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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD39A it is the complementary color #242C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD39A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD39A shade: #E0D395, #F1E5A8, #FFF7BB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD39A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD39A shade: #DBD39A, #CAC187, #B9AF74, #A89D61 and #978B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD39A shade: #DAD299, #DAC199, #DAAF99, #DA9E99 and #DA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD39A shade: #DAD299, #D1DA99, #BFDA99, #AEDA99 and #9CDA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD39A shade matches the following richer shades: #DAD299, #E5DA8E, #F0E383 and #FBEB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD39A shade: #DAD299, #CFCAA4, #C4C1B0, #B9B9BB and #ADB0C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD39A shade: #DAAF99, #DAC099, #DAD199, #D1DA99 and #C0DA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD39A shade: #C4B75D, #CFC57B, #DAD299, #E5DFB8 and #F0EDD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD39A shade: #DBD39A, #99DA9E and #B799DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD39A shade: #DBD39A, #99DAD1 and #D199DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD39A shade: #DBD39A, #99DA9E, #99A2DA and #DA99D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD39A shade: #DBD39A, #99DAB1, #99A2DA and #DA99C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 30 / 14

HEX #DBD39A

RGB 219 211 154

HSL 52.62, 0.47%, 0.73%

LAB 83.96, -5.92, 29.28

 

Complementary color

CMYK 64 / 56 / 0 / 60

HEX #242C65

RGB 36 44 101

HSL 232.62, 0.47%, 0.27%

LAB 20.5, 16.25, -34.79

 

CMYK 0 / 6 / 33 / 12

HEX #E0D395

RGB 224 211 149

HSL 49.6, 0.55%, 0.73%

LAB 84.28, -4.62, 32.37

 

CMYK 0 / 5 / 30 / 5

HEX #F1E5A8

RGB 241 229 168

HSL 50.14, 0.72%, 0.8%

LAB 90.58, -4.96, 31.28

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7BB

RGB 255 247 187

HSL 52.94, 1%, 0.87%

LAB 96.56, -6.37, 29.88

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 4 / 30 / 14

HEX #DBD39A

RGB 219 211 154

HSL 52.62, 0.47%, 0.73%

LAB 83.96, -5.92, 29.28

 

CMYK 0 / 4 / 33 / 21

HEX #CAC187

RGB 202 193 135

HSL 51.94, 0.39%, 0.66%

LAB 77.55, -5.6, 30.39

 

CMYK 0 / 5 / 37 / 27

HEX #B9AF74

RGB 185 175 116

HSL 51.3, 0.33%, 0.59%

LAB 71.03, -5.22, 31.56

 

CMYK 0 / 7 / 42 / 34

HEX #A89D61

RGB 168 157 97

HSL 50.7, 0.29%, 0.52%

LAB 64.4, -4.77, 32.79

 

CMYK 0 / 8 / 48 / 41

HEX #978B4E

RGB 151 139 78

HSL 50.14, 0.32%, 0.45%

LAB 57.65, -4.22, 34.07

 

CMYK 0 / 4 / 30 / 15

HEX #DAD299

RGB 218 210 153

HSL 52.62, 0.47%, 0.73%

LAB 83.6, -5.92, 29.31

 

CMYK 0 / 11 / 30 / 15

HEX #DAC199

RGB 218 193 153

HSL 36.92, 0.47%, 0.73%

LAB 79.24, 2.92, 23.41

 

CMYK 0 / 20 / 30 / 15

HEX #DAAF99

RGB 218 175 153

HSL 20.31, 0.47%, 0.73%

LAB 74.74, 12.49, 17.21

 

CMYK 0 / 28 / 30 / 15

HEX #DA9E99

RGB 218 158 153

HSL 4.62, 0.47%, 0.73%

LAB 70.64, 21.65, 11.45

 

CMYK 0 / 30 / 30 / 15

HEX #DA9999

RGB 218 153 153

HSL 0, 0.47%, 0.73%

LAB 69.46, 24.35, 9.79

 

CMYK 0 / 4 / 30 / 15

HEX #DAD299

RGB 218 210 153

HSL 52.62, 0.47%, 0.73%

LAB 83.6, -5.92, 29.31

 

CMYK 4 / 0 / 30 / 15

HEX #D1DA99

RGB 209 218 153

HSL 68.31, 0.47%, 0.73%

LAB 85, -13.39, 31.05

 

CMYK 12 / 0 / 30 / 15

HEX #BFDA99

RGB 191 218 153

HSL 84.92, 0.47%, 0.73%

LAB 83.71, -20.06, 29.11

 

CMYK 20 / 0 / 30 / 15

HEX #AEDA99

RGB 174 218 153

HSL 100.62, 0.47%, 0.73%

LAB 82.62, -26.13, 27.44

 

CMYK 28 / 0 / 30 / 15

HEX #9CDA99

RGB 156 218 153

HSL 117.23, 0.47%, 0.73%

LAB 81.57, -32.23, 25.86

 

CMYK 0 / 4 / 30 / 15

HEX #DAD299

RGB 218 210 153

HSL 52.62, 0.47%, 0.73%

LAB 83.6, -5.92, 29.31

 

CMYK 0 / 5 / 38 / 10

HEX #E5DA8E

RGB 229 218 142

HSL 52.41, 0.63%, 0.73%

LAB 86.38, -7.05, 38.76

 

CMYK 0 / 5 / 45 / 6

HEX #F0E383

RGB 240 227 131

HSL 52.84, 0.78%, 0.73%

LAB 89.44, -8.39, 48.26

 

CMYK 0 / 6 / 52 / 2

HEX #FBEB78

RGB 251 235 120

HSL 52.67, 0.94%, 0.73%

LAB 92.26, -8.98, 57.06

 

CMYK 0 / 4 / 30 / 15

HEX #DAD299

RGB 218 210 153

HSL 52.62, 0.47%, 0.73%

LAB 83.6, -5.92, 29.31

 

CMYK 0 / 2 / 21 / 19

HEX #CFCAA4

RGB 207 202 164

HSL 53.02, 0.31%, 0.73%

LAB 80.84, -4.45, 19.63

 

CMYK 0 / 2 / 10 / 23

HEX #C4C1B0

RGB 196 193 176

HSL 51, 0.14%, 0.73%

LAB 77.88, -1.92, 8.92

 

CMYK 1 / 1 / 0 / 27

HEX #B9B9BB

RGB 185 185 187

HSL 240, 0.01%, 0.73%

LAB 75.2, 0.38, -1.02

 

CMYK 13 / 11 / 0 / 22

HEX #ADB0C6

RGB 173 176 198

HSL 232.8, 0.18%, 0.73%

LAB 72.24, 3.36, -11.52

 

CMYK 0 / 20 / 30 / 15

HEX #DAAF99

RGB 218 175 153

HSL 20.31, 0.47%, 0.73%

LAB 74.74, 12.49, 17.21

 

CMYK 0 / 12 / 30 / 15

HEX #DAC099

RGB 218 192 153

HSL 36, 0.47%, 0.73%

LAB 78.99, 3.44, 23.06

 

CMYK 0 / 4 / 30 / 15

HEX #DAD199

RGB 218 209 153

HSL 51.69, 0.47%, 0.73%

LAB 83.34, -5.4, 28.96

 

CMYK 4 / 0 / 30 / 15

HEX #D1DA99

RGB 209 218 153

HSL 68.31, 0.47%, 0.73%

LAB 85, -13.39, 31.05

 

CMYK 12 / 0 / 30 / 15

HEX #C0DA99

RGB 192 218 153

HSL 84, 0.47%, 0.73%

LAB 83.78, -19.7, 29.22

 

CMYK 0 / 7 / 53 / 23

HEX #C4B75D

RGB 196 183 93

HSL 52.43, 0.47%, 0.57%

LAB 73.8, -7.22, 46.89

 

CMYK 0 / 5 / 41 / 19

HEX #CFC57B

RGB 207 197 123

HSL 52.86, 0.47%, 0.65%

LAB 78.83, -7.07, 38.33

 

CMYK 0 / 4 / 30 / 15

HEX #DAD299

RGB 218 210 153

HSL 52.62, 0.47%, 0.73%

LAB 83.6, -5.92, 29.31

 

CMYK 0 / 3 / 20 / 10

HEX #E5DFB8

RGB 229 223 184

HSL 52, 0.46%, 0.81%

LAB 88.4, -4.22, 19.88

 

CMYK 0 / 1 / 11 / 6

HEX #F0EDD6

RGB 240 237 214

HSL 53.08, 0.46%, 0.89%

LAB 93.43, -2.84, 11.5

 

CMYK 0 / 4 / 30 / 14

HEX #DBD39A

RGB 219 211 154

HSL 52.62, 0.47%, 0.73%

LAB 83.96, -5.92, 29.28

 

CMYK 30 / 0 / 28 / 15

HEX #99DA9E

RGB 153 218 158

HSL 124.62, 0.47%, 0.73%

LAB 81.5, -32.37, 23.13

 

CMYK 16 / 30 / 0 / 15

HEX #B799DA

RGB 183 153 218

HSL 267.69, 0.47%, 0.73%

LAB 67.96, 23.66, -28.97

 

CMYK 0 / 4 / 30 / 14

HEX #DBD39A

RGB 219 211 154

HSL 52.62, 0.47%, 0.73%

LAB 83.96, -5.92, 29.28

 

CMYK 30 / 0 / 4 / 15

HEX #99DAD1

RGB 153 218 209

HSL 171.69, 0.47%, 0.73%

LAB 82.66, -22.38, -2.17

 

CMYK 4 / 30 / 0 / 15

HEX #D199DA

RGB 209 153 218

HSL 291.69, 0.47%, 0.73%

LAB 70.46, 31.89, -24.91

 

CMYK 0 / 4 / 30 / 14

HEX #DBD39A

RGB 219 211 154

HSL 52.62, 0.47%, 0.73%

LAB 83.96, -5.92, 29.28

 

CMYK 30 / 0 / 28 / 15

HEX #99DA9E

RGB 153 218 158

HSL 124.62, 0.47%, 0.73%

LAB 81.5, -32.37, 23.13

 

CMYK 30 / 26 / 0 / 15

HEX #99A2DA

RGB 153 162 218

HSL 231.69, 0.47%, 0.73%

LAB 67.78, 9.51, -29.44

 

CMYK 0 / 30 / 2 / 15

HEX #DA99D6

RGB 218 153 214

HSL 303.69, 0.47%, 0.73%

LAB 71.24, 34.04, -21.42

 

CMYK 0 / 4 / 30 / 14

HEX #DBD39A

RGB 219 211 154

HSL 52.62, 0.47%, 0.73%

LAB 83.96, -5.92, 29.28

 

CMYK 30 / 0 / 19 / 15

HEX #99DAB1

RGB 153 218 177

HSL 142.15, 0.47%, 0.73%

LAB 81.89, -28.95, 13.69

 

CMYK 30 / 26 / 0 / 15

HEX #99A2DA

RGB 153 162 218

HSL 231.69, 0.47%, 0.73%

LAB 67.78, 9.51, -29.44

 

CMYK 0 / 30 / 11 / 15

HEX #DA99C2

RGB 218 153 194

HSL 322.15, 0.47%, 0.73%

LAB 70.58, 30.54, -11.37

 

Description

Color code: HEX #DBD39A | qconv.com Color code: HEX #DBD39A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 211 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 211 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 30 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 30% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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