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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD761 it is the complementary color #24289E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD761. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD761 shade: #E0D75C, #F1E96F, #FFFB82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD761. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD761 shade: #DBD761, #CAC54E, #B9B33B, #A8A128 and #978F15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD761 shade: #DBD761, #DBB661, #DB9561, #DB7461 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD761 shade: #DBD761, #BEDB61, #9DDB61, #7CDB61 and #61DB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD761 shade matches the following richer shades: #DBD761, #EAE551 and #FAF441

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD761 shade: #DBD761, #CBC870, #BBB980, #ACAB90 and #9C9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD761 shade: #DB9561, #DBB661, #DBD761, #BEDB61 and #9EDB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD761 shade: #BEB92B, #D3CE3F, #DBD761, #E2DF82 and #EAE8A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD761 shade: #DBD761, #61DB75 and #A661DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD761 shade: #DBD761, #61DBD7 and #D761DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD761 shade: #DBD761, #61DB75, #6165DB and #DB61C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD761 shade: #DBD761, #61DB9A, #6165DB and #DB61A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

Complementary color

CMYK 77 / 75 / 0 / 38

HEX #24289E

RGB 36 40 158

HSL 238.03, 0.63%, 0.38%

LAB 24.83, 39.96, -63.65

 

CMYK 0 / 4 / 59 / 12

HEX #E0D75C

RGB 224 215 92

HSL 55.91, 0.68%, 0.62%

LAB 84.6, -12.03, 60.3

 

CMYK 0 / 3 / 54 / 5

HEX #F1E96F

RGB 241 233 111

HSL 56.31, 0.82%, 0.69%

LAB 90.84, -12.69, 59.3

 

CMYK 0 / 2 / 49 / 0

HEX #FFFB82

RGB 255 251 130

HSL 58.08, 1%, 0.75%

LAB 96.77, -14.43, 57.88

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 0 / 2 / 61 / 21

HEX #CAC54E

RGB 202 197 78

HSL 57.58, 0.54%, 0.55%

LAB 77.9, -13.03, 58.52

 

CMYK 0 / 3 / 68 / 27

HEX #B9B33B

RGB 185 179 59

HSL 57.14, 0.52%, 0.48%

LAB 71.47, -12.2, 59.19

 

CMYK 0 / 4 / 76 / 34

HEX #A8A128

RGB 168 161 40

HSL 56.72, 0.62%, 0.41%

LAB 64.94, -11.19, 59.35

 

CMYK 0 / 5 / 86 / 41

HEX #978F15

RGB 151 143 21

HSL 56.31, 0.76%, 0.34%

LAB 58.3, -9.95, 58.53

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 32 / 56 / 14

HEX #DB9561

RGB 219 149 97

HSL 25.57, 0.63%, 0.62%

LAB 67.59, 20.9, 37.9

 

CMYK 0 / 47 / 56 / 14

HEX #DB7461

RGB 219 116 97

HSL 9.34, 0.63%, 0.62%

LAB 60.26, 38.39, 28.63

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 13 / 0 / 56 / 14

HEX #BEDB61

RGB 190 219 97

HSL 74.26, 0.63%, 0.62%

LAB 83.16, -27.27, 55.79

 

CMYK 28 / 0 / 56 / 14

HEX #9DDB61

RGB 157 219 97

HSL 90.49, 0.63%, 0.62%

LAB 81.12, -39.64, 52.91

 

CMYK 43 / 0 / 56 / 14

HEX #7CDB61

RGB 124 219 97

HSL 106.72, 0.63%, 0.62%

LAB 79.51, -50.57, 50.61

 

CMYK 56 / 0 / 53 / 14

HEX #61DB66

RGB 97 219 102

HSL 122.46, 0.63%, 0.62%

LAB 78.56, -57.36, 46.92

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 0 / 2 / 65 / 8

HEX #EAE551

RGB 234 229 81

HSL 58.04, 0.78%, 0.62%

LAB 88.98, -15.55, 69.74

 

CMYK 0 / 2 / 74 / 2

HEX #FAF441

RGB 250 244 65

HSL 58.05, 0.95%, 0.62%

LAB 94.06, -17.06, 80.7

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 0 / 1 / 45 / 20

HEX #CBC870

RGB 203 200 112

HSL 58.02, 0.47%, 0.62%

LAB 79.14, -11.35, 44.17

 

CMYK 0 / 1 / 32 / 27

HEX #BBB980

RGB 187 185 128

HSL 57.97, 0.3%, 0.62%

LAB 74.08, -8.21, 29.25

 

CMYK 0 / 1 / 16 / 33

HEX #ACAB90

RGB 172 171 144

HSL 57.86, 0.14%, 0.62%

LAB 69.41, -4.33, 14.06

 

CMYK 2 / 2 / 0 / 38

HEX #9C9C9F

RGB 156 156 159

HSL 240, 0.02%, 0.62%

LAB 64.44, 0.58, -1.57

 

CMYK 0 / 32 / 56 / 14

HEX #DB9561

RGB 219 149 97

HSL 25.57, 0.63%, 0.62%

LAB 67.59, 20.9, 37.9

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 13 / 0 / 56 / 14

HEX #BEDB61

RGB 190 219 97

HSL 74.26, 0.63%, 0.62%

LAB 83.16, -27.27, 55.79

 

CMYK 28 / 0 / 56 / 14

HEX #9EDB61

RGB 158 219 97

HSL 90, 0.63%, 0.62%

LAB 81.18, -39.28, 52.98

 

CMYK 0 / 3 / 77 / 25

HEX #BEB92B

RGB 190 185 43

HSL 57.96, 0.63%, 0.46%

LAB 73.43, -13.86, 66.83

 

CMYK 0 / 2 / 70 / 17

HEX #D3CE3F

RGB 211 206 63

HSL 57.97, 0.63%, 0.54%

LAB 80.93, -14.64, 67.8

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 0 / 1 / 42 / 11

HEX #E2DF82

RGB 226 223 130

HSL 58.13, 0.62%, 0.7%

LAB 87.27, -12, 45.8

 

CMYK 0 / 1 / 30 / 8

HEX #EAE8A4

RGB 234 232 164

HSL 58.29, 0.63%, 0.78%

LAB 90.73, -9.6, 33.41

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 56 / 0 / 47 / 14

HEX #61DB75

RGB 97 219 117

HSL 129.84, 0.63%, 0.62%

LAB 78.75, -55.3, 39.94

 

CMYK 24 / 56 / 0 / 14

HEX #A661DB

RGB 166 97 219

HSL 273.93, 0.63%, 0.62%

LAB 53.78, 49.87, -51.88

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 56 / 0 / 2 / 14

HEX #61DBD7

RGB 97 219 215

HSL 178.03, 0.63%, 0.62%

LAB 80.8, -34.82, -8.36

 

CMYK 2 / 56 / 0 / 14

HEX #D761DB

RGB 215 97 219

HSL 298.03, 0.63%, 0.62%

LAB 59.99, 62.41, -41.65

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 56 / 0 / 47 / 14

HEX #61DB75

RGB 97 219 117

HSL 129.84, 0.63%, 0.62%

LAB 78.75, -55.3, 39.94

 

CMYK 56 / 54 / 0 / 14

HEX #6165DB

RGB 97 101 219

HSL 238.03, 0.63%, 0.62%

LAB 48.21, 31.92, -61.17

 

CMYK 0 / 56 / 10 / 14

HEX #DB61C6

RGB 219 97 198

HSL 310.33, 0.63%, 0.62%

LAB 59.6, 59.97, -30.33

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 56 / 0 / 30 / 14

HEX #61DB9A

RGB 97 219 154

HSL 148.03, 0.63%, 0.62%

LAB 79.35, -48.91, 21.89

 

CMYK 56 / 54 / 0 / 14

HEX #6165DB

RGB 97 101 219

HSL 238.03, 0.63%, 0.62%

LAB 48.21, 31.92, -61.17

 

CMYK 0 / 56 / 26 / 14

HEX #DB61A2

RGB 219 97 162

HSL 328.03, 0.63%, 0.62%

LAB 58.24, 54.71, -11.73

 

Description

Color code: HEX #DBD761 | qconv.com Color code: HEX #DBD761 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 215 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 215 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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