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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDD0C it is the complementary color #2422F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDD0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDD0C shade: #E0DD07, #F1EF1A, #FFFF2D, #FFFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDD0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDD0C shade: #DBDD0C, #CACB00, #B9B900, #A8A700 and #979500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDD0C shade: #DCDE0B, #DEA70B, #DE6F0B, #DE360B and #DE0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDD0C shade: #DCDE0B, #A3DE0B, #6ADE0B, #32DE0B and #0BDE1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDD0C shade matches the following richer shades: #DCDE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDD0C shade: #DCDE0B, #CACB1E, #B7B831, #A5A544 and #929257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDD0C shade: #DE6E0B, #DEA60B, #DEDE0B, #A6DE0B and #6EDE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDD0C shade: #8F9007, #B6B709, #DCDE0B, #F1F320 and #F3F547

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDD0C shade: #DBDD0C, #0BDE35 and #8A0BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDD0C shade: #DBDD0C, #0BDEDE and #DE0BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDD0C shade: #DBDD0C, #0BDE35, #0B0BDE and #DE0BB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDD0C shade: #DBDD0C, #0BDE75, #0B0BDE and #DE0B75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 95 / 13

HEX #DBDD0C

RGB 219 221 12

HSL 60.57, 0.9%, 0.46%

LAB 85.4, -20.08, 83.6

 

Complementary color

CMYK 85 / 86 / 0 / 5

HEX #2422F3

RGB 36 34 243

HSL 240.57, 0.9%, 0.54%

LAB 33.96, 68.97, -98.31

 

CMYK 0 / 1 / 97 / 12

HEX #E0DD07

RGB 224 221 7

HSL 59.17, 0.94%, 0.45%

LAB 85.79, -18.02, 84.5

 

CMYK 0 / 1 / 89 / 5

HEX #F1EF1A

RGB 241 239 26

HSL 59.44, 0.88%, 0.52%

LAB 91.91, -19.43, 87.65

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2D

RGB 255 255 45

HSL 60, 1%, 0.59%

LAB 97.22, -20.93, 88.91

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 1 / 0 / 95 / 13

HEX #DBDD0C

RGB 219 221 12

HSL 60.57, 0.9%, 0.46%

LAB 85.4, -20.08, 83.6

 

CMYK 0 / 0 / 100 / 20

HEX #CACB00

RGB 202 203 0

HSL 60.3, 1%, 0.4%

LAB 79.2, -18.58, 79.47

 

CMYK 0 / 0 / 100 / 27

HEX #B9B900

RGB 185 185 0

HSL 60, 1%, 0.36%

LAB 72.9, -16.94, 74.24

 

CMYK 0 / 1 / 100 / 34

HEX #A8A700

RGB 168 167 0

HSL 59.64, 1%, 0.33%

LAB 66.49, -15.26, 68.92

 

CMYK 0 / 1 / 100 / 41

HEX #979500

RGB 151 149 0

HSL 59.21, 1%, 0.3%

LAB 59.96, -13.53, 63.49

 

CMYK 1 / 0 / 95 / 13

HEX #DCDE0B

RGB 220 222 11

HSL 60.57, 0.91%, 0.46%

LAB 85.75, -20.16, 83.98

 

CMYK 0 / 25 / 95 / 13

HEX #DEA70B

RGB 222 167 11

HSL 44.36, 0.91%, 0.46%

LAB 71.68, 8.85, 73.69

 

CMYK 0 / 50 / 95 / 13

HEX #DE6F0B

RGB 222 111 11

HSL 28.44, 0.91%, 0.46%

LAB 58.9, 38.47, 64.82

 

CMYK 0 / 76 / 95 / 13

HEX #DE360B

RGB 222 54 11

HSL 12.23, 0.91%, 0.46%

LAB 49.73, 62.72, 59.12

 

CMYK 0 / 95 / 95 / 13

HEX #DE0B0B

RGB 222 11 11

HSL 0, 0.91%, 0.46%

LAB 46.7, 71.31, 57.46

 

CMYK 1 / 0 / 95 / 13

HEX #DCDE0B

RGB 220 222 11

HSL 60.57, 0.91%, 0.46%

LAB 85.75, -20.16, 83.98

 

CMYK 27 / 0 / 95 / 13

HEX #A3DE0B

RGB 163 222 11

HSL 76.78, 0.91%, 0.46%

LAB 81.87, -43.17, 79.31

 

CMYK 52 / 0 / 95 / 13

HEX #6ADE0B

RGB 106 222 11

HSL 92.99, 0.91%, 0.46%

LAB 79.23, -62.19, 76.1

 

CMYK 77 / 0 / 95 / 13

HEX #32DE0B

RGB 50 222 11

HSL 108.91, 0.91%, 0.46%

LAB 77.84, -73.8, 74.4

 

CMYK 95 / 0 / 86 / 13

HEX #0BDE1E

RGB 11 222 30

HSL 125.4, 0.91%, 0.46%

LAB 77.52, -76.5, 71.17

 

CMYK 1 / 0 / 95 / 13

HEX #DCDE0B

RGB 220 222 11

HSL 60.57, 0.91%, 0.46%

LAB 85.75, -20.16, 83.98

 

CMYK 1 / 0 / 95 / 13

HEX #DCDE0B

RGB 220 222 11

HSL 60.57, 0.91%, 0.46%

LAB 85.75, -20.16, 83.98

 

CMYK 0 / 0 / 85 / 20

HEX #CACB1E

RGB 202 203 30

HSL 60.35, 0.74%, 0.46%

LAB 79.25, -18.14, 75.54

 

CMYK 1 / 0 / 73 / 28

HEX #B7B831

RGB 183 184 49

HSL 60.44, 0.58%, 0.46%

LAB 72.61, -16.11, 63.92

 

CMYK 0 / 0 / 59 / 35

HEX #A5A544

RGB 165 165 68

HSL 60, 0.42%, 0.46%

LAB 66, -12.97, 49.07

 

CMYK 0 / 0 / 40 / 43

HEX #929257

RGB 146 146 87

HSL 60, 0.25%, 0.46%

LAB 59.3, -9.2, 31.25

 

CMYK 0 / 50 / 95 / 13

HEX #DE6E0B

RGB 222 110 11

HSL 28.15, 0.91%, 0.46%

LAB 58.7, 38.97, 64.68

 

CMYK 0 / 25 / 95 / 13

HEX #DEA60B

RGB 222 166 11

HSL 44.08, 0.91%, 0.46%

LAB 71.44, 9.38, 73.51

 

CMYK 0 / 0 / 95 / 13

HEX #DEDE0B

RGB 222 222 11

HSL 60, 0.91%, 0.46%

LAB 85.9, -19.32, 84.17

 

CMYK 25 / 0 / 95 / 13

HEX #A6DE0B

RGB 166 222 11

HSL 75.92, 0.91%, 0.46%

LAB 82.04, -42.03, 79.52

 

CMYK 50 / 0 / 95 / 13

HEX #6EDE0B

RGB 110 222 11

HSL 91.85, 0.91%, 0.46%

LAB 79.38, -61.06, 76.28

 

CMYK 1 / 0 / 95 / 44

HEX #8F9007

RGB 143 144 7

HSL 60.44, 0.91%, 0.3%

LAB 57.85, -14.42, 60.53

 

CMYK 1 / 0 / 95 / 28

HEX #B6B709

RGB 182 183 9

HSL 60.34, 0.91%, 0.38%

LAB 72.12, -17.13, 72.55

 

CMYK 1 / 0 / 95 / 13

HEX #DCDE0B

RGB 220 222 11

HSL 60.57, 0.91%, 0.46%

LAB 85.75, -20.16, 83.98

 

CMYK 1 / 0 / 87 / 5

HEX #F1F320

RGB 241 243 32

HSL 60.57, 0.9%, 0.54%

LAB 92.97, -21.24, 87.53

 

CMYK 1 / 0 / 71 / 4

HEX #F3F547

RGB 243 245 71

HSL 60.69, 0.9%, 0.62%

LAB 93.8, -20.14, 78.34

 

CMYK 1 / 0 / 95 / 13

HEX #DBDD0C

RGB 219 221 12

HSL 60.57, 0.9%, 0.46%

LAB 85.4, -20.08, 83.6

 

CMYK 95 / 0 / 76 / 13

HEX #0BDE35

RGB 11 222 53

HSL 131.94, 0.91%, 0.46%

LAB 77.62, -75.25, 65.27

 

CMYK 38 / 95 / 0 / 13

HEX #8A0BDE

RGB 138 11 222

HSL 276.11, 0.91%, 0.46%

LAB 39.44, 76.12, -77

 

CMYK 1 / 0 / 95 / 13

HEX #DBDD0C

RGB 219 221 12

HSL 60.57, 0.9%, 0.46%

LAB 85.4, -20.08, 83.6

 

CMYK 95 / 0 / 0 / 13

HEX #0BDEDE

RGB 11 222 222

HSL 180, 0.91%, 0.46%

LAB 80.51, -43.04, -12.67

 

CMYK 0 / 95 / 0 / 13

HEX #DE0BDE

RGB 222 11 222

HSL 300, 0.91%, 0.46%

LAB 53, 87.71, -54.38

 

CMYK 1 / 0 / 95 / 13

HEX #DBDD0C

RGB 219 221 12

HSL 60.57, 0.9%, 0.46%

LAB 85.4, -20.08, 83.6

 

CMYK 95 / 0 / 76 / 13

HEX #0BDE35

RGB 11 222 53

HSL 131.94, 0.91%, 0.46%

LAB 77.62, -75.25, 65.27

 

CMYK 95 / 95 / 0 / 13

HEX #0B0BDE

RGB 11 11 222

HSL 240, 0.91%, 0.46%

LAB 28.34, 69.39, -95.74

 

CMYK 0 / 95 / 19 / 13

HEX #DE0BB4

RGB 222 11 180

HSL 311.94, 0.91%, 0.46%

LAB 50.76, 82.13, -33.68

 

CMYK 1 / 0 / 95 / 13

HEX #DBDD0C

RGB 219 221 12

HSL 60.57, 0.9%, 0.46%

LAB 85.4, -20.08, 83.6

 

CMYK 95 / 0 / 47 / 13

HEX #0BDE75

RGB 11 222 117

HSL 150.14, 0.91%, 0.46%

LAB 78.23, -67.73, 38.98

 

CMYK 95 / 95 / 0 / 13

HEX #0B0BDE

RGB 11 11 222

HSL 240, 0.91%, 0.46%

LAB 28.34, 69.39, -95.74

 

CMYK 0 / 95 / 47 / 13

HEX #DE0B75

RGB 222 11 117

HSL 329.86, 0.91%, 0.46%

LAB 48.33, 75.76, 0.42

 

Description

Color code: HEX #DBDD0C | qconv.com Color code: HEX #DBDD0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 221 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 221 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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