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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD2AC it is the complementary color #242D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD2AC shade: #E0D2A7, #F1E4BA, #FFF6CD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD2AC shade: #DBD2AC, #CAC099, #B9AE86, #A89C73 and #978A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD2AC shade: #DBD2AD, #DBC6AD, #DBB9AD and #DBADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD2AC shade: #DBD2AD, #D7DBAD, #CBDBAD, #BEDBAD and #B2DBAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD2AC shade matches the following richer shades: #DBD2AD, #E4D8A3, #EEDE9A and #F7E491

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD2AC shade: #DBD2AD, #D1CCB6, #C8C6C0, #BEC0C9 and #B5BBD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD2AC shade: #DBB9AD, #DBC5AD, #DBD2AD, #D8DBAD and #CBDBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD2AC shade: #C2B374, #CEC290, #DBD2AD, #E7E2CA and #F4F1E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD2AC shade: #DBD2AC, #ADDBAD and #BFADDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD2AC shade: #DBD2AC, #ADDBD2 and #D2ADDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD2AC shade: #DBD2AC, #ADDBAD, #ADB6DB and #DBADDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD2AC shade: #DBD2AC, #ADDBBB, #ADB6DB and #DBADCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 21 / 14

HEX #DBD2AC

RGB 219 210 172

HSL 48.51, 0.39%, 0.77%

LAB 84.03, -2.97, 19.98

 

Complementary color

CMYK 57 / 46 / 0 / 67

HEX #242D53

RGB 36 45 83

HSL 228.51, 0.39%, 0.23%

LAB 19.54, 8.71, -24.43

 

CMYK 0 / 6 / 25 / 12

HEX #E0D2A7

RGB 224 210 167

HSL 45.26, 0.48%, 0.77%

LAB 84.34, -1.79, 23.1

 

CMYK 0 / 5 / 23 / 5

HEX #F1E4BA

RGB 241 228 186

HSL 45.82, 0.66%, 0.84%

LAB 90.66, -2.09, 22.12

 

CMYK 0 / 4 / 20 / 0

HEX #FFF6CD

RGB 255 246 205

HSL 49.2, 1%, 0.9%

LAB 96.65, -3.42, 20.84

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AC

RGB 219 210 172

HSL 48.51, 0.39%, 0.77%

LAB 84.03, -2.97, 19.98

 

CMYK 0 / 5 / 24 / 21

HEX #CAC099

RGB 202 192 153

HSL 47.76, 0.32%, 0.7%

LAB 77.61, -2.7, 20.96

 

CMYK 0 / 6 / 28 / 27

HEX #B9AE86

RGB 185 174 134

HSL 47.06, 0.27%, 0.63%

LAB 71.08, -2.4, 22

 

CMYK 0 / 7 / 32 / 34

HEX #A89C73

RGB 168 156 115

HSL 46.42, 0.23%, 0.55%

LAB 64.43, -2.04, 23.1

 

CMYK 0 / 9 / 36 / 41

HEX #978A60

RGB 151 138 96

HSL 45.82, 0.22%, 0.48%

LAB 57.66, -1.62, 24.29

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AD

RGB 219 210 173

HSL 48.26, 0.39%, 0.77%

LAB 84.05, -2.82, 19.48

 

CMYK 0 / 10 / 21 / 14

HEX #DBC6AD

RGB 219 198 173

HSL 32.61, 0.39%, 0.77%

LAB 81, 3.43, 15.21

 

CMYK 0 / 16 / 21 / 14

HEX #DBB9AD

RGB 219 185 173

HSL 15.65, 0.39%, 0.77%

LAB 77.74, 10.32, 10.61

 

CMYK 0 / 21 / 21 / 14

HEX #DBADAD

RGB 219 173 173

HSL 0, 0.39%, 0.77%

LAB 74.8, 16.76, 6.41

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AD

RGB 219 210 173

HSL 48.26, 0.39%, 0.77%

LAB 84.05, -2.82, 19.48

 

CMYK 2 / 0 / 21 / 14

HEX #D7DBAD

RGB 215 219 173

HSL 65.22, 0.39%, 0.77%

LAB 86.07, -8.91, 22.22

 

CMYK 7 / 0 / 21 / 14

HEX #CBDBAD

RGB 203 219 173

HSL 80.87, 0.39%, 0.77%

LAB 85.19, -13.27, 20.87

 

CMYK 13 / 0 / 21 / 14

HEX #BEDBAD

RGB 190 219 173

HSL 97.83, 0.39%, 0.77%

LAB 84.29, -17.89, 19.49

 

CMYK 19 / 0 / 21 / 14

HEX #B2DBAD

RGB 178 219 173

HSL 113.48, 0.39%, 0.77%

LAB 83.52, -22.04, 18.3

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AD

RGB 219 210 173

HSL 48.26, 0.39%, 0.77%

LAB 84.05, -2.82, 19.48

 

CMYK 0 / 5 / 29 / 11

HEX #E4D8A3

RGB 228 216 163

HSL 48.92, 0.55%, 0.77%

LAB 86.13, -3.9, 27.67

 

CMYK 0 / 7 / 35 / 7

HEX #EEDE9A

RGB 238 222 154

HSL 48.57, 0.71%, 0.77%

LAB 88.33, -4.24, 35.37

 

CMYK 0 / 8 / 41 / 3

HEX #F7E491

RGB 247 228 145

HSL 48.82, 0.86%, 0.77%

LAB 90.46, -4.76, 42.8

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AD

RGB 219 210 173

HSL 48.26, 0.39%, 0.77%

LAB 84.05, -2.82, 19.48

 

CMYK 0 / 2 / 13 / 18

HEX #D1CCB6

RGB 209 204 182

HSL 48.89, 0.23%, 0.77%

LAB 81.9, -2, 11.58

 

CMYK 0 / 1 / 4 / 22

HEX #C8C6C0

RGB 200 198 192

HSL 45, 0.07%, 0.77%

LAB 79.88, -0.38, 3.24

 

CMYK 5 / 4 / 0 / 21

HEX #BEC0C9

RGB 190 192 201

HSL 229.09, 0.09%, 0.77%

LAB 77.79, 1.02, -4.76

 

CMYK 14 / 11 / 0 / 17

HEX #B5BBD3

RGB 181 187 211

HSL 228, 0.25%, 0.77%

LAB 76.11, 2.75, -12.75

 

CMYK 0 / 16 / 21 / 14

HEX #DBB9AD

RGB 219 185 173

HSL 15.65, 0.39%, 0.77%

LAB 77.74, 10.32, 10.61

 

CMYK 0 / 10 / 21 / 14

HEX #DBC5AD

RGB 219 197 173

HSL 31.3, 0.39%, 0.77%

LAB 80.74, 3.96, 14.86

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AD

RGB 219 210 173

HSL 48.26, 0.39%, 0.77%

LAB 84.05, -2.82, 19.48

 

CMYK 1 / 0 / 21 / 14

HEX #D8DBAD

RGB 216 219 173

HSL 63.91, 0.39%, 0.77%

LAB 86.15, -8.54, 22.34

 

CMYK 7 / 0 / 21 / 14

HEX #CBDBAD

RGB 203 219 173

HSL 80.87, 0.39%, 0.77%

LAB 85.19, -13.27, 20.87

 

CMYK 0 / 8 / 40 / 24

HEX #C2B374

RGB 194 179 116

HSL 48.46, 0.39%, 0.61%

LAB 72.87, -3.69, 34.09

 

CMYK 0 / 6 / 30 / 19

HEX #CEC290

RGB 206 194 144

HSL 48.39, 0.39%, 0.69%

LAB 78.3, -3.42, 26.72

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AD

RGB 219 210 173

HSL 48.26, 0.39%, 0.77%

LAB 84.05, -2.82, 19.48

 

CMYK 0 / 2 / 13 / 9

HEX #E7E2CA

RGB 231 226 202

HSL 49.66, 0.38%, 0.85%

LAB 89.69, -2.31, 12.34

 

CMYK 0 / 1 / 6 / 4

HEX #F4F1E6

RGB 244 241 230

HSL 47.14, 0.39%, 0.93%

LAB 95.1, -0.88, 5.65

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AC

RGB 219 210 172

HSL 48.51, 0.39%, 0.77%

LAB 84.03, -2.97, 19.98

 

CMYK 21 / 0 / 21 / 14

HEX #ADDBAD

RGB 173 219 173

HSL 120, 0.39%, 0.77%

LAB 83.21, -23.72, 17.82

 

CMYK 13 / 21 / 0 / 14

HEX #BFADDB

RGB 191 173 219

HSL 263.48, 0.39%, 0.77%

LAB 73.6, 15.32, -20.82

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AC

RGB 219 210 172

HSL 48.51, 0.39%, 0.77%

LAB 84.03, -2.97, 19.98

 

CMYK 21 / 0 / 4 / 14

HEX #ADDBD2

RGB 173 219 210

HSL 168.26, 0.39%, 0.77%

LAB 84.07, -16.72, -0.5

 

CMYK 4 / 21 / 0 / 14

HEX #D2ADDB

RGB 210 173 219

HSL 288.26, 0.39%, 0.77%

LAB 75.27, 21.51, -18.13

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AC

RGB 219 210 172

HSL 48.51, 0.39%, 0.77%

LAB 84.03, -2.97, 19.98

 

CMYK 21 / 0 / 21 / 14

HEX #ADDBAD

RGB 173 219 173

HSL 120, 0.39%, 0.77%

LAB 83.21, -23.72, 17.82

 

CMYK 21 / 17 / 0 / 14

HEX #ADB6DB

RGB 173 182 219

HSL 228.26, 0.39%, 0.77%

LAB 74.48, 4.68, -19.61

 

CMYK 0 / 21 / 0 / 14

HEX #DBADDB

RGB 219 173 219

HSL 300, 0.39%, 0.77%

LAB 76.11, 24.49, -16.78

 

CMYK 0 / 4 / 21 / 14

HEX #DBD2AC

RGB 219 210 172

HSL 48.51, 0.39%, 0.77%

LAB 84.03, -2.97, 19.98

 

CMYK 21 / 0 / 15 / 14

HEX #ADDBBB

RGB 173 219 187

HSL 138.26, 0.39%, 0.77%

LAB 83.51, -21.22, 10.87

 

CMYK 21 / 17 / 0 / 14

HEX #ADB6DB

RGB 173 182 219

HSL 228.26, 0.39%, 0.77%

LAB 74.48, 4.68, -19.61

 

CMYK 0 / 21 / 6 / 14

HEX #DBADCD

RGB 219 173 205

HSL 318.26, 0.39%, 0.77%

LAB 75.67, 21.97, -9.81

 

Description

Color code: HEX #DBD2AC | qconv.com Color code: HEX #DBD2AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 210 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 210 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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