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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE56F it is the complementary color #241A90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE56F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE56F shade: #E0E56A, #F1F77D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE56F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE56F shade: #DBE56F, #CAD35C, #B9C149, #A8AF36 and #979D23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE56F shade: #DBE470, #E4CF70, #E4B070, #E49070 and #E47170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE56F shade: #DBE470, #BBE470, #9CE470, #7DE470 and #70E483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE56F shade matches the following richer shades: #DBE470 and #E6F263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE56F shade: #DBE470, #CFD77E, #C4C98C, #B9BC99 and #ADAEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE56F shade: #E4B070, #E4CF70, #DBE470, #BCE470 and #9DE470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE56F shade: #C9D82B, #D2DE4D, #DBE470, #E3EB93 and #ECF1B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE56F shade: #DBE56F, #70E491 and #C070E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE56F shade: #DBE56F, #70DBE4 and #E470DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE56F shade: #DBE56F, #70E491, #7A70E4 and #E470C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE56F shade: #DBE56F, #70E4B4, #7A70E4 and #E470A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

Complementary color

CMYK 75 / 82 / 0 / 44

HEX #241A90

RGB 36 26 144

HSL 245.08, 0.69%, 0.33%

LAB 20.55, 42.99, -62.12

 

CMYK 2 / 0 / 54 / 10

HEX #E0E56A

RGB 224 229 106

HSL 62.44, 0.7%, 0.66%

LAB 88.41, -17.92, 58.41

 

CMYK 2 / 0 / 49 / 3

HEX #F1F77D

RGB 241 247 125

HSL 62.95, 0.88%, 0.73%

LAB 94.61, -18.39, 57.36

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 4 / 0 / 56 / 17

HEX #CAD35C

RGB 202 211 92

HSL 64.54, 0.57%, 0.59%

LAB 81.79, -19.02, 56.7

 

CMYK 4 / 0 / 62 / 24

HEX #B9C149

RGB 185 193 73

HSL 64, 0.49%, 0.52%

LAB 75.41, -18.45, 57.57

 

CMYK 4 / 0 / 69 / 31

HEX #A8AF36

RGB 168 175 54

HSL 63.47, 0.53%, 0.45%

LAB 68.93, -17.73, 58.13

 

CMYK 4 / 0 / 78 / 38

HEX #979D23

RGB 151 157 35

HSL 62.95, 0.64%, 0.38%

LAB 62.35, -16.84, 58.09

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 0 / 9 / 51 / 11

HEX #E4CF70

RGB 228 207 112

HSL 49.14, 0.68%, 0.67%

LAB 83.07, -4.79, 49.43

 

CMYK 0 / 23 / 51 / 11

HEX #E4B070

RGB 228 176 112

HSL 33.1, 0.68%, 0.67%

LAB 75.27, 11.4, 39.88

 

CMYK 0 / 37 / 51 / 11

HEX #E49070

RGB 228 144 112

HSL 16.55, 0.68%, 0.67%

LAB 67.73, 28.47, 30.26

 

CMYK 0 / 50 / 51 / 11

HEX #E47170

RGB 228 113 112

HSL 0.52, 0.68%, 0.67%

LAB 61.2, 44.5, 21.6

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 18 / 0 / 51 / 11

HEX #BBE470

RGB 187 228 112

HSL 81.21, 0.68%, 0.67%

LAB 85.62, -31.27, 51.75

 

CMYK 32 / 0 / 51 / 11

HEX #9CE470

RGB 156 228 112

HSL 97.24, 0.68%, 0.67%

LAB 83.82, -42.37, 49.17

 

CMYK 45 / 0 / 51 / 11

HEX #7DE470

RGB 125 228 112

HSL 113.28, 0.68%, 0.67%

LAB 82.39, -52.14, 47.09

 

CMYK 51 / 0 / 43 / 11

HEX #70E483

RGB 112 228 131

HSL 129.83, 0.68%, 0.67%

LAB 82.15, -53.03, 37.46

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 5 / 0 / 59 / 5

HEX #E6F263

RGB 230 242 99

HSL 65.03, 0.85%, 0.67%

LAB 92.23, -22.34, 65.84

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 4 / 0 / 41 / 16

HEX #CFD77E

RGB 207 215 126

HSL 65.39, 0.53%, 0.67%

LAB 83.64, -15.87, 42.91

 

CMYK 2 / 0 / 30 / 21

HEX #C4C98C

RGB 196 201 140

HSL 64.92, 0.36%, 0.67%

LAB 79.27, -11.42, 29.98

 

CMYK 2 / 0 / 19 / 26

HEX #B9BC99

RGB 185 188 153

HSL 65.14, 0.21%, 0.67%

LAB 75.19, -7.03, 17.4

 

CMYK 1 / 0 / 4 / 32

HEX #ADAEA7

RGB 173 174 167

HSL 68.57, 0.04%, 0.67%

LAB 70.83, -1.65, 3.46

 

CMYK 0 / 23 / 51 / 11

HEX #E4B070

RGB 228 176 112

HSL 33.1, 0.68%, 0.67%

LAB 75.27, 11.4, 39.88

 

CMYK 0 / 9 / 51 / 11

HEX #E4CF70

RGB 228 207 112

HSL 49.14, 0.68%, 0.67%

LAB 83.07, -4.79, 49.43

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 18 / 0 / 51 / 11

HEX #BCE470

RGB 188 228 112

HSL 80.69, 0.68%, 0.67%

LAB 85.68, -30.89, 51.84

 

CMYK 31 / 0 / 51 / 11

HEX #9DE470

RGB 157 228 112

HSL 96.72, 0.68%, 0.67%

LAB 83.87, -42.03, 49.24

 

CMYK 7 / 0 / 80 / 15

HEX #C9D82B

RGB 201 216 43

HSL 65.2, 0.69%, 0.51%

LAB 82.76, -24.54, 75.43

 

CMYK 5 / 0 / 65 / 13

HEX #D2DE4D

RGB 210 222 77

HSL 64.97, 0.69%, 0.59%

LAB 85.24, -22.17, 66.85

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 3 / 0 / 37 / 8

HEX #E3EB93

RGB 227 235 147

HSL 65.45, 0.69%, 0.75%

LAB 90.71, -15.75, 41.81

 

CMYK 2 / 0 / 24 / 5

HEX #ECF1B6

RGB 236 241 182

HSL 65.08, 0.68%, 0.83%

LAB 93.5, -11.01, 28.02

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 16 / 51 / 0 / 11

HEX #C070E4

RGB 192 112 228

HSL 281.38, 0.68%, 0.67%

LAB 60.25, 50.79, -46.49

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 4 / 0 / 11

HEX #70DBE4

RGB 112 219 228

HSL 184.66, 0.68%, 0.67%

LAB 81.68, -28.42, -13.92

 

CMYK 0 / 51 / 4 / 11

HEX #E470DB

RGB 228 112 219

HSL 304.66, 0.68%, 0.67%

LAB 64.32, 58.96, -34.75

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 0 / 36 / 11

HEX #70E491

RGB 112 228 145

HSL 137.07, 0.68%, 0.67%

LAB 82.37, -50.75, 30.7

 

CMYK 46 / 51 / 0 / 11

HEX #7A70E4

RGB 122 112 228

HSL 245.17, 0.68%, 0.67%

LAB 53.31, 33.26, -57.96

 

CMYK 0 / 51 / 14 / 11

HEX #E470C4

RGB 228 112 196

HSL 316.55, 0.68%, 0.67%

LAB 63.4, 55.25, -23.25

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 0 / 21 / 11

HEX #70E4B4

RGB 112 228 180

HSL 155.17, 0.68%, 0.67%

LAB 83.03, -44.04, 13.48

 

CMYK 46 / 51 / 0 / 11

HEX #7A70E4

RGB 122 112 228

HSL 245.17, 0.68%, 0.67%

LAB 53.31, 33.26, -57.96

 

CMYK 0 / 51 / 29 / 11

HEX #E470A1

RGB 228 112 161

HSL 334.66, 0.68%, 0.67%

LAB 62.22, 50.3, -5.09

 

Description

Color code: HEX #DBE56F | qconv.com Color code: HEX #DBE56F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 229 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 229 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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