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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDD33 it is the complementary color #2422CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDD33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDD33 shade: #E0DD2E, #F1EF41, #FFFF54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDD33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDD33 shade: #DBDD33, #CACB20, #B9B90D, #A8A700 and #979500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDD33 shade: #DADC32, #DCB032, #DC8232, #DC5432 and #DC3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDD33 shade: #DADC32, #ACDC32, #7EDC32, #50DC32 and #32DC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDD33 shade matches the following richer shades: #DADC32 and #EDEF1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDD33 shade: #DADC32, #C7C845, #B4B558, #A1A26C and #8E8E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDD33 shade: #DC8132, #DCAE32, #DCDC32, #AEDC32 and #81DC32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDD33 shade: #9EA01B, #C1C321, #DADC32, #E0E255 and #E6E878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDD33 shade: #DBDD33, #32DC54 and #9832DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDD33 shade: #DBDD33, #32DCDC and #DC32DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDD33 shade: #DBDD33, #32DC54, #3232DC and #DC32BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDD33 shade: #DBDD33, #32DC87, #3232DC and #DC3287

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 77 / 13

HEX #DBDD33

RGB 219 221 51

HSL 60.71, 0.71%, 0.53%

LAB 85.51, -19.21, 76.2

 

Complementary color

CMYK 82 / 83 / 0 / 20

HEX #2422CC

RGB 36 34 204

HSL 240.71, 0.71%, 0.47%

LAB 29.1, 57.79, -84

 

CMYK 0 / 1 / 79 / 12

HEX #E0DD2E

RGB 224 221 46

HSL 58.99, 0.74%, 0.53%

LAB 85.89, -17.29, 78.06

 

CMYK 0 / 1 / 73 / 5

HEX #F1EF41

RGB 241 239 65

HSL 59.32, 0.86%, 0.6%

LAB 92.05, -18.33, 78.57

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 1 / 0 / 77 / 13

HEX #DBDD33

RGB 219 221 51

HSL 60.71, 0.71%, 0.53%

LAB 85.51, -19.21, 76.2

 

CMYK 0 / 0 / 84 / 20

HEX #CACB20

RGB 202 203 32

HSL 60.35, 0.73%, 0.46%

LAB 79.26, -18.1, 75.12

 

CMYK 0 / 0 / 93 / 27

HEX #B9B90D

RGB 185 185 13

HSL 60, 0.87%, 0.39%

LAB 72.92, -16.78, 72.8

 

CMYK 0 / 1 / 100 / 34

HEX #A8A700

RGB 168 167 0

HSL 59.64, 1%, 0.33%

LAB 66.49, -15.26, 68.92

 

CMYK 0 / 1 / 100 / 41

HEX #979500

RGB 151 149 0

HSL 59.21, 1%, 0.3%

LAB 59.96, -13.53, 63.49

 

CMYK 1 / 0 / 77 / 14

HEX #DADC32

RGB 218 220 50

HSL 60.71, 0.71%, 0.53%

LAB 85.16, -19.17, 76.15

 

CMYK 0 / 20 / 77 / 14

HEX #DCB032

RGB 220 176 50

HSL 44.47, 0.71%, 0.53%

LAB 73.87, 4.11, 65.96

 

CMYK 0 / 41 / 77 / 14

HEX #DC8232

RGB 220 130 50

HSL 28.24, 0.71%, 0.53%

LAB 62.85, 28.7, 55.55

 

CMYK 0 / 62 / 77 / 14

HEX #DC5432

RGB 220 84 50

HSL 12, 0.71%, 0.53%

LAB 53.8, 51.49, 46.55

 

CMYK 0 / 77 / 77 / 14

HEX #DC3232

RGB 220 50 50

HSL 0, 0.71%, 0.53%

LAB 49.16, 64.15, 41.73

 

CMYK 1 / 0 / 77 / 14

HEX #DADC32

RGB 218 220 50

HSL 60.71, 0.71%, 0.53%

LAB 85.16, -19.17, 76.15

 

CMYK 22 / 0 / 77 / 14

HEX #ACDC32

RGB 172 220 50

HSL 76.94, 0.71%, 0.53%

LAB 81.94, -37.78, 72.03

 

CMYK 43 / 0 / 77 / 14

HEX #7EDC32

RGB 126 220 50

HSL 93.18, 0.71%, 0.53%

LAB 79.53, -54.16, 68.91

 

CMYK 64 / 0 / 77 / 14

HEX #50DC32

RGB 80 220 50

HSL 109.41, 0.71%, 0.53%

LAB 77.95, -66.5, 66.85

 

CMYK 77 / 0 / 70 / 14

HEX #32DC41

RGB 50 220 65

HSL 125.29, 0.71%, 0.53%

LAB 77.43, -70.56, 61.07

 

CMYK 1 / 0 / 77 / 14

HEX #DADC32

RGB 218 220 50

HSL 60.71, 0.71%, 0.53%

LAB 85.16, -19.17, 76.15

 

CMYK 1 / 0 / 87 / 6

HEX #EDEF1E

RGB 237 239 30

HSL 60.57, 0.87%, 0.53%

LAB 91.61, -21.01, 86.66

 

CMYK 1 / 0 / 77 / 14

HEX #DADC32

RGB 218 220 50

HSL 60.71, 0.71%, 0.53%

LAB 85.16, -19.17, 76.15

 

CMYK 0 / 0 / 66 / 22

HEX #C7C845

RGB 199 200 69

HSL 60.46, 0.54%, 0.53%

LAB 78.39, -16.35, 62.66

 

CMYK 1 / 0 / 51 / 29

HEX #B4B558

RGB 180 181 88

HSL 60.65, 0.39%, 0.53%

LAB 71.86, -13.28, 46.69

 

CMYK 1 / 0 / 33 / 36

HEX #A1A26C

RGB 161 162 108

HSL 61.11, 0.23%, 0.53%

LAB 65.36, -9.02, 28.03

 

CMYK 0 / 0 / 11 / 44

HEX #8E8E7F

RGB 142 142 127

HSL 60, 0.06%, 0.53%

LAB 58.63, -2.78, 7.99

 

CMYK 0 / 41 / 77 / 14

HEX #DC8132

RGB 220 129 50

HSL 27.88, 0.71%, 0.53%

LAB 62.63, 29.23, 55.34

 

CMYK 0 / 21 / 77 / 14

HEX #DCAE32

RGB 220 174 50

HSL 43.76, 0.71%, 0.53%

LAB 73.36, 5.17, 65.5

 

CMYK 0 / 0 / 77 / 14

HEX #DCDC32

RGB 220 220 50

HSL 60, 0.71%, 0.53%

LAB 85.32, -18.34, 76.35

 

CMYK 21 / 0 / 77 / 14

HEX #AEDC32

RGB 174 220 50

HSL 76.24, 0.71%, 0.53%

LAB 82.06, -37, 72.18

 

CMYK 41 / 0 / 77 / 14

HEX #81DC32

RGB 129 220 50

HSL 92.12, 0.71%, 0.53%

LAB 79.66, -53.19, 69.08

 

CMYK 1 / 0 / 83 / 37

HEX #9EA01B

RGB 158 160 27

HSL 60.9, 0.71%, 0.37%

LAB 63.75, -15.58, 61.84

 

CMYK 1 / 0 / 83 / 24

HEX #C1C321

RGB 193 195 33

HSL 60.74, 0.71%, 0.45%

LAB 76.36, -17.93, 72.19

 

CMYK 1 / 0 / 77 / 14

HEX #DADC32

RGB 218 220 50

HSL 60.71, 0.71%, 0.53%

LAB 85.16, -19.17, 76.15

 

CMYK 1 / 0 / 62 / 11

HEX #E0E255

RGB 224 226 85

HSL 60.85, 0.71%, 0.61%

LAB 87.43, -17.93, 66.3

 

CMYK 1 / 0 / 48 / 9

HEX #E6E878

RGB 230 232 120

HSL 61.07, 0.71%, 0.69%

LAB 89.81, -15.83, 53.75

 

CMYK 1 / 0 / 77 / 13

HEX #DBDD33

RGB 219 221 51

HSL 60.71, 0.71%, 0.53%

LAB 85.51, -19.21, 76.2

 

CMYK 77 / 0 / 62 / 14

HEX #32DC54

RGB 50 220 84

HSL 132, 0.71%, 0.53%

LAB 77.58, -68.67, 53.61

 

CMYK 31 / 77 / 0 / 14

HEX #9832DC

RGB 152 50 220

HSL 276, 0.71%, 0.53%

LAB 44.41, 68.33, -67.64

 

CMYK 1 / 0 / 77 / 13

HEX #DBDD33

RGB 219 221 51

HSL 60.71, 0.71%, 0.53%

LAB 85.51, -19.21, 76.2

 

CMYK 77 / 0 / 0 / 14

HEX #32DCDC

RGB 50 220 220

HSL 180, 0.71%, 0.53%

LAB 80.2, -40.49, -12.03

 

CMYK 0 / 77 / 0 / 14

HEX #DC32DC

RGB 220 50 220

HSL 300, 0.71%, 0.53%

LAB 54.72, 80.69, -50.5

 

CMYK 1 / 0 / 77 / 13

HEX #DBDD33

RGB 219 221 51

HSL 60.71, 0.71%, 0.53%

LAB 85.51, -19.21, 76.2

 

CMYK 77 / 0 / 62 / 14

HEX #32DC54

RGB 50 220 84

HSL 132, 0.71%, 0.53%

LAB 77.58, -68.67, 53.61

 

CMYK 77 / 77 / 0 / 14

HEX #3232DC

RGB 50 50 220

HSL 240, 0.71%, 0.53%

LAB 34.25, 55.86, -84.72

 

CMYK 0 / 77 / 15 / 14

HEX #DC32BA

RGB 220 50 186

HSL 312, 0.71%, 0.53%

LAB 53, 75.79, -33.71

 

CMYK 1 / 0 / 77 / 13

HEX #DBDD33

RGB 219 221 51

HSL 60.71, 0.71%, 0.53%

LAB 85.51, -19.21, 76.2

 

CMYK 77 / 0 / 39 / 14

HEX #32DC87

RGB 50 220 135

HSL 150, 0.71%, 0.53%

LAB 78.24, -60.98, 30.03

 

CMYK 77 / 77 / 0 / 14

HEX #3232DC

RGB 50 50 220

HSL 240, 0.71%, 0.53%

LAB 34.25, 55.86, -84.72

 

CMYK 0 / 77 / 39 / 14

HEX #DC3287

RGB 220 50 135

HSL 330, 0.71%, 0.53%

LAB 50.97, 69.8, -6.65

 

Description

Color code: HEX #DBDD33 | qconv.com Color code: HEX #DBDD33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 221 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 221 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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