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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE54D it is the complementary color #241AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE54D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE54D shade: #E0E548, #F1F75B, #FFFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE54D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE54D shade: #DBE54D, #CAD33A, #B9C127, #A8AF14 and #979D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE54D shade: #DBE54C, #E5C64C, #E59D4C, #E5734C and #E54C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE54D shade: #DBE54C, #B2E54C, #88E54C, #5FE54C and #4CE562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE54D shade matches the following richer shades: #DBE54C and #E9F63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE54D shade: #DBE54C, #CDD45D, #BEC46D, #B0B37E and #A2A38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE54D shade: #E59B4C, #E5C44C, #DDE54C, #B5E54C and #8CE54C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE54D shade: #B8C31B, #D4E028, #DBE54C, #E2EA70 and #E9EF94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE54D shade: #DBE54D, #4CE572 and #AF4CE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE54D shade: #DBE54D, #4CDDE5 and #E54CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE54D shade: #DBE54D, #4CE572, #544CE5 and #E54CBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE54D shade: #DBE54D, #4CE5A0, #544CE5 and #E54C91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 66 / 10

HEX #DBE54D

RGB 219 229 77

HSL 63.95, 0.75%, 0.6%

LAB 87.79, -21.89, 69.67

 

Complementary color

CMYK 80 / 85 / 0 / 30

HEX #241AB2

RGB 36 26 178

HSL 243.95, 0.75%, 0.4%

LAB 24.73, 53.46, -75.91

 

CMYK 2 / 0 / 69 / 10

HEX #E0E548

RGB 224 229 72

HSL 61.91, 0.75%, 0.59%

LAB 88.14, -20.12, 71.99

 

CMYK 2 / 0 / 63 / 3

HEX #F1F75B

RGB 241 247 91

HSL 62.31, 0.91%, 0.66%

LAB 94.3, -20.87, 71.54

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 4 / 0 / 66 / 10

HEX #DBE54D

RGB 219 229 77

HSL 63.95, 0.75%, 0.6%

LAB 87.79, -21.89, 69.67

 

CMYK 4 / 0 / 73 / 17

HEX #CAD33A

RGB 202 211 58

HSL 63.53, 0.63%, 0.53%

LAB 81.54, -21.11, 69.87

 

CMYK 4 / 0 / 80 / 24

HEX #B9C127

RGB 185 193 39

HSL 63.12, 0.66%, 0.45%

LAB 75.2, -20.16, 69.42

 

CMYK 4 / 0 / 89 / 31

HEX #A8AF14

RGB 168 175 20

HSL 62.71, 0.79%, 0.38%

LAB 68.78, -19.02, 67.88

 

CMYK 4 / 0 / 99 / 38

HEX #979D01

RGB 151 157 1

HSL 62.31, 0.99%, 0.31%

LAB 62.25, -17.67, 65.03

 

CMYK 4 / 0 / 67 / 10

HEX #DBE54C

RGB 219 229 76

HSL 63.92, 0.75%, 0.6%

LAB 87.79, -21.95, 70.04

 

CMYK 0 / 14 / 67 / 10

HEX #E5C64C

RGB 229 198 76

HSL 47.84, 0.75%, 0.6%

LAB 80.5, -2.31, 62.82

 

CMYK 0 / 31 / 67 / 10

HEX #E59D4C

RGB 229 157 76

HSL 31.76, 0.75%, 0.6%

LAB 70.38, 19.3, 51.99

 

CMYK 0 / 50 / 67 / 10

HEX #E5734C

RGB 229 115 76

HSL 15.29, 0.75%, 0.6%

LAB 61.17, 41.28, 41.55

 

CMYK 0 / 67 / 67 / 10

HEX #E54C4C

RGB 229 76 76

HSL 0, 0.75%, 0.6%

LAB 54.4, 59.01, 33.47

 

CMYK 4 / 0 / 67 / 10

HEX #DBE54C

RGB 219 229 76

HSL 63.92, 0.75%, 0.6%

LAB 87.79, -21.95, 70.04

 

CMYK 22 / 0 / 67 / 10

HEX #B2E54C

RGB 178 229 76

HSL 80, 0.75%, 0.6%

LAB 85.01, -38.09, 66.32

 

CMYK 41 / 0 / 67 / 10

HEX #88E54C

RGB 136 229 76

HSL 96.47, 0.75%, 0.6%

LAB 82.8, -52.83, 63.33

 

CMYK 59 / 0 / 67 / 10

HEX #5FE54C

RGB 95 229 76

HSL 112.55, 0.75%, 0.6%

LAB 81.29, -64.26, 61.26

 

CMYK 67 / 0 / 57 / 10

HEX #4CE562

RGB 76 229 98

HSL 128.63, 0.75%, 0.6%

LAB 80.99, -65.92, 51.51

 

CMYK 4 / 0 / 67 / 10

HEX #DBE54C

RGB 219 229 76

HSL 63.92, 0.75%, 0.6%

LAB 87.79, -21.95, 70.04

 

CMYK 5 / 0 / 76 / 4

HEX #E9F63B

RGB 233 246 59

HSL 64.17, 0.91%, 0.6%

LAB 93.26, -25.17, 81.28

 

CMYK 4 / 0 / 67 / 10

HEX #DBE54C

RGB 219 229 76

HSL 63.92, 0.75%, 0.6%

LAB 87.79, -21.95, 70.04

 

CMYK 3 / 0 / 56 / 17

HEX #CDD45D

RGB 205 212 93

HSL 63.53, 0.58%, 0.6%

LAB 82.3, -18.22, 56.89

 

CMYK 3 / 0 / 44 / 23

HEX #BEC46D

RGB 190 196 109

HSL 64.14, 0.42%, 0.6%

LAB 77, -14.85, 42.79

 

CMYK 2 / 0 / 30 / 30

HEX #B0B37E

RGB 176 179 126

HSL 63.4, 0.26%, 0.6%

LAB 71.54, -9.66, 26.78

 

CMYK 1 / 0 / 13 / 36

HEX #A2A38E

RGB 162 163 142

HSL 62.86, 0.1%, 0.6%

LAB 66.39, -4.13, 10.8

 

CMYK 0 / 32 / 67 / 10

HEX #E59B4C

RGB 229 155 76

HSL 30.98, 0.75%, 0.6%

LAB 69.91, 20.37, 51.47

 

CMYK 0 / 14 / 67 / 10

HEX #E5C44C

RGB 229 196 76

HSL 47.06, 0.75%, 0.6%

LAB 79.99, -1.27, 62.29

 

CMYK 3 / 0 / 67 / 10

HEX #DDE54C

RGB 221 229 76

HSL 63.14, 0.75%, 0.6%

LAB 87.94, -21.14, 70.24

 

CMYK 21 / 0 / 67 / 10

HEX #B5E54C

RGB 181 229 76

HSL 78.82, 0.75%, 0.6%

LAB 85.19, -36.95, 66.56

 

CMYK 39 / 0 / 67 / 10

HEX #8CE54C

RGB 140 229 76

HSL 94.9, 0.75%, 0.6%

LAB 82.99, -51.53, 63.57

 

CMYK 6 / 0 / 86 / 24

HEX #B8C31B

RGB 184 195 27

HSL 63.93, 0.76%, 0.44%

LAB 75.64, -21.92, 72.61

 

CMYK 5 / 0 / 82 / 12

HEX #D4E028

RGB 212 224 40

HSL 63.91, 0.75%, 0.52%

LAB 85.74, -23.92, 79.06

 

CMYK 4 / 0 / 67 / 10

HEX #DBE54C

RGB 219 229 76

HSL 63.92, 0.75%, 0.6%

LAB 87.79, -21.95, 70.04

 

CMYK 3 / 0 / 52 / 8

HEX #E2EA70

RGB 226 234 112

HSL 63.93, 0.74%, 0.68%

LAB 89.94, -19.07, 57.52

 

CMYK 3 / 0 / 38 / 6

HEX #E9EF94

RGB 233 239 148

HSL 63.96, 0.74%, 0.76%

LAB 92.22, -15.32, 43.33

 

CMYK 4 / 0 / 66 / 10

HEX #DBE54D

RGB 219 229 77

HSL 63.95, 0.75%, 0.6%

LAB 87.79, -21.89, 69.67

 

CMYK 67 / 0 / 50 / 10

HEX #4CE572

RGB 76 229 114

HSL 134.9, 0.75%, 0.6%

LAB 81.18, -63.8, 44.31

 

CMYK 24 / 67 / 0 / 10

HEX #AF4CE5

RGB 175 76 229

HSL 278.82, 0.75%, 0.6%

LAB 51.77, 64.24, -60.7

 

CMYK 4 / 0 / 66 / 10

HEX #DBE54D

RGB 219 229 77

HSL 63.95, 0.75%, 0.6%

LAB 87.79, -21.89, 69.67

 

CMYK 67 / 3 / 0 / 10

HEX #4CDDE5

RGB 76 221 229

HSL 183.14, 0.75%, 0.6%

LAB 81.24, -35.36, -15.21

 

CMYK 0 / 67 / 3 / 10

HEX #E54CDD

RGB 229 76 221

HSL 303.14, 0.75%, 0.6%

LAB 59.02, 74.68, -44.17

 

CMYK 4 / 0 / 66 / 10

HEX #DBE54D

RGB 219 229 77

HSL 63.95, 0.75%, 0.6%

LAB 87.79, -21.89, 69.67

 

CMYK 67 / 0 / 50 / 10

HEX #4CE572

RGB 76 229 114

HSL 134.9, 0.75%, 0.6%

LAB 81.18, -63.8, 44.31

 

CMYK 63 / 67 / 0 / 10

HEX #544CE5

RGB 84 76 229

HSL 243.14, 0.75%, 0.6%

LAB 42.32, 47.89, -76.47

 

CMYK 0 / 67 / 17 / 10

HEX #E54CBF

RGB 229 76 191

HSL 314.9, 0.75%, 0.6%

LAB 57.64, 70.24, -29.25

 

CMYK 4 / 0 / 66 / 10

HEX #DBE54D

RGB 219 229 77

HSL 63.95, 0.75%, 0.6%

LAB 87.79, -21.89, 69.67

 

CMYK 67 / 0 / 30 / 10

HEX #4CE5A0

RGB 76 229 160

HSL 152.94, 0.75%, 0.6%

LAB 81.9, -55.77, 22.18

 

CMYK 63 / 67 / 0 / 10

HEX #544CE5

RGB 84 76 229

HSL 243.14, 0.75%, 0.6%

LAB 42.32, 47.89, -76.47

 

CMYK 0 / 67 / 37 / 10

HEX #E54C91

RGB 229 76 145

HSL 332.94, 0.75%, 0.6%

LAB 55.96, 64.55, -5.04

 

Description

Color code: HEX #DBE54D | qconv.com Color code: HEX #DBE54D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 229 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 229 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 66 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 66% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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