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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD0E7 it is the complementary color #242F18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD0E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD0E7 shade: #E0D0E2, #F1E2F5 and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD0E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD0E7 shade: #DBD0E7, #CABED4, #B9ACC1, #A89AAE and #97889B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD0E7 shade: #DACFE6, #E0CFE6, #E6CFE6, #E6CFE0 and #E6CFD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD0E7 shade: #DACFE6, #D4CFE6 and #CFCFE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD0E7 shade matches the following richer shades: #DACFE6, #DACAEC, #DAC4F2, #DABEF8 and #D9B8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD0E7 shade: #DACFE6, #DBD5E0, #DBDBDB, #DBE1D5 and #DBE6CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD0E7 shade: #CFD1E6, #D4CFE6, #DACFE6, #E0CFE6 and #E6CFE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD0E7 shade: #B099CA, #C5B4D8, #DACFE6 and #EFEBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD0E7 shade: #DBD0E7, #E6CFD7 and #CFE6D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD0E7 shade: #DBD0E7, #E6DACF and #CFE6DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD0E7 shade: #DBD0E7, #E6CFD7, #DCE6CF and #CFE6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD0E7 shade: #DBD0E7, #E6CFD0, #DCE6CF and #CFE6E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 10 / 0 / 9

HEX #DBD0E7

RGB 219 208 231

HSL 268.7, 0.32%, 0.86%

LAB 84.97, 7.99, -9.96

 

Complementary color

CMYK 23 / 0 / 49 / 82

HEX #242F18

RGB 36 47 24

HSL 88.7, 0.32%, 0.14%

LAB 17.8, -9.78, 13.27

 

CMYK 1 / 8 / 0 / 11

HEX #E0D0E2

RGB 224 208 226

HSL 293.33, 0.24%, 0.85%

LAB 85.23, 8.72, -6.88

 

CMYK 2 / 8 / 0 / 4

HEX #F1E2F5

RGB 241 226 245

HSL 287.37, 0.49%, 0.92%

LAB 91.54, 8.44, -7.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 5 / 10 / 0 / 9

HEX #DBD0E7

RGB 219 208 231

HSL 268.7, 0.32%, 0.86%

LAB 84.97, 7.99, -9.96

 

CMYK 5 / 10 / 0 / 17

HEX #CABED4

RGB 202 190 212

HSL 272.73, 0.2%, 0.79%

LAB 78.54, 8.27, -9.49

 

CMYK 4 / 11 / 0 / 24

HEX #B9ACC1

RGB 185 172 193

HSL 277.14, 0.14%, 0.72%

LAB 72.01, 8.58, -9.02

 

CMYK 3 / 11 / 0 / 32

HEX #A89AAE

RGB 168 154 174

HSL 282, 0.11%, 0.64%

LAB 65.35, 8.9, -8.54

 

CMYK 3 / 12 / 0 / 39

HEX #97889B

RGB 151 136 155

HSL 287.37, 0.09%, 0.57%

LAB 58.56, 9.26, -8.04

 

CMYK 5 / 10 / 0 / 10

HEX #DACFE6

RGB 218 207 230

HSL 268.7, 0.32%, 0.86%

LAB 84.61, 8, -9.97

 

CMYK 3 / 10 / 0 / 10

HEX #E0CFE6

RGB 224 207 230

HSL 284.35, 0.32%, 0.86%

LAB 85.09, 9.99, -9.2

 

CMYK 0 / 10 / 0 / 10

HEX #E6CFE6

RGB 230 207 230

HSL 300, 0.32%, 0.86%

LAB 85.59, 12, -8.41

 

CMYK 0 / 10 / 3 / 10

HEX #E6CFE0

RGB 230 207 224

HSL 315.65, 0.32%, 0.86%

LAB 85.42, 10.92, -5.47

 

CMYK 0 / 10 / 6 / 10

HEX #E6CFD9

RGB 230 207 217

HSL 333.91, 0.32%, 0.86%

LAB 85.23, 9.69, -2.03

 

CMYK 5 / 10 / 0 / 10

HEX #DACFE6

RGB 218 207 230

HSL 268.7, 0.32%, 0.86%

LAB 84.61, 8, -9.97

 

CMYK 8 / 10 / 0 / 10

HEX #D4CFE6

RGB 212 207 230

HSL 253.04, 0.32%, 0.86%

LAB 84.14, 6.03, -10.72

 

CMYK 10 / 10 / 0 / 10

HEX #CFCFE6

RGB 207 207 230

HSL 240, 0.32%, 0.86%

LAB 83.76, 4.4, -11.33

 

CMYK 5 / 10 / 0 / 10

HEX #DACFE6

RGB 218 207 230

HSL 268.7, 0.32%, 0.86%

LAB 84.61, 8, -9.97

 

CMYK 8 / 14 / 0 / 7

HEX #DACAEC

RGB 218 202 236

HSL 268.24, 0.47%, 0.86%

LAB 83.55, 11.82, -14.75

 

CMYK 10 / 19 / 0 / 5

HEX #DAC4F2

RGB 218 196 242

HSL 268.7, 0.64%, 0.86%

LAB 82.27, 16.22, -19.87

 

CMYK 12 / 23 / 0 / 3

HEX #DABEF8

RGB 218 190 248

HSL 268.97, 0.81%, 0.86%

LAB 81.02, 20.67, -24.97

 

CMYK 14 / 27 / 0 / 1

HEX #D9B8FD

RGB 217 184 253

HSL 268.7, 0.95%, 0.86%

LAB 79.68, 24.63, -29.7

 

CMYK 5 / 10 / 0 / 10

HEX #DACFE6

RGB 218 207 230

HSL 268.7, 0.32%, 0.86%

LAB 84.61, 8, -9.97

 

CMYK 2 / 5 / 0 / 12

HEX #DBD5E0

RGB 219 213 224

HSL 272.73, 0.15%, 0.86%

LAB 86.02, 4.05, -4.68

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 3 / 0 / 5 / 12

HEX #DBE1D5

RGB 219 225 213

HSL 90, 0.17%, 0.86%

LAB 88.79, -4.15, 5.15

 

CMYK 5 / 0 / 10 / 10

HEX #DBE6CF

RGB 219 230 207

HSL 88.7, 0.32%, 0.86%

LAB 89.93, -7.73, 9.94

 

CMYK 10 / 9 / 0 / 10

HEX #CFD1E6

RGB 207 209 230

HSL 234.78, 0.32%, 0.86%

LAB 84.27, 3.34, -10.57

 

CMYK 8 / 10 / 0 / 10

HEX #D4CFE6

RGB 212 207 230

HSL 253.04, 0.32%, 0.86%

LAB 84.14, 6.03, -10.72

 

CMYK 5 / 10 / 0 / 10

HEX #DACFE6

RGB 218 207 230

HSL 268.7, 0.32%, 0.86%

LAB 84.61, 8, -9.97

 

CMYK 3 / 10 / 0 / 10

HEX #E0CFE6

RGB 224 207 230

HSL 284.35, 0.32%, 0.86%

LAB 85.09, 9.99, -9.2

 

CMYK 0 / 10 / 0 / 10

HEX #E6CFE6

RGB 230 207 230

HSL 300, 0.32%, 0.86%

LAB 85.59, 12, -8.41

 

CMYK 13 / 24 / 0 / 21

HEX #B099CA

RGB 176 153 202

HSL 268.16, 0.32%, 0.7%

LAB 66.73, 17.96, -22.03

 

CMYK 9 / 17 / 0 / 15

HEX #C5B4D8

RGB 197 180 216

HSL 268.33, 0.32%, 0.78%

LAB 75.74, 12.82, -15.89

 

CMYK 5 / 10 / 0 / 10

HEX #DACFE6

RGB 218 207 230

HSL 268.7, 0.32%, 0.86%

LAB 84.61, 8, -9.97

 

CMYK 2 / 4 / 0 / 4

HEX #EFEBF4

RGB 239 235 244

HSL 266.67, 0.29%, 0.94%

LAB 93.58, 2.95, -3.88

 

CMYK 5 / 10 / 0 / 9

HEX #DBD0E7

RGB 219 208 231

HSL 268.7, 0.32%, 0.86%

LAB 84.97, 7.99, -9.96

 

CMYK 0 / 10 / 7 / 10

HEX #E6CFD7

RGB 230 207 215

HSL 339.13, 0.32%, 0.86%

LAB 85.18, 9.35, -1.04

 

CMYK 10 / 0 / 9 / 10

HEX #CFE6D1

RGB 207 230 209

HSL 125.22, 0.32%, 0.86%

LAB 89.14, -11.47, 7.65

 

CMYK 5 / 10 / 0 / 9

HEX #DBD0E7

RGB 219 208 231

HSL 268.7, 0.32%, 0.86%

LAB 84.97, 7.99, -9.96

 

CMYK 0 / 5 / 10 / 10

HEX #E6DACF

RGB 230 218 207

HSL 28.7, 0.32%, 0.86%

LAB 87.71, 2.26, 6.87

 

CMYK 10 / 0 / 5 / 10

HEX #CFE6DA

RGB 207 230 218

HSL 148.7, 0.32%, 0.86%

LAB 89.36, -9.83, 3.25

 

CMYK 5 / 10 / 0 / 9

HEX #DBD0E7

RGB 219 208 231

HSL 268.7, 0.32%, 0.86%

LAB 84.97, 7.99, -9.96

 

CMYK 0 / 10 / 7 / 10

HEX #E6CFD7

RGB 230 207 215

HSL 339.13, 0.32%, 0.86%

LAB 85.18, 9.35, -1.04

 

CMYK 4 / 0 / 10 / 10

HEX #DCE6CF

RGB 220 230 207

HSL 86.09, 0.32%, 0.86%

LAB 90.01, -7.38, 10.05

 

CMYK 10 / 0 / 3 / 10

HEX #CFE6DF

RGB 207 230 223

HSL 161.74, 0.32%, 0.86%

LAB 89.48, -8.9, 0.81

 

CMYK 5 / 10 / 0 / 9

HEX #DBD0E7

RGB 219 208 231

HSL 268.7, 0.32%, 0.86%

LAB 84.97, 7.99, -9.96

 

CMYK 0 / 10 / 10 / 10

HEX #E6CFD0

RGB 230 207 208

HSL 357.39, 0.32%, 0.86%

LAB 85, 8.17, 2.41

 

CMYK 4 / 0 / 10 / 10

HEX #DCE6CF

RGB 220 230 207

HSL 86.09, 0.32%, 0.86%

LAB 90.01, -7.38, 10.05

 

CMYK 10 / 0 / 0 / 10

HEX #CFE6E5

RGB 207 230 229

HSL 177.39, 0.32%, 0.86%

LAB 89.63, -7.75, -2.11

 

Description

Color code: HEX #DBD0E7 | qconv.com Color code: HEX #DBD0E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 208 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 208 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 10 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 10% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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