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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE736 it is the complementary color #2418C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE736 shade: #E0E731, #F1F944, #FFFF57, #FFFF6A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE736 shade: #DBE736, #CAD523, #B9C310, #A8B100 and #979F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE736 shade: #DBE736, #E7C336, #E79336, #E76436 and #E73636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE736 shade: #DBE736, #ABE736, #7BE736, #4BE736 and #36E750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE736 shade matches the following richer shades: #DBE736 and #EBF924

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE736 shade: #DBE736, #CBD548, #BCC35A, #ACB06C and #9C9E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE736 shade: #E79436, #E7C336, #DBE736, #ACE736 and #7DE736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE736 shade: #AAB515, #CDDA19, #DBE736, #E1EB5B and #E8F080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE736 shade: #DBE736, #36E765 and #AC36E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE736 shade: #DBE736, #36DBE7 and #E736DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE736 shade: #DBE736, #36E765, #4136E7 and #E736B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE736 shade: #DBE736, #36E79A, #4136E7 and #E73682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

Complementary color

CMYK 82 / 88 / 0 / 21

HEX #2418C9

RGB 36 24 201

HSL 244.07, 0.79%, 0.44%

LAB 27.42, 60.82, -85.05

 

CMYK 3 / 0 / 79 / 9

HEX #E0E731

RGB 224 231 49

HSL 62.31, 0.79%, 0.55%

LAB 88.55, -22.05, 79.6

 

CMYK 3 / 0 / 73 / 2

HEX #F1F944

RGB 241 249 68

HSL 62.65, 0.94%, 0.62%

LAB 94.68, -22.99, 80.09

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 5 / 0 / 84 / 16

HEX #CAD523

RGB 202 213 35

HSL 63.71, 0.72%, 0.49%

LAB 81.98, -22.91, 76.73

 

CMYK 5 / 0 / 92 / 24

HEX #B9C310

RGB 185 195 16

HSL 63.35, 0.85%, 0.41%

LAB 75.69, -21.72, 74.55

 

CMYK 5 / 0 / 100 / 31

HEX #A8B100

RGB 168 177 0

HSL 63.05, 1%, 0.35%

LAB 69.3, -20.33, 70.98

 

CMYK 5 / 0 / 100 / 38

HEX #979F00

RGB 151 159 0

HSL 63.02, 1%, 0.31%

LAB 62.82, -18.71, 65.6

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 0 / 16 / 77 / 9

HEX #E7C336

RGB 231 195 54

HSL 47.8, 0.79%, 0.56%

LAB 79.78, -0.93, 70.45

 

CMYK 0 / 36 / 77 / 9

HEX #E79336

RGB 231 147 54

HSL 31.53, 0.79%, 0.56%

LAB 68.11, 24.4, 59.45

 

CMYK 0 / 57 / 77 / 9

HEX #E76436

RGB 231 100 54

HSL 15.59, 0.79%, 0.56%

LAB 58.39, 48.29, 49.82

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 26 / 0 / 77 / 9

HEX #ABE736

RGB 171 231 54

HSL 80.34, 0.79%, 0.56%

LAB 85.04, -42.83, 73.69

 

CMYK 47 / 0 / 77 / 9

HEX #7BE736

RGB 123 231 54

HSL 96.61, 0.79%, 0.56%

LAB 82.72, -59.07, 70.68

 

CMYK 68 / 0 / 77 / 9

HEX #4BE736

RGB 75 231 54

HSL 112.88, 0.79%, 0.56%

LAB 81.24, -70.8, 68.76

 

CMYK 77 / 0 / 65 / 9

HEX #36E750

RGB 54 231 80

HSL 128.81, 0.79%, 0.56%

LAB 81.02, -72.03, 59.12

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 6 / 0 / 86 / 2

HEX #EBF924

RGB 235 249 36

HSL 63.94, 0.95%, 0.56%

LAB 94.12, -26.45, 87.55

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 5 / 0 / 66 / 16

HEX #CBD548

RGB 203 213 72

HSL 64.26, 0.63%, 0.56%

LAB 82.25, -20.95, 65.54

 

CMYK 4 / 0 / 54 / 24

HEX #BCC35A

RGB 188 195 90

HSL 64, 0.47%, 0.56%

LAB 76.35, -16.92, 51.12

 

CMYK 2 / 0 / 39 / 31

HEX #ACB06C

RGB 172 176 108

HSL 63.53, 0.3%, 0.56%

LAB 70.11, -11.94, 34.35

 

CMYK 1 / 0 / 20 / 38

HEX #9C9E7E

RGB 156 158 126

HSL 63.75, 0.14%, 0.56%

LAB 64.18, -6.31, 16.52

 

CMYK 0 / 36 / 77 / 9

HEX #E79436

RGB 231 148 54

HSL 31.86, 0.79%, 0.56%

LAB 68.34, 23.87, 59.67

 

CMYK 0 / 16 / 77 / 9

HEX #E7C336

RGB 231 195 54

HSL 47.8, 0.79%, 0.56%

LAB 79.78, -0.93, 70.45

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 26 / 0 / 77 / 9

HEX #ACE736

RGB 172 231 54

HSL 80, 0.79%, 0.56%

LAB 85.09, -42.46, 73.77

 

CMYK 46 / 0 / 77 / 9

HEX #7DE736

RGB 125 231 54

HSL 95.93, 0.79%, 0.56%

LAB 82.8, -58.47, 70.79

 

CMYK 6 / 0 / 88 / 29

HEX #AAB515

RGB 170 181 21

HSL 64.13, 0.79%, 0.4%

LAB 70.63, -21.13, 69.25

 

CMYK 6 / 0 / 89 / 15

HEX #CDDA19

RGB 205 218 25

HSL 64.04, 0.79%, 0.48%

LAB 83.54, -24.3, 80.03

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 4 / 0 / 61 / 8

HEX #E1EB5B

RGB 225 235 91

HSL 64.17, 0.78%, 0.64%

LAB 89.94, -21.51, 66.56

 

CMYK 3 / 0 / 47 / 6

HEX #E8F080

RGB 232 240 128

HSL 64.29, 0.79%, 0.72%

LAB 92.15, -18.23, 52.85

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 77 / 0 / 56 / 9

HEX #36E765

RGB 54 231 101

HSL 135.93, 0.79%, 0.56%

LAB 81.22, -69.62, 50.33

 

CMYK 26 / 77 / 0 / 9

HEX #AC36E7

RGB 172 54 231

HSL 280, 0.79%, 0.56%

LAB 48.48, 72.61, -67.15

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 77 / 5 / 0 / 9

HEX #36DBE7

RGB 54 219 231

HSL 184.07, 0.79%, 0.56%

LAB 80.3, -36.45, -17.73

 

CMYK 0 / 77 / 5 / 9

HEX #E736DB

RGB 231 54 219

HSL 304.07, 0.79%, 0.56%

LAB 56.82, 81.67, -46.49

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 77 / 0 / 56 / 9

HEX #36E765

RGB 54 231 101

HSL 135.93, 0.79%, 0.56%

LAB 81.22, -69.62, 50.33

 

CMYK 72 / 77 / 0 / 9

HEX #4136E7

RGB 65 54 231

HSL 243.73, 0.79%, 0.56%

LAB 36.99, 58.32, -86.44

 

CMYK 0 / 77 / 20 / 9

HEX #E736B8

RGB 231 54 184

HSL 315.93, 0.79%, 0.56%

LAB 55.16, 76.88, -29.03

 

CMYK 5 / 0 / 77 / 9

HEX #DBE736

RGB 219 231 54

HSL 64.07, 0.79%, 0.56%

LAB 88.2, -23.93, 77.76

 

CMYK 77 / 0 / 33 / 9

HEX #36E79A

RGB 54 231 154

HSL 153.9, 0.79%, 0.56%

LAB 81.98, -60.82, 25.33

 

CMYK 72 / 77 / 0 / 9

HEX #4136E7

RGB 65 54 231

HSL 243.73, 0.79%, 0.56%

LAB 36.99, 58.32, -86.44

 

CMYK 0 / 77 / 44 / 9

HEX #E73682

RGB 231 54 130

HSL 334.24, 0.79%, 0.56%

LAB 53.21, 71, -0.13

 

Description

Color code: HEX #DBE736 | qconv.com Color code: HEX #DBE736 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 231 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 231 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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