC366, #68DB66 and #9366DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC366 shade: #DBC366, #66DBC1 and #C166DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC366 shade: #DBC366, #68DB66, #667FDB and #D966DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC366 shade: #DBC366, #66DB87, #667FDB and #DB66B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

Complementary color

CMYK 76 / 61 / 0 / 40

HEX #243C99

RGB 36 60 153

HSL 227.69, 0.62%, 0.37%

LAB 29.18, 25.25, -53.47

 

CMYK 0 / 13 / 57 / 12

HEX #E0C361

RGB 224 195 97

HSL 46.3, 0.67%, 0.63%

LAB 79.47, -1.47, 52.24

 

CMYK 0 / 12 / 52 / 5

HEX #F1D574

RGB 241 213 116

HSL 46.56, 0.82%, 0.7%

LAB 85.78, -2.25, 51.04

 

CMYK 0 / 9 / 47 / 0

HEX #FFE787

RGB 255 231 135

HSL 48, 1%, 0.76%

LAB 91.76, -4.1, 49.46

 

CMYK 0 / 2 / 40 / 0

HEX #FFF99A

RGB 255 249 154

HSL 56.44, 1%, 0.8%

LAB 96.55, -11.19, 46.26

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 0 / 12 / 59 / 21

HEX #CAB153

RGB 202 177 83

HSL 47.39, 0.53%, 0.56%

LAB 72.64, -2.34, 50.46

 

CMYK 0 / 14 / 65 / 27

HEX #B99F40

RGB 185 159 64

HSL 47.11, 0.49%, 0.49%

LAB 66.12, -1.38, 51.53

 

CMYK 0 / 16 / 73 / 34

HEX #A88D2D

RGB 168 141 45

HSL 46.83, 0.58%, 0.42%

LAB 59.49, -0.21, 52.3

 

CMYK 0 / 19 / 83 / 41

HEX #977B1A

RGB 151 123 26

HSL 46.56, 0.71%, 0.35%

LAB 52.75, 1.21, 52.38

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 0 / 26 / 53 / 14

HEX #DBA366

RGB 219 163 102

HSL 31.28, 0.62%, 0.63%

LAB 71.02, 13.78, 39.53

 

CMYK 0 / 40 / 53 / 14

HEX #DB8466

RGB 219 132 102

HSL 15.38, 0.62%, 0.63%

LAB 63.77, 30.42, 30.38

 

CMYK 0 / 53 / 53 / 14

HEX #DB6666

RGB 219 102 102

HSL 0, 0.62%, 0.63%

LAB 57.58, 45.82, 22.25

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 4 / 0 / 53 / 14

HEX #D3DB66

RGB 211 219 102

HSL 64.1, 0.62%, 0.63%

LAB 84.73, -18.54, 55.72

 

CMYK 18 / 0 / 53 / 14

HEX #B4DB66

RGB 180 219 102

HSL 80, 0.62%, 0.63%

LAB 82.55, -30.67, 52.64

 

CMYK 32 / 0 / 53 / 14

HEX #94DB66

RGB 148 219 102

HSL 96.41, 0.62%, 0.63%

LAB 80.69, -42.27, 49.99

 

CMYK 47 / 0 / 53 / 14

HEX #74DB66

RGB 116 219 102

HSL 112.82, 0.62%, 0.63%

LAB 79.23, -52.34, 47.9

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 0 / 13 / 63 / 8

HEX #EACC56

RGB 234 204 86

HSL 47.84, 0.78%, 0.63%

LAB 82.57, -2.71, 60.93

 

CMYK 0 / 14 / 71 / 2

HEX #F9D547

RGB 249 213 71

HSL 47.87, 0.94%, 0.63%

LAB 86.1, -1.84, 71.05

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 0 / 8 / 42 / 20

HEX #CBBA75

RGB 203 186 117

HSL 48.14, 0.45%, 0.63%

LAB 75.51, -3.61, 37.11

 

CMYK 0 / 6 / 30 / 26

HEX #BCB184

RGB 188 177 132

HSL 48.21, 0.29%, 0.63%

LAB 72.1, -3.08, 24.49

 

CMYK 0 / 3 / 15 / 32

HEX #ADA893

RGB 173 168 147

HSL 48.46, 0.14%, 0.63%

LAB 68.75, -1.86, 11.49

 

CMYK 3 / 2 / 0 / 36

HEX #9E9FA3

RGB 158 159 163

HSL 228, 0.03%, 0.63%

LAB 65.52, 0.42, -2.21

 

CMYK 0 / 40 / 53 / 14

HEX #DB8366

RGB 219 131 102

HSL 14.87, 0.62%, 0.63%

LAB 63.55, 30.95, 30.1

 

CMYK 0 / 26 / 53 / 14

HEX #DBA266

RGB 219 162 102

HSL 30.77, 0.62%, 0.63%

LAB 70.77, 14.32, 39.23

 

CMYK 0 / 12 / 53 / 14

HEX #DBC166

RGB 219 193 102

HSL 46.67, 0.62%, 0.63%

LAB 78.55, -2.11, 48.67

 

CMYK 3 / 0 / 53 / 14

HEX #D5DB66

RGB 213 219 102

HSL 63.08, 0.62%, 0.63%

LAB 84.88, -17.73, 55.94

 

CMYK 17 / 0 / 53 / 14

HEX #B6DB66

RGB 182 219 102

HSL 78.97, 0.62%, 0.63%

LAB 82.68, -29.91, 52.83

 

CMYK 0 / 16 / 77 / 24

HEX #C1A32D

RGB 193 163 45

HSL 47.84, 0.62%, 0.47%

LAB 67.81, -0.98, 61.13

 

CMYK 0 / 14 / 68 / 17

HEX #D3B644

RGB 211 182 68

HSL 47.83, 0.62%, 0.55%

LAB 74.65, -2.09, 59.54

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 0 / 8 / 40 / 11

HEX #E2D087

RGB 226 208 135

HSL 48.13, 0.61%, 0.71%

LAB 83.46, -3.89, 38.49

 

CMYK 0 / 6 / 28 / 8

HEX #EADDA8

RGB 234 221 168

HSL 48.18, 0.61%, 0.79%

LAB 87.98, -3.54, 27.68

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 53 / 0 / 53 / 14

HEX #68DB66

RGB 104 219 102

HSL 118.97, 0.62%, 0.63%

LAB 78.79, -55.61, 47.26

 

CMYK 33 / 53 / 0 / 14

HEX #9366DB

RGB 147 102 219

HSL 263.08, 0.62%, 0.63%

LAB 52.75, 42.45, -53.65

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 53 / 0 / 12 / 14

HEX #66DBC1

RGB 102 219 193

HSL 166.67, 0.62%, 0.63%

LAB 80.37, -39.33, 2.74

 

CMYK 12 / 53 / 0 / 14

HEX #C166DB

RGB 193 102 219

HSL 286.67, 0.62%, 0.63%

LAB 57.99, 54.28, -44.99

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 53 / 0 / 53 / 14

HEX #68DB66

RGB 104 219 102

HSL 118.97, 0.62%, 0.63%

LAB 78.79, -55.61, 47.26

 

CMYK 53 / 42 / 0 / 14

HEX #667FDB

RGB 102 127 219

HSL 227.18, 0.62%, 0.63%

LAB 55.19, 17.1, -49.96

 

CMYK 1 / 53 / 0 / 14

HEX #D966DB

RGB 217 102 219

HSL 298.97, 0.62%, 0.63%

LAB 61.11, 60.64, -39.88

 

CMYK 0 / 11 / 53 / 14

HEX #DBC366

RGB 219 195 102

HSL 47.69, 0.62%, 0.63%

LAB 79.07, -3.15, 49.28

 

CMYK 53 / 0 / 38 / 14

HEX #66DB87

RGB 102 219 135

HSL 136.92, 0.62%, 0.63%

LAB 79.18, -51.24, 31.5

 

CMYK 53 / 42 / 0 / 14

HEX #667FDB

RGB 102 127 219

HSL 227.18, 0.62%, 0.63%

LAB 55.19, 17.1, -49.96

 

CMYK 0 / 53 / 16 / 14

HEX #DB66B9

RGB 219 102 185

HSL 317.44, 0.62%, 0.63%

LAB 59.95, 55.65, -22.39

 

Description

Color code: HEX #DBC366 | qconv.com Color code: HEX #DBC366 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 195 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 195 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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