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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE764 it is the complementary color #24189B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE764. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE764 shade: #E0E75F, #F1F972, #FFFF85, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE764. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE764 shade: #DBE764, #CAD551, #B9C33E, #A8B12B and #979F18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE764 shade: #DAE664, #E6CF64, #E6AC64, #E68964 and #E66664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE764 shade: #DAE664, #B7E664, #94E664, #71E664 and #64E67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE764 shade matches the following richer shades: #DAE664 and #E6F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE764 shade: #DAE664, #CFD873, #C3CA81, #B7BB8F and #ABAD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE764 shade: #E6AC64, #E6CF64, #DCE664, #B9E664 and #96E664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE764 shade: #C6D721, #D2E140, #DAE664, #E3EC88 and #EBF2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE764 shade: #DBE764, #64E689 and #BD64E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE764 shade: #DBE764, #64DCE6 and #E664DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE764 shade: #DBE764, #64E689, #6F64E6 and #E664C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE764 shade: #DBE764, #64E6B0, #6F64E6 and #E6649A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 57 / 9

HEX #DBE764

RGB 219 231 100

HSL 65.5, 0.73%, 0.65%

LAB 88.51, -21.35, 61.07

 

Complementary color

CMYK 77 / 85 / 0 / 39

HEX #24189B

RGB 36 24 155

HSL 245.5, 0.73%, 0.35%

LAB 21.56, 47.39, -67.23

 

CMYK 3 / 0 / 59 / 9

HEX #E0E75F

RGB 224 231 95

HSL 63.09, 0.74%, 0.64%

LAB 88.84, -19.71, 63.68

 

CMYK 3 / 0 / 54 / 2

HEX #F1F972

RGB 241 249 114

HSL 63.56, 0.92%, 0.71%

LAB 95.02, -20.25, 62.76

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 5 / 0 / 57 / 9

HEX #DBE764

RGB 219 231 100

HSL 65.5, 0.73%, 0.65%

LAB 88.51, -21.35, 61.07

 

CMYK 5 / 0 / 62 / 16

HEX #CAD551

RGB 202 213 81

HSL 65, 0.61%, 0.58%

LAB 82.24, -20.79, 61.91

 

CMYK 5 / 0 / 68 / 24

HEX #B9C33E

RGB 185 195 62

HSL 64.51, 0.53%, 0.5%

LAB 75.88, -20.12, 62.47

 

CMYK 5 / 0 / 76 / 31

HEX #A8B12B

RGB 168 177 43

HSL 64.03, 0.61%, 0.43%

LAB 69.43, -19.29, 62.52

 

CMYK 5 / 0 / 85 / 38

HEX #979F18

RGB 151 159 24

HSL 63.56, 0.74%, 0.36%

LAB 62.88, -18.25, 61.63

 

CMYK 5 / 0 / 57 / 10

HEX #DAE664

RGB 218 230 100

HSL 65.54, 0.72%, 0.65%

LAB 88.17, -21.26, 60.67

 

CMYK 0 / 10 / 57 / 10

HEX #E6CF64

RGB 230 207 100

HSL 49.38, 0.72%, 0.65%

LAB 83.11, -4.94, 55.18

 

CMYK 0 / 25 / 57 / 10

HEX #E6AC64

RGB 230 172 100

HSL 33.23, 0.72%, 0.65%

LAB 74.35, 13.35, 44.88

 

CMYK 0 / 40 / 57 / 10

HEX #E68964

RGB 230 137 100

HSL 17.08, 0.72%, 0.65%

LAB 66.24, 31.95, 34.9

 

CMYK 0 / 56 / 57 / 10

HEX #E66664

RGB 230 102 100

HSL 0.92, 0.72%, 0.65%

LAB 59.2, 49.56, 25.85

 

CMYK 5 / 0 / 57 / 10

HEX #DAE664

RGB 218 230 100

HSL 65.54, 0.72%, 0.65%

LAB 88.17, -21.26, 60.67

 

CMYK 20 / 0 / 57 / 10

HEX #B7E664

RGB 183 230 100

HSL 81.69, 0.72%, 0.65%

LAB 85.8, -34.81, 57.34

 

CMYK 36 / 0 / 57 / 10

HEX #94E664

RGB 148 230 100

HSL 97.85, 0.72%, 0.65%

LAB 83.87, -47.19, 54.62

 

CMYK 51 / 0 / 57 / 10

HEX #71E664

RGB 113 230 100

HSL 114, 0.72%, 0.65%

LAB 82.39, -57.69, 52.52

 

CMYK 57 / 0 / 47 / 10

HEX #64E67A

RGB 100 230 122

HSL 130.15, 0.72%, 0.65%

LAB 82.22, -58.07, 41.9

 

CMYK 5 / 0 / 57 / 10

HEX #DAE664

RGB 218 230 100

HSL 65.54, 0.72%, 0.65%

LAB 88.17, -21.26, 60.67

 

CMYK 6 / 0 / 65 / 4

HEX #E6F556

RGB 230 245 86

HSL 65.66, 0.89%, 0.65%

LAB 92.93, -24.6, 71.78

 

CMYK 5 / 0 / 57 / 10

HEX #DAE664

RGB 218 230 100

HSL 65.54, 0.72%, 0.65%

LAB 88.17, -21.26, 60.67

 

CMYK 4 / 0 / 47 / 15

HEX #CFD873

RGB 207 216 115

HSL 65.35, 0.56%, 0.65%

LAB 83.76, -17.49, 48.43

 

CMYK 3 / 0 / 36 / 21

HEX #C3CA81

RGB 195 202 129

HSL 65.75, 0.41%, 0.65%

LAB 79.29, -13.69, 35.67

 

CMYK 2 / 0 / 24 / 27

HEX #B7BB8F

RGB 183 187 143

HSL 65.45, 0.24%, 0.65%

LAB 74.57, -8.76, 21.88

 

CMYK 1 / 0 / 9 / 32

HEX #ABAD9E

RGB 171 173 158

HSL 68, 0.08%, 0.65%

LAB 70.19, -3.44, 7.46

 

CMYK 0 / 25 / 57 / 10

HEX #E6AC64

RGB 230 172 100

HSL 33.23, 0.72%, 0.65%

LAB 74.35, 13.35, 44.88

 

CMYK 0 / 10 / 57 / 10

HEX #E6CF64

RGB 230 207 100

HSL 49.38, 0.72%, 0.65%

LAB 83.11, -4.94, 55.18

 

CMYK 4 / 0 / 57 / 10

HEX #DCE664

RGB 220 230 100

HSL 64.62, 0.72%, 0.65%

LAB 88.32, -20.46, 60.88

 

CMYK 20 / 0 / 57 / 10

HEX #B9E664

RGB 185 230 100

HSL 80.77, 0.72%, 0.65%

LAB 85.92, -34.06, 57.52

 

CMYK 35 / 0 / 57 / 10

HEX #96E664

RGB 150 230 100

HSL 96.92, 0.72%, 0.65%

LAB 83.96, -46.53, 54.76

 

CMYK 8 / 0 / 85 / 16

HEX #C6D721

RGB 198 215 33

HSL 65.6, 0.73%, 0.49%

LAB 82.23, -25.59, 77.25

 

CMYK 7 / 0 / 72 / 12

HEX #D2E140

RGB 210 225 64

HSL 65.59, 0.73%, 0.57%

LAB 85.97, -24.31, 72.3

 

CMYK 5 / 0 / 57 / 10

HEX #DAE664

RGB 218 230 100

HSL 65.54, 0.72%, 0.65%

LAB 88.17, -21.26, 60.67

 

CMYK 4 / 0 / 42 / 7

HEX #E3EC88

RGB 227 236 136

HSL 65.4, 0.72%, 0.73%

LAB 90.83, -17.43, 47.33

 

CMYK 3 / 0 / 29 / 5

HEX #EBF2AB

RGB 235 242 171

HSL 65.92, 0.73%, 0.81%

LAB 93.5, -13.32, 33.57

 

CMYK 5 / 0 / 57 / 9

HEX #DBE764

RGB 219 231 100

HSL 65.5, 0.73%, 0.65%

LAB 88.51, -21.35, 61.07

 

CMYK 57 / 0 / 40 / 10

HEX #64E689

RGB 100 230 137

HSL 137.08, 0.72%, 0.65%

LAB 82.44, -55.74, 34.76

 

CMYK 18 / 57 / 0 / 10

HEX #BD64E6

RGB 189 100 230

HSL 281.08, 0.72%, 0.65%

LAB 57.7, 56.48, -51.67

 

CMYK 5 / 0 / 57 / 9

HEX #DBE764

RGB 219 231 100

HSL 65.5, 0.73%, 0.65%

LAB 88.51, -21.35, 61.07

 

CMYK 57 / 4 / 0 / 10

HEX #64DCE6

RGB 100 220 230

HSL 184.62, 0.72%, 0.65%

LAB 81.63, -30.72, -15.1

 

CMYK 0 / 57 / 4 / 10

HEX #E664DC

RGB 230 100 220

HSL 304.62, 0.72%, 0.65%

LAB 62.6, 65.14, -37.98

 

CMYK 5 / 0 / 57 / 9

HEX #DBE764

RGB 219 231 100

HSL 65.5, 0.73%, 0.65%

LAB 88.51, -21.35, 61.07

 

CMYK 57 / 0 / 40 / 10

HEX #64E689

RGB 100 230 137

HSL 137.08, 0.72%, 0.65%

LAB 82.44, -55.74, 34.76

 

CMYK 52 / 57 / 0 / 10

HEX #6F64E6

RGB 111 100 230

HSL 245.08, 0.72%, 0.65%

LAB 49.75, 38.65, -64.86

 

CMYK 0 / 57 / 16 / 10

HEX #E664C1

RGB 230 100 193

HSL 317.08, 0.72%, 0.65%

LAB 61.47, 60.95, -24.48

 

CMYK 5 / 0 / 57 / 9

HEX #DBE764

RGB 219 231 100

HSL 65.5, 0.73%, 0.65%

LAB 88.51, -21.35, 61.07

 

CMYK 57 / 0 / 23 / 10

HEX #64E6B0

RGB 100 230 176

HSL 155.08, 0.72%, 0.65%

LAB 83.15, -48.37, 15.67

 

CMYK 52 / 57 / 0 / 10

HEX #6F64E6

RGB 111 100 230

HSL 245.08, 0.72%, 0.65%

LAB 49.75, 38.65, -64.86

 

CMYK 0 / 57 / 33 / 10

HEX #E6649A

RGB 230 100 154

HSL 335.08, 0.72%, 0.65%

LAB 60.13, 55.75, -4.11

 

Description

Color code: HEX #DBE764 | qconv.com Color code: HEX #DBE764 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 231 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 231 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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